Album Review: Ty Segall

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Ty Segall -‘Twins’ (Drag City).

Twins is actually the third album that Segall has put out this year, following on from records with his band Slaughterhouse and a collaboration with White Fence. Now, at the time of writing I haven’t actually heard those records, but this album is strong enough to make me want to investigate his whole damn back catalogue.

‘The Hill’ was the first track to do the rounds from Twins. The good news is that it’s typical of the spirit of the album, but that the other eleven tracks aren’t rapidly degrading sonic carbon copies. See, Segall has a love of music that incoporates not an ‘everything but the kitchen sink’ approach but an understanding of what makes people like The Byrds, Barrett-era Pink Floyd, Black Sabbath and The Stooges so special. And he mixes it up, with the end result that it’s a record that’s a delight from its first hearing, and is still revealing surprises several listens down the line.

‘Thank God for sinners’ is the title of the opener, which gets the album off to a cracking start, but really, thank God for Ty Segall. Too good to simply be a cult secret. Please spread the word.

****

Twins is out now on Drag City

Presenting…Ty Segall

ty-segall-photo-by-denee-petracek

Another one of the many submissions to appear in my inbox.

Ty Segall is one of those names that I have heard, and Drag City one of those labels I always feel I should know far more about than I actually do. ‘The Hill’ is taken from his new album, Twins, which is out next week. I love how this track starts out all 60s and summery and then goes all eighties and Mary-Chain like.

Stream the video below. This reminds me of videos you used to see on The Chart Show back in the ’80s, when once every three weeks they would show the indie top ten and the videos mostly looked like they had been made very cheaply and shot as lo-fi as possible. Wonderful!

UK Live dates in October:

November 7, The Garage, London

November 8, Deaf Institut, Manchester

November 9, Art School, Glasgow