Album Review – Birdengine

birdengine

Birdengine -‘The Crooked Mile’ (Bleeding Heart Recordings)

Birdengine is the name that one Lawry Joseph Tilbury works under. Having previously released two EPs for the highly regarded (and now defunct) Scottish label Benbecula, he now releases his debut album on Bleeding Heart Recordings.

It’s now mid-October, and at this point in the year, I’ve heard getting onto three hundred new releases this year. And let me say, that with all sincerity, this is up there in the top 5 of the best I have heard this year.

Tilbury’s style is, right from the first listen, conducive to producing an album which is dark, exploratory and intrguing, right from the off. Puzzled by the first two tracks on the first play, by the third ‘No arms and no friends’ I was getting swept into it. By the end of the album, I had to go back and play it a couple more times because it had bewitched me, in the best possible sense.

Blessed with a strangely soothing bass-baritone voice, this debut might well come under the ‘freak folktronica’ if that’s the label you want to bandy about. Personally, it’s just great to hear a record that’s acoustic fight off cliche and produce something that genuinely stands alone.

Get your hands on a copy of this album. Because I won’t be letting go of my copy. And you won’t want to lose your copy either, if you have any sense.

****1/2

The Crooked Mile is released on Bleeding Heart Recordings on October 2011.

Album Review – Blueflint

blueflint

Bluefli

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nt -‘Maudy Tree’ (Johnny Rock Records)

Two years since their excellent debut album, High Bright Morning, and the Edinburgh bluegrass act have returned with their sophomore album. It’s definitely been worth the wait.

To these ears, it’s darker in places than High Bright Morning, but there’s also a hint of black humour as well. Opener ‘Light In THe Window’ is as

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warm an entry as ‘Takes More Than A Little Time’ was on their debut, but there’s a hint -just a hint – of things being darker this time round. ‘P45’ is reposte to a former lover, and getting revenge on them, perhaps via karma.

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‘I’ll be the P in your P45/the dogshit on your

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shoe/the suicidial song that’s playing when you’ve got the blues.’

It’s always the hope that an act will advance on their soiphomore album, and the fact that the line up has now expanded to include Hugh Kelly on double-bass and Roddy Neilson

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of Peatbog Faeries fame on fiddle and vocals as well as the fearsome double-act of Deborah Arnott and

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Clare Neilson is an indication of how they have grown. Neilson takes lead vocals on ‘Bottlebank’ adding another dimension to the record.

If you still haven’t bought their debut, shame on you. Make sure you get this one as well.

****

Maudy Tree is out now on Johnny Rock Records

Lightinthewindow by Bluef

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lint

Maudy Tree by Blueflint

The best double A-side ever?

beatles-strawberry-fields-penny-lane-vinyl-record-217

There’s a common belief that ‘Bohemian Rhapsody’ by Queen was the first music video ever. The reality is that promotional films had ben getting made for music since back in the forties, and there’s sections of musical fi

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lms which would probably have been able to be used.

This wasn’t the Beatles’ first double A-side (‘Eleanor Rigby’/’Yellow Submarine’ in the UK) and even though I still hold Revolver up as my favourite album ever, I think those two tracks were probably the weakest on it – though I obviously understand why Parlophone might have baulked at putting out ‘Tomorrow Never Knows’/’Love You To

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‘ as a single, had it been discussed.

This was the first Beatles single in several years not to get to no.1 (held off by Engelbert Humperdinck’s ‘Please Release Me – oh the indignity!) yet it was one of their strongest singles, pulling together two of their best songs together ‘Strawberry Fields Ever’ and ‘Penny Lane.’ Both of them had ‘promotional films’ made for them – and this well over a decade before MTV launched in the US! NB I suspect the sleeve at the top was not the UK one – but can you guess why?

Oh and call it what you want, but this is a flippin’ well-iconic music video/film clip/promotional video.

From D.A. Pennebaker’s Bob Dylan documentary Don’t Look Back

Finally, another early example of a promo video. This is the Rolling Stones doing ‘It’s Only Rock’n’Roll (But I like It)’ in 1974. Years ago, I met bassist Bill Wyman (he was doing a signing in the bookshop where I worked at the tiome, Ottakar’s on George St, now gone). He told me that they’d each been insured for £1,000,000 for this video. Not surprising when you get to about three and a half minutes in…

Album Review – Next Stop: Horizon

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Next Stop: Horizon ‘We Know Where We’re Going’ (Tap

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ete Records)

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o from Gothenburg, Sweden, consisting of Par Hagstrpm and Jenny Roos. Quite surprisingly, for a record that sounds both so modern and utterly archaic (like, at least sixty years old in parts) it is their debut.

