The return of Dead Can Dance

November 2 will see the release of Dionysus by Dead Can Dance. It’s their first album for six years, following on from 2012’s Anastasis – and their ninth studio album in total.

Dionysus was the Ancient Greek God of wine (also known as Bacchus by the Romans). Taking its lead from the myth of Dionysus, the new album consists of two acts across seven movements that represent the various parts of the legend. Conveyed by an array of folk instrumentation, field recordings and chants, in true Dead Can Dance style.

The first track to be unveiled from the album is ‘The Mountain,’ the first part of Act II. In the words of Brendan Perry, “the listener will find themselves visiting Mount Nysa.
This mountain was Dionysus’ place of birth, where he was raised by the centaur Chiron, from whom he learned chants and dances together with Bacchic rites and initiations.”

According to the press release: Driven by Perry’s exploration of religious rites and rituals, ‘Dionysus’ nevertheless sees ally-in-arms Lisa Gerrard convey the feminine aspect of Dionysus’s dual nature through song in both solo and mantric choral forms and ultimately to play the role of Psychopomp, signifying Dionysus’s role as an agrarian deity returning to winter’s underworld to reassume the role of guide to dead souls.

The tracklisting for Dionysus is as follows:

ACT I : Sea Borne – Liberator of Minds – Dance of the Bacchantes
ACT II : The Mountain – The Invocation – The Forest – Psychopomp
By following this link, you can stream ‘The Mountain’ and pre-order Dionysus. You can also get details of the group’s world tour in 2019, which includes two dates at London’s Hammersmith Apollo.

 

 

Album Review – Richard Thompson

Richard Thompson- ‘13 Rivers.’ (Proper)

Round our house, a new album from Richard Thompson remains An. Event. This is his first album in over a decade that’s self-produced, and after three albums of his material that were re-recorded acoustically (and well-put together, rather than being stop gaps), this is a new collection of songs featuring him playing electric guitar again. There should be much rejoicing. Richard Thompson is one of the finest electric guitarists this country has ever produced, and as he continues into his sixth decade as a professional musician, he is still offering fresh ideas with the instrument.

There’s a dark and bluesy feel to the record, particularly to the first half of the album. Whilst it’s not as dark as the divorce album with his ex-wife, Linda, 1982’s Shoot Out The Lights, it seems to be a rather difficult time chez Thompson.

The album opens with the stunning ‘The Storm Won’t Come.’ A six-minutes long, cinematic song, the music reflects the anticipation of a storm that never seems to arrive. ‘I am longing for a storm to blow through town/Blow all these sad old buildings down.’ It’s one of the finest songs this year, and possibly the album’s highlight. It’s followed by ‘The Rattle Within’ is a percussive-lead song, which is reminiscent of Tom Waits. Interestingly, for someone whose heritage is very much English folk, this album sounds very much influenced by American blues and rock. The six songs that make up the first part of the record – two other notable highlights being ‘Her Love Was Meant For Me’ and ‘The Bones Of Gilead’ form a distinct whole.

The second half of the record, which starts round about the second half of the album with the seventh track ‘Do All These Tears Belong To You?’ also seems to be a distinct half.  While this half doesn’t sound as angry -it’s certainly less intense – but still finds our hero questioning the world he finds himself in. ‘You can’t reach me/I’m out in the cold’ he sings on ‘You Can’t Reach Me.’ There’s always been room for humour in Thompson’s work and on ‘O Cinderella’ as he ponders settling down he acknowledges ‘I’m not very housetrained it’s true/but I want to make cupcakes with you.’ Even on record, he can deliver a sly wink. The album draws to a close with the country-tinged ‘Shaking The Gates’ with its poignant line ‘If echoes and dreams are my world/all I’ve done is lead myself astray.’

Richard Thompson will be 70 years old next April. While some artists half his age trade on past glories, clutching at straws, he demonstrates here – yet again – that his voice strong, his guitar playing is phenomenal and his songwriting is blessed with genius.

