Presenting…The Dirty Cuts

the-dirty-cuts

I saw the Dirty Cuts last Sunday night in Glasgow at the Captain’s Rest in Glasgow.

To say their set made a deep, lasting impression on me would be something of an understatement.

Puzzlingly, they are currently unsigned – but on the strength of the tracks on their myspace page and their live performances, this should not be the case for long. They look cool, they sound cool – oh and they play like gods as well.

Their influences include (according to their myspace):Jim Jones, Heidi Klum, Dirk Wears White Sox, Sex at Bus Stops, Ritilin, The Pleasure Principle, Velour Tracksuits, Black Monk Time, Diminutive Front Women, S & M, Adolescent Sex, Mesopotamia, Felatio, Jackie Onassis, Flush The Fashion, Androgeny, Soldier, Julio Iglesias, Breakfast In America, Giacomo Casanova, Propaganda, Dov Charney, Gold Und Liebe, Big Bam Boom, Jesus, Trans-Europe Express, McCartney II, Liberace, Controversy, Hot Space, Bad Taste

…do you think someone’s taking the mickey, ever so slightly?

Anyway, Billy the singer, Karen the drummer, guitarist Kevin and very friendly bassist Matt make a glorious riot of noise, as will be proved when you listen to their myspace. ‘Two Page Spread’ ‘ sounds great, as in ‘future single’ as does a track called ‘Yummy Mummy’ which they sent me later on in the week.

Then come back and tell me what you think. They’ve been working with Chris ‘Beans’ Geddes from belle and Sebastian too – how cool is that?

The return of Times New Viking

tnv-peace-sign-small

(Picture taken from the matador website. Looking for photographer to credit)

Things must be busy around the Matador offices right now. NOt only are the Cave Singers set to release their new album, as is Jay Reatard BUT so are Times New Viking, whose new album will be out on September 21.

The avant-rockers, consisting of guitarist Jared Phillips, drummer Adam Elliott, and keyboardist Beth Murphy, have a new album which is entitled Born Again Revisited, and Matador have just made a track available for download entitled ‘No Time, No Hope.’

See what you think of this:

Times New Viking -‘No Time, No Hope.’ mp3

If you like that, then you should check out last year’s rather excellent Rip It Off, in which the band tear through sixteen tunes in thirty minutes (yes, you did read that right). This is taken from that album:

Times New Viking -‘Drop Out.’ mp3

Times New Viking’s myspace

As always, please leave feedback.

Interview: Peter Parker

peter-parker

The best bands have distinct personalities and the feel of a gang. Even better, they feel like they’ve arrived that way by themselves rather than being put together by a manipulator, sorry, svengali. And that’s the feeling I get from Peter Parker, as I meet them at the Captain’s Rest in Glasgow, before they wander onstage for their single launch.

They are: Roz on vocals and guitar, English teacher by day and glam goddess 24-7; Jane on bass and vocals, sister of John Mckeown from the 1990s and possessor of a wicked sense of humour; drummer Tori who has a mass of gorgeous red hair and is quite quiet in the interview, and guitarist Jeremy, who doesn’t turn up for the interview. They’re friendly and gratfeul for previous coverage I’ve given them, which is always nice.

We start by discussing the new single ‘Swallow The Rockets’ which is their first release as band, though they have all been involved with different acts before, most noticeably Lungleg and Josephine. It’s a classic-sounding debut, getting some great reviews, inclduing The Daily Record. They say proudly that as well as being a download it’s is a limited edition of 500 7″s (and they give me one at the end of the interview. Lovely folks). The b-side ‘Temper Temper’ sounds like it could be an a-side in its’ own right, always the mark of a great singles band.

So, Do they feel part of a scene in Glasgow?

” There’s lots of different scenes in Glasgow,” they point out quite reasonably. They mention a sort of scene around clubs like Stereo and Nice ‘n’ Sleazy’s. They speak warmly of Steven McRobbie, the legendary frontman of The Pastels and proprietor of undoubtedly Glasgow’s finest record shop, Monorail. They’ve also been working closely with Erik Sandberg of Wake the President, who runs Lucky Number 9 Records and who have put out the debut single, in conjunction with Say Dirty Records, and Peter Parker have supported them.

