Happy New Year!

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Hey folks.

Happy New Year and hope you had a good one. I’d not intended to take such a long break from the blog, but I hope you had a good time.

It’s fair to say that 2013 was a pretty great year for music, and there was no shortage of releases for people to get excited about. It’s worth bearing in mind, though, that it’s becoming increasingly common for albums to appear with little or no fanfare. Three cases from the year that spring to mind are the surprise announcement of David Bowie’s first album in a decade, The Next Day on his 66th Birthday on January 8. Towards the end of the year, a matter of days after Beyonce’s label chief had told the world that her fifth solo album would be out at some point in 2014, it was released overnight via iTunes. And after a gap that made The Stone Roses and Guns ’n’ Roses seems slight by comparison, My Bloody Valentine suddenly stuck their head up above the parapet and announced that their twenty years in the making m b v would be available in a matter of hours – and it was.

Of course, these were surprises for different reasons, with the big deal with Bowie being that it was assumed he had quietly retired. But as far as we know, this is what to expect in 2014 (NB dates are for the UK).

Even January looks like being not as dead as you might expect. January 6 sees Stephen Malkmus and the Jicks release the sixth Malkmus solo album Wig Out At Jagbags. The same day will also see the release of Plagues of Babylon by Iced Earth, Nina Persson Animal Heart and Patterns Waking Lines. A week later, January 13, the day of the latest Bruce Springsteen album High Hopes, Broken Bells release After The Disco, Gyratory System Utility Music, East India Youth Total Strife Forever,Run The Jewels Run The Jewels and Sharon Jones and the Dap Kings Give The People What They Want. January 20 is the day that Mogwai (above) Rave Tapes, Warpaint Warpaint, Rifles None The Wiser, Beth Nielsen Chapman Uncovered, Sophie Ellis-Bextor Wanderlust and Mary Chapin Carpenter Songs From The Movies hits the street. January 27 is a busy day with releases from Cymbals The Age Of Fracture, Dum Dum Girls Too True, Indica Shine, Of Mice and Men Restraining Force, Primal Fear Delivering The Black, Red Dragon Cartel Red Dragon Cartel, David Crosby Croz, Paul Rodgers Royal Sessions, Mike Oldfield Man On The Rocks, and You Me At Six Cavalier Youth.

Watch out for bored journalists somewhere writing about a possible Britpop revival for ooh, at least half an hour (it was twenty years ago after all), when in late January there are re-issues from Ocean Colour Scene (Ocean Colour Scene and Marchin’ Already, released on January 20), Gene (who re-issue their first four studio albums Olympian, Drawn To The Deep End, Revelations, Libertine and the compilation To See The Lights on January 27), Cast (who re-issue All Change, Mother Nature Calls, Magic Hour and Beetroot on January 27 and two of Luke Haines’ 1990s acts The Auteurs and Baader Meinhof (re-issuing New Wave and Baader Meinhof, respectively also on January 27).

February will see Katy B Little Red, Maximo Park Too Much Information, Young Fathers DEAD, Quilt Head In Splendour, Rosanne Cash The River And The Thread, Grand Magus Triumph And Power, Family Rain Under The Volcano, Bombay Bicycle Club So Long, See You Tomorrow, Within Temptation Hydra, Arthur Beatrice Working Out, Seth Lakeman Word Of Mouth and an as yet untitled McFly album (February 3). There will also be releases from Cheatahs Cheatahs, Temples Sun Structures, Neil Finn Dizzy Heights, Cage The Elephant Melophobia (February 10), We Are The In Crowd Weird Kids and Death Vessel Island Intellectuals (February 17), St. Vincent St. Vincent and Milagres Violent Light (February 24).

March meanwhile will give us the release of Rufus Wainwright’s compilation Vibrate on March 3. This will be followed by Metronomy Love Letters, Joan As Policewoman The Classic, Fenster The Pink Caves, Blood Red Shoes’ self-titled fourth album and Elbow’s sixth as yet untitled album (March 10), Lyla Foy Mirrors The Sky, Sabina Toujours, Black Lips Underneath The Rainbow (March 17),Jimi Goodwin Odludek and Johnny Cash’s unreleased album Out Among The Stars (March 24). This month will also see the release of Kaiser Chiefs Education Education Education And War and Band Of Skulls Himalayan (March 31).

