Album Review: Anamanaguchi

Anamanaguchi

Anamanaguchi -‘Endless Fantasy.’ (Alcopop!)

“If Pac-Man had affected us as kids, we’d all be running around in dark rooms, munching pills and listening to repetitive electronic music.” Marcus Brigstocke, though variously attributed to others.

New York City four-piece Anamuchanagi make loud and fast (too fast to dance to, in the same way that ‘Charly’ by The prodigy was too fast and most drum and bass is if you focus on the drums) using ancient computers to do so. And when their sophomore album opens with the title track you think ‘Wow! They’re really good at doing it!’

And they are. The thing is, that the album is twenty-two tracks long, and it’s really a b

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. I daresay in a live setting it may be different, but that would be to miss the point of the album.

there are some great tracks oon herer ‘Snow Angels’ ‘U n ME’ and the closing ‘(T-T)b’ but it’s all a bit drawn out. It would make a great EP or series of EPs; a bit of editing wouldn’t go a miss, especially when there is some fine work on here.

***

Endless Fantasy is out now on Alcopop!

An almost weekly update on The Last Battle

The Last Battle have done some excellent covers, so when it was announced that they were going to be doing a cover of a Scottish classic on their next single ‘Perfecting The Art (Of Sa

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ying Nothing’), which will be released on October 28, it was tempting to wind them up and ask what naff one they

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might be doing.

It isn’t. At all.

Instead, it’s their own take on The

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Vaselines’ ‘Son Of A Gun’ which as everyone knows (unless you have no interest in music of the last twenty-five years at all) was covered by Nirvana (Nirvana also covered ‘Molly’s Lips’ and ‘Jesus Doe

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sn’t Want Me For A Sunbeam’.

It’s really rather fine, and you can download it for free.

Album Review: Zoo Zero

Zoo Zero

Zoo Zero-‘Zoo Zero.’ (Crest Cont. Records)

2013 has seen so many comebacks and returns (quite a few of them welcome, it must be said) that it must feel harder than eve

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r to get your music heard and written about if you’re a new act. Especially if you’re a band like Zoo Zero.

Zoo Zero have this week unleashed their debut album, and rather fine it is, too. At barely more than half an hour and eight tracks long, it doesn’t mess around, but shows how far you can take the tradit

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ions of leftfield experimental rock (Amon Duul, Sonic Youth and This Heat are mentioned on the press release and I can’t argue with that) and go some place with them. In fact, the albu

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m’s weakest track ‘Moon Communique’ is only weak in that it seems like the most straight-ahead rock song on here.

Bu

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t book-ended by ‘Fraktion’ and ‘Spinning Pretty’ there’s a sense that here’s a band who can write songs and take very cool record collections and really turn those songs inside out. Maybe leave on of those come

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backs and check this out instead?

****

Zoo Zero is ou

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t now on Crest Cont. Records

Album Review: RM Hubbert

RM Hubbert

RM Hubbert -‘Breaks & Bone’ (Chemikal Underground)

It’s great seeing success stories. Formerly of El Hombre Trajeado, Hubby’s first solo album First and Last was originally conceived as a project to take his mind off the death of his parents. It was re-issued by Chemikal Underground, who put out his second solo album, Thirteen Lost and Found. Not only did this see him working with the cream of the Scottish music scene (including Alex Kapranos, Emma Polloc

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k, Aidan Moffat and Alasdair Roberts), but it went on to win the Scottish Album of the Year (SAY award), beating the likes of higher profile musicians Calv

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in Harris and Emeli Sande.

So here is the third album (and by definition final) in the Ampersand trilogy. Hubby jokes on his website that it’s a bit cheerier than the previous two. Well, it is, but the good news is that it still sounds like Hubby. He’s confronted a number of demons and as he heads towards his fortieth birthday next year, the spirit of the record suggests that he’s coming to terms with what he has been through and enjoying life.