Not only that, but for people who clearly acknowledge the importance of The Fire Engines (‘there’d be no Franz Ferdinand without them!’) they’re thrilled that their next single ‘Get Over It’ will be a split single with the Sexual Objects, Chief Fire Engine Davey Henderson’s new band. This will be out before the end of the year.

Though the Glasgow music scenes have clearly helped nurture them, they don’t want to be playing Glasgow too much, and indeed they are due to play seminal London indie night Twee as Fuck before the end of the month. They’ll also be working on their debut album, chuffed to have found a twenty four track studio in Banchory ‘that’s digital but sounds like it’s analogue.’

On stage later they demonstrate a sense of pop fun, along with a glam sensibility. From my notes I’ve written down: Think the Fire Engines meets Sleater-Kinney (only even more fun). Think: how Kenickie might have turned out. ‘Swalow the Rockets’ packs an even mighties punch than it does on vinyl.The aforementioned ‘Temper’ and ‘Black and Blue’ demonstrate that they have quite a few tricks up their sleeves. Most of all, it’s the sheer fun of it all.

Like Peter Parker’s alter ego, there’s something else lurking here. Let’s watch and find out.

‘Swallow The Rockets’ is out now on 7″ single and on download (on both iTunes and eMusic).

They play the Twee As f*ck All dayer in London (July 11)
and the 13th Note, Glasgow with Le Reno Amps and Super Adventure Club on September 24.

Peter Parker -‘Swallow the Rockets.’

Memories of eighties hits

I’m not quite sure what prompted me to look for this…but all of a sudden, I had to look for ‘Hey Matthew’ by Karel Fialka.

This was a hit in 1987…catchy, unusual and ever so slightly creepy. As an eleven year old I grasped a bit of what was being implied about watching violent TV, but not necessarily the bit that seems to be about politicians and blacklisting.

I recall him doing this on Top of The Pops, with him doing his bits in the studio and the video of Matthew. My Mum was heard to comment ‘It’s such a positive song, why does he have to keep glaring at the camera?’

All together now – ‘I see the A-Team the A-Team.’

Karel Fialka -‘Hey Matthew.’

This had been seen the previous year, again on Top Of the Pops. It was my Dad who grasped the story -see if you can. This was also slightly scary…but in a different way…

Stan Ridgway -‘Camouflage.’

…and bizarrely, this one was one we sang in the car, as a family. My brother and I found this slightly frightening as well…

Pet Shop Boys -‘It’s A Sin.’

This is happening without your permission

huggy-bear-herjazz

Ah…1993. It did feel like revolution was in the air, even to those of us isolated from so much, living for a glimpse into an alternative reality provided by reading NME (it used to be more radical, honest) and listening to John Peel. I read George Orwell’s Keep The Aspidistra Flying and it changed my life, making me question the politics that I’d accepted. ‘Every intelligent boy of sexiteen is a socialist’ it says. Some of us idealistic 32 year olds still try to hang onto that.

In just a couple of years bands from the ‘indie/’alternative’ spectrum would take on the charts, and it seemed like a victory until a certain lad’s mag started seeming to make it okay to be a lad (for which read lager lout, and sneering at anyone who attempted to stick up for oppressed minorities). Girl power ultimately became more synonymous with the Spice Girls, but for a while, there were many female fronted bands who would terrify the bejaysus out of everyone. That is, they pointed out that guys groping girls at gigs was not on (believe me, I wouldn’t have), and that there was still a lot of misogyny going on in the music business, and indeed in life in general. The school I was at refused to let girls wear trousers; quite why they weren’t challenging this I don’t know, and the female staff were not confronting the powers that be about it either). Looking at John Peel’s Festive Fifty for that year, the amount of female-fronted bands who gave the impression that they were going to kick a lot of backsides was quite a force to be reckoned with, and they hailed from both sides of the Atlantic: Hole (before they signed to Geffen), Voodoo Queens, P J Harvey- and Huggy Bear.