In Scotland, Edinburgh has often played second fiddle to Glasgow, but there are new releases expected from Withered Hand, Broken Records, Meursault and The Last Battle. No confirmed release dates as yet, but well worth keeping an eye out for.

There are albums with titles but no firm release date as yet… including Manic Street Preachers Futurology, Kelis Food, Tori Amos Unrepentant Geraldines, Professor Green Growing Up In Public, Azealia Banks’ long awaited debut Broke With Expensive Taste, Blondie Ghosts Of Download, Beck Morning Phase, and Tony Bennett and Lady Gaga’s duets album Cheek To Cheek. LCD Soundsystem are also expected to release a live album of their final show in New York.

…while there are a number of artists who have been spotted near studios of late, including Noel Gallagher’s High Flying Birds, Interpol, Wu-Tang Clan, Brian Wilson, Adele, Damon Albarn (who is said to be working on both a solo album and a new Blur album), The Horrors, Staves, Carl Barat, Health, Charlatans, Howler, Best Coast, Muse, Big Pink, Alabama Shakes, Lily Allen, Bodycount, Black Submarine, Bwani Junction, Dead Weather, Cypress Hill, Snow Patrol, Jay Electronica, Emeli Sande, Sia, Solange, Flying Lotus, Foster The People, Liars, Let’s Wrestle, First Aid Kit, Courtney Love, Mastodon, Maccabees, TV On The Radio, Lana Del Rey, Metallica, Frank Ocean, Nine Black Alps, Modest Mouse, Rita Ora, TLC, Smashing Pumpkins, Wild Beasts and last but by no means least, Kanye West.

And artists who seem to have been working on new albums forever, including U2, La Roux and Klaxons are set to have albums out. Outkast are also set to return in 2014. Me? Well, I’ve already set aside Christmas money for vinyl versions of Mogwai, Warpaint and Stephen Malkmus…

You can also stream the Stephen Malkmus album in its entirety:

Getting ready for 2014

Mogwai 2013

Yup. The year still has two more months yet to run, but already those of us who blog and write for websites are being asked to consider our favourites for this year and who might be our top tips for next year.

In addition to which, some people are getting ready to release new albums, and first up are Mogwai.

Although Mogwai’s last studio album Hardcore Will Never Die But You Will came out in 2011, it doesn’t seem like so long, perhaps because in that time they have given us the remix album A Wrenched Virile Law and the Les Revenants soundtrack, as well as a couple of EPs, so the home fires have been kept burning, so to speak.

Their seventh studio album is entitled Rave Tapes, which will be released on January 20 and the tracklisting is as follows:

1. Heard About You Last night

2. Simon Ferocious

3. Remurdered

4. Hexon Bogon

5. Repelish

6. Master Card

7. Deesh

8. Blues Hour

9. No Medicine For Regret

10. The Lord Is Out Of Control

You can stream ‘Remurdered’ below…

…and if you submit your email, you can download the mp3 for free!

Album Review: Mogwai

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Mogwai -‘Les Revenants.’ (Rock Action)

There is a school of thought -not one I subscribe to, by the way – that doesn’t quite see band’s albums that are soundtracks being, well, proper albums. In nearly 20 years of making music, this is Mogwai’s second soundtrack -following on from 2006’s Zidane – A 21st Century Portrait -and as with that album, it holds its’ own with the rest of the Mogwai back catalogue. In this case it’s a French TV series.

The definition of post-rock -which Mogwai are lumped in with – could be the subject of an entire PhD rather than a review of a few hundred words, and I won’t go into it now. But I’ve always felt that a lot of music released under that heading often feels like classical music (and no, not because it’s often instrumental), and this album encapsulates that a great deal.

