Album Review: Nine Inch Nails

Nine Inch Nails -‘The Slip.’ (from www.nin.com)

Following on from Radiohead, The Charlatans, and Pennywise, Nine Inch Nails have made their album available for free via the internet. Increasingly, this seems to be the way forward. But, once this very twenty-first century method of distribution (which makes cottage industries seem almost conservative by comparison) is out of the way, is the album any good?

I’ve got to be honest, I had sort of tuned out on Nine Inch Nails a while back. Don’t get me wrong; as a sixteen year old I thought Pretty Hate Machine a work of genius, and couldn’t wait to hear The Downward Spiral, having lapped up the Broken and Fixed EPs in the meantime. The soundtrack he assembled for Natural Born Killers is one of the finest ever, leaving Pulp Fiction and Reservoir Dogs standing. Then sometime in the late nineties I’d got onto and into other things, and lost interest a bit. Last summer they supported The Foo Fighters in Edinburgh, and it was a reminder of why I’d been so impressed by Trent Reznor and his not-very-merry men in the first place.

The fact is that, into his forties, Reznor does Angst and Atmosphere extremely well. Lest we forget, he produced Marilyn Manson’s Antichrist Superstar LP, thus turning Manson into a bigger star than him in the first place, but he still has an edge. Whereas Manson took Alice Cooper’s template and ran with it, Reznor is the more thoughful, watchful older brother. There is still an element of nosie and industrial influences on here, as shown on opener ‘999,999’ but Reznor has not forgotten tunes, and these are here in abundance, particularly ‘1,000,000’ and ‘Discipline.’

If you didn’t like Nine Inch Nails before this may not change your mind, but if you ever felt that there was something else there, that you wanted to peer closer into the abyss you will find this a rewarding listen.

****

Nine Inch Nails -‘1,000,000.’ mp3

Nine Inch Nails -‘Discipline.’ mp3

The album can be downloaded for free at the Nine Inch Nails website. A physical release will follow shortly.

Album Review: Parka

Parka -‘Attack Of the Hundred Yard Hardman.’ (Jeepster)

Many years ago, Jeepster signed and released albums

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by two acts based north of the border, one of whom did well under Jeepster (Belle and Sebastian), the other who left to a major label before they started to sell huge quantities of records and changed their main influence from Sebadoh to Coldplay (Snow Patrol). So where do Parka stand?

Musically speaking, Parka would appear to have more in common with the likes of the View or the Fratellis than either Belle and Sebastian or Snow Patrol. This is jolly, knees up vaguely ‘indie’ rather than groundbreakingly radical indie. Yet, I’m not sure how much that matters. Parka don’t seem to make any claims towards being radical, what they are is fun, and that they succeed at brilliantly.

Including the three singles released so far: ‘If You Wanna?’, ‘D

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isco Dancer’ and ‘Better Anyway’ Parka’s debut is worth checking out. The fun starts with opener ‘Bosses and Bastards’ and continues right through. It won’t change your life, but it could be the soundtrack to your summer. And that’s gotta be worth somet

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hing.

****

Parka -‘Bosses and Bastards.’ mp3

Parks -‘Better Anyway.’ mp3

Parka’s website/Parka’s MySpace

[P.S. If you want new music and like Nine Inch Nails, their album is out today and it’s free. A review will appear here shortly…See their website for a free legal download of the entire album

New CSS and Coldplay

…in whi

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ch two hotly anticipated albums of 2008 make tracks available for free via their website. Glad to see record

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companies are finally waking up to this.

Firstly, CSS’ new LP Donkey is due out soon, and this track is entitled ‘Rat is Dead (Rage).’ mp3

CSS -‘Rat Is Dead (Rage).’ mp3

Meanwhile, Coldplay’s Viva La Vida is due out in June. I stand by liking Coldplay. Sure there are loads of godawful bands who have missed the subtleties of Coldplay (I’m perfectly serious; if you can’t hear them, then that kind of proves the point, doesn’t it?) and attempted to cash-in. I first got into them in 1999 when they released the Blue Room EP and h

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ave enjoyed them ever since. Remember: Nirvana shouldn’t be blamed for Ni

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ckleback, nor should Green Day be blamed for Sum 41and Blink 182.

Coldplay – ‘Violet Hill.’ mp3

The legendary c81 tape

This cassette (and yes, I mean cassette) was utterly, utterly seminal, perhaps even more so than its sister release, the c86 cassette, also compiled by NME, in summing up the music and mood of an era. In his book Rip It Up And Start Again, Simon Reynolds calles it ‘Post-Punk’s Swan Song.’ Over the course of the next twelve months, the post-punk landscape continued to shift, change and develop into what became known as ‘New Pop’. On the one hand New Pop gave us the Human League, ABC, Depeche Mode, and incorporated a few of the acts on this tape (Scritti Politti, Wah!), but it also gave us acts that ruined classic songs, had big haircuts and egos, and still inspire people to go on about how much the eighties was good for cheese. Lord save us from those who buy into the ‘so rubbish it’s good’ myth.