****1/2

13 Rivers is out now on Proper

Album Review – Pale Waves

Pale Waves -‘My Mind Makes Noises.’ (Dirty Hit/Interscope)

It seems as though this album has been a long time coming. Over the course of the last two years, a number of tracks have been released by Pale Waves, indicating that something special might be afoot. Of course there are those who like to argue that the album as a concept is no longer relevant – but what a long-player from the quartet reveals is that they are capable of producing a comprehensive and cohesive work. Six tracks have been released from this album but in the age of streaming it feels like a gradual unveiling, rather than a whole lot of tracks you’ve already heard.

Formed by singer-guitarist Heather Baron-Gracie and drummer Ciara Doran at university in Manchester, the quartet are completed by guitarist-keyboardist Hugh Silvani and bassist Charlie Wood. So where do Pale Waves fit in to the music scene of 2018? After all, guitar music is supposed to be in the doldrums. (Have we heard this before? Maybe it’s because I’m in my forties – but experience has shown these things to be cyclical rather than linear). Thing is, Pale Waves aren’t bothered about fitting in – and that’s one of their(many) strengths. They combine elements of alternative music (we’ll have to debate what that means another time, there’s only so many hundred words I’ll be writing for this review) going back several decades. Two months ago I saw them on a bill in London’s Hyde Park, headlined by The Cure, but also featuring Slowdive, Interpol, Goldfrapp And Editors. Pale Waves are younger than all those bands, but their appearance made – and makes – perfect sense, not only with their image but also with their sound.

The album opens with ‘Eighteen’ and ‘There’s A Honey.’ Whether you’ve heard these tracks before or not, these are perfect for kicking off proceedings, setting out the stall for what it is that Pale Waves are all about. That’s not to say that the rest of the album is simply carbon copies – for example, the wistful ‘Loveless Girl’ is followed by the rocky, and tempo-changing ‘Drive.’ 

The songs run the breadth of emotions- ‘She’ in particular is particularly charged and sees Baron-Gracie question whether her lover is cheating on her. It’s possibly a little clumsy lyrically, yet unquestionably heartfelt. Tracks like ‘Red’ and ‘Television Romance’ provide a counterpoint to this, yet the album finishes with ‘Karl (I Wonder What It’s Like To Die)’ which is beautiful, and chilling in its acoustic simplicity.

So, file them under electropop, alternative, shoegaze…whatever. The half a dozen tracks we’ve been treated to were a true indication of how good this album is, and these are songs to be sung along to, moshed to, danced to. This is an album that could bring Britain’s divides musical tribes together. It’s not a leap of faith to imagine this band lighting up festivals themselves over the years to come. Sure, the lyrics might need a bit of polishing, but this is a strong debut from a band who understood the beauty of a POP song.

****

My Mind Makes Noises is out now on Dirty Hit/Interscope.

New from Lana Del Rey

At the age of forty-one, I guess I’m probably too old in many people’s eyes to care about the fact that Lana Del Rey’s brilliant song ‘LOVE’ which came out last year, wasn’t a proper hit. Sure there are other things to get worked up about – and I do – but it was brilliant. It was no.2 on the 17 Seconds Festive Fifty, which is what matters, right? 😉

This evening she has unveiled the first of two new tracks she will release this month; ‘Mariners Apartment Complex’ (another track, ‘Venice Bitch’ will be released next Tuesday). She is due to release a new album, and a book of poetry, in early 2019.

This is another brilliant example of Del Rey’s beguiling songwriting and voice. Take the time to listen…

 

 

Forthcoming from Miles Hunt

Thirty years ago this year, a band called The Wonderstuff made inroads across my eleven year old radar when they appeared in Smash Hits. They were uniquely witty and acerbic, and when I finally heard their music they were even better.

In 1994, they called it a day…before reforming several years later. On one occasion my brother was privileged to have frontman, the legendary Miles Hunt, perform ‘Size Of A Cow’ for him in his hotel room. Which is pretty darn special, really. The band still evoke so many happy memories for so many people. A few months ago friends were round for dinner, and I put on their third album Never Loved Elvis. Within seconds of the needle hitting the vinyl my friends responded ‘Love this album.’ So do I, still.