Huggy Bear are perhaps now best remembered for an episode when they caused chaos on TV show The Word. Some people seem to remember The Word as being this era-defining show, I don’t know that it was (though a few years later, a version of it was sanitised, presented as teatime entertainment and called TFI Friday. oh, come on, you KNOW I’m right). Having performed their song ‘Herjazz’ (which I’d heard on John Peel, natch, along with Cornershop), they were not amused about “a report on 2 American models who called themselves “the Barbi Twins”. Huggy Bear and their fans became upset at this and started shouting at the show’s noticeably uncomfortable presenter Terry Christian. They were violently ejected from the studio and a spokesperson for The Word later said that one of the band’s friends had “bit the face of a member of our production team.” The performance was given a Melody Maker cover story, the event being compared to the Sex Pistols’ Bill Grundy incident.” (This seems to be quoted verbatim about the internet; hence why it is in quote marks; they are not my words and I am not sure who to credit*). I missed the performance, but the fact that it happened seemed pretty radical. As did the rumour of them playing women only gigs, though it appears that they only did two, one with Bikini Kill and one with Hole. This led to discussions about whether this was discrimination, and there was a fair amount of attacking the girls on the grounds that they couldn’t play their instruments. ‘Scuse me?! Yup, this was nearly two decades after punnk, and people were still coming out with this tripe.

Alas, the promised revolution never happened. The band broke up in 1995. As to whether there wasn’t an influence going on, I beg to differ, ever so politely: Sleeper, Echobelly and Skunk Anansie may have had more commercial success over the following years, and may have been less overtly feminist, but they continued to challenge the traditionally misogynistic and sexist ideas about women just being there to look front the bands and look pretty. And Riot Grrl, as it was known, has had a far longer lasting influence than the so-called ‘New Wave of New Wave.’ **

I’d never forgotten them, though I couldn’t get my hands on the 7″ at the time. Then yesterday, a mere sixteen years later I found it (and yes, in a plastic bag, not a proper sleeve. Proper indie, kids). It still has the power:

Huggy Bear -‘Herjazz.’ mp3

…and because I think they belong with this post

Voodoo Queens -‘Supermodel Superficial.’ mp3

P.J.Harvey -‘Dress.’ mp3

Hole -‘Beautiful Son.’ mp3

Bikini Kill -‘I Like Fucking.’ mp3

Huggy Bear myspace tribute

* It is possibly Grrrls: Viva Rock Divas by Amy Raphael

** I should admit, though, that I do still have a copy of the mini-album by S*M*A*S*H

Summer’s here…

the-meadows-in-edinburgh

Blisteringly hot days here in Scotland.

Well, by the standards that we’re used to, aircon is something that most people are workplaces don’t have because there’s no need for it …most of the time.

Light summer nights, holidays around the corner and the possibility that a Scot might, just might, win Wimbledon.

However, we’re passed the summer solstice, and as folks are prone to annoumcing (round about June 24) ‘The nights are fair drawing in…’

There’s only one track that I could possibly post:

Field Mice -‘September’s Not So Far Away.’ mp3

Mind you, after a few weeks of the festvals in August (yes, that is festivals plural) this might seem appropriate too, if a little cynical:

Bright Eyes -‘Tourist Trap.’ mp3

Presenting…The Heavy

the-heavy1

There’s some great soulful, jazz mad…thing going down in the the southwest of England. There always has been, thinking of The Pop Group, Massive Attack, PJ Harvey…and now to that list, add The Heavy.

The Heavy come from Noid, a tiny hamlet situated to the south west of Bath. They are vocalist Swaby, guitarist Dan ‘T’ Taylor, bassist Spencer “Big Daddy Spence” Page and drummer Chris Ellul. Their debut album Great Vengeance and Furious Fire was released in 2007, and their sophomore release The House That Dirt Built will be released in September in the UK and October in the US. They switch, seemingly effortlessly from Sonics-inspired mayhem (‘Oh No! Not You Again!!) to Curtis Mayfield-style songs like ‘How Do You Like Me Now?’

This is their new track, ‘Sixteen.’

The Heavy -‘Sixteen.’

Like this? Thought you might…

The Heavy -‘Sixteen.’ mp3

For sheer contrast, two of their previous singles

The Heavy -‘Oh No! Not You Again!!’

The Heavy -‘Set Me Free.’

The Heavy’s myspace