I’ve just returned from a trip to London, and inevitably, there was a bit of record buying. For the first time in many years, I’ve actually started buying CDs again – you can pick up some great stuff in charity shops for as little as a pound – and often a lot less. Why would I buy CDs when I prefer vinyl or I could stream it? Firstly, because there are albums you can pick up for the price of half a coffee that will cost fifty times that on vinyl (and I do have other commitments apart from expanding my music collection). Secondly, because not every album ever made is on streaming services and thirdly, because I don’t have a car that stream music either. Today I have been rediscovering David Holmes’ This Films Crap Lets Slash The Seats (sic).
Of course, I also picked up some vinyl, and while I can’t believe it’s seven years since this came out, I was thrilled to finally own Bobby Womack’s final studio album, The Bravest Man In The Universe on vinyl. Enjoy!
So…we’re into autumn here, and in Scotland that means that it’s getting cold, wetter than normal, and more significantly, grey.
But what better than a (musical) ray of sunshine from one of 17 Seconds’ favourite cities in the world, Melbourne, Australia? Emma Russack and Lachlan Denton will release their third album together on October 19, entitled Take The Reigns, and the three tracks here on their Bandcamp are absolutely fabulous. That gorgeous Aussie accent reminds me of Frente! and Courtney Barnett.
I knew absolutely nothing about them (though you can read an interview here) and the music speaks absolutely perfectly for itself. Give these three tracks a listen, I’m off to beg for an advance copy of the album! If you’re pushed for time ‘Catch’ is the highlight.
Let’s face it, way too many great musicians died during the past decade, and the year ain’t over yet. Hell, in 2016, everytime someone started trending on twitter, it became way too easy to fear the worst. One of the most missed around 17 Seconds Towers is the Canadian legend Leonard Cohen.
However, a posthumous album is on its way on November 22. Entitled Thanks For The Memories, it’s been developed by his son Adam, and sees him completing the musical sketches that he left behind for his final album, You Want It Darker.
The album tracklisting is as follows:
Happens To The Heart
The Heart Of Santiago
Thanks For The Dance
Listen To The Hummingbird
The first track to be made available ‘The Goal’ is scarcely more than a minute long (i.e. it’s even shorter than ‘Velocity Girl’ or ‘Final Day’ but it’s amazing.
As a bonus, here’s the maestro doing ‘Take This Waltz’ from London (circa 2008, I think), it’s stunning.
A few days ago, this arrived in my inbox, and ‘would I like to premiere it?’ Well, it is rather lovely, so how could I say no?!
Oli Rose is the creator of Blessed Is Ruby. After graduating from Westminster University, Oli was discovered, picked up and mentored by the legendary producer Cameron McVey (Massive Attack, Portishead, Neneh Cherry) straight out of university, and then subsequently being taken under the wing of prolific A&R man Felix Howard (Amy Winehouse, Sia).
Blessed Is Ruby is the story of a 22-year-old woman who, after losing her father, is on a mission to find a spiritual connection with him in order to truly move forward with her life. After a lot of soul searching, Ruby gains the confidence and self-belief to start moving forward on her own path and, slowly finds her way to great successes as an intelligence officer, and interrogator, for the SIU (Secret Intelligence Agency) – an independent organisation that recruits spies for the most sensitive of missions. Ruby slowly becomes a master in her field and, one day, when a mission entitled ‘Protect Mount Ekel’ lands on her desk, her life truly changes. This is the soundtrack to her story.
‘Blessed’ is really a rather lovely track, that feels kinda spiritual, and even this agnostic feels kinda blessed listening to it. It’s released on Here And Now Recordings on Friday September 20.
Leicester’s Heartland Roots Band have been going for a few years now, but their new single, the rather lovely and very catchy ‘Breaking Away’ is the first release by a record company, Animal Farm.
The country-rock band are (fanfare please): Callum Bishop (lead guitar), Adie Causier (guitars, keyboards, mandolin, dobro, vocals), Anna Causier (keyboards, percussion,whistles, saxophone), Richard Daniels (bass, vocals), Samantha Hobson (lead vocals, guitar) and Steve Ward (drums).
The single has just been released and the video – with a sense of humour – can be streamed below. It’s a fantastic introduction to the band, who have got some excellent tunes (and will hopefully play Scotland at some point in the future).
They previously released the album Here And Now album in 2017 and the Back For More EP in 2018. You can stream them via Spotify or Deezer.
I must admit Disciples of Verity were a new name to me, as were the majority of the band, but lead singer Corey Glover is Living Color’s lead vocalist, which boded well. The rest of the band are ex-God Forbid drummer Corey Pierce, bassist George Pond (ex-Negative Sky), and guitarists Mark Monjoy (Sekond Skyn) and Danny Puma (Negative Sky), will release their debut record Pragmatic Sanction this winter.
The band has teamed up with guitarist Jeff Loomis (Arch Enemy, ex-Nevermore) for their new single “Worthy”, which you can hear below. I went in not sure whether I was going to like this, it was exactly what I needed to hear. This totally blows away the cobwebs and kicks a lot of arses into gear. On the evidence of this, bring on the album!
” JARV IS simply the new vehicle which Jarvis Cocker has assembled in order to play his best known songs from his back catalogue. He delivers a set that draws on the almost the entirety of Different Class, and the big hitters from Pulp albums His ‘n’ Hers, This Is Hardcore and We Love Life. It’s a set purely based on giving the audience what they want and it’s as if time has stood still. We don’t get any new songs, just the greatest hits set that we all come to hear and sing along to for a blast of easy nostalgia.”
Relax, folks. Those one hundred words bear no resemblance to JARV IS’ performance at the Edinburgh International Festival. Instead, the performance served as a reminder how, even at the height of Britpop – now a quarter of a century ago – Jarvis Cocker was always his own man, and always a compelling performer. Balancing himself on two boxes at the front of the stage, he may have given any health and services bods watching a heart attack, but the rest of us were in for a compelling performance.
‘Good Evening!’ he greeted us. ‘Are you prepared to take Leith of your senses?’ Well, we were – and it wasn’t the last time during the evening he would make a daft joke that he pulled off perfectly. During a performance of JARV IS’ sole release to date, the single ‘Must I Evolve?’ the pontification about becoming a father features a line about ‘dragging my knuckles…while listening to Frankie Knuckles’ and…well, maybe you had to be there, but it worked perfectly.
A greatest hits set this was not, but there were nods to his work across the decades. The title track of his second album ‘Further Complications’ gets an airing, and perhaps more surprisingly, he performs ‘Mary’ from the Relaxed Muscle project. So disconnected was this from his work with Pulp that this barely appears even on his Wikipedia page, but it fits in perfectly with the evening.
New material can always be risky, but it is clear that JARV IS are playing to a room full of Jarvis fans who clearly have more than a passing knowledge of his work. So we get some fantastic new songs that I hope will see the light of day on an official release soon. ‘Swanky Modes’ and ‘When Julie Rules The World’ are great but the highlight is ‘House Music’ about a man who doesn’t want to leave his house but stay there and listen to house music.
‘Would it be okay if we sought political asylum here? I’m not even kidding,’ he tells us. It’s apt that one of his most celebrated solo songs is the apt and very bitter ‘Running The World’ which even gets a singalong going, no mean feat for a song that features the ‘c’ word in its chorus. The encores give us a Pulp rarity –‘His’n’Hers’ (from a 1994 EP) and a spectacular finish with ‘Elvis Has Left the Building.’