Whereas the previous album featured guest vocalists, this is entirely a solo record, just Hubby and his guitar, singing on the tracks and his own take on a finger-picking style. ‘Bolt’ has been doing the rounds as a promotional track, and it’s a good indication of the album, but it all adds up to one very impressive, beautiful whole.

Added to which, it’s the 200th release o

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n Chemikal Underground, who next year celebrate twenty years as Scotland’s greatest record label. Having also given us Mogwai, Arab Strap, The Delgados and Aereogramme, this is a very fine

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way to celebrate that milestone.

****

Breaks & Bone is out now on Chemikal Underground

Forthcoming from the Boomtown Rats

Boomtown Rats, 1979

Much maligned by the press at the time, the Boomtown R

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ats, lead by Bob Geldof had a not inconsiderable amount of success in their decade between 1976 and 1986. They’re best

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remembered for ‘I Don’t Like Mondays’ – one of two no.1 sing

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les, but they had a whole lot of great tunes,

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and ‘Mondays wasn’t necessarily typical of what they were about, either. They rode the coattails of the punk movement, and Geldof wasn’t afraid of pointing out the hypocrisy of certain bands from the movement. It rankled with him that The Clash (or Joe Strummer at least) were from posher backgrounds than they made out, and he clearly didn’t have much truck with the concept of ‘selling out.’

As you’re almost undoubtedly aware, the band folded when Geldof set up both Band Aid and Live Aid, before working in the

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world of TV production and doing a lot of work for charity and famine relief. The band are now back together and October 21 will see all of their six studio albums re-issued – The Boomtown Rats (1977), A Tonic For The Troops (1978), The Fine Art Of Surfacing (1979), Mondo Bongo (1980), V Deep (1982) and The Fine Art Of Surfacing (1984).

So just to whet your appetite, here’s a track from each:

From The Boomtown Rats ‘Looking After Number One’

From A Tonic For The Troops ‘Like Clockwork’

From The Fine Art Of Surfacing ‘I Don’t Like Mondays.’

From Mondo Bongo ‘Banana Republic’

From V Deep ‘House On Fire’

From In The Long Grass ‘Dave’

Album Review: New Model Army

New Model Army

New Model Army -‘Between Dog And Wolf’ (Attack Attack)

This album is the twelfth album from the Bradford institution, and thirty years since the release of their debut single ‘Bittersweet.’ And it finds them firing all all cylinders – lyrically, musically, and creatively.

Though the band have been victim to a lot of lazy and stupid journalism over time, the reality is that they were -and are – a band with a huge cult following,

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and who follow their own path. Variously lumped in with punk and post-punk, folk, metal, goth – the reality is that New Model Army aren’t bothered by changing fads and fancies and pursue their own interests musically. They’ve taken on board hip-hop influences (check out ‘You Weren’t There’ on 2000’s Eight or ‘Inheritance’ on 1989’s Thunder and Consolation), without the embarrassment that usually entails when rock bands try and do this.

They’ve always stretched their horizons, and the reality is that right from the opening ‘Horsemen’ they’re using more voices – not just Justin Sullivan’s, more drums and just, somehow, more everything, without the album ending up overblown. And this spirit continues through the album. There’s a number of excellent songs on here – my personal highlights wo

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e ‘March In September’ ‘Lean Back And Fall’ and ‘I Need More Time,’ though the likelihood is that their fanbase (of which I am proud to include myself) will have

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their own favourites.

Perhaps best kno

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wn for Thunder and Consolation, the band may hold a mirror up to the reality of the world around them, and yet rather than a nihilist ‘we’re all doomed’ they continue to offer a way forward, together. And – many years af

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ter they left major labels behind – produced one of their strongest efforts

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to date.

Long may they continue.

****1/2

Between Dog And Wolf is out now on

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Attack Attack

The return of Anna Calvi

Anna Calvi

In 2011, Anna Calvi appeared with her self-titled debut album, bewitching many who heard it, not least Jarvis Cocker, Nick Cave and Brian Eno.