Mr. Hunt (we’re friends on facebook, and he seems much less frightening than I thought he might be), is shortly to release an album called The Custodian, on October 5.This features him doing acoustic versions of the songs he has written over thirty years or more. The version of ‘On The Ropes’, a top ten hit from 1993 is just amazing.

Oh, and I am getting to interview Miles Hunt this week. My week quite probably beats your year!

The tracklisting for the album is as follows:

Disc One:

01. Speakeasy 02. It’s Not True… 03. Unbearable 04. Give, Give, Give Me More, More, More 05. Can’t Shape Up 06. Them, Big Oak Trees 07. The Size Of A Cow 08. Caught In My Shadow 09. Maybe 10. On The Ropes 11. Sing The Absurd 12. I Think I Must’ve Had Something Really Useful To Say 13. Room 512, All The News That’s Fit To Print 14. Fixer 15. Fits & Starts

Disc Two:

01. Everything Is Not Okay 02. Flapping On The Pier 03. Escape From Rubbish Island 04. Was I Meant To Be Sorry? 05. Tricks Of The Trade 06. We Hold Each Other Up 07. Falsified 08. Were You There? 09. Steady As You Go 10. Right Side Of The Turf 11. You Can’t Go Back (To Once Upon A Time) 12. Don’t You Ever 13. Good Deeds & Highs 14. The Sweetest Of Bitterest Ends 15. Custodian

The tour dates are as follows:

October
1st – Southampton, The 1865
2nd – Indie Daze, London
11th – Liverpool, Music Room
12th – Selby, Town Hall
25th – Birmingham, Hare & Hounds
26th – Leicester, The Y Theatre
27th – Sheffield, Greystones

November
5th – Hastings, Black Market VIP
6th – Swindon, Vic
9th – Stowmarket, John Peel Centre
10th Harpenden, Public Halls
17th – Barnstaple, Pilton Village Hall
18th – Shiiine On Weekender, Minehead
21st – Leeds Brundenell
22nd – Bury, The Met
23rd – Biddulph, Town Hall
24th – Bristol, Thunderbolt
27th – Carlisle, Old Fire Station
29th – Dumfries, CatStrand
30th – Irvine, Harbour Art Centre

December
1st – Newcastle, Cluny 2

Presenting…Frontperson

Ever played six degrees of Kevin Bacon? The aim of the parlour game is to see how many degrees you are removed from the legendary actor. My claim to fame (well, I have a couple) is that I used to work in Fopp in Edinburgh with Mark Hamilton of Woodpigeon fame. The latest news from Mr. Hamilton (who is lovely, by the way) is that he has collaborated with the New Pornographers’ Kathryn Calder on a new act called Frontperson. They’ll be releasing their first album together, entitled Frontrunner, on September 21. This is gorgeous indie-folk meets chamber pop music.

So far, two tracks have been released from the record, with excellent videos to boot. First up (ok it’s been around for a bit, but I’ve been trying to get my writing head back on) is ‘Tick-Tock (Frontrunner).’ The video looks at a sports meet, but by showing it in reverse, it actually means that everyone ends equally, the same. This seems like a pretty good metaphor for life, if you ask me. The video was made by Rob Leickner and Ryan Sudds.

It’s a gorgeous song, and possibly even better is ‘Young Love’ (much newer, it’s only been out for five days). It’s about having a crush on someone (we’ve all been there, so it’s pretty universal). Directed by Lorenz Trobinger (you can read about it in more detail over on Stereogum), who also stars in it, it’s simple, straightforward, and yet surprisingly affective.

Frontrunner will be out on Ms. Calder’s own Oscar St. Records on September 21. Order it from their bandcamp here

The tracklisting is as follows:

1 “U.O.I”
2 “Long Night”
3 “Tick-Tock (Frontrunner)”
4 “He Follows Me”
5 “Young Love”
6 “Shorter Days”
7 “This City Is Mine”
8 “Postcards From A Posh Man”
9 “Insight”