A Great, Lost Single #2

Kate Bush-‘Rocket Man (I Think It’s Going To Be A Long, Long Time)’/’Candle In the Wind.’ (1991)

In 1991, a compilation was released featuring the songs of Elton John and Bernie Taupin. Amongst it’s contributors were many whose continued existence flew in the face of everything that punk rock had stood for (Clapton, Rod Stewart, Phil Collins etc..) but one name shone bright above the stodge. Kate Bush.*

Bush had long been an admirer of Elton John, and understood – as I hope you do – that the man has written some fantastic songs. Whatever else is written about the man, in his lifetime he has written songs that are fantastic. Sure, he’s been responsible for some drivel (Nikita, Runaway Train, Can You Feel the Love Tonight, Candle in the Wind ’97 was abominable, but then at least Elton didn’t jump the shark after his second album (hello Oasis)). So, given that an up to date Kate Bush best of has yet to appear (yes, I know there was The Whole Story, but that was 1986) I present the two covers she recorded. Oh, and a fanastic Elton Song, that made the soundtrack of Almost Famous, and was also covered by Ben Folds.

Kate Bush-‘Rocket Man.’ mp3

Kate Bush-‘Candle In The Wind.’ mp3

Elton John-‘Tiny Dancer.’ mp3

These links will be up for one week only. Enjoy, and if you like what you hear, support the artists through your local record shop.

* The album in question was called Two Rooms. I don’t own it.

Underrated albums #8: Suede " Dog Man Star" (1994)

Granted, this may seem like the oddest one to put in this ongoing series, given that there are people out there who really love this album. It’s my favourite album of the nineties, and I know others who feel as strongly. Yet there are those who have dismissed it. Q magazine listed it in the 100 top follies of all time. I don’t see it in those lists of ‘Greatest albums ever as voted for by a handful of people who are persuing an agenda.’ Oh, the band were not terribly keen on it either.

For a time in the early nineties, Suede were the indie band. They were covered by Morrissey – debut single ‘The Drowners’ b-side ‘My Insatiable One’ was in his set before many people had even heard of Suede, and singer Brett Anderson was interviewed with David Bowie very quickly. Their debut eponymous album enetered the album charts at no.1 in the spring of 1993, and the band swept readers and writers’ polls.

Then 1994 happened. Kurt Cobain took his own life, Blur released Parklike and a former roadie for the Inspiral Carpets called Noel Gallagher emerged with his little brother Liam in a band called Oasis.

Not only did Suede suddenly have competition to their crown as the brit band, but there was trouble inside the Suede camp. Shortly before the release of Dog Man Star, guitarist Bernard Butler walked out (he has had an interesting and varied career subsequently, which probably should be the subject of a post at 17 Seconds some other time). He was replaced by schoolboy Richard Oakes
who would be with the band until their demise at the end of 2003.

It’s a pity all this overshadowed the relase of what is a stunning album. Lushly orchestrated, and with Brett Anderson’s fantastic lyrics. The album was darker than their debut (a friend of mine once pointed out that had this album come out in 1984, Suede would have been considered a ‘goth’ band). Tales of isolation in suburban life, love, and being young…as well as hints of drug use, which would only be explained in subsequent years. ‘The 2 of Us’ is the album’s highpoint, but the clser ‘Still Life’ was the sound of a band at the height of their powers. Brett Anderson eventually accepted it was the fans’ favourite album by the final tour, and when the band played the album in its’ entirety in London in 2003, tickets were changing hands for £1000.

On a personal level, seeing Suede on the tour in early 2005 at the Leicester De Montford Hall was the start of regular gig-going, and the t-shirt is still worn with pride twelve years later.

The album had three hits, but impressively, the epic tracks could have been singles too. For your enjoyment, I recommend the following non-album cuts, before going to buy the album from an independent record shop (Amazon only have one copy in stock at the time of writing).

Suede-‘Heroine.’ mp3

Suede-‘The 2 of Us.’ mp3

Suede-‘Still Life.’ mp3

These mp3s will be up for one week only, but you really need this album in your life.

A Great, Lost Single #1

A possible new series at 17 Seconds.

