Great scottish bands #4: Motorcycle Boy

For the second post in a row, I am completely indebted to Tom over at Indie mp3 for providing me with the mp3s to make this post.

Motorcycle Boy came together of members of Meat Whiplash and Alex Taylor, lead singer of The Shop Assistants, a band I have banged on about repeatedly on here. The line-up of Motorcycle Boy was:

Alex Taylor (vocals), Michael Kerr (guitar), Eddy Connoly (bass) Paul McDermott (drums) and David ‘Scottie’ Scott (guitar). Their first single was released by Rough Trade, then they signed to Chrysalis. They recorded one John Peel session and that year their debut single ‘Big rock Candy Mountain’ reached no.22 in the annual Festive Fifty conducted by listeners to John Peel’s show. None of their singles charted in the UK, and were not released in the US. Their only album was shelved…but I remain convinced that Motorcycle Boy are one of the great scottish bands, and a proper re-issue programme should be set in place.

The singles were as follows:

‘Big Rock Candy Mountain’ 12″ single

1.’Big Rock Candy Mountain (Velocity Dance Mix).’ mp3
2.’Room At The Top.’ mp3
3.’His Latest Flame.’ mp3
4.’Big Rock Candy Mountain (7″ mix).’ mp3

‘Trying To Be Kind’ 12″ single

1. ‘Trying To Be Kind (extended mix).’ mp3
2. ‘World Falls Into Place.’ mp3
3. ‘Will You Love Me Tomorrow.’ mp3
4. ‘Trying To Be Kind (1000cc version).’ mp3

‘You And Me Against The World.’ 12″ single
1. ‘You And Me Against the World.’ mp3
2. ‘Under The Bridge.’ mp3
3. ‘Some Girls.’ mp3
4. ‘You And Me Against the World. (extended mix).’ mp3

(Note: the last two singles were due to be on the band’s album, Scarlet, which never appeared.)

‘The Road Goes On Forever.’ 12″ single

1. ‘Starlight.’ mp3
2. ‘Starlight (Paradise a go-go mix).’ mp3
3. ‘The Road Goes On Forever (Overdrive Karma mix).’ mp3
4. ‘Salvation.’ mp3
5. ‘The Road Goes On Forever.’ mp3

‘Here She Comes’ 12″ single

1. ‘Here She Comes.’ mp3
2. ‘Everything I See.’ mp3
3. ‘The Road Goes On Forever (live).’ mp3

After this, the band added ‘Fitzpatrick’ became One Note Jam, who issued a further 12″ single and then the band split. Alex became a real shop assistant, working for the Virgin Megastore in London.

BONUS: Taken from the cd86 compilation (well-worth your hard-earned cash, IMHO) , this is Meat Whiplash’s single ‘Don’t Slip Up.’

Meat Whiplash -‘Don’t Slip Up.’ mp3

If you want more info on scottish bands, Jocknroll is THE place to start.

Finally, if anyone has the Shop Assistants or Motorcycle Boy Peel sessions, could they get in touch, please?

More Shop Assistants

The Shop Assistants do seem to generate a lot of interest when I post them here, as indeed they should.

I took a friend round Edinburgh today for record shopping, and he bought both the Shop Assistants 12″ singles I posted at the end of last week (see! Blogs help people buy music, not prevent it). Then I got home to discover that Tom who writes this fantastic Shop Assistants page that is essential if you’re at all into the band had sent me both tracks from the flexi disc that came with the Box Set of the ‘Here It Comes’ single.

Despite my best efforts, I have yet to get my hands on this (that’s a heavy hint to those nice people at a certain record shop in Edinburgh) but I post it here courtesy of Tom. Thank you, kind sir.

Shop Assistants -‘You Trip Me Up.’ mp3 (yes, the Jesus and Mary Chain track)

Shop Assistants -‘The Other One (live).’ mp3 (Not aware of this in any other form).

Oh, does anyone have the song ‘Respectable’ the stones song that they covered? Please?!

Love Vigilantes

John Peel with Laura Cantrell, one of his favourite people

Sometimes, there are some cover versions that completely revisit the original to such an extent it completely rewrites the song almost.

