Album Review – Laurie Cameron

Laurie Cameron -‘The Girl Who Cried For The Boy Who Cried Wolf.’ (Glencoe Records)

This gorgeous album was one I was tipped off about by Kevin Buckle at Avalanche Records in Edinburgh. First of all, credit, where credit’s due; it’s a brilliant album. (And it’s great to see that at this point in musical history, record shops are still supporting independent artists.)

I don’t know a lot about Laurie Cameron – so I came to this album pretty much at face value. At points in the past I have had singer-songwriter fatigue, and yet a record like this forgives all sins committed under that banner. She hails from Perth, has supported the likes of Roddy Woomble and Frightened Rabbit (Frabbits’ Andy Monaghan contributes synth here) and with musical partner Ross Lorimer she has made one of the standout records of the year. Slightly folky, beautifully orchestrated and understated in the best possible way.

I drove home tonight to 17 Seconds Towers, alone in the car. I had this album on again, and was stunned once again by its’ beauty. The festival’s pretty well over and autumn’s on the way. Standout tracks like her version of Rabbie Burns’ The Slave’s Lament,’ ‘Rest and be thankful’ and the stunning title track are going to be the soundtrack to my autumn. And they should be to yours, too.


The Girl Who Cried For The Boy Who Cried Wolf is out now on Glencoe.