And there’s still surprises from Mogwai. They’ve taken minimalism to great lengths (‘Mogwai Fear Satan’), nodded to dance music (‘The Sun Smells Too Loud’), covered Black Sabbath (‘Sweet Leaf’) and demonstrated that they can make an entire audience jump out of their skins (‘Like Herod’). This time, there are, in fact, no loud mental bits at all. And yet the end result doesn’t feel that Mogwai have ‘sold out’ or compromised. I know next to nothing about the TV series, but these fourteen tracks are one very impressive whole, from the opening ‘Hungry Face’ to the closing ‘Wizard Motor’ which opened the Les Revenants EP which preceeded this release.

Finally, the penultimate track ‘What Are They Doing In Heaven Today?’ features that rarest of things on a Mogwai record: singing. It’s a cover of a song originally written by Charles Albert Tindley (who is also credited by some with being the man who originated the basis of the US Civil Rights Anthem ‘We Shall Overcome’) and as the sleevenotes is inspired by the version performed by Washington Philips. Mogwai geeks will realise that this is not the first time that the band have performed a song based on a religious motif – see the 2001 single ‘My Father, My King’ which is an old Jewish hymn – but this time the end result is a faithful reading, and yet somehow still Mogwai’s own. I’m not planning on checking out any time soon, but right now, I’m planning on having this at my funeral…

****1/2

Les Revenants is released on Rock Action on February 25.

More from Mogwai…

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It’d be daft to say that Mogwai are back, as it’s barely been a couple of months since their remix album A Wrenched Virile Law, but as far as this blogger is concerned, if there’s a new release involving Mogwai, it is right to stand up and shout about it.

As the press release has it: ‘If Mogwai’s decision to create the score to Canal+ supernatural thriller series Les Revenants (meaning ‘Ghosts’) came a little out of leftfield, then what they’ve come up with for the French television network probably wrong-footed even those that gave them the brief.

A quick background to Les Revenants: adapted from the eponymous Robin Campillo-directed 2004 film, the series unfolds in an isolated French mountain town, where the locals are troubled after children who were tragically killed in a bus crash appear to come back to life, unaware that they’d died. A wonderfully captured perennial sense of unease and limbo sustains throughout each episode, with dully lit scenes and a sparsely-set location adding to the atmosphere. “We were actually big fans of the director Fabrice Gobert’s film Simon Werner a disparu, which had a soundtrack by Sonic Youth,” comments Mogwai’s Stuart Braithwaite of their decision to take the project, “and we found the story for Les Revenants incredibly interesting.”

The band was approached on the basis of their phenomenal work for the Douglas Gordon documentary ‘Zidane: A 21st Century Portrait’. Much like on that Zidane soundtrack, the group have turned away again from their recognised path towards the fascinating new; their familiar layers on layers of textural guitar have been stripped away, allowing isolated piano and keys to wander with grip-like tension through the fourteen tracks. There’s something intangibly Mogwai here still, but it’s been refracted through a fresh prism.’

I love their Zidane soundtrack, and I also love the Sonic Youth soundtrack so am thrilled to bits about this.
What I am slightly puzzled by is the fact that it is being advertised as being out on February 25 -but you can pay for a download of it off eMusic or iTunes (remember to support your local independent record shop though, eh?) and apparently came out in December? No matter. It’s Mogwai. Go get it. Chop Chop.

Stream ‘Wizard Motor’ below:

Avalanche Records to close?

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Over the last few years, with Independent Record Stores struggling to keep their heads above water, Record Store Day has been promoted as an initiative to try and get more people into record shops. As has been pointed out on numerous occasions, this is only a success if it actually gets people into the shops more than on just one day a year. As Matthew at Song, By Toad pointed out ‘In a sense Record Store Day reminds me a little of Valentine’s Day or, to be a little more facetious, Don’t Beat Your Wife Day – yes the message is the right one, but what, only today? What about the other 364 days of the year?’ (There are some excellent posts on Song, By Toad about the pros and cons of Record Store Day – if you have not read them, I suggest you do so).