The album mixes pop with a type of jazz that evokes both Kurt Weill andTom Waits (minus the forty full-strenth Marlboro vocal stylings of the latter). The end result is an album that manages to be experimental and yet utterly listenable; quirky without be

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ing irritatingly kooky.

Whilst I wouldn’t

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go so far as to say I fell in love with this album, it is very definitely a joy to listen to all the different aspects of this record meshing together and creating something hugely different from the vast majority of the music I have heard this year. Definitely worth hearing.

***1/2

We Know Where We’re Going is out now on Tapete Records

Next Stop: Horizon – Iron Tra

in by Tapete Records

The return of French Wives

FrenchWives-EP-Launch-Poster

I’ve written about Glasgow’s French Wives before on this site; they are shortly to rel

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ease a new single.

They’ve called it ‘Numbers’, and it’s going to be t

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he first single from their new album produced by Tony Doogan. It’s coming out on October 24th and they’re having a launch night for it at Mono in Glasgow on Thursday the 20th with support from Blochestra and Endor, the latter doing an acoutsic set. They’re doing a presale for it on their new website.

It will be released on Electric Honey, who have given the world early releases from the likes of Belle and Sebastian, Snow Patrol, and Biffy Clyro; not to mentio

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n albums from the likes of 17 Seconds faves Wake The President and White Heath.

So awesome are they that Scott from the band actually got in touch to say he was happy for 17 Seconds to post the mp3, of this, their fourth single.

French Wives -‘Numbers.’ mp3

Presenting…The Foxes

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A self-described independent, self-managed band from London Town,

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The Foxes will release their debut album Last Of Many

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on December 5.

This is the rather brilliant video to their fine, fine tune ‘No Reply.’ Make the time not just to listen but to watch this video:

The video to ‘The Sad Thing’ is different – not animated but unusual. And the sort of thing that gives Health & Safety folk nightmares.

They will be making videos for every song on their album, recorded at the Sawmills Studio in Cornwall, England (where one of my favourite

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ever albums Thunder and Consolation by New Model Army was made!), and produced by John Cornfield, who has also worked with the likes of Muse, Razorlight, Supergrass and Oasis.

Enjoy, folks!

Rod Jones – Idlewild guitarist steps into the spotlight

rod-jones

Rod Jones of Idlewild has been a busy man over the last decade and a half. Having formed the band in Edinburgh in 1995, the following

years have seen seven studio albums, a lot of gigs and general awesomeness. The band are on hgiatus, but Rod has never been a man to let the grass grow under his feet.

Having released his first solo album A Sentimental Education in 2009, and been involved in the Scottish mental Health Music Like A Vita

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min Shows, he is now fronting a new band called The Birthday Suit. They are about to tour and release their debut album.

Their album The Eleventh Hour is available from the band’s website now (price £5) and generally released on November 11.

1. Do You Ever? (scroll down the page for a free download!)
2. Hope Me Home
3. They Say I Love You
4. On My Own
5. Sell It All
6. World Gone By
7. Are You Ok?
8. A Nation
9. Don’t Look Down
10. The Eleventh Hour
11. Talking Over You

Those tour dates:

UPDATE: Tour postponed; will let you know when rescheduled…

The Birthday Suit – Do You Ever? by abadgeoffriendship

There are also two Scottish

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Mental Health Foundation gigs coming up in Scotland:

Rod Jones, James Yorkston and Withered Hand mentored some young musician

s, helping them with writing and recording, culminating in a live gig at Nobles Bar, Leith, on Thursday 20th Oct, 7pm (http://mhfestival.com/events.php?display=details&event_id=185

Composer Malcolm Lindsay wrote some music with some local kids, which will be performed by a classical string quartet for the first time at Platform, Glasgow, on Monday 24th Oct at 12.30pm (http://mhfestival.com/events.php?display=details&event_id=215). They used special music software which helps people write music using colours/shapes rather than traditional notation. The project was commissioned by his pal/music programmer at Platform, Alun Woodward (Chemikal Underground/Delgados).

