The return of…Boards of Canada

Boards of Canada, Scottish electronic music duo

Yup, the list of artists making a welcome return in 2013 grows ever longer (I’ve just taken delivery of the latest releases from David Bowie, Yeah Yeah Yeahs and Camera Obscura on vinyl. Yum!) To the list we can add Boards Of Canada who will release their first album in ten years, Tomorrow’s Harvest, on June 10.

There have been all sorts of bizarre stories doing the rounds, playbacks in the desert, people paying $5,000 for 12″ singles with 20 seconds of music on it…I’m just glad to see the Scottish duo back, frankly.

The first track to do the rounds is the really rather lovely ‘Reach For The Dead.’ And whilst to the uninitiated that might sound like a metal track, it is a fine and welcome reminder of the sort of excellent electronica that Boards of Canada do oh so very well.

Give yourself five minutes to listen to this. If it doesn’t whet your appetite for the new record, shame on you.

The album tracklisting is as follows:

1. Gemini
2. Reach for the Dead
3. White Cyclosa
4. Jacquard Causeway
5. Telepath
6. Cold Earth
7. Transmisiones Ferox
8. Sick Times
9. Collapse
10. Palace Posy
11. Split Your Infinities
12. Uritual
13. Nothing Is Real
14. Sundown
15. New Seeds
16. Come to Dust
17. Semena Mertvykh

There will be an unveiling of the album at 9PM UK time tomorrow night (Monday June 3), though God only knows how people will be able to pick up on it…

33 1/3 Part 15

boards-of-canada-the-campfire-headphase

Boards Of Canada -‘The Campfire Headphase’ (Warp, 2005)

As anyone who has any interest in leftfield electronica will have realised that this is the twentieth anniversary of the seminal Warp label. Formed in Sheffield in 1989, the label has given us Aphex Twin, Leila, Autechre, Broadcast and Boards Of Canada, as well as subsequently diversifying and bringing us Battles, Maximo Park and !!!

Many people cite the Boards Of Canada’s brilliantly named Music Has The Right To Children as their defining moment. I would humbly suggest (heretically and offensively so, no doubt, to some) that, actually The Campfire Headphase is their finest moment. This is the sound of the scots duo experimenting and producing little less than gold. It’s the sound of winter, and how, amongst the cold, and wet, there’s something really beautiful there.

I suppose as much of this is to do with the situation is was in at the time when I first heard this record. About 2003-5 two things happened that had a major impact on me, not just musically. I was working in Fopp, and getting exposed to a lot of music that I hadn’t heard before. So after I finished in July 2005 and went off to teach, I had expanded my music collection to include more than just indie and metal, and there was much more by way of dance, hip-hop and electronica of all shapes and sounds. More importantly and more significantly, I met and eventually started going out with the lady who is now Mrs. 17 Seconds (well, hey, it doesn’t do to rush these things. And anyway, how many married couples do you know whose relationship has started with ‘Get your coat?’ Exactly). The one day Mrs. 17 Seconds introduced me to all sorts of electronica and chill-type music I hadn’t really heard before – Royksopp, Bent, Bonobo and Zero 7, amongst others. One day in Avalanche she heard The Campfire Headphase and put it on her Christmas list. And brother 17 Seconds bought it for her.

That Christmas, brother 17 Seconds was doing panto up in Aberdeen (as you do). I spent Christmas Eve and Christmas Day in Aberdeen. Then the next day drove nearly three hundred miles in my ancient battered car (which pretty much gave up the ghost not long after) to the Lake District to see my beloved. We had one day together before she was back working during the day. In the days before new year, I got on and wrote a scheme of work for school. This was the soundtrack as I sat in the basement of the to-be-in-laws and tried to come up with ways to excite disaffected students.

So this is what the album reminds me of: wooing my wife, romantic gestures, long drives, winter -how it’s bleak and beautiful. oh yeah, and that there’s more to scottish music than skinny boys with telecasters.

Boards Of Canada -‘Chromakey Dreamcoat.’ mp3

Boards Of Canada -‘Constants Are Changing.’ mp3