One of those is ‘Love Vigilantes’ by New Order, originally on their Lowlife album, and covered this year by Laura Cantrell on her latest album Trains And Boats And Planes. Eighties electro-indie goes new country? Don’t knock it ’til you’ve heard it…

New Order -‘Love Vigilantes.’ mp3

Laura Cantrell -‘Love Vigilantes.’ mp3

…and don’t forget to let me know what you think.

Album Review: Jaguar Love

Jaguar Love -‘Take me To The Sea.’ (Matador)

Jaguar Love are the three piece formed from the ashes of two of Alternative music’s favourites early noughties favourites, Blood Brothers and Pretty Girls Make Graves. Whilst there are echoes of those bands, this is something new on its’ own, which should see them win plenty of new fans. This album has been played several times since Matador sent it to me, and like all the best albums, each time I play it, I hear something new.

Initially, it sounds like a very exciting noise, perhaps like the Mars Volta (themselves formed from the ashes of a much-loved earlier band) but easier to get into. But with every play, forty minutes worth of music becomes more thrilling, more exciting, more infectious and more necessary.

Songs like ‘Bats Over The Pacific Ocean’ and the first single ‘Highways Of Gold’ draw you in. It’s not dance music, but it makes you want to dance. And there’s an interesting hint of…bloody hell, it’s GLAM ROCK! Not the 80s Sunset/LA metal variety, but the 70s Real mcCoy, as pioneered by Marc Bolan, whose influence is all over this album.

Jaguar Love have been touring with Queens Of the Stone Age in America this year. But while they seem to have gone off the boil, to these ears at least, this trio from Portland, Oregon sound like an unstoppable force. Expect to see this clear up in those end of year polls.

****

Take Me To The Sea is relased by Matador on August 18.

Jaguar Love -‘Bats Over The Pacific Ocean.’ mp3

Jaguar Love -‘Highways Of Gold (single edit).’ mp3

Jaguar Love at Matador Records/ Jaguar Love’s MySpace page

Album Review: Yazoo

Yazoo -‘In Your Room.’ (Mute)

1982, Britain. Bloody hell. Despite the fact that the country was politically in a horrendous place, going to war (in part of the world that Britain had forgotten about until it suited the ruling Conservative party to go to war over it and cover up just how despised leader Margaret Thatcher had been at that point), an opposition party that was shooting itself in the foot, the Cold War still stretching on, America no better either… at least Britain had something exciting going on musically. I was only five for much of it, so I cannot claim to have been doing much to help politically (It would all have been bloody different, I’m telling ya!) but I still feel, over quarter of a century later that I would have loved to have been involved in the music of the time.

Punk had long gone back underground, post-punk was starting to wither on the vine (but it had been a few glorious years), the Independent music scene was blossoming, and ‘pop’ music was actually seen as something to aspire to. People like the Associates, The Human League -and their offshoot, Heaven 17, Orange Juice, Scritti Politti were some of those who had come out of the post-punk scene, but were showing that ‘pop’ could be something intelligent and stylish. From Basildon in Essex, four boys in a band called Depeche Mode had been signed to Daniel Miller’s Mute label (one of the great independent labels, which would remain so, until this decade). One of them, a keyboardist called Vince Clarke, was mostly responsible for writing Mode’s debut LP Speak and Spell.

Within a very short space of time, Vince wasn’t happy in the Mode and went off on his own, slightly miffed that the rest of the band were not interested in a tune he’d written called ‘Only You.’ He teamed up with a girl he’d known for a long time in Basildon called Alison Moyet…and for fifteen months and two LPs, they were Yazoo. (Yaz in America).

The first of those two albums, Upstairs at Eric’s, is the first disc of this three CD and one DVD box set. It has dated amazingly well, and this is due, surely, not just to the fact that it has been remastered, but the fact that this was truly amazing and groundbreaking pop music. Also, to the fact that opposites attract. Alison Moyet had advertised for a blues band in Melody Maker, and ended up getting together in a duo with the boy she’d known from music school. vince was a boffin, who knew his keyboards, even if he couldn’t play piano. It didn’t matter, Alison could. The cover, with its’ mannequins looks stylish still, an aesthetic reminder that for a time being indie and pop was not oxymoronic.

