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Album Review – Recorded At The Automat: The Best Of Rough Trade Records

Rough Trade at the automat

Various Artists -’Recorded At The Automat: The Best Of Rough Trade Records’ (Rough Trade Shops)

The legendary Rough Trade record shops in London have been putting together awesome compilations for well over a decade now – and it was surely only a matter of time before they came up with one that focused on the label that grew out of the original shop (though shop and label have been separate for many years now).

The band that took Rough Trade into the bigtime were, of course, The Smiths. It’s quite telling that the Smiths’ contribution here is a b-side, ‘London,’ which shows how shop and label tended to think out of the box and of course, just how wonderful The SMiths were during their brief four year run of making records.

There’s some wonderful records that may have passed many of us by (Rainy Day’s take on ‘I’ll Keep It With Mine’), and records that are well-known (Scritti Politti, The Strokes and Pete Doherty is represented by both the Libertines and Babyshambles). There’s a nod to a number of the great Scottish artists that have been on the label over the years – Belle & Sebastian, Life Without Buildings, The Prats and Motorcycle Boy, though it’s criminal that Aberfeldy are missing. There are tracks from the lies of Antony and the Johnsons, The Fall and The Pop Group which show (amongst many others) how Rough Trade understood that indie music was -and still is, to those of us of a certain age – about being independent in your approach to making music as much as how it was released.

I could list numerous artists who’ve been on the label – but that might end up serving as more of a criticism than I intend this to be. The reality is that this is a very comprehensive overview of a wonderful label that over nearly forty years has helped discover unknown and original talent and help them reach a wider audience. Sure, you’d hope any label would do this, but they’ve managed to do it with style and panache. Mostly!


Recorded At The Automat: The Best Of Rough Trade Records is out now on Rough Trade Shops

Album Review – Alabama Shakes

Alabama Shakes

Alabama Shakes -’Sound & Color’ (Rough Trade)

Three years on from their debut album Boys & Girls, Alabama Shakes are back with an excellent follow-up in Sound & Color. Three years between your debut and sophomore album is hardly unusual these days (once it would have lead to ‘where are they now-type articles!) but it’s clear that the time has been well-spent.

What Brittany Howard and the boys have managed to do is to produce an album that follows on from their debut record, but delves into more areas, so it is obvious from the off that this is not merely Boys & Girls Mk 2. It has been described elsewhere as being a more kaleidoscopic record, and that’s something I’d agree with. It’s got a lot of influences that draw from what us Brits might see as music from the American south – soul, funk, blues and gospel, played witha garage attitude and with a touch of Prince.

Whilst their debut’s opening track ‘Hold On’ came on like an anthem (and there’s fewer anthems on this album), it’s more the case here that the album’s opening title track is more of a mission statement for this record. And from there to ‘Don’t Wanna Fight’ right through to the final two tracks, the six and a half minute ‘Gemini’ and the closing ballad ‘Over My Head’ this is an album that shows the band continuing to grow and set their horizons ever wider, their sights ever higher.


Sound & Color is out now on Rough Trade.

Album Review – Alan Vega & Revolutionary Corps Of Teenage Jesus (re-issue)

Alan Vega & Revolutionary Corps Of Teenage Jesus -’Righteous Lite’ (re-issue) (Creeping Bent)

Originally released in 1999, this collaboration between Suicide frontman Vega and Stephen Lironi (originally of Altered Images, later Creeping Bent’s in house remixer) is reissued to celebrate the label’s 20th anniversary. The collaboration happened after a RCTJ remix of Suicide’s legendary and not a little unsettling ‘Frankie Teardrop.’

Suicide’s self-titled debut album in 1977 was so out-there and so confrontational that it out-punked the punks (check out the legendary ’23 Minutes Over Brussels’ for a gig that ended in a riot) and it still sounds way ahead of it’s time all these years later. It’s impossible to listen to this album without being reminded of it, because Vega’s vocals sound the same and the music is underpinned by the same basso continuo ultra-minimal keyboards and drum machines – but also into the mix come rather nineties dance influences which have dated rather less well, and interesting samples of what sound like religious rallies. It’s as if the Suicide debut, My Life In the Bush Of Ghosts and Primal Scream’s Vanishing Point had mutated.

While it probably doesn’t sound as radical as it would have done at the time of its’ release, tracks like ‘Money Day’ and ‘Pay The Wreck, Mr. Music Man’ give an insight into a project that has much to recommend it, particularly for fans of both acts.