She is due to release her sophomore album One Breath in two weeks’ time, which she has said is inspired by her battle with depression. Just in case that sounds that it might make for a bleak, unpleasant listen, check out the following three tracks from her soundcloud page:

The tracklisting for One Breath is as follows:

‘Suddenly’
‘Eliza’
‘Piece By Piece’
‘Cry’
‘Sing To Me’
‘Tristan’
‘One Breath’
‘Love Of My Life’
‘Carry Me Over’
‘Bleed Into Me’
‘The Bridge’

Certainly one of many albums I’m looking forward to…

Another class cover from The Last Battle

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te bands, and not just because I put out their debut, either!

their second album will b

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ady, but for now, check out their take on Nirvana’s ‘Pennyroyal Tea.’ Nirvana’s version originally appeared on their third and final studio album, In Utero, which as you have probably noticed, is just celebrating

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its twentieth anniversary.

Stream and download The Last Battle’s version below:

Album Review: sleepmakeswaves

Sleep makes waves

sleepmakeswaves -‘…and so we destroyed everything.’ (Monotreme)

It’s probably fairly easy to lump this Australian band in under the post-rock banner. But this record is astonishingly self-assured, and so utterly wonderful.

Like a fair amount of post-rock, this is an instrumental act, but the music really does, umm, speak for itself. It’s music to lose yourself and find yourself in, music that at times is euphoric, at other

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s unbearably sad. And it’s an album that reveals more on each subsequent play. It does, of course, benefit from repeated plays. Not just because it reveals a little more of itself each time, but because when you have finished playing it, you know you’re going to want to hear it again. And if you haven’t heard it yet, then you should. It’s not just another post-rock record, there’s something truly brilliant here.

If they have destroyed everything, then the ashes are truly beautiful.

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****

…and so we destroyed eveything is out now on Monotreme.

Album Review: Mark Lanegan

lanegan-imitations-album-500x500

Mark Lanegan -‘Imitations’ (Heavenly)

There’s something rather self-deprecating about the title of this, Mark Lanegan’s eighth studio solo album, and an album of covers. It’s almost as if he’s worried about how it will be perceived. Cover versio

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ns can end up flat on their face and an entire album’s worth can be disastrous. Of course, some can become so famous in their own right and take on an entire new life of their own. Trent Reznor has conceded that ‘Hurt’ belongs to Johnny Cash not Nine Inch Nails now. Sometimes it’s the arrangements that owe as much – for example, ‘Hallelujah’ is a Leonard

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Cohen original and most people will tell you that Jeff Buckley’s version is the definitive; the Buckley version is as much a cover of John Cale’s arrangement as it is of Cohen’s original.

Lanegan doesn’t need to be self-deprecating, because this is a gorgeous record in its own right. Some of these songs are those he picked up from his parents’ music collection, others that are more comparatively recent, like Nick Cave’s ‘Brompton Oratory’ or Hall & Oates’ ‘She’s Gone.’ ‘You Only Live Twice’ was originally sung by Nancy Sinatra for the fifth James Bond film of the same name; it has been said elsewhere that it resembles Lee Hazlewood’s version more than the Sinatra version – certainly, ‘those’ strings have gone – and yet the song holds together, frail yet stronger for it at the same time.

The song I have kept coming b

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ack to on here is ‘Solitaire’ – popularised by Andy Williams and The Carpenters, it could be utter schmaltz in the wrong hands (and I dare say not much digging around the internet will produce a mass of versions that are the very worst sort of karaoke). But in the hands of Mark Lanegan it is as heartbreaking as anything by The Smiths or Joy Division.

Like any album should do, it hangs together pretty damn near perfectly. How people react to it will vary o

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n what relationship they have with the individual songs as well as Lanegan’s work elsewhere over the past few decades. But with a huge amount of new releases coming out between now and the end of the year, do not allow this to get lost.

****

Imitations is out now on Heavenly