Anyway, for more on this tape check out these entries at Indie-mp3 and at Wikipedia. In fact, if you like great music make sure you check out indie mp3 anyway for proper indie music.

Side One
1. The “Sweetest Girl”” – Scritti Politti
2. “Twist and Crawl Dub” – The Beat
3. “Misery Goats” – Pere Ubu
4. “7,000 Names of Wah!” – Wah! Heat
5. “Blue Boy” – Orange Juice
6. “Raising the

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Count” – Cabaret Voltaire
7. “Kebab Traume Live” – D.A.F
8. “Bare Pork” – Furious Pig
9. “Raquel” – The Specials
10. “I Look Alone” – Buzzcocks
11. “Fanfare in the Garden” – Essential Logic
12. “Born Again Cretin” – Robert Wyatt

Side Two

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1. “Shouting Out Loud” – The Raincoats
2. “Endless Soul” – Josef K
3. “Low Profile” – Blue Orchids
4. “Red Nettle” – Virgin Prunes
5. “We Could Send Letters” – Aztec Camera
6. “M

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ilkmaid” – Red Crayola
7. “Don’t Get in My Way” – Linx
8. “The Day My Pad Went Mad” – The Massed Carnaby St John Cooper Clarkes
9. “Jazz Is the Teacher, Funk Is the Preacher” – James Blood Ulmer
10. “Close to Home” – Ian Dury
11. “Greener Grass” – Gist
12. “Parallel Lines” – Subway Sect
13. “81 Minutes” – John Cooper Clarke

Enjoy folks!

Some Covers For Saturday Part VII

The followi

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ng covers came on a free CD given away by the NME a

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few months ago. Time to share with the 17 Seconds readers:

Manic Street Preachers – ‘Umbrella.’ mp3 (Rihanna cover)

The Futureheads -‘A Picture Of Dorian Gray.’ mp3 (Television personalities cover)

Lightspeed Champion -‘Back To Black.’ mp3 (Amy Winehouse cover)

CSS -‘Knife.’ mp3 (Grizzly Bear cover)

The Cribs -‘Modern Way.’ mp3 (Kaiser Chiefs cover)

Kaiser Chiefs -‘Golden Skans.’ mp3 (Klaxons cover)

The Kooks -‘Young Folks.’ mp3 (Peter Bjorn and John cover)

Does It Offend You, Yeah? -‘Whip It (live).’ mp3 (Devo cover)

Kate Nash -‘Men’s Needs.’ mp3 (Cribs cover)

My Chemical Romance -‘Song 2.’ mp3 (Blur cover)

Get Cape. Wear Cape. Fly -‘D.A.N.C.E.’ mp3 (Justice cover)

The Wombats -‘Bleeding Love.’ mp3 (Leona Lewis cover)

Bloc Party -‘Say It Right.’ mp3 (Nelly Furtado cover)

And as a couple of bonuses:

The Streets -‘Your Song.’ mp3 (Elton John cover) (from a Radio 1 compilation)

Biffy Clyro -‘Umbrella.’ mp3 (from the same Radio 1 compilation)

More posts to come this weekend, includ

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g-searched for NME C81 tape…

Five festive Fifty Favourites for Friday

…um, nice alliteration, I guess!

First up, one of those genuinely life-changing bands, Sonic Youth. The first album of theirs I heard was Goo, and while this may be indie heresy,

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I even prefer it to Daydream Nation (a few years ago, I played in a band with the working name of Daydream Nation. Ou

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r bassist hated it, and it transpired there is already a band of that name. Oh well). Never understood how ‘Dirty Boots’ from Goo didn;t make that year’s Festive Fifty, though…

Sonic Youth -‘Kool Thing.’ mp3

Sonic Youth -‘Tunic (Song For Karen).’ mp3

Does anyone else think this is a bit similar to ‘Kiss Them For Me’ by Siouxsie and the Banshees, which came out about t

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he same time? Either way, cool record.

Chapterhouse -‘Pearl.’ mp3

‘I wanna die…I wanna die…’ Nowadays, a fiftee

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n year old would embrace/shun this track for being ’emo’ with that lyric. But when it came out, I was fifteen, had never heard the word emo, and just thought it was drop dead cool. more than cood be said for me at the time.

Jesus and Mary Chain -‘Reverence.’ mp3

Fast forward to 1998, Britpop has gone down the plughole, and Norman Cook has yet another rebirth. This still

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makes me dance, really badly, mind…

Fatboy Slim -‘Rockafeller Skank.’ mp3

As I near to my 500th post, there will be more weird and wonderful music here. Watch this space…

It’s May already

…the days are getting longer in every sense, and Spring seems to be here in Scotlan

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d too.

Along with the rain, but even then it doesn’t seem so bleak.

So how about a track from Australia’s second-greatest ever band?

