Interview: The Pains Of Being Pure At Heart

I fell in love with a band on Monday, emailed them on Tuesday and they emailed me on Wednesday. Hell yes!

Interview with The Pains Of Being Pure At Heart

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17 Seconds: You’ve earned comparisons to the likes of My Bloody Valentine and
the Pastels. Do you consider yourself part of a c86/twee/indiepop
scene at all? Is there one in New York?

Kip: Well, we certainly like those bands a lot– The Pastels are one
of my favorite bands of all time, and early My Bloody Valentine is
also super good (and underrated). And maybe it was just Kurt Cobain
telling me so, but The Vaselines have always seemed like the coolest
band ever. But I think it would be inauthentic for any band in 2009 to
pretend they understood that world or why people made the music that they did two decades ago.

Focusing on mid-80s British bands sort of misses the fact that we’re
from America and grew up with totally different music– Teenage
Fanclub was obscure here. I mean, Sonic Youth and Nirvana, K Records and Yo La Tengo– even a lot of punk and hardcore bands gave us an idea of what it meant to be indie and what DIY was really about. And even now, we’re huge fans of the contemporary New York/Brooklyn scene— bands like Crystal Stilts, caUSE co-Motion, Vivian Girls, Knight School, My Teenage Stride– or A Sunny Day in Glasgow (Philadelphia), Pants Yell! (Boston) and Ringo Deathstarr (Austin).

As for the bands in New York, i feel like they have a lot of similarities in their inspiration, if not their sound. If you went
over to their house, you’d find a lot of the same records (The Clean, TVP’s, Teenage Fanclub, The Ramones, Black Tambourine, etc.). But
what’s so interesting is that they all take the sound in different directions– there’s no two bands that sound all that similar. Knight
School is different than caUSE co-MOTION is different than Crystal Stilts is different than Vivian Girls. They all have their own
distinct style, which i think keeps the community really vibrant and interesting– plus no one feels all that jealous…

Alex: Yeah, I think in terms of New York, or a scene, it’s a pretty natural thing. It’s not like people got together and decided ahead of
time “now we’re gonna start a scenel!” All those bands Kip named are just genuinely making music they liked based on inspirations from
bands they genuinely like made with people they genuinely like… so  naturally everyone got pretty excited to see others doing the same.
It’s a fun place to be right now.

Peggy: Everyone knows each other because there aren’t that many people out there who listen to this kind of music. We all see each other at the same shows, and all the bands have played together at least once. I never had friends who liked the same music when I was growing up, so it’s pretty thrilling to finally know people with similar tastes. It’s nice to not feel alienated for once.

17 Seconds: Looking at many of your influences, do you consider Glasgow a
musical spiritual home?

Alex: It’s definitely incredible how perfectly once city has nailed a sound (and still managed to spawn so many ORIGINAL bands). Hanging out there felt like being part of the cool kids club, for sure. It’s not often you go to a city and the hot-spot club is playing Belle &
Sebastian side-by-side with Madonna.

Kip: Definitely– i feel like Glasgow is probably the coolest city in the world. The Pastels, Vaselines, Teenage Fanclub, Camera Obscura,
Belle and Sebastian, Orange Juice, Aztec Camera, Strawberry Switchblade– If we moved to Glasgow, we’d be like the 27th best band
there… and that would be pretty good.

Peggy: Yeah, I immediately took to glasgow. It has a big scene for a city that is small and tangible. It was rainy and dreamy while we were
there. I kept telling everyone that I wanted to move there throughout the rest of the tour. I think Kip got annoyed.

17 Seconds: Who are those two girls on the front of your album?

kip: they are best friends! our label, fortuna pop, said it looked a little like a strawberry switchblade album cover, which isn’t a bad
thing…

Peggy: yeah i wish we could meet those two girls.