Did I mention the songs? ‘Only You’ and ‘Don’t Go’ made both the Top Ten and John Peel’s Festive Fifty, securing them several appearances on Top Of The Pops. (All of the seven appearances they made on that legendary institution are included on the DVD). But there’s so much more than just the singles. Songs like ‘Winter Kills’ which like Japan’s ‘Ghosts’ is goth just before goth started to happen, and ‘Goodbye 70s’ which could have been a single. Then there’s the utter insaneness of ‘I before E Except After C’ which could give the Aphex Twin a few lessons in weird electronica and ‘In Your Room’ which still startles. The best way that music can keep changing is to get startling music into the mainstream. This was the year that Japan’s ‘Ghosts’ became their biggest hit. Is it just possible that the charts were more open to innovation back then?

After an inbetween albums single ‘The Other Side Of Love’ Vince and Alison set to work on their sophomore and final LP, You And Me Both. Separately. As they say in their interviews on the DVD, they weren’t communicating properly, and they’d parted company by the time the album was in the shops. The fighting dalmations shot on the front of the LP sums up the situation in the band at the time. A shame, because whilst it’s not quite as startling as …Eric’s, it’s still a sound reminder of how good the songs were, and what made the partnership special. The opening track ‘Nobody’s Diary’ was another huge hit, and tracks like ‘Anyone’ and ‘And On’ as heartrending a ballad as anything on the first album.

As well as the two remastered albums, the box set includes a third CD of remixes (twelve tracks, of which five are ‘Situation’ the b-side that became a club hit in America and a chart in hit the UK in 1990) and a DVD. The DVD features a documentary with contributions from both Vince and Alison, Andy Bell, Mute label boss Daniel Miller and (somewhat inevitably) Paul Morley. It’s illuminating, watchable and well put together. It also features all the videos they ever made, and all their BBC TV appearances. For a band who were only together for fifteen months, they appeared on Top Of the Pops seven times. No mean feat.

As to what happened afterwards, Alison took that voice and had a very successful solo career. Vince formed the Assembly, who had a one-off hit with the Feargal Sharkey-voiced ‘Never Never,’ before forming Erasure with Andy Bell. And people still kept comparing Andy Bell to Alison for many years after. Now Yazoo have reformed for live dates, but what’s impressive is that they are not on the chicken in a bsket circuit, but playing huge venues both in Europe and the US. They are recognised as pioneers, not as musicians desperate for a comeback at any price, and that’s exactly how it should be.

It’s worth bearing in mind also that Upstairs At Eric’s predates New Order’s Power, Corruption and Lies and The Cure’s singles like ‘Let’s Go To Bed’ and ‘The Walk.’ And also that Goldfrapp are signed to Mute. And that you can hear so much of the sound that Yazoo pioneered in so many places in 2008, LCD Soundsystem, Hercules and Love Affair, MGMT…

I was genuinely excited when Mute sent me this box set to review. But on the quality of these discs, I would have happily bought it. If you love dance or electronic music, hear the roots of it here. On the evidence of this, Yazoo were amongst the people who blazed the trail for many who followed.

****1/2

These remixes appear on Yazoo’s official page. You need to hear them.

Yazoo – ‘ I before E Except After C (2 3 remix by Subway Collective).’ mp3

Yazoo -‘Nobody’s Diary (Origin Of Essex remix).’ mp3

Yazoo -‘Ode To Boy (Ama das shadow remix).’ mp3

Yazoo -‘Winter Kills (Electronic Periodics dub mix).’ mp3

Yazoo’s official website (loads more music here)/Yazoo mySpace/more links here

Presenting…Woven

The five-piece above are America’s Woven. They are responsible for making some seriously weird and wondeful stuff that seems to be getting press and bloggers alike frothing with excitement. This is down to the heady mix of electronics and rock which has been getting excited comparisons to those who have gone before. They have been described as Massive Attack and Squarepusher writing pop songs, and similarities with shoegazing and trip-hop. More than one review has mentioned it in tones of awe and compared their forthcoming album with that alternative highlight, Radiohead’s Kid A.

