About Ed

Music fan by instinct

Gig Review – Gabriel and the Hounds

Unable to get to a gig for a PR company who have generally been pretty nice, I put out a request for help. Two younger readers, Calum and Michael, who used to be my students in another loife, came to the rescue. Over to you guys…

Communion: Gabriel and the Hounds/Rae Morris/Reubam/Naledi

Sneaky Pete’s, Edinburgh, February 29

A Communion organised event allows the gig-goer to see both local home-grown talent and bands from further afield, this gig at Sneaky Petes showed just that, boasting artists from Edinburgh, Blackpool and Gabriel and the Hounds from Brooklyn, New York. Going in with only knowledge of free single “The world unfolds” (the link to which is provided below), we were a fresh set of ears.

First up was Musselburgh local girl Naledi Herman, her largely Edinburgh influenced piano pop cannot fail to be compared to Adele, boasting strong lyrics and voice to match.

Second act Rae Morris blew us away, simple. This 19 year old singer/songwriter from Blackpool silenced the crowd the moment she struck the first chord of free download song ‘Back to Front’. With a fantastically distinctive voice paired with an equally impressive song writing style, Rae Morris sang with passion and power to reach into the hearts of the crowd.

While appearing slightly reserved and shy, her set would have justified a much more confident stage presence. Song ‘Back to front’ has been on repeat ever since.

Thirdly, Reubam. This band were full sounding, boasting a modern folk style with a certain twist, which can only be likened to the harmonica based folk pop of The Holloways.

Reubam played their lively set filled with complimenting melodies, impressive riffs and lots of energy.

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Based in Edinburgh a number of people in the crowd recognised them and a few songs. The traditional folk style of a cello and violin complimented a finger-picked acoustic guitar and vocal harmonies. All songs were well put together, with both the crowd and the band bouncing to the music.

Gabriel and the

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Hounds took to the stage starting with ‘Just Not like You’- a song not on the new album ‘Kiss Full of Teeth’, an album which has received much critical promise since its release.
The set was a stripped-back version of the album with just two people present, backed up with a synthesized string sound.
Gabriel Levine (Takka Takka) boasts links with Beirut, St Vincent and The National. The stripped back approach of the live set really gives the impression that the Gabriel and the Hounds ‘project’ is largely a solo effort.
“This is a special day, the 29th – an extra day” Gabrie

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l explains, playing song ‘What good would that do’ to the crowd’s recognition.
The lo-fi guitar played simple chords behind some powerful singing which worked almost perfectly. A simple drumbeat was enough to complete the sound and the range of songs from emotional and deep to upbeat and laid

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back provided an interesting set.
They finish their strong 8 song set with a cover of The Travelling Wilburys’ ‘Congratulations’ which encourages the crowd to sing along.
Hearing a few tracks online, we had a basic idea of what to expect, but even on songs we recognised it was like listening to something new, it really reminded me of the Black Keys, mixed with a Brooklyn sound akin to Vampire Weekend.
Too often bands reproduce the sounds of their albums, whereas Gabriel and the Hounds brought energy and passion into the music that you wouldn’t hear on a recording.

Calum Langdale and Michael Todd.

Album Review – Simple Minds

simple-minds-x5

Simple Minds -‘X5’ (Virgin/EMI)

It could all have turned out so very differently…

1989: The Cure release their seventh and best album Disintegration. U2 are still riding high on the release of The Joshua Tree and the resulting Rattle & Hum album and film, and are generally regarded as being the biggest band in the world at this point. Simple Minds release Street Fighting Years. Although it is a no.1 album, it’s bombastic, and way behind their p

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ioneering best work. ‘Belfast Child’ is the band’s only no.1 single, a reworking of the folk song ‘She Moves Through The Fair.’ It is also the last album they will do with keyboa

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rdist Michael MacNeil and manager Bruce Findlay.

1979: The Cure release their debut album Three Imaginary Boys. Though within a year they will have reinvented themselves completely, at this point their d

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ebut album only offers a hint of how excellent and essential they will become. Over In Ireland Dublin four-piece U2 release their debut EP Three, solely in that country. Simple Minds, in the year that is arguably the greatest ever for music, are streets ahead of both of them…

X5 is a fantastic compilation. In essence, what it is is Simple Minds’ first five albums together as a box set, retailing for around £12.00, with decent extras, like the extended remixes of tracks that are worth hearing, rather than the need for an entire album’s worth of the demos. The box set also deals nicely with the issue of Sons & Fascination and Sister Feelings Call – one album or two? – by placing them together in a gatefold sleeve.