Righteous Lite is out now on Creeping Bent

Presenting…Astrid’s Tea Party

Astrid's Tea Party

Astrid’s Tea Party are a four-piece from Brighton, led by Astrid (and who seems reluctant to reveal who the rest of the band are!) They are shortly (May 18) to release their second single ‘Black Swan’ which is a fantastically dark electro number:

Their previous single was the equally good (though rather more upbeat) dance number ‘What’s In It For Me?’

Comparisons have been made with Charli XCX and Sky Ferreira…see what you think and let me know!



London four-piece Gengahr are Felix Bushe (vocals and guitar), Hugh Schulte bass), John Victor (guitar), and Danny Ward (drums and vocals). Signed to Transgressive Records they are shortly to release their debut album A Dream Outside on June 15. On the evidence of what their soundcloud reveals, they are more than just another four-piece indie guitar band indebted to nineties acts.

This is their current single ‘Heroine’:

The artwork for the album can be seen below, along with the tracklisting for the album
Gengahr album

1. Dizzy Ghosts
2. She’s A Witch
3. Heroine
4. Bathed In Light
5. Where I Lie
6. Dark Star
7. Embers
8. Powder
9. Fill My Gums With Blood.
10. Lonely As A Shark
11. Trampoline

You can hear some of the other tracks from their debut album below:

For details of live dates please see the Transgressive website

Interview – Zohara


Zohara takes time out to answer the 17 Seconds’ questionnaire

Where are you and what’s the weather like?

I’m in Tel-Aviv and it is spring now. The best weather you can imagine, the sun is out and there’s a cool breeze. It seems like everyone is even more desperate to fall in love.

What’s your favourite record in the charts?
Panda Bear Meets The Grim Reaper and Vulnicura of Bjork.

What are your favourite films?

The Grand Budapest Hotel- Wes Anderson , Dogville – Lars von Trier, A woman is a Woman – Godard, North by Northwest- Hitchcock, Chaos- Coline Serreau and many many others..

What are your favourite books?

The Unbearable Lightness of Being- Milan Kondera, Crime and Punishment- Fyodor Dostoyevsky, History: A Novel- Elsa Morante.

What are your favourite TV programmes?

To be honest, my favorite series are Israeli, too bad you can’t watch them :) But of course I’m a fan of Girls and Breaking Bad, MadMen I love Skin as well.. but I’m trying not to watch too many of them cause it’s addictive and there are not enough hours per day..

What was the first record you bought and where did you buy it from?

The Bends, Radiohead, it was during a trip with friends in south Israel.

What is your least favourite record that you have made, and why?

It’s my first album, so too soon to tell :)

Do you believe in God?


Which football team do you support?

I’m really not into football sorry… :/

Do you have any pets?

Yes, I have a brilliant dog named Charlie.

Who would you want to play you in the film of your life?

Audrey Tautou

Vinyl, CD, Download or stream?

Download, but pay for it!

When was the last time you cried?

I cry very often, so apparently it was last night when I read an article my little sister wrote about sexual harassment.

What’s the best cover version you have ever heard?

James Blake- Limit to your love, without thinking twice.

What’s the strangest thing that has ever happened at one of your own gigs?

It wasn’t my own gig though, but when I was serving in the army I was a lead singer in a military band, and in one of the shows in front of tens of soldier, commanders and members of the Israeli parlament, while singing the national anthem, I burst out with laughter. I’m a bit proud of it anyway..

Have you ever been starstruck?

Not really…

What is your culinary speciality?

Unfortunately I’m a very bad cook and a vegan also, so I mostly just put some vegetables in the oven and that’s pretty much the best I can do.

The Royal Family: should they stay or should they go?

They should go!!! How come people still buy this bullshit??

If you weren’t doing this, what would you like to be?

I guess an acupuncturist.

What were you like at school?

Sometimes very friendly and open but then also long periods of withdrawn in myself and confused..

If you could change one law, what would it be?

I think birth control pills should be illegal.

Which decade would you have most liked to have lived in?

In the 20s, when people could really live from their art, and everything was more naive and romantic.

‘Bass and Drum’ is out now via Zohara’s bandcamp

Album Review – Villagers


Villagers -’Darling Arithmetic.’ (Domino)

The third album from Villagers, Darling Arithmetic, is once, again, a gorgeous, well-crafted affair. Following on from Becoming A Jackal and Awayland, Conor O’Brien has come up with another, quieter triumph. Though live Villagers perform as a band, the album was written, recorded, produced and mixed by O’Brien at his home in Malahide, north of Dublin (and where The Edge of U2 once lived, fact fans).