17 Seconds: How long have the band been together and how did you meet?

Kip: we formed two years ago in March to play at Peggy’s birthday party in a big warehouse in brooklyn. The Manhattan Love Suicides were coming to america and i think we tricked them into playing at Peggy’s party (along with Titus Andronicus) and we were like, “well, we’re throwing the party so if we learn some songs we can play too.” so we played 5 songs (two of which were “this love is fucking right” and “doing all the things that wouldn’t make your parents proud”).

All i remember from that night is that Titus Andronicus blew up the bass amp while covering “bulls on parade” which seemed really awesome at the time… then i realized it was my bass amp, but whatever– it was a fun party and definitely the perfect beginning.

peggy: it feels sooooo long ago! it’s crazy to think of everything that’s happened in the past year and a half. i wish i’d kept a
scrapbook.

17 Seconds: Do you think the word ‘indie’ still has any currency in 2009?

Yes, absolutely. Regardless if you’re playing hardcore or rainbow pop, the idea that the artist controls their music is 100% important. I
feel like, sure, the term has been bandied about to describe an aesthetic or fashion sense– but at it’s core, it’s about economics and the bands being in control.

Alex: I think it’s tricky, because “indie” has become such a loaded term. Largely, I think, people now associate it with kinda shaggy dudes playing not-too-shiny guitar rock — “mainstream indie” like Death Cab, etc. It’s not about “independence” so much. Which is fine. But as an ethos, I totally agree with Kip — it’s more present and more valuable than ever. It’s totally possible to get lots and lots of people to hear and love your music through new and untraditional channels and to do it yourself. It’s very exciting.

17 Seconds: CD or vinyl?
Vinyl w/ digital download, pleez.

Alex: Vinyl and digital for me too! CD has quickly become just a
space-sucking middle man. R.I.P.

Peggy: I only listen to music on my computer these days. That sounds
lame, but I just don’t have space for records and whatnot. I like
walking around and spacing out with my ipod on. Maybe ideally I would
say that I prefer cassette tapes because you can make them and record
them yourself.

17 Seconds: What are your favourite books/albums/films?

Books: Anything by Jane Austen lol… I also like Babar a lot and The Little Prince.

Albums: This question is nearly impossible…
Red House Painters “Red House Painters” (the one with the Roller
Coaster on the cover)
Teenage Fanclub “Bandwagonesque”
Suede “Dog Man Star”
Belle and Sebastian “If You’re Feeling Sinister”/”The Boy With the
Arab Strap”/”The EP’s/Tigermilk”
David Bowie – Ziggy Stardust/Hunky Dory/Diamond Dogs… ok, basically
everything through Scary Monsters.
Yo La Tengo – Painful
Serge Gainsbourg – Histoire de Melody Nelson
Leonard Cohen – Either of the first couple records…
Sonic Youth – Dirty
Helium – Pirate Prude
Pavement – Wowee Zowee
… this is too hard a question– i have to move on!!!!!!!!

Films:
Bill + Ted’s Excellent Adventure
Clueless
I just saw this movie “Teenwitch” that i really liked.
I basically can’t deal with horror, except maybe vampire movies.

Alex: Always a tough one.

Books:
“White Noise” Delillo
“Lolita” Nabovok
“Where I’m Calling From” Raymond Carver
“The Relief of Unbearable Urges” Nathan Englander
“Please Kill Me” Legs McNeil
Any George Saunders
“The Long Goodbye” Raymond Chandler
“Big Bad Love” Larry Brown
Any Lester Bangs

And right now I’m reading a collection by Richard Brautigan which I am SUPER loving.

