It’s David vs. Goliath…

…oh no, hang on, it’s not. A mere nine months after 17 Seconds bigged them up and interviewed them, Glasvegas are going head to head with Metallica in the album charts.

Is it about sales? Well, no, but it’s a sign of how far a band can come…watch this video from the UK’s ITN news.

Glasvegas v Metallica in the battle of the bands
Glasvegas v Metallica in the battl

e of the bands

Amusing, no? Although the idea that

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for running a race you get chocolate and fizzy drinks (note to non-scots: in scotland ‘juice’ is the name given to fizzy drinks, not necessarily something that comes from fruit), perhaps speaks volumes about Scotland’s health issues…

Anyway, 17 Seconds is firmly routing for Glasvegas in this battle.

Album Review: Martina Topley-Bird

Martina Topley-Bird -‘The Blue God’ (Independiente)

Five years since her solo

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debut, Quixotic, Martina Topley-Bird releases the follow-up The Blue God. This is an album I’ve been really enjoying over the last few weeks, and it’s about time that I sat down and wrote the review.

The first thing to say is that like her former collaborator, Tricky, it

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is time to consider this album without expecting it to sound like Maxinequaye. While there is no denying that it was and is an astounding album, we need to consider his and her works on their own terms.

So, no, this is not trip-hop. Rather like Santogold’s album from this year, this is an album which is pop, in the intelligent sense of the word, rather than the co

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nnotations with manufactured acts that have sullied it, and dumbed it down. It’s probably appropriate that it’s produced by Danger Mouse, who has firmly established himself as one of this decade’s key producers. Those vocals are still there, gently nagging at you and pulling you in. There’s a hint of blues, a fair bit of soul, a lot of sheer gorgeousness. In fact, this album has far more in common with, say, prime-era Cardigans than trip-hop.

Highlights of the album would include the single ‘Carnies’ and ‘Poison’ but what impresses is just how each time I play this album, another track puts itself as a contender for the album’s strongest cut. It’s time that Ms. Topley-Bird is acknowledged as one of Britain’s great singers and viewed on her own terms.

****

The Blue God is ou

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t now on Independiente

Martina Topley-Bird -‘Carnies’

Martina Topley-Bird -‘Poison’ on Jools Holland


Martina Topley-Bird’s webpage

‘Scuse me pal, can ye spare some change?

I’ve written about my sheer admiration of the wonderful Richard Thompson before. Today’s post is only partly about him, but mainly a reflection of worry abo

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ut a worsening of the economy, and how it affects so many people. For some, it’s a worry about how to pay the mortgage. For some, a worry about how to survive into next week. And still some people think politics is nothing to do with them.

Richard Thompson’s song ‘Last Shift’ is reflection on the closure of the Grimethorpe colliery in 1993. The number of mines in the UK has fallen drastically over the last twenty five years, as Conse

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rvative governments shafted the working people. Some folks’ somewhat disturbing attitude is that if it’s not making a profit, we close it down, and sod the infrastructure, the successive generations of unemployment. It would have been nice if when quoting the prayer (not St. Francis of Assisi, though it was attributed to him) on Downing St in 1979 if God had struck Margaret Thatcher down. Failing that, Norman Tebbit for his ‘My Father did not riot. My father gor on his bike and looked for work.’

It impacts in so many ways. I’ve torn

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strips off kids for making anti-Polish remarks as they are currently the whiping boys of society for unemployment. There’s a Citizenship day coming up at school, probably time for me to explain how casual racism leads to global disaster.

That Richard Thompson song, anyway, before I get this blog withdrawn for being too political.