(As someone who has battled with depression I feel pretty strongly about supporting events like this)

Gig Review – Benjamin Francis Leftwich

benjaminfrancisleftwich10oct2011edinburgh5

Benjamin Francis Leftwich, Edinburgh Cabaret Voltaire, October 10 2011

There are no shortage of singer-songwriters of either sex in 2011 (actually, that could probably have been said in 1971 as well). Yet with his debut album Last Smoke Before The Snowstorm having gone top 40, the 22-year old Yorkshireman is going places and managing to shine brightly in a field that’s often bursting at the seams.

It’s

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no mean feat to hold an audience’s attention, armed just with an acoustic guitar; effectively not much more than your average street busker. And yet, there is something bewitching about BFL. The Cab is full to busting, but people listen rapt and respectfully for the most part. ‘I’ve never been to Edinburgh before, ‘ he tells us just before ‘Pictures. ‘It’s a very beautiful city.’ Well, a bit of flattery always goes a long way, and we’d have him back like a shot, and mainly because of his charm. Slightly self-effacing without being full-on self-deprecating, he tells us that he considered taking a full band on this tour, and that nights like tonight show it is viable to do. He seems genuinely grateful for the response he gets.

The set is largely drawn from his debut album, and songs like ‘Butterfly Culture’ ‘Snowship’ and particularly ‘Maps’ get a large cheer. He also straps on his electric guitar for a fantastic cover of his favourite song, Springsteen’s ‘Atlantic City’ (from Nebraska), which is simply brilliant. And we get a rather lovely new song called ‘Break the Day Open.’

I don’t know how he does it – but there’s magic at work here. There’s a million singer-songwriters out there, but Benjamin Francis Leftwich is right out in front.

Benjamin Francis Leftwich – Pictures by Mud Hut Digital

Benjamin Francis Leftwich – Shine by Dirty Hit

Whilst on this subject, I bought a friend who was in a wheelchair to this gig. Both staff

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and fellow punters were really helpful and patient about making sure she got to the front to see him. Thank you.

Many thanks to Muriel Masson for the photo

Two albums from Kate Bush in one year? Yes!

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So, you wait years

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for a Kate Bush album, and then two arrive in the space of a year? It’s like 1978 all over a

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gain!*

November 21 will see a new Kate Bush album, entitl

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ed 50 Words For Snow. Her first studio album since 2005’s Aerial (The Director’s Cut released this year was

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comprised of previously released material yet in a radically altered way so it pretty much was a new album in it

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‘s own right).

According to her website

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inst the backdrop of falling snow’:

Snowflake
Lake Tahoe
Misty
Wild Man
Snowed In At Wheeler Street
50 Words For Snow
Among Angels

In terms of special guests who appear on the album, Andy Fairweather Low appears on ‘Wild Ma

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‘Snowed In At Wheeler Street,’ and Stephen Fry appears on the song ’50 Words For Snow.’

‘Wild Man’ has been released as a single

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– the version below is the radio

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*Yes, because she released both The Kick Inside and Lionheart that year. QED…

Presenting…Be Like Pablo

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I get a number of submissions for 17 Seconds, and it’s sheer luck that I happened to be online when an email from a band called ‘Be Like Pablo’ came into my

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inbox.

In their own words ‘Be Like Pablo make catchy guitar-based powerpop music with bright girl/boy vocal harmonies. Think the Beach Boys with Scottish accents, Moog synthesizers, noisy guitars and a healthy dose of nerdy enthusiasm.’ I think if you like Fountains of Wayne and early Weezer, for example, you are going to love this band.’

I got an email from a member of the band called Ewen, so I emailed him back to find out more and this is what he said in reply:

“We are based in a small little-known town called Forres (nearish Inverness) and our band comprises Ewen Watson (vocals, synth, guitar), Ross Watson (guitar, vocals), Jen Blackburn (vocals, synth), Jamie Murphy (bass, even more vocals) and Blair

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Stewart (drums, samples, no vocals). We have recorded a full-length album at Ca Va studios in Glasgow for which we are currently looking for a label (hence the videos etc. to gather interest.)”

This is their most recent single:

This double AA side came out last year:

Here are the videos for the single:

Surely we will be hearing more from these guys soon…