It’s fascinating to track the evolution of ver Minds at this point. Debut Life In A Day wears its’ love of the Velvets and Roxy on its’ sleeve, to the extent that I swear it sounds like Jim Kerr is actually trying to sound like Bryan Ferry (they would eventually work with Lou Reed on, erm, Street Fighting Years). The quantum leap to Rea

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l To Real Cacophony (described by then label Arista as being one of the most uncommercial releases they had ever heard) is comparable to the jump between Pablo Honey and The Bends. While U2 were sounding earnest, t

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he Minds were looking to Berlin more than a decade before U2 would make Achtung Baby. And both those Minds albums came out in 1979.

1980’s Empires And Dance showed them progressing yet further. Opener ‘I Travel’ still sounds remarkably fresh thirty years on, and predates much of the dance music of the forthcoming decade, never mind stadium rock. It’s intersting though that on the following year’s double pairing of Sons…and Sisters that the ’20th Century Promised Land’ suddenly hints at the direction they would take. By 1982’s New Gold Dream 81-82-83-84 breakthrough hit ‘Promised You A Miracle’ (what the hell was with that white biker jacket though on Top Of the Pops?) showed that the anthems were coming through. But they were still am excellent bloody band. And they even made it into John Peel’s Festive Fifty that year with no less than 3 entries.

Sure, they got really big, and the quality control dipped, but forget the stadium pomp and focus on the peerless work herein. It’s taken long enough for this era of their work to be re-evaluated – but with bands from the

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Manics to the Primals to the Horrors lining up to acknowledge their influence, it really is time to embrace them.

*****

X5 is out now on EMI

Heresy or Heroism?

this-charming-video-game-artwork

‘Irk the purists! Irk the purists!’ sang Half Man Half Biscuit

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on their track of the same name, on the Trouble Over Bridgwater LP.

Most bands have their obsessive devotees. Even now, I’m sure if you ahve too much time on your hands you could probably find someone who will insist that Menswe@r were genbiuses who were misunderstood by the media. Then you get the pretty well excellent bands, like The Smiths and Radiohead, whose devotees can still take things a bit far.

Like this mash-up, for example. This track has divided the internet, mixing the vocal from The Smiths’ 1983 hit ‘This Charming Man’ with tyhe backing from Lana Del Rey’s

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hit from the end of last year ‘Video Games.’ It’s been put together by Gavin Burrell from Manchester, who goes under the name The Reborn Identity (and more of his mashups can be streamed and downloaded here at his Soundc

loud page

Not only that, but there’s also been a mash-up video made. I think both mashup track and video are excellent, even as a Smiths fan (and to a lesser extent, a fan of some of Del

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Rey’s songs).

The Smiths vs Lana Del Rey – This Charming Video Game (mashup) from Reborn Identity on Vimeo.

What do you think? Heresy? Genius? Is it just another mash-up? Another Stroke Of Genius? Or is there a reason why it’s called ‘Bastard Pop’ in Germany?

Just for the record, this was one of the earliest mash-ups many people heard in 2001. Richard X going under the name ‘Girls On Top’ (oo-er missus, etc..)

…which for the record became a bona-fide hit the fo

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llowing year, and was one of the best tracks of 2002.

Album Review – Sophia Knapp

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Sophia Kn

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nto the Waves’ (Drag City)

It’s funny how you have expectations of how acts on certain labels will sound. It would have been bizarre, for example, if Creation had had a death metal band on their roster, or if Chemikal Underground signed a bo

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y band. Whilst there may be diversity, you have certain expectations…

Which, I suppose, is a rather long-winded way of saying that, being unfamiliar with her previous work, I expected Sophia Knapp’s first solo album to sound a little more…leftfield, I guess. What with it coming out on Drag City, an’ all. Because the feel of the record is a million miles away from the likes of Royal Trux et al, and far more like a more MOR Stevie Nicks trying to make

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a seventies soul record with eighties production. It is music which seems to exist in a realm where much of the music of the last thirty or forty years simply does not figure. Sure, therethere

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are numerous artists who draw on the past, but they add something to the mix.

Songs like ‘Glasses High’ and ‘Into The Waves’ are perfectly pleasant, but while there’s nothing particularly wrong with them, there

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hem to make them stand out amongst so many submissions I receive. This album is fine as background, but several plays on, it doesn’t reveal any hidden surprises.

**1/2

Into The Waves is out now on Drag City

Presenting…Kid A

kid-a-500x333

Maybe it was the fact that the act is named over what is still my favourite Radiohead LP (OK, you want a fight about? You got one)…but there was something about the overflowing email inbox of submissions that meant I waded through to check it out.

There’s not a huge amount of info to go on here, but according to the email, Kid A is a producer and songwriter in Virginia creating their own formula of bedroom, electronic music. I was sent two tracks which I will share with you here.

The first track is a gorgeous slice of chilled electronica, entitled ‘BB

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Bleu.’

This track is more skewed, but no less brilliant:

These tracks are taken from her self produced experimental, imaginary Japanese soundtrack, PPPONEY OST, released last year. She intends to release her debut album proper BLCKRSECHLL (Black

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Rose Chill).