Albums:
The Exploding Hearts, “Guitar Romantic”
T. Rex, “Electric Warrior”
Nas “Illmatic”
The Figgs “Sucking in Stereo”
Jesus & Mary Chain “Psychocandy”
The Buzzcocks “Singles Going Steady”

Films:
Wild at Heart
The Seventh Seal
The Sandlot
I Am Trying to Break Your Heart
Fargo
Wayne’s World (I & II)

Peggy: I love “Holiday” by the Magnetic Fields, “Blind” by the Sundays, “Incesticide” by Nirvana, “Candy Girl” by New Edition, “it’s
a Shame about Ray” by the Lemonheads, “Realistes” by Comet Gain, “Multiple Orgasm” by the Pooh Sticks, and The Rosehips self-titled
album. As for books, I’ve lately been into Penguin classics by British authors from the 60s, which sounds pretentious, but they seem to all be written in this ideal style (dry and witty) and about topics like teen angst and love. Murakami and Nabokov are favorites as well. As
for films, my favorite movie of all time is “Clueless.” Other favorites are Harold and Maude, Dig!, Drive Me Crazy, Chungking Express. I like romcoms if they can make me believe Love Is Real (a rare feat) and any movies about young girls. Although Sisterhood of the Traveling Pants was kind of disappointing. I actually don’t really like movies and prefer addictive television.

17 Seconds: How optimistic are you about Obama as President of the US?

Kip: I hope people realize that he’s just a person. I’m sure he’ll do all he can to make things better, but it’s so hard to accompish that
much change– his power is limited by the congress, the courts and the generally conservative nature of most americans. Still, we’re all
obviously so thrilled by his election and hope for the best.

Alex: He’s got a tough road. Mostly I’m just optimistic that he’ll bring some transparency, thoughtfulness and dignity as the face of the
nation. I have no delusions that he’ll step in and solve world hunger or anything, but I am confident in his character. As confident as one
can be when assessing someone wholly through television, haha.

Peggy: I just love that he is a cool person and seems really down-to-earth. The fact that we elected him makes me love America more. It’s not really about whether he’s going to fix everything, but more about the representation of our country, and also the general air of contentment that is abound.

17 Seconds: What are your plans for 2009?

We have some tour dates in February and March up to SXSW after the release of our album. We also have a new single coming out in March– “Young Adult Friction”

Alex: Have as much fun as possible with my friends.

Peggy: Yeah, before I get too old. I think I rediscovered fun this past year though. Hopefully there’s more of that to come.

17 Seconds: What’s the weirdest gig you’ve ever played?

I think playing at Titus Andronicus’ practice space (“The Hate Shack” – a pool shed behind Ian’s parents’ house) in Glenn Rock, NJ at a High School party. It was super weird, but also 100% awesome. i can’t think of a more wonderfully weird show we’ve gotten to play– people were so enthusiastic. And Titus Andronicus (and VCR) was amazing (as always).

Alex: Yeah, Hate Shack was pretty amazing. We also played in what was basically a metal shed in the parking lot NEXT to a venue in
Tallahassee in 100+ degree heat. Weird would quite be the word I use for it, but it was certainly… something.

Peggy: The Hate Shack, that ruled. I can’t believe I didn’t break a limb in that mosh pit.

Kip: Yeah, we were old enough to buy beer so i think they really loved us…

17 Seconds: What’s the coolest record shop you’ve ever been to?

Monorail Music – i mean, STEPHEN PASTEL works there. is there anything possibly cooler than that? Plus i bought all these teenage fanclub 7″‘s that you could never find back in america.

Peggy: I second Kip’s answer.

Alex: Ameoba Records! California is so spoiled.

17 Seconds: If you could collaborate with one artist, who would it be?

Peggy: I’d be into collaborating with that Swedish duo that did that Kelly Clarkson song, “Since U Been Gone.”

Kip: I’ll stick with swedes and say – “Nixon”. I really love the Cloetta Paris album he did, and i’m a big OMD fan, so… it’d be fun
to work together on something like that.

The Pains Of Being Pure At Heart -‘Everything With You.’ mp3

Album Review: The Phantom Band

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The Phantom Band -‘Checkmate Savage’ (Chemikal Underground)

A few months ago I wrote about how excited I was by the Phantom Band. I commented that the description of ‘Beefheart meets Bonnie ‘Prince’ Billy, Neu! meets Nick Cave’ might actually be pretty accurate on the basis of what I had heard so far. On the evdience of this stunning debut, that was an understatement.