Woven were previously signed with Interscope, but are now going it alone. In this day and age this seems to be the way forward for many artists who realise this is the way to get control over their music and how the public perceive it. Contrary to perhaps how the men with chequebooks perceive it, there was music before there was a music industry, and there will continue to be once the industry has eaten itself.

To compare forthcoming album Designer Codes with Kid A may seem a bold, even brash move, but there’s something in it. The band include Bjork, Aphex Twin, Pink Floyd, Jane’s Addiction and The Deftones amongst their influences and
have played with artists as diverse as Pretty Girls Make Graves, They Might Be Giants and Wu-Tang Clan’s Raekwon.

I’m not yet able to find out who this album is out through in the UK, but this is albumwell worth investigating. It is reportedly out ‘everywhere’ on August 26.

Woven -‘Prickly Pear.’ mp3

Woven -‘She Blows My Amplifier.’ mp3

Woven official website/Woven MySpace

Great scottish bands #3: Belle and Sebastian

A third great scottish band (there is no order to this, neither alphabetical nor greatness, just how highly I rate them).

Belle and Sebastian first entered my world in 1996 when a friend at university leant me their second album If You’re Feeling Sinister. Their debut, Tigermilk, had already been released earlier that year and was already as rare as hens’ teeth. One of my proudest claims to fame is going round to one of the band’s flats for a cup of herbal tea, and actualy managing to play it cool. One of my more embarassing moments was drunkenly yelling at one member of the band in a pub in Glasgow two years later: ‘ ‘ere, that track [‘Stay Loose,’ off Dear Catastrophe Waitress], are you taking the piss out of Elvis Costello or what?!?!’ (Just for the record, I no longer drink). It would be an exaggeration to say that they were one of the reasons moved to Scotland in 2001, but not that much.

Anyway, there’s lots of Belle and Sebastian that I could point to as to why they are one of the great scottish bands, but as I was asked to re-post the two belle and Sebastian sessions I posted earlier this year, why not these?

From May 11, 2001:

‘Shoot The Sexual Athlete.’mp3
‘The Magic Of A Kind Word (For Papa John).’ mp3
‘Nothing In The Silence.’ mp3
‘(My Girl’s Got) Miraculous Technique.’ mp3

And from July 25, 2002 (Live at Peel Acres):

‘You Don’t Send Me.’ mp3
‘Roy Walker.’ mp3
‘Love On The March.’ mp3
‘Sleep On A Sunbeam.’ mp3
‘Desperation Made A Fool Of Me.’ mp3

Belle and Sebastian’s official sites are here

Their MySpace is here

Thanks to all those who sent me the mp3s originally, especially David and Ray.

Abba – a shameless attempt to drive up traffic

This post is born out of a few things I suppose.

Firstly, last week Mrs. 17 Seconds and I and our good friend ‘Diamond’ Dave went to see Mamma Mia! at the cinema. Resistance, as even Philip French of the Observer had warned, was indeed futile. It was fun. Sure it wasn’t Citizen Kane or Withnail and I, they’d crowbarred songs in at every opportunity and I can sing far better than Pierce Brosnan, but it was a laugh. Diamond and I were the only blokes in a very packed cinema. Say what you like about stereotypes, pigeonholes and generalisations, but remember that they may well be born out of demographics.

I mentioned this to two friends I met up with in Edinburgh yesterday, one of whom is a massive fan. I asked what he thought of Mamma Mia!, to which he replied that he didn’t think there’d been many good cover versions of Abba songs over the years and couldn’t face it. I know they have been massacred at way too many karaoke bars over the years, but there have been a few. I’ve selected two, one by Ash and Scotland’s very own Camera Obscura, and two great Abba songs: one which is in the film ‘The Winner Takes It All’ my favourite Abba song, and ‘The Visitors.’ ‘The Visitors’ was the title track of what would be their final studio LP, and deals with the treatment of dissidents in the then Soviet Union.