For many artists, starting an album with a song as gentle as ‘Courage’ might be a risky proposition, but in the hands of Conor O’Brien, it comes off well, for what is an intimate, but by no means soft ride. O’Brien has started talking more openly about being gay, and as much of this album is about love, it’s also about learning to love yourself. On Courage he tells us ‘It took a little time to get where I wanted, It took a little time to get free / It took a little time to be honest,It took a little time to be me.’ And for anyone growing up -regardless of age, class, gender, sexuality etc.. and trying to figure out who and what they are in the world -these words surely ring true.

He takes on the homophobes on ‘Hot Scary Summer’ and with titles like ‘Little Arithmetic’ and ‘So Naive’ you might wonder if this is going to end up getting to be an uneasy ride. But the talent of O’Brien’s songwriting, lyrics and music, is that this is a world that is open to all. It’s been great to see Villagers’ profile continue to rise over the past five years and I see no reason why this shouldn’t continue on the strength of this album.


Darling Arithmetic is out now on Domino

A song for today #8

Franz Ferdinand Sparks

Franz Ferdinand and Sparks have teamed up for an album together as FFS, which will be released on June 8.

The first official single from the album is entitled ‘Johnny Delusional’ which you can stream below:

The first track to be released from the album was ‘Piss Off,’ which again you can stream below:

The album tracklisting is as follows:

‘Johnny Delusional’
‘Call Girl’
‘Dictator’s Son’
‘Little Guy From The Suburbs’
‘Police Encounters’
‘Save Me From Myself’
‘So Desu Ne’
‘The Man Without A Tan’
‘Things I Won’t Get’
‘The Power Couple’
‘Collaborations Don’t Work’
‘Piss Off’

Meanwhile, you can read details about their forthcoming tour here

A song for today #7


I’ve actually had quite a nice day, thanks for asking – but sometimes, regardless of your mood, what you want is a snarling, raging beast of a song.

And ‘Spit You Out’ from Metz’s forthcoming sophomore album, entitled Metz II hits the spot very nicely indeed, thank you. This is one to be cranked up very loud, whilst playing air guitar and screaming (either in you head or out loud, it doesn’t matter which). Metz’s debut album came out in 2012 (and made my end of year list) so this is an album I’m definitely looking forward to.

If that hit the spot for you, the video below (not the video, apparently, according to YouTube) is the opening track on Metz II:

Metz II is released by Sub Pop on May 4 and the album tracklisting is as follows:

1. Acetate
2. The Swimmer
3. Spit You Out
4. Zzyzx
5. IOU
6. Landfill
7. Nervous System
8. Wait in Line
9. Eyes Peeled
10. Kicking a Can of Worms

Album Review – Brian Wilson

Brian Wilson No Pier Pressure

Brian Wilson -’No Pier Pressure.’ (Virgin/EMI)

Brian Wilson is a legend. Without him and Paul McCartney trying to outdo each other with the Beach Boys and the Beatles respectively (just in case you’ve been under a rock, for forever) over the course of the sixties, that decade could have turned out to be very different musically. And while like a lot of very talented people he’s had to confront a lot of demons, there can be no doubt that he’s a supremely talented musician.

So how does his eleventh solo album measure up? Well, leaving aside the rather cringeworthy pun of the title (unless that’s an oblique reference to the fact he wasn’t into surfing), there are some great bits on this album. The opening ‘This Beautiful Day’ is only ninety seconds long, but the 60s Beach Boys harmonies meeting 1950s smoky jazz and is simply stunning, and it’s an example of Wilson’s utter genius that he does more with these ninety seconds than some artists do with an entire lifetime. And the album is also bookended with the appropriately titled ‘Last Song’ which stays just the right side of schmaltz, and might just be the best thing on here.

It doesn’t all work. ‘Runaway Dancer’ a collaboration with Sebu, and ‘Don’t Worry’ see him flirting with disco, of the ultra-watered down variety, rather than the Nile Rogers-helmed goldlike variety. ‘Whatever Happened,’ which is in part a collaboration with Beach Boy Al Jardine is classic Wilson in terms of form and style, and yet not, somehow, ultimately in the final result.

But there’s a number of excellent songs on this collection which make it worth investigating, such as ‘Our Special Love,’ ‘Sail Away’ and ‘Tell Me Why’ which demonstrate that fifty years on, he most definitely still has got it. Like a lot of albums ever since the advent of CD, this album may be a little long, but that shouldn’t stop you checking out the songs within.


No Pier Pressure is out now on Virgin/EMI.