It’s like they’ve fashioned something completely new, taking cues from the long-lamented Beta Band, with their ‘everything including the kitchen sink’ ethos, to produce an album that yields new secrets on each listen. ‘Folksong Oblivion’ a teaser for the album gave us some idea of what to expect, but nothing as good as this. Is this ‘indie’ or ‘electronic’ or what? It’s music that comes out of leftfield, and then gives us something weird and wonderful that needs to be heard.

The title can be assumer to be a reference to the fact that the album was recorded at Chem 19, the Delgados’ legendary studio, and features Paul Savage from Scotland’s Greatest Ever Band in the role of producer, engineer, and guiding force. It was also recorded at Franz Ferdinand’s studio in Govan. Hear it now!

****1/2

Phantom band -‘Folksong Oblivion.’ mp3

Phantom Band website/Phantom Band MySpace

Presenting…The Pains Of Being Pure At Heart

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Oh Lord, I think I have fallen in love, head over heels with a pop band.

In recent weeks I’ve been increasingly scathing on this site about what I perceive as an increasing amount of indie-by-numbers bands. So along to save the day on that front are the wonderful The Pains Of Being Pure At Heart.

Think c86 with balls and attitude. My Bloody Valentine sounding like both their early stuff and circa Loveless. Think a band you could fall head over heels for after hearing just a few of their songs.

It’s not some yet, yell, it’s not even got to the severest of winter here in Scotland. But The Pains Of Being Pure At Heart break through my cynicism and bitterness to restore my faith in human nature. They will do the same for you. When on the song they sing ‘We Will never die…we will never die’ they mean it. This is music that feels fresh and exciting.

Alex (bass), Kip ( guitar, vocals), Kurt (drums) and Peggy (keys + vocals)  have released a handful of singles and an EP over the last two years. Their self-titled debut will be out next month. I can’t wait. No really, I can’t. They’re about to tour the US and I hope come over here sometime.

The Pains Of Being Pure At Heart -‘Everything With You.’ mp3

The Pains Of Being Pure At Heart -‘Come Saturday.’ mp3

The Pains Of Being Pure At Heart website/The Pains Of Being Pure At Heart myspace

Presenting…Sexy Kids

sexy-kids

…I know, slightly dubious sounding moniker (believe me, it’s one of those things you google feeling really rather worried) but what a track.

I was tipped off about this thanks to Comrade Colin over at …And Before The First Kiss who stuck this on a compilation CD he gave to me and JC from the Vinyl Villain when we met up last week. It was so good, I just had to buy it, and also the track he’s put on by The Pains Of being Pure At Heart, who I will post about sometime soon.

There’s very little I can tell you about them, as their Myspace is delightfully cryptic, but they are in the vein of the Raincoats, if you like C86 pop you’ll love’em, and the b-side ‘Drown me’ is very good too.

Sexy Kids -‘Sisters Are Forever.’ mp3

Sexy Kids’ Myspace

Presenting…Kingsbury

kingsbury

When someone mentions Florida to you, what music do you think of? Squelching, deep down ‘ dirrrty southern Hip-Hop? Death Metal? Latin sounds?

Well, I’d associated all of those with Florida (bit stereotypical really, I’ve never got further than New York in the US) but then I hadn’t heard Kingsbury until a couple of weeks ago. They are a band who have both embraced the sound of Low andRadiohead, creating something new in the process and making a perfect soundtrack for those of us ‘enjoying’ a northern hemisphere winter,. They have also embraced digital culture fully. This is to the extent of making everything they have done available for free download via their website.

