Lee Simeone is a wonder-kid who has taken the notion of what the late seventies and early eighties musicains did and run with it. I have never met him, but I would be willing to bet that he has the vast majority (if not all) of Gary Numan’s albu
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ms, feels that Ultravox ceased to matter when Midge Ure took over from John Foxx, and would prefer to live in Berlin than LA, though wouldn’t pass up the opportunity to go to Japan.
racks, some which appeared on his debut album The Dream Weaver) showcases that there is something rather good at work here. Whilst all 21 tracks can be quite intense one after the other, it is clear that he understands dark-wave (synth-goth if you really need things broken up and made sim
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ple for you), and also relishes working with some of the pioneers. So there are collaboreations with ex-Renegade Soundwave member Gary Asquith, Adam and the Ants’ Kevin Mooney, as well as Karel Fialka and the aforementioned John Foxx.
The three tracks he picked out for me to share with you give a clear sign of his talent. While this won’t appeal to all, those who understand this msuic will take it to their hearts and watch where he goes from here…film soundtracks and some seriously cool music is my guess.
Dan Willson, AKA Withered Hand is a fine songwriter and I even know him, a little bit.
Having previously played in Barrichello and Peanut, he has been the main man behind Withered Hand since 2006. In 2009 he released the draw-dropping album, Good News. I was privileged to see him on a bill headline
d by Broken Records and also featuring Jesus H. Foxx at Edinburgh’s Cabaret Voltaire. I was gobsmacked. By this stage, the album was getting not only great reviews but brilliant end of year notices, and I spent a month trying to get hold of it. In the end, it was Ed
from SL Records who sent me a link, and even fixed it for me to interview Dan. Had I been able to get hold of the album before my end of year lists in 2009, they would probably have turned out very differently. Ah well…
This was a Christmas song that Withered Hand put out
well as being run by King Creosote and Jonny Pictish Trail is also home to the likes of Kid Canaveral and too many great acts to mention). According to the email from Jonny Pictish which arrived today ‘the s
ong is being released on Fence Records as part of an exclusive to subscribers of our new EP series. If folk subscribe on our website (www.fencerecords.com) before December 16th, they will receive a Xmas card with a mini-CD inside which will have ‘Real Snow’ on it.’ Right. You know what to do, yes?
THere is an EP on the way. Oh, and this track was recorded by none other than Darren Hayman. WOW.
In 1992, they famously released a 7″ single a month, all of which made the top thirty (and were later collected, with attendant b-sides, all of them cover versions, on the Hit Parade 1 and Hit Parade 2 compilations). That Deecember they released ‘No Christmas’ with a cover of Elton John’s ‘Step Into Christmas’ as the b-side.
Wedding Present – No Christmas.’ mp3
Wedding Present -‘Step Into Christmas.’ mp3
This was their single in 2008; the b-side was a rather fab version of ‘White Christmas.’
but next year marks 21 years since they released Seamonsters (produced by Steve Albini, who would go on to work with Low, PJ Harvey and of course, Nirvana). They are touring this but they have also lined up some dates for the end of this year:
29 December: Glasgow Garage
30 December: Leeds O2 Academy
31 December: London Camden Dingwalls
Their eighth studio album has been pencilled in for release on March 12, 2012. Get that in your diaries…
d say that it was my intention to include more new stuff on my Christmas posts this year (not that there’s anything wrong with posting a few old faves, of course!)
I have long supported How To Swim on this blog, and indeed they made my Festive Fifty back in 2008, with ‘Genesis P and Me.’. They have just released a free, three-track EP for Christmas, entitled A Minor Key Christmas. This includes two new songs and a cover of Paul McCartney’s ‘Wonderful Christmastime.’
Now, this last song I hold to be one of the nadirs of Macca’s post-Beatles career. But How To Swim have shown that, amazingly, you CAN polish a turd and make it into a decent pop tune.
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d House causing moral panic amongst the nation’s self-appointed moral guardians. UK Hip-Hop like Derek B, Cookie Crew and The Wee Papa Girl Rappers making it out of the cl
ubs and into Smash Hits and Top Of The Pops. A massive 70th Birthday Concert at Wembley Stadium to honour Nelson Mandela, then still facing life imprisonment in South Africa for his entirely reasonable opposition
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seems to send people into conservative (note small ‘c’) mode and the biggest selling record of the year was Cliff Richard’s ‘Mistletoe and Wine.’ His first number one single since he had t
I have no idea to what extent Idlewild are followers of Cliff Richard, but they recorded this rather ace version of ‘Mistletoe and Wine’ for a radio session a couple of years ago.
