Album Review – Sophia Knapp

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Sophia Kn

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nto the Waves’ (Drag City)

It’s funny how you have expectations of how acts on certain labels will sound. It would have been bizarre, for example, if Creation had had a death metal band on their roster, or if Chemikal Underground signed a bo

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y band. Whilst there may be diversity, you have certain expectations…

Which, I suppose, is a rather long-winded way of saying that, being unfamiliar with her previous work, I expected Sophia Knapp’s first solo album to sound a little more…leftfield, I guess. What with it coming out on Drag City, an’ all. Because the feel of the record is a million miles away from the likes of Royal Trux et al, and far more like a more MOR Stevie Nicks trying to make

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a seventies soul record with eighties production. It is music which seems to exist in a realm where much of the music of the last thirty or forty years simply does not figure. Sure, therethere

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are numerous artists who draw on the past, but they add something to the mix.

Songs like ‘Glasses High’ and ‘Into The Waves’ are perfectly pleasant, but while there’s nothing particularly wrong with them, there

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hem to make them stand out amongst so many submissions I receive. This album is fine as background, but several plays on, it doesn’t reveal any hidden surprises.

**1/2

Into The Waves is out now on Drag City

Presenting…Kid A

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Maybe it was the fact that the act is named over what is still my favourite Radiohead LP (OK, you want a fight about? You got one)…but there was something about the overflowing email inbox of submissions that meant I waded through to check it out.

There’s not a huge amount of info to go on here, but according to the email, Kid A is a producer and songwriter in Virginia creating their own formula of bedroom, electronic music. I was sent two tracks which I will share with you here.

The first track is a gorgeous slice of chilled electronica, entitled ‘BB

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Bleu.’

This track is more skewed, but no less brilliant:

These tracks are taken from her self produced experimental, imaginary Japanese soundtrack, PPPONEY OST, released last year. She intends to release her debut album proper BLCKRSECHLL (Black

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Rose Chill).

Let me know what you think. I can’t wait to hear

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more…

Album Review – Prinzhorn Dance School

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Prinzhorn Dance School -‘Clay Class’ (DFA)

On their sophomore album,

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the duo of Tobin Prinz and Suzi Horn offer us a bleak, monochrome world. It’s an interesting take on the post-punk sound that makes the likes of Franz Ferdinand and The Editors appears positively over-produced by comparison.

Prinz and Horn’s sound actually owes far more to the spasm-funk of Gang Of Four, the stripped down approach of The Scars and even the less bubblegum moments of The Cure’debut LP, Three Imaginary Boys. The song titles are apt with the key tracks ‘Your Fire Has Gone Out’ ‘Usurper’ and album opener ‘Happy IN Bits’ giving you an idea of what to expect.

It’s a good, solid album but the lack of variety in the approach means that no matter how good the early part of the album, by the time of the last couple of tracks, it is starting to grate a little on your nerve

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s. Still, there are some excellent moments here, which are well worth checking out, if you enjoy the less polished and poppy moments of the post-punk sound (both original and reviva

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***

Clay Class is out now on DFA.

Prinzhorn Dance School -‘Happy In Bits.’ mp3

Album Review – Father Murphy

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Father Murphy – ‘Anyway Your Children Will Deny It’ (Aagoo)

…have you done with the Father Ted jokes? Now…

Father Murphy are an Italian

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rror films, the folky point of prog-rock and a delightfully disturbing psychedelia meet. It is, as the press release cheerfully points out, the latest of a series of albums investigating the band’s favourite themes: ‘life, death, love, religion and even more death.’

If this is sounding like it might be a heavy metal sort of album, then it’s definitely the black metal sort, where it edges towards the arthouse, further away from the mosh pit and air guitar riffs, and is seemingly very dark indeed. Drones, chi

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llingly basic rhythms, a funereal pace…this is not a Lionel Richie-style album, just in case you still thought I was going to let up.

It’s not a letting up, but the final two tracks here ‘In The Flood, With The Flood’ and ‘Don’t Let Yourself Be Hurt This Tim

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stay true to the aesthetic, yet offer a

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little more…hope, almost. It will be a bleak vision for many to cope with, but those who enter here will not abandon hope, once their eyes adjust to the gloom…

Anyway Your Children Will Deny It is released on Aagoo on March 5.

Album Review – Wedding Present

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Wedding Present -‘Valentina’ (Scopitones)

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ey, the Wedding Present return with what is their eighth or ni

nth album (depending on how you’re counting). As with those other John Peel faves, The Fall, there rema

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e with the Weddoes that they are ‘always different, always the same.’

Whereas sometimes (and more frequently with me when I have really got saturated with it all) heartfelt lyrics, w

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ith associated honesty and pain seem to descent into MOR dross, David Gedge and his changing band of merry men (and the occasional woman), have demonstrated that it is possible to write about human emotions and be very cool ind

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eed, in a way that has not mellowed over the course of more than a quarter of a century. And he and the world containing him are all the better for it.

This is not to say that this is the Weddoes’ greatest album – for my money that’s still a toss-up between Seamonsters and George Best – and I think album opneer ‘You’re Dead’ really isn’t the best place to get started on it. But there’s a good number of songs here to add to the list of great Weddoes songs – including ‘Back A Bit…Stop’, ‘End Credits’ and first single ‘You Jane.’ It certainly holds its own well next to albums like Watusi and the aforementioned El Rey. If you’re a Wedding Present fan, you will love it. If you haven’t (really) heard them before, this is not a bad place to start.

***1/2

Valentina is released on Scopitones on March 19.