‘ Stow your gear and charge your lamp
Say goodbye to dark and damp
DSS will pay your stamp
Last shift, close her down

Leave your manhood, leave your pride
Back there on the mucky side
Take the cage for one more ride
Last shift, close her down

Put the business in the black
And they’ve stabbed us in the back
With old school ties and little white lies
They left our town for scrap

Golden handshake, sling our hooks
Now we’re nursemaids, now we’re cooks
Now our kids steal pension books
Last shift, close her down

Now the scrapper boys infest
And the wrecking balls caress
Like vermin round a burial ground
They catch the smell of death

Old Grimey’s lost its soul
Fifty million tons of coal
And we’re beggars on the dole
Last shift, close her down
Last shift, close her down’

Richard Thompson & Danny Thompson -‘Last Shift.’ mp3

It got me thinking about this song, by The Men they Couldn’t Hang.

Oh this is an old story that’s rarely ever told
the raping of the country, of the valley
the men who came to reap with a musket and a bible
they wanted to take the valley
the valley! the valley!
they wanted to take the valley
and oh the ironmasters, they always get their way

and so far a pittance all the people worked the land
all the men and the women and the children
and on sundays it was down to the chapel in the town
the preacher said give generously!
give generously! give generously!
the people they gave generously
and oh the ironmasters, they always get their way

the union met in secret on the dark side of the hill
by the light of a thousand candles
their pay had been cut, all the people come on out
and by scores they were joining Rebecca
Rebecca! Rebecca!
the people were

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joining Rebecca
and oh the ironmasters, they always get their way

ironmaster, call the army
call the hungry from the irish sea
ironmaster, call the parliament
it’s no sin to fight to be free!

from the smokey stacks of merthyr
to the hills of Ebbw

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vale
from Swansea docks to Merseyside and Liverpool
with the union leaders crushed
and the union quickly smashed
they blackend the face of the country
the country! the country!
they blackend the face of the country
and oh the ironmasters, they always get their way

now on a hill in Brecon is Crawshay’s ruined house
and it blackens out the green of the valley
and on the battered grave is the epitaph they gave
it stands there, god forgive him!
forgive him! forgive him!
and all who rot in hell with him
and oh the ironmasters, they always get their way

ironmaster, call the army
call the hungry from the irish sea
ironmaster, call the parliament
it’s no sin to fight to be free!

and oh the ironmasters, they always get their way
and oh the ironmasters, they still get their way!

The Men They Couldn’t Hang -‘Ironmasters.’ mp3

Hallelujah!

Have tomorrow and Monday off, as one of Scotland’s strange but welcome middle-of-nowhere holidays.

So, I’m tired but happy and feel like celebrating. Play air guitar and dance around like a mad thing.

And whatever the mythical Chinese Democracy album might soun

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d like, I still love this track.

Guns ‘n’ Roses -‘Sweet Child O’

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Mine.’ mp3

Motorcycle Boy – repost

I have received a couple of very polite requests in my inbox about posting Motorcycle Boy, so here is the first EP, Big Rock Candy Mountain:

Motorcycle Boy -‘Big Rock Candy Mountain (V

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elocity Dance Mix).’ mp3

Motorcycle Boy -‘Room At the Top.’ mp3

Motorcycle Boy -‘His Latest Flame.’ mp3

Motorcycl

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e Boy -‘Big Rock Candy

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Mountain (7″ mix).’ mp3

Thanks to Tom for supplying these mp3s in the first place.

Is the world going to end, then, Sir?

One of the things about teaching is that you are simultaneously supposed to know everything, and suspected of knowing nothing. You are also expected to be morally perfect…and tolerant of the students clearly not being.

When you teach what is this week dubbed ‘Religious Moral and Philosophical Studies’ (and believe me, I come from the

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philosophy spectrum), you are also expected to know about what God thinks.

Now that the world is apparently goi

ng to end tomorrow, I thought this cheery number from 1982, by a band called Defuser, might be appropriate.

Defuser -‘World Suicide.’ mp3

Do I think the world

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‘s going to end tomorrow? Well, if it doesn’t, and your homework’s not in

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Thursda

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y morning, then it might…

Was this the funkiest ‘Goth’ track ever?

Part of my ‘alternative awakening’ at the age

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of fourteen was Bauhaus’ second album, Mask.