Today, the BBC have published thier longlist of those who they reckon make their Sound of 2012. A few weeks ago, I was asked to take part in the Bloggers one (always nice to be asked to be involve
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d!), so here is the longlist for this.
Many are new to me, but other acts like Meursault, French Wives and Be
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Big respect to Andy Von Pip for organising this; the full list of blogs involved was: Breaking More Waves, God Is In the TV, Sweeping The Nation, The Von Pip Musical Express, The Recommender, Faded Glamour, Drunken Werewolf, Flying With Anna, Not Many Experts, Underclassed idle Idea
s, Sonic Masala, Mudkiss, The Pop Cop, The Ring Master, Both Bars On, Music From A Green Window, Dots And Dashes, Daily Growl, And Everyones A DJ, Kowolskiy, Just Music i Like, Cruel Rhythms, The Blue Walrus, Music Fans Mic, Seventeen Seconds, Eaten By Monsters, Seven Sevens, Unpeeled, New Rave Brain Wave, Peenko, Music Liberation, Song By Toad.
album. At one stage they were signed to Edinburgh’s SL Records, who also gave us the likes of ballboy, Saint Jude’s Infirmary and Withered Hand, amongst others. There’s no doubt that there are a lot of very clever ideas going on here and on the records in general (and the legendary John Peel was
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‘new God.’)
Not only that, but album track ‘General Condusion’ features none other than Sir Patrick Moore (which is pretty cool, though I personally feel that Bjork trumped them by getting David Attnborough on her latest album). There’s twel
ngs here, most of which are pretty good – the problem is that this album is a bit like the sonic equivalent of a rich fruit cake. It’s lovely in pieces, but taking the entire piece in one go is just overload and a bit much to cope with. And sometimes those clever ideas that I mentioned in the last paragraph seem like they need to be reigned in just a little bit.
However, given the strength of what’s on display here, it is worth persevering with. Whether this might have worked better as a series of EPs is a moot point, and there’s a lot of display to enjoy here.
***
The Family Amusement Centre is out on December 5 on A Village Green For The Big Society Records
Whatever your views on religion, chances are if you grew up in the UK, at some point you went to a Christmas Carol Concert.
And much as I would no more wish to hear tuneless singing of these perennial favourites than many of you will, Christmas Eve’s essential soundtrack has got to include Carols from King’s College, Cambridge to hear them done well.
So, for today’s post, a selection of half a dozen songs you might hear at a Christmas concert done in the bands’ own inimitable styles. There may be many more of these out there, though I drew the line at posting Cliff Richard’s version of ‘O Little Town Of Bethlehem’ or Bros doing ‘Silent Night.’ There’s post-modernism and then there’s being stupid.
Can -‘Silent Night.’ mp3
Belle and Sebastian -‘O Come, O Come Emmanuel.’ mp3
Bare Naked Ladies and Sarah McLachlan -‘God Rest Ye Merry Gentlemen.’ mp3
Blondie -‘We Three Kings.’ mp3
Fall -‘Hark! The Herald Angels Sing.’ mp3 {Mark E. Smith above)
As I think I have probably commented before, Darren Hayman is a man whose recorded output has been so prolific over the past fifteen years that he makes The Fall seem like The Blue Nile by comparison. Only Will Oldham in his Bonnie ‘Prince’ Billy guise seems to be able to match him.
Whereas my main recollection of last winter is my then very pregnant wife and I struggling to get about through a very snowy Scotland, Darren and his loved one took a different approach. Fed up with what sounds like a series of hideous family Christmases with his Mum crying over Monopoloy (this never happens in my home: my wife refuses to play as I am too competitive, apparently), they went off to Howarth in Yorkshire. Where, as Darren writes, Christmas looks like Christmas and four of the six songs on this 10″ EP were recorded.
Opener ‘The Christmas Wars’ is perhaps the finest track on offer here, but once again, there are six excellent new additions to his already impressive body of work, including two instrumentals. Limited to 300 copies, this EP is nevertheless, worth seeking out.
****
Christmas in Howarth is out now. Act quickly.
You may also find the Advent Calendar with lots of free downloads available here of interest…