Never Forget

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…twenty

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five years ago since the miners strike be

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nuine revolutionary.

Whatever your view on the Miners strike -and I’ve given mine her

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e before, what cannot be disputed is that the heart was ripped out of communities, and the Unions not so much tamed (or even given beer and sandwiches at no.10) but closer to being castrated and the heart ripped out of many communities. And that’s accepted even by Norman Tebbit. Later, Margaret Thatcher commented -appallingly – that there was no such thing as society, only individuals.

God knows what will happen at the next election- but let us not forget those who have fallen, lite

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rally and metaphorically.

The Men Th

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ey Couldn’t Hang -‘Ironmasters.’ mp3

Billy Bragg -‘There Is Power In A Union.’ mp3

Don’t Tell Me Why I Don’t Like Mondays

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…’cos I know all too well. The start of the week, a handful of d

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em intent on spoiling it for everyone. The feeling that the weekend went by too quickly, and there’s too much to do before Friday. Marking, blogging, meetings, school trips, record company DAMMITEVERYONEWANTSAPIECEOFMEAAARGGHHHH

Then I hear Nina Simone singing…and my priorities change.

Nina Simone -‘Feeling Good.’ mp3

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Here’s to a

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better Tuesday…

A Kate Bush fix

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I fell for Kate Bush’s music -and her-aged eleven. A now defunct but long-running UK show called The Chart Show (which doesn’t sound a radical name for a music show, but it had no presenters, which seemed pretty radical in 1988) show had a feature where they would show three videos from one artist, and one day they showed Kate Bush’s videos for ‘Babooshka,’ ‘Running Up That Hill’ (which I knew because it had been the theme tune to what I can only describe as a children’s thriller called Running Scared) and ‘The Big Sky.’ I rented a video of The Whole Story from the local video shop (look, it was twenty years ago, there was no YouTube)…and that was me smitten.

Thing was, i had to keep on investigating. The Whole Story -which partly soundtracked the beginning of my relationship with the woman who is now Mrs. 17 Seconds – does not have all her hits on it, even for the time. So a few that should have been on it, I think.

Is this the great lost Kate Bush single?

About the only

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one of her singles never to chart in the UK, from her weird and wonderful fourth album The Dreaming, I think this is one of her best.

Kate Bush – ‘There Goes a Tenner.’

This track missed the forty as well, and this is still possibly my favourite kate Bush song of all…from her s

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econd album, Lionheart

Kate Bush -‘Hammer Horror.’

This song was the final single off The Hounds Of Love album, which might explain its’ fairly low chart placing. A fairly low chart placing but she’s clearly having fun.

Kate Bush -‘The Big Sky.’

Presenting…the B of the Bang

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Jellymaid music in Po

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rtsmouth have had some good stuff out during their couple of years in existence, most recently the Autons albums which I was raving about last month.

The latest release on the label is out on March 9th from The B of the Bang, a collective led by the gentleman above, a man only known as Wit. According to their myspace, he is also assisted by Maff, JD and Jac

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kamuss. Imagine Broken Records invading the soul of Neil Hannon out of the Divine Comedy and driving the Duke Special out. The song is called ‘Alfred Light The Fires.’

To these ears it’s rather special, wi

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delightfully honky-tonk piano in the background.

Their mysp

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ace is one of those delightfully worded ones that makes you wonder if they’re checking you’re paying attention. To, uh, wit:

The B of the Bang is a collective of human beings led by a multi-instrumentalist known only as Wit.

The B of the Bang is a lo-fi, electronica-tinged, anti-folk cake with a go

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thic, grunge icing. Topped with de-tuned fuzz cherries.

The B of the Bang is, in some instances, Wit wending his way on his lonesome journeys as a melancholy troubador with a beat-up acoustic guitar and a special box-o-tricks that makes bleeps and fuzzy noises gurgling contentedly in the background.

The B of the Bang is, in other instances, a collection of musicians with a revolving line-up (and a few splendid regulars in the form of Jackamus, JD and Maff…) propping up the musical bar.

The B of the Bang use guitars, loops, mandolins, white noise, xyl

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ophones, accordions, banjos, feedback, shouting and percussion to conjur up melodies and maladies for the 21st century.

The B of the Bang exists in an age of copyists and bandwagon-jumpers. Brigands, blaggards and ne’er do wells. It’s sole purpose is to sound unlike anything else you’ve ever heard whilst sounding exactly like everything else you’d ever want to hear.

The B of the Bang is really just the sound of one man slowly losing his grip on reality.

The B of the Bang will cure gout.

And tennis elbow.

Thankyou.’

Better believe it…hear them here

Ms Santogold to us

santogold

Santi White’s eponymous debut album was one of the highlights of 2008 here at 17 Seconds towers. I haven’t seen her live yet but I’d sure as heck love to.

Those busy PR people out there have sent me a remix of album track ‘Unstoppable’ which features Lil’ Wayne and his mate Drake. The track comes with the kind of PR th

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at makes you wonder if they are checking if people are reading it properly:

“Already receiving weighty club rotation and airplay

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hanistan and downtown Beirut, Santogold is the first act of the century to boast a post-war following on the International Space Station Mir. Following a live performance broadcast from three thousand miles off the Cape of Good Hope last June,

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inmates at Leavenworth Penitentiary received Santogold with a celebratory confetti parade. Just another first for the moder

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n super group that knows no bound. ”

Anyway, it’s a great remix of a great track. Get your ears round this!

Santogold featuring Lil’ Wayne and Drake -‘Unstoppable.’ mp3

Oh and go and buy Santogold’s album if you haven’t already.

Santogold’s myspace

More from Aidan Moffat

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d I mean that most sincerely, folks, Aidan Moffat returns with a new album, entitled How To Get To Heaven From Scotland. First up is this free single download ‘Big Blonde’ which mentions sitting in a garage on woodlands Road, something I’ve done in Glasgow before no

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w. Oh well, there you go…

According to the press bumpf : ‘[the best-ofs] not