Say what you like about Britpop-and it’s been analysed many times over the last deacde and nearly a half-but the bands understood the point of the single. Including-and this was perhaps a sign that they hadn’t all forgotten their ‘indie’ roots- the inbetween albums single. Not to be included on any album until the greatest hits/best-of album. Oasis first used lots of strings without getting syrupy on ‘Whatever’ in late 1994, when (What’s the Story?)Morning Glory was still nine months off release. Suede showed hints of epicness (but about the only hint of what their second album might be like with ‘Stay Together.’ Blur had been around for a little longer, and got theirs out of the way with ‘Popscene’ in early 1992 (and refused to put it on their greatest hits in 2000).

The Boo Radleys delivered a wonderful ballad called ‘From the Bench At Belvidere’ in Autumn 1995 (in the UK, anyway). It’s not poppy enough to belong on Wake Up! and not mad enough to have been on C’Mon Kids. It is still very, very lovely and almost forgotten about. But hey. Instead of a celebratory ‘School’s Out!’ (term finished for six and a half weeks today. Hooray), let’s have something beautiful. Oh, and one of the b-sides, obviously.

Boo Radleys-‘From The bench At Belvidere.’ mp3

Boo Radleys-‘Almost Nearly There.’ mp3

‘From The Bench At Belvidere’ is available on the recent ‘Best Of’ relased on Camden in the UK. Buy it here but try and see if your local independent record shop has it in first. These links will be up for one week only.

Wiley-King Of Grime?

Ok, I’m going to be honest. I’m not an expert by any means on Grime, so if you’re hoping for a deep insight on MCs, then you have come to the wrong place. However, I know what I like, and frankly the stuff I have heard from Wiley is fabulous. I have struggled to find a decent picture to post, so apologies.

However, last month, Wiley made the front cover of The Wire, and has a new album out, Playtime Is Over. I picked up a recent 12″ ‘5050/Bow-E3’ and have now a few mp3s for your pleasure, bought from emusic, as well as an earlier track from 2004, courtesy of The Wire website (which is fast becoming my favourite magazine and associated website).

Wiley-’50/50′ mp3

Wiley-‘Bow E3.’ mp3

Wiley-‘Flyboy.’ mp3 all from Playtime Is Over

Wiley-‘Ground Zero.’ mp3

As always, these mp3s will be up for one week only. If you like what you hear, go and buy the album, preferably from an independent record store. And let me know what you think!

In memory of Fopp

(This is meant to represent the sun setting on Fopp. :-(( )

Frankly gutted by Fopp’s closure but if you want to try and do something, then there is a MySpace site: www.myspace.com/helpsavefopp

Have been trying to work out what songs remind me of Fopp, whether it was things that I bought there as a customer, or remember from working there.

Seven years of going makes it too hard to narrow it down that much, but this is a selection. As always, if you like what you hear, go and support your local shop, we do not need any more repeats of this.

Battles-‘Atlas.’ mp3

Futureheads-‘Hounds Of Love.’ mp3

iLIKETRAINS-‘Spencer Perceval.’ mp3

Justice-‘Waters Of Nazareth.’ mp3

The View-‘Superstar Tradesman.’ mp3

It would be more but I am just about to exceed my bandwith, so more on this very soon! And yes, I may have posted these before, but hey…

Some Covers For Monday

The photo above is one of the stock photos on my computer. It may be July now, but in Scotland it is still raining and still cold. Grrr. Or should that read Brrr?

Anyway. Here are some cover versions for Monday. These tracks were originally recorded for Radio 1, Some on a compilation called Evening Session Priority Tunes and the rest are from a compilation called Radio 1’s Live Lounge.

Oh, and in case anyone wants to pick on the spelling of the Nirvana cover, that’s what it says on the sleeve…

Manic Street Preachers-‘Penny Royalty.’ mp3

China Drum-‘Wuthering Heights.’ mp3

Ash-‘Does Your Mother Know.’ mp3

Arctic Monkeys-‘Love Machine.’ mp3

The Automatic-‘Gold Digger.’ mp3

Boy Kill Boy-‘Maneater.’ mp3

Franz Ferdinand-‘What You Waiting For?’ mp3

If you like what you hear, track down the compilations, be it at your local independent record store, or buy on-line or at Amazon

As always, these will be up here for a week. Get them while you can.