If there are any people sad enough to worry about liking Abba, I would make these points:
1. John Peel narrated a documentary and was a fan.
2. So was Kurt Cobain, who agreed to play Reading in 1992 because Bjorn Again were, and recorded Nevermind in a studios because it was a seventies sort of studio that Abba would have used.
3. ‘The Winner Takes It All’ and quite a few other songs are just as sad as Joy Division.
4. they were brilliant. period. Sod the claims about camp, kitsch blah blah sodding blah, they made great music. Like Sonic Youth, the Clash, Public Enemy etc..

Abba -‘The Winner Takes It All.’ mp3

Abba -‘The Visitors.’ mp3

And those covers…

Camera Obscura -‘Super Trouper.’ mp3

Ash -‘Does your Mother Know? (session).’ mp3

Presenting…Fleet Foxes

Ever felt that you just had to find out about a band, even though uyou had never heard a note of their music? Yes? No? NO?!?! Well, I was kind of intrigued by Fleet Foxes, on the grounds that a) the cover of their full-length, self-titled debut LP looks like a Brueghel/Flemish picture (cue smug reader telling me that, actually blah blah whatever) b) they are signed to Bella Union in the UK and Sub Pop in the US, which is kinda like having your cake and eating it. Not to mention the fact that they come from Seattle.

So God bless emusic, last night I downloaded both their debut LP and the five track EP Sun Giant…dammit, they are good. I have now realised that Americana is not just shorthand for people who like Country music but hate Billy Ray Cyrus, this is music that actually blends in so much American sounding music, and it sounds rootsy, real, some of it’s acapella and there’s a nice bit of a baroque feel as well. They say they grew up listening to the music of their parents…and it’s produced something that sounds excellent.

Give these tracks a listen, and please let me know what you think.

Fleet Foxes -‘Sun Giant.’ mp3

Fleet Foxes -‘Sun It Rises.’ mp3

Fleet Foxes on Wikipedia

Oh, go on, linked to the Sub Pop page, here is another Fleet Foxes track ‘White Winter Hymnal:

Fleet Foxes -‘White Winter Hymnal.’ mp3

Fleet Foxes on Myspace

Album Review: The Bug

The Bug -‘London Zoo.’ (Ninja Tune)

In 2008, as the post-punk revival starts to retreat, it’s good to note that the really exciting music being made in the UK is starting to have an impact on the general public and not just a few people with their fingers on the pulse. Whilst certain snooty types will sneer, there’s a sense that dubstep and grime is impacting on the general public, what with Wylie having a no.2 single in the proper ‘charts,’ Dizzee Rascal spending a month at no.1 and Burial is currently favourite to win the Mercury Music prize. Anyone who makes allegations about sell-outs or what have you should keep themselves quiet or go off and invent the next underground thing to feel smug and superior about.

Though this album from London based producer Kevin Martin has not yet set the mainstream alight, I live and hope that it does. The Bug’s latest album mixes hip-hop, techno, grime and dubstep to make one of the most astounding albums I’ve heard all year. This is the sort of album that grabs you by the throat, holds you up against the wall and cannot possibly be ignored. Featuring contributions from the likes of Tippa Irie, Warrior Queen and Ricky Ranking, this album has everything in spades. Anger, love, amazing sounds, all there. Opener ‘Angry’ does what it says on the tin. In many ways the sheer rage contained within Tipper Irie’s delivery rolls the rage and passion of The Clash, Public Enemy and Rage Against the Machine, and knocks them all dead. And that’s just the opening track.

I hadn’t heard The Bug before this record, though I had heard the three contributors mentioned. On one level, the album succeeds because it makes you want to investigate the entire back catalogue not just of Kevin Martin but all the contributors to the record. On another you want everyone else to hear it (I want to get better speakers for my car, for starters). And perhaps best of all, you reel from it when you finish listening to it, and go back and play it again and again, just to to take in the sheer mixture of work woven in here like some reggae family tree cum tapestry.

A very serious contender for album of the year.

*****

The Bug featuring Tipper Irie -‘Angry.’ mp3

The Bug featuring Warrior Queen -‘Insane.’ mp3

The Bug’s MySpace

The Bug on Wikipedia