Go-Betweens -‘Spring

Rain.’ mp3

And there’s a bank holiday coming up too. Great time of year for four day weeks…

six from four

These six tracks were indeed all featured in John Peel’s Festive Fifty in the early eighties, but I’m not doing this as a John Peel post per se, just fancied sharing some great music wih you, as it makes it from the vinyl to the iPod.

Is there such a thing as the best best-of ever? The Jam’s Snap! must surely be a contender…

The Jam – ‘Going Underground.’ mp3

One of my many, many planned posts for the future is one Pete Wylie and the 7,000 faces of Wah!

Wah! Heat -‘Better Scream.’ mp3

It’s odd to think that goth was once tagged ‘positive punk’ in NME, and that the tag was only applied to music (there were certainly

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gothic sounding music long before that, as far back as Mozart’s Requiem, IMHO). So often it seems ot be used as a tag of insult or abuse, erroneously as far as I’m concerned. Certainly, many bands who came out of punk seemed to have a foot in the goth camp, to say nothing of a following.

The Damned’s Machine Gun Etiquette is where they started to get gothic, and where this track comes from, though The Black Album was surprise, surprise, even more so…

The Damned -Love Song.’ mp3

The curious-sounding ‘Hong Kong Garden’ with its’ wonderful eastern overtones was a great debut single, even if the lyrics seem a little close to novelty at times.* But it was on their albums that the dark heart of this particularly gorgeous and mesmerising creature lurked, as shown on these tracks from The Scream and Join Hands. Then two years later there was Juju

Siouxsie and the Banshees -‘Switch.’ mp3 (from The Scream)

Siouxsie and the Banshees -‘Jigsaw feeling.’ mp3

Siouxsie and the Banshees -‘Icon.’ mp3

Enjoy, folks…

xx

* Oh come on: ‘Chicken Chou-mein and chop suey…Hong Kong Garden Takeaway.’

More Peel, Vicar?

Just a quick post today, before watching Doctor Who on Catch-up TV. Mrs. 17 Seconds is watching Britain’

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s next Top Model and I am taking the opportunity to root around for stuff I still need to complete those Peel playlists. So with my emusic subs

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cription renewed, why not share a few of the slightly more obscure tracks I’ve located?

Bongwater -‘N

ick Cave Dolls.’ mp3 (1991 Festive Fifty no.50)

Buffalo Tom -‘Tail Lights Fade.’ mp3 (1992 Festive Fifty no.45)

Field Mice -‘Missing the Moon.’ mp3 (1991 Festive Fifty no.45)

Mercury Rev -‘Car Wash Hair.’ mp3 (1991 Festive Fifty no

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.49)

Therapy? -‘Teethgrinder.’ mp3 (1992 Festive Fifty no.33 )

Tuscadero -‘Angel In A Half Shirt.’ mp3 (1994 Festive Fifty no.49)

And as always, as I promised him I wouldn’t put him out of bu

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siness, check out Teenage Kicks for Steve

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‘s excellent insight into it all!

See you soon, Ed

Gig review: Jamie Lidell

Jamie Lidell, Edinburgh Liquid Rooms, April 26, 2008

Two days before the release of his new LP Jim, Jamie Lidell bought his show to Edinburgh’s Liquid Rooms. In the space of less than an hour, this absolute genius and his band unveiled a show that demonstrates why it is time for the public to come forward and take him to their hearts.

As

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with Jim, the set started with ‘Another Day.’ It feels like the ge

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vinyl. However, live with the help of his band the song is reinvented. Particularly with the aid of his saxophonist who appears to be playing two saxophones at once (and yes, I was stone cold sober). Though the album was two days from being officially released (how much currency does that phrase still have in this age of internet leaks?), it was interesting to see and hear

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how different it was from the album versions.

He is clearly hugely excited to be touring with a band, though a different set-up from that which he recorded Jim with, and it’s clear just how much fun the band are having. Talking to him backstage a few hours earlier, though he was still shatered from the rpevious night’s gig in Glasgow, and concerned about his voice, there was no mistaking how much enthusiasm he has for this current project.

Nor should it be assumed, though, that he has forgotten his background in electronic music. There is an ‘electronic workout’ (where the band take off into the crowd as Lidell is left onstage alone, sampling his own voice and turning the atmosphere from seventies soul revue into a contemporary club setting. Staggering and amazing moth in terms of watching and hearing.

Whilst the album is respectful in its doffing of an aesthetic cap to soul giants like Marvin Gaye, Isaac Hayes and most of all, Stevie Wonder, live with his band, Jamie Lidell clearly demonstartes the funk in a way reminiscent of Par

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int of boredom, as a Caucasian Englishman, this feat is something else. Especially given that he sounds nothing like Jamiroquai or Simply Red).

Encoring with a version of ‘Multiply’ the title track of his break-through LP from 2005, the song is much quicker than on record, and yet just as effective. Jamie Lidell is an astonishing musician and performer. This is certainly the best gig I have been to this year, and if t

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his really is the last Triptych, the organisers were wise to book him.

*****

Jamie Lidell -‘Another Day.’ mp3

Jamie Lidell -‘Wait For Me.’ mp3