Their New 6-track EP is called Lie To Me, from which these two tracks are taken:

Kingsbury -‘Lie To Me.’ mp3

Kingsbury -‘Back In The Orange Grove.’ mp3

If you like these, you can download the whole EP for free here.And here on their website, you can download pretty much everything they’ve ever done, as well as making a donation to help them in their endeavours here

Give this a listen and see what you think…I’m very glad I did.

Kingsbury’s website/Kingsbury’s MySpace

Peel – the hard to get hold of stuff

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Just like it says on the tin. This post contains tracks that made Peel’s Festive Fifty that are extremely hard to get hold of, and I couldn’t actually get on either iTunes or Emusic, and was forced to make a request for readers to ride to the rescue. Thanks as ever to Steve, JC, Adam, Dirk, Max and anyone else who helped out!

Berntholer -‘My Suitor.’ mp3 (1984 Festive Fifty no.34)

Big Flame -‘All the Irish Must Go To Heaven.’ mp3 (1985 Festive Fifty no.58)

Big Flame -‘Man Of few Syllables.’ mp3 (1985 Festive Fifty no.62)

Flesh For Lulu -‘Subterraneans.’ mp3 (1984 Festive Fifty no.39)

Godspeed you Black Emperor! -‘Hungover As The Queen At maida Vale (session).’ mp3 (1999 Festive Fifty no.21)

Hard Corps-‘Dirty.’ mp3 (1984 Festive Fifty no.46)

New Order -‘Brutal.’ mp3 (2000 Festive Fifty no.26)

Sophie and Peter Johnson -‘Television (session).’ mp3 (1983 Festive Fifty no.37)

Unknown Cases -‘Masimabele.’ mp3 (1984 Festive Fifty no.26)

Working Week – ‘Venceremos.’ mp3 (1984 Festive Fifty no.50)

Thanks to everyone who got in touch to say that the links were wrong, this should be right now… : ))

Am still trying to get things perfect but it really, really should be fine.

Now…(you knew this was coming didn’t you!) can anyone help with these, please?

2004:

Martyn Hare -‘Do Not Underestimate.’

Cinerama -‘It’s Not you It’s Me.’

Laura and ballboy -‘I Lost You But I Found Country Music.’ [NOW GOT IT THANK YOU!]

DJ Distance -‘Ritual.’

Melys -‘Eyeliner.’

Calvin Party -‘Northern Song.’ (Now got it, thank you, Dirk!)

Plasticman -‘Cha.’

Aphrodisaics -‘If U want Me.’ (Now got it, thank you Dirk!)

Magic Band -‘Electricity.’

Magic band -‘Big Eyes beans From Venus.’ (These last two are the session versions)

There are other wants as well…I’ll put those up another time…

A new home!

17-seconds-towers

17 Seconds Towers

Yes indeed, folks, this is the new site for 17 seconds blog.

Pretty much all of this is down to my friend David, who has a clue about what he’s doing on the computer as I don’t. Thank you Dave.

If you have a link in your blog to 17 Seconds, assuming you still wish to link to me (and I hope you do!) the new url is: www.17seconds.co.uk (nice and simple)

As ever, just in case people need reminding where the name of this blog came from, I thought I’d post this:

The Cure -‘Seventeen Seconds.’ mp3

Album Review: Light Syndicate

Light Syndicate -‘Last In Line’ (Pushbike Recordings)

There are few phrases more likely to make bloggers or record shop staff moan (apart from questions about really awful acts, I suppose) than bands saying ‘Our music is really hard to categorise.’ It smacks of people wanting to make out that they are really different and is almost never the case. Turgid, blantant, unaoriginal ripoffs are what follow on hearing.

Light Syndicate don’t make that claim – but they are one of the few bands that would genuinely have the right to do so. This album shows a fantastic meeting point where the math-rock of Shellac meets the modern progressive rock of bands like Oceansize and Mogwai, with a bit of post-rock and folk rock thrown in for good measure.

