Album Review – Can: The Singles (Mute)

Album Review: Can

can-the-lost-tapes

Can -‘The Lost Tapes’ (Mute)

Quite often, compilations of ‘lost’ music or demos can present an all too obvious and uncomfortable truth: that the music contained within is simply not good enough to have made it onto regular albums and is simply released for completists. It is, therefore, very much a relief to be able to say that these three CDs of material very much deserve to see the light of day, and have some utter gems contained within. They were recorded between 1968 and 1977 and were compiled by Can keyboardist Irmin Schmidt and Mute head honcho Daniel Miller.

It’s not that there aren’t a few tracks that the world might not have missed. ‘Evening All Day’ and ‘Buble Rap’ (yes, ‘Buble’) have some wonderfully atmospheric parts while at other times descend into self-indulgent tosh. ‘Blind Mirror Surf’ is particularly trying.

But there are so many wonderful songs on here. The opening ‘Millionspeil’ with its flutes and jazzy feel. Excellent live version of ‘Spoon’ and ‘Mushroom.’ The insanely named ‘Dead Pigeon Suite’ is beautiful for six and a half minutes and then suddenly gets even funkier than ‘I Want More’ and goes like a Germanic James Brown. Other highlights include ‘Oscura Primavera’ ‘Your Friendly Neighborhood’ and ‘Midnight Sky.’

Inevitably, it may not be the best place to start for those new to Can (may I suggest Future Days or Tago Mago?, but it is a fascinating document that definitely reveals so much of what this fantastic band produced.

****

The Lost Tapes is out now on Mute.

Christmas 2011 Posts #8

mark-e-smith

Whatever your views on religion, chances are if you grew up in the UK, at some point you went to a Christmas Carol Concert.

And much as I would no more wish to hear tuneless singing of these perennial favourites than many of you will, Christmas Eve’s essential soundtrack has got to include Carols from King’s College, Cambridge to hear them done well.

So, for today’s post, a selection of half a dozen songs you might hear at a Christmas concert done in the bands’ own inimitable styles. There may be many more of these out there, though I drew the line at posting Cliff Richard’s version of ‘O Little Town Of Bethlehem’ or Bros doing ‘Silent Night.’ There’s post-modernism and then there’s being stupid.

Can -‘Silent Night.’ mp3

Belle and Sebastian -‘O Come, O Come Emmanuel.’ mp3

Bare Naked Ladies and Sarah McLachlan -‘God Rest Ye Merry Gentlemen.’ mp3

Blondie -‘We Three Kings.’ mp3

Fall -‘Hark! The Herald Angels Sing.’ mp3 {Mark E. Smith above)

Camera Obscura -‘Little Donkey.’ mp3

Christmas posts part 21

william-s-burroughs

For today, some slightly more avant-garde/off-beat type offerings for you.

As an antidote to anodyne Christmas offerings, I wandered into town with the Cure’s Faith on my headphones. Which was perfect, until the batteries ran out. Life without an iPod (waiting to have it fixed AGAIN) can be very frustrating.

Sonic Youth -‘Santa Doesn’t Cop Out On Dope.’ mp3

William S. Burroughs & Kurt Cobain ‘Quiet Waters.’ mp3

Basement 5 -‘Last White Christmas.’ mp3

Daniel Johnston -‘Rockin’ Around The Christmas Tree.’ mp3

Can -‘Silent Night.’ mp3

memo to self: DO NOT go into town on the last saturday before Christmas…