Let me know what you think. I can’t wait to hear

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more…

Album Review – Prinzhorn Dance School

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Prinzhorn Dance School -‘Clay Class’ (DFA)

On their sophomore album,

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the duo of Tobin Prinz and Suzi Horn offer us a bleak, monochrome world. It’s an interesting take on the post-punk sound that makes the likes of Franz Ferdinand and The Editors appears positively over-produced by comparison.

Prinz and Horn’s sound actually owes far more to the spasm-funk of Gang Of Four, the stripped down approach of The Scars and even the less bubblegum moments of The Cure’debut LP, Three Imaginary Boys. The song titles are apt with the key tracks ‘Your Fire Has Gone Out’ ‘Usurper’ and album opener ‘Happy IN Bits’ giving you an idea of what to expect.

It’s a good, solid album but the lack of variety in the approach means that no matter how good the early part of the album, by the time of the last couple of tracks, it is starting to grate a little on your nerve

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s. Still, there are some excellent moments here, which are well worth checking out, if you enjoy the less polished and poppy moments of the post-punk sound (both original and reviva

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***

Clay Class is out now on DFA.

Prinzhorn Dance School -‘Happy In Bits.’ mp3

Album Review – Father Murphy

father-murphy-anyway-your-children-will-deny-it

Father Murphy – ‘Anyway Your Children Will Deny It’ (Aagoo)

…have you done with the Father Ted jokes? Now…

Father Murphy are an Italian

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rror films, the folky point of prog-rock and a delightfully disturbing psychedelia meet. It is, as the press release cheerfully points out, the latest of a series of albums investigating the band’s favourite themes: ‘life, death, love, religion and even more death.’

If this is sounding like it might be a heavy metal sort of album, then it’s definitely the black metal sort, where it edges towards the arthouse, further away from the mosh pit and air guitar riffs, and is seemingly very dark indeed. Drones, chi

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llingly basic rhythms, a funereal pace…this is not a Lionel Richie-style album, just in case you still thought I was going to let up.

It’s not a letting up, but the final two tracks here ‘In The Flood, With The Flood’ and ‘Don’t Let Yourself Be Hurt This Tim

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little more…hope, almost. It will be a bleak vision for many to cope with, but those who enter here will not abandon hope, once their eyes adjust to the gloom…

Anyway Your Children Will Deny It is released on Aagoo on March 5.

Album Review – Wedding Present

wedding-present-valentina

Wedding Present -‘Valentina’ (Scopitones)

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ey, the Wedding Present return with what is their eighth or ni

nth album (depending on how you’re counting). As with those other John Peel faves, The Fall, there rema

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e with the Weddoes that they are ‘always different, always the same.’

Whereas sometimes (and more frequently with me when I have really got saturated with it all) heartfelt lyrics, w

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ith associated honesty and pain seem to descent into MOR dross, David Gedge and his changing band of merry men (and the occasional woman), have demonstrated that it is possible to write about human emotions and be very cool ind

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eed, in a way that has not mellowed over the course of more than a quarter of a century. And he and the world containing him are all the better for it.

This is not to say that this is the Weddoes’ greatest album – for my money that’s still a toss-up between Seamonsters and George Best – and I think album opneer ‘You’re Dead’ really isn’t the best place to get started on it. But there’s a good number of songs here to add to the list of great Weddoes songs – including ‘Back A Bit…Stop’, ‘End Credits’ and first single ‘You Jane.’ It certainly holds its own well next to albums like Watusi and the aforementioned El Rey. If you’re a Wedding Present fan, you will love it. If you haven’t (really) heard them before, this is not a bad place to start.

***1/2

Valentina is released on Scopitones on March 19.

Presenting…Aperture

aperture

Edinburgh four-piece Aperture are lead by vocalist Lisa McGlynn. Lisa was ins

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pired to sing by her Uncle Pat who was rhythm guitarist in none other than The Bay City Rollers. The band also feature drummer Lachlan McIntosh, Gareth Noble on bass and John McRitchie o

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m, they have been recording at the (in)famous Chem 19 studios in Hamilton; they have been working with Jamie Savage (younger brother of Paul), and are about to release their debut single ‘Good To Kn

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parisons to the likes of PJ Harvey and Siouxsie. There’s something very promising here -and thank God a submission that was not another overly earnest singer-songwriter or indie-by-numbers band!

Aperture play Glasgow King Tut’s Wah Wah hut on March 10.

Does there have to be a reason?

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Anja Plaschg, aka Soap&Ski

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n, is an Austrian lass, who is shortly to release her new album Narrow on March 19.

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And wait til you hear her

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cover of Desireless’ ‘Voyage Voyage’. Haunting doesn’t come close…