Aphex Twin – ‘Syro’ (Warp)

This record has been a long time coming, to say the least. Apart from a series of 12″ singles nearly ten years ago, the last album from Richard D. James was 2001’s Drukqs. Such is the mystique and legend surrounding the man, that there has been much excitement over the past few months with every little tease across the internet picked up and analysed by fans. The fact that as I write this album is heading for the the album top three should come as no surprise, rather a reflection of the quality and the legend.

Album opener ‘minipops 67 [120.2][source field mix]’was the first track to do the rounds. It was unmistakeably Aphex Twin, not as mental as ‘Come To Daddy’ or as draw-dropping as ‘Windowlicker’ but a) reassuring to have him back and b) a sign that his muse hadn’t deserted him. It wasn’t particularly groundbreaking either – but looking at the work he has done over the last few decades, he’s in the fortunate position of being able to do whatever he likes and know that people will pick up on it.

What strikes me on listening to the album is that how James has always worked in so many fields of dance. He’s more than dipped his toe into ambient, but also experimented with acid house, techno and drum’n’bass. What makes Syro such an exciting listen is the way that he takes on board what appears to be almost forty years of dance, often working in a pretty leftfield milieu – yet at the same time , for the most part, a balanced mix of sunsettling and listenable. Hell, I’m sure there’s even a hint of disco at times.

And yet, album closer evokes Drukqs‘ ‘Avril 14’ with its Satie meets Eno soundscape. It’s a sign that one of the few things we can expect from him is the unexpected. While this album may not be as much of a OhmyGodwhatthebloodyfuckwasthat as Drukqs was, it’s still a welcome return and for those who have not encountered his work before (tut tut), perhaps a good place to start.

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Syro is out now on Warp.

It’s been a very long time coming.

But after 13 years, Richard D. James AKA Aphex Twin has shared some new music with us, entitled ”mini pops 67 (source field mix)’ which you can stream above.

It’s the first track to do the rounds from his forthcoming new album, which is entitled Syro and comes out via Warp on September 22.

I like this new track – yes it sounds like him, and whilst it’s not a mindblower like ‘Windowlicker’ or ‘Come To Daddy,’ anyone who is familiar with his work knows that one track is unlikely ever to be typical of an album.

The album tracklisting, according to Amazon, is as follows:

1. Minipops 67 (120.2) Source Field Mix) (Aka the Manchester Track)
2. XMAS_EVET10 (120) (Thanaton3 Mix)
3. Produk 29 (101)
4. 4 Bit 9d Api+e+6 (126.26)
5. 180db_ (130)
6. CIRCLONT6A (141.98) (Syrobonkus Mix)
7. Fz Pseudotimestretch+e+3 (138.85)
8. CIRCLONT14 (152.97) (Shrymoming Mix)
9. Syro U473t8+e (141.98) (Piezoluminescence Mix)
10. PAPAT4 (155) (Pineal Mix)
11. S950tx16wasr10 (163.97) (Earth Portal Mix)
12. Aisatsana (102)

(I say according to Amazon, because there’s no way most humans are capable of making sense of all of that!)

I’d been a fan of Mr. Richard D. James for several years when I first heard ‘Windowlicker’ – but my first thought was one of utter disbelief. Not the single’s cover, but the sound was …something else.

And then after a few listens, I suddenly got it. And then I saw the video by Chris Cunningham.

Blimey.

Both are still utterly amazing, nearly fifteen years on. And if it seems unlikely that a song as weird as this got into the charts, perhaps the British public deserve credit for sending it all the way to no.16, back in 1999. And I’m staggered to realise it’s now fifteen years old.

Hopefully you’ve seen enough Hip-Hop videos to understand what this is parodying, and if you are offended by bad langauge (amazingly, some people still are in this day and age) perhaps you’d better not watch this.

The rest of you – press play.