It is with sadness that I found out this morning that Avalanche Records in Edinburgh will be shutting on January 6 2013. Owner Kevin Buckle and I may have had some frank exchanges of views over the years, but I am a regular customer. It might be overegging the pudding to say that Avalanche (along with Fopp, in its’ pre-HMV incarnation) was one of the reasons I moved to Edinburgh, but it wasn’t something that put me off, shall we say. It has had a major impact on my music collection as somewhere to buy, sell and exchange music* and was one of the first places to stock physical releases that I put out through 17 Seconds Records.

There may be some glimmers of hope, but the prognosis is that things will have to change. As Kevin says in his statement: ‘ I have to draw a line in the sand somewhere and that date is Sunday January 6th 2013. I hope that by then there will be a plan but at worst I will simply close the shop and concentrate on expanding our online presence and pursuing other opportunities. I’ll always be keen to support Scottish artists but maybe the focus on how that is done will need to change. I’m happy to listen to all ideas of course. Avalanche is a fantastic shop window quite literally for Scottish artists and their music but sadly it is often taken for granted.

Up to that date I will need to take as much money as possible to catch up on just about everything (rent, rates, tax, record company bills etc) and therefore will have the sale I vowed I wouldn’t have. We are not short of stock and hopefully a sale when added to some Christmas business and the visitors here for the festive period will enable us to catch up. With the announcement that the new Frightened Rabbit album will be released on February 4th in an ideal world a new revitalised Avalanche would be in place by then but … unless there is a noticeable and prolonged improvement in business we simply can’t survive where we are.’

Read the full statement here

Avalanche have supported many Scottish artists particularly over the years. Not only did various members of bands work there at various points (including Jesse Garon and the Desperadoes, X-Lion Tamer, Broken Records and Usurper, and that’s just those I can think of off the top of my head) but it has given a platform for people to hear new stuff. And in the internet age that’s actually more important than ever. I helped out in the store last week -and yes, people do actually come in and ask for recommendations about scottish artists. Trust me, ‘customers also bought this’ on certain online and download stores really ISN’T the same thing.

The music industry is changing, and it’s far from only being the small indies who are struggling. But in a very real sense, the message is clear: ‘Use it -or you’ll lose it.’

Here’s a couple of bands who have benefited from exposure in Avalanche, but I could name many more labels and artists…

eagleowl -‘Blanket.’ mp3

Meursault -‘Crank Resolutions.’ mp3

Vaselines -‘Son Of A Gun.’ mp3

Mogwai -‘Rano Pano.’ mp3

*Do you honestly think I keep every single physical release I am sent? I’m not paid to write this blog!

Forthcoming from Mogwai

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When the day that Thatcher dies comes, there is going to be one hell of a party in Scotland (and hopefully no state funeral in England). Mogwai’s most recent album Hardcore Will Never Die, But You Will contained the track ‘George Square Thatcher Death Party’ and now the entire album has been remixed by a fine troupe of remixers.

Mogwai are, of course, no strangers to remixing having done it both for other people (including Manic Street Preachers and Bloc Party) and releasing the Kicking A Dead Pig album, back in 1998, which was remixes of their debut Young Team.

The tracklisting is as follows:

George Square Thatcher Death Party (Justin K Broadrick Reshape)
Rano Pano (Klad Hest – Mogwai is My Dick RMX)
White Noise (EVP Mix by Cyclob)
How To Be A Werewolf (Xander Harris Remix)
Letters To The Metro (Zombi Remix)
Mexican Grand Prix (Reworked by RM Hubbert)
Rano Pano (Tim Hecker Remix)
San Pedro (The Soft Moon Remix)
Too Raging To Cheers (Umberto Remix)
La Mort Blanche (Robert Hampson Remix)

Like the generous folk they are, simply by signing up to the mailing list, you can get the opening track, the aforementioned ‘George Square Thatcher Death Party’ remixed by Justin K Broadrick for free. You’ll be glad you did so, but if you are too mean to do so, you can (for now) download it with this stream of the track:

Christmas Posts 2011 #15

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Hey folks, just having a quite night in, and what better soundtrack than Mogwai?