I was getting i

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nto ‘indie’ music, and the name and the image kind of intrigued me, so I bought the cassette. For many years, it was the album’s opening track ‘Hair Of the Dog’ with its’ lyrics that evoked a wander around an asylum, but a few years ago, this came on whilst waiting for Black Rebel Motorcycle

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Club, this came on. It fitt

o

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ed perfectly with the then prevailing new wave of post-punk, and sounded remarkably fresh.

And the cover art o

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n the 12″ single looked cool as anything.

Bauhaus -‘Kick In the Eye(2).’ mp3

Gig review: Glasvegas


Glasvegas, Edinburgh Liquid Rooms, September 7 2008

…and still they rise. With just a matter of hours to go before their debut LP is released

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, Glasvegas headline Edinburgh’s Liquid Rooms. Their current UK tour has completely sold out, this date sold out within 24 hours, and tickets are changing hands for £50 on ebay. Right the way up the street, the touts are begging to buy tickets (about time they were clamped down on, once and for all).

So, can Glasvegas cut it live? You betcha. The sense of expectation once inside the Liquid Rooms is intense. Making our way up to the balcony, Mrs. 17 Seconds and I and our friends can barely see the stage, but we’re swept away by the atmosphere. With chants of ‘There’s only one James Allan’ and ‘Here we, Here We, Here We f****g go’ the sense of expectation is immense.

And from the minute they wallk on stage, until they walk off, Glasvegas deliver. And how. They come on stage, tear straight into ‘Flowers and Football Tops’ and it’s brilliant. They don’t pause for breath for the next forty minutes as they play songs from their self-titles debut. ‘Lo

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nesome Swan,’ ‘It’s My Own Cheating Heart That Makes Me Cry,’ ‘S.A.D. Light,’ Polmont On My Mind,’ ‘Geraldine’ all go by in almost a blur. The band acknowledge the audience, but don’t milk it, preferring instead to make the music speak for itself. ‘Go Square Go’ gets a rapturous response. ‘Ice Cream Van’ reminds us of how sad and epic they can be. Finally they finish with ‘Daddy’s Gone’ the song that’s gone from a limited 7″ to a major anthem in the space of less than a year.

No longer the next big thing, Glasvegas are the sound of now. We walk out, on a wave of good feeling that lasts right into the next day. This is a band who matter.

[Thanks is due to James Allan, who when I interviewed him said they’d stick me on the guest list next time, and his sister/manager Denise who did. And not least to Ken for getting Mrs. 17 Seconds in as a +1).

Glasvegas’ debut LP Glasvegas is out now.

Glasvegas’ mySpace

Happy birthday brother Seconds!

This post is to wish my little brother a happy birthday for September 8th.

Enjoy, our kid, here is some class, weird and wondeful electroni

c music…

BBC Radiophonic Workshop -‘Doctor Who (Original Theme).’ mp3

Human L

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eague -‘Being Boiled.’ mp3

The Normal -‘Warm Leatherette.’ mp3

Happy B

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irthday from a wet and cold scotland where Autumn is here. Hope it’s better with you…

Album Review: Underground Railroad

Underground Railroad -‘Sticks and Stones’ (One Little Indian)

This

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ng it’s charm on you, pulling you in with it. Underground Railroad take a template that owes a lot to Evol-era Sonic Youth, later-period Pavement (Corners/Twilight) and dofs its’ cap to Madonna-era …And You Will Know Us By the Trail Of The Dead.

Perhaps I should’t be surprised that it was recorded in Seattle. But don’t let the influences allow you to assume that it’s derivative, because they have their own spin on it, which should be heard. Highlights include the title track and 25.

On a couple o

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f occasions, there are some tracks which grate on repeated playing ‘NYC (Money Money Money) and ‘One More Hit’ but for people who e

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njoy their guitar music epic, noisy and in song-form this is a worthwhile investigation.

***1/2

Underground Railroad -‘New Variety.’ mp3

Underground Railroad’s mySpace