Last In Line showcases some genuinely exciting sounds without ever becoming a self-obssessed, navel gazing soundtrack. Right from the instrumental opener ’10 seconds To Live’ to the album’s closer, the title track, the band have made a genuinley thrilling debut. Vocalist Chris Bryden has been compared to Chris Martin (!) but really he’s leading a band ploughing their own furrough. Long may he continue to do so.

****

Light Syndicate’s website/Light Syndicate’s Myspace

Last In Line is released on January 12.

Light Syndicate -‘ Sorry.’

Album Review: Autons

The Autons -‘Who do you think you are kidding?’ (Jelly Maid Music)

Whoomph! It’s only the first week of 2009 and this has arrived, packing a very mighty punch and ready to make you sit up and listen. The Autons’ second album is the sound of a band ready to blow away all the cobwebs of insipid indie rock and show how beats and mighty guitar riffs can comebine together to produce something truly intoxicating.

I’ve been walking around with this on my headphones for the last week or so. It’s something really special Hell, I want to have a party so I can play this record really loud as the soundtrack to it. This record will make you sit up, and make a new year’s resolution to dicsover something very different in 2009.

Dismiss them as another electro-rock band at your peril; with each listen, this release becomes more and more necessary. Tracks like ‘Amazing’ actually…are. ‘Election Singer’ has already been a single; I’m sure there will be others to follow, and if there is any justice, hits.

****

Autons websiteAutons’ myspace

Go on, see what the fuss is about!

The Autons -‘Election Singer.’

Who Do You Think You Are Kidding? is released on January 26, 2009.

Some more Peel

I received an email yesterday asking if I could repost the Special AKA’s version of Free Nelson Mandela, so I hope I picked the right one…

anyway, it gives me an opportunity to do one of my Peel posts.

First up, these were Pell sessions tracks that made the Festive Fifty in 1989, and went on to become chart hits the following year:

Inspiral Carpets -‘This Is How It Feels (session).’ mp3 (1989 Festive Fifty no.35)

Inspiral Carpets -‘She Comes In The Fall (session).’ mp3 (1989 Festive Fifty no.50)

This was a track that became remixed the follwoing year under the name ‘Move Any Mountain’ and gave the Shamen several years as a Smash Hits and Top Of the Pops freindly act.

Shamen -‘Pro-Gen .’ mp3(1990 Festive Fifty no.34)

I know little about the Flaming Stars, but they sound great still. The BBC site erroneously credits these tracks as being done by the Flaming Lips, who John Peel also championed, rightly, IMHO, but are a completely different band.

Flaming Stars -‘Face On the Bar Room Floor.’ mp3 (1996 Festive Fifty no.48)

Flaming Stars -‘Kiss Tomorrow Goodbye.’ mp3 (1995 Festive Fifty no.29)

This track took ages to find, not available on either eMusic or iTunes

Drop Nineteens -‘Winona.’ mp3 (1992 Festive Fifty no.28)

Another band I know little about…but they too sound great:

The Decoration -‘Joy Adamson.’ mp3 (2004 Festive Fifty no.39)

The Decoration -‘I Tried It, I Liked It, I Loved It.’ mp3 (2004 festive Fifty no.24)

As requested…from the last year that much ‘pop’ stuff entered the Festive Fifty:

Special AKA -‘Free Nelson Mandela.’ mp3 (1984 Festive Fifty no.41)

Finally, another track (this one supplied by JC over at The Vinyl Villain that seemed very hard to get hold of, but I repost here for your delight:

Robert Wyatt -‘The Wind Of Change.’ mp3 (1985 Festive Fifty no.47)

This track credits Wyatt with the SWAPO singers.

As always, PLEASE SUPPORT THE ARTISTS. EVEN IF THEY HAVE MADE IT BLOODY HARD TO GET HOLD OF THEIR MUSIC.

If you want to find more about John Peel, start here.

Absolutely essential Peel-related blogs include Sexy Loser, Teenage Kicks and Fades In Slowly.