The first track appears in two slightly different forms. As ‘Xmas Steps’ it appears on the No Education = No Future (Fuck the Curfew) EP in 1998 and as ‘Christmas Steps’ on the the following years sophomore studio album, Come One Die Young.

‘Christmas Song’, meanwhile, appears on 1999’s Mogwai EP.

Mogwai -‘Xmas Steps.’ mp3

Mogwai -‘Christmas Steps.’ mp3

Mogwai -‘Christmas Song.’ mp3

Hope you are enjoying these folks; fourteen more sleeps to Santa, and plenty more Christmas music to come…

You should check out Mogwai’s two most recent releases, the album Hardcore Will Never Die But You Will and the EP Earth Division, both from this year are nigh on essential additions to your record collection.

From Hardcore…come both of these two tracks:

Mogwai -‘San Pedro.’ mp3

Mogwai -‘Rano Pano.’ mp3

A pot-pourri of Mogwai remixes

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Not a long post – computer being painfully slow and I have been trying to share these with you for a couple of days…

First up, Mogwai take on fellow Glaswegian’s Laki Mera’s track ‘Crater.’

Their album The Proximity Effect is rather good (one of many albums I am trying to get around to reviewing. The band are understandably thrilled that Mogwai wanted to do the remix.

Laki Mera – Crater (Mogwai Remix) by Just Music label

Like it? Download it for free from their Facebook page

Yuck’s album is rather fine, you shoulda heard ‘Georgia’ by now (if not, WHY NOT?)

This is Mogwai’s remix of Rubber:

Now, two remixes for bands I know next to nothing about, but these sound awesome to these ears:

EP review – Mogwai

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Mogwai -‘Earth Division EP’ (Rock Action)

A mere six months after their seventh studio album, Hardcore Will Never Die But You Will, Mogwai give us another EP. Mogwai’s EP’s have often felt like separate entities in themselves, rather than simply being promotion for a parent album.

So it is the case here. Four excellent tracks, three that are quite mellow and -being Mogwai – one that is absolutely loud and mental (not ‘Like Herod’ mental; you can’t really repeat that!) Opener ‘Get To France’ initially seems sligt until a couple of plays latyer, you realise it’s the hook to get you in. ‘Hound Of Winter’ even has that rare occurence on a Mogwai release of any sort – vocals! ‘Drunk and Crazy’ is perhaps the outstanding track here, encapsulating all that is great about Mogwai in one track, and the EP is nicely rounded off with the reflective ‘Does This Always Happen?’

Every Mogwai album is still an event, and so it proves with their EPs. Long may their light shine.

****

The Earth Division EP is released on September 12 on Rock Action.

Stream the EP here

Some covers for Friday

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…time it was that Friday usually was cover versions day round these parts.

I never consciously made the decision to stop doing it, but I thought it might be fun to start doing more regular cover versions posts around here.

So…there is no real theme here, just a handful of cover versions I enjoy. I hope you will too!

Jimi Hendrix -‘All Along The Watchtower (Bob Dylan cover).’ mp3

The Fall -‘Victoria (The Kinks cover).’ mp3

Arab Strap -‘You Shook Me All Night Long (AC/DC cover).’ mp3

Six By Seven -‘I Want To Destroy You (The Soft Boys cover).’ mp3

Le Tigre -‘I’m So Excited (Pointer Sisters cover).’ mp3

Bauhaus -‘Ziggy Stardust (David Bowie cover).’ mp3

Wedding Present -‘Back for Good (Take That cover).’ mp3

Kathryn Williams -‘All Apologies (Nirvana cover).’ mp3

Cat Power -‘Wonderwall (Oasis cover).’ mp3

Mogwai -‘Sweet Leaf (Black Sabbath cover).’ mp3

Lethal Bizzle -‘Police On My Back (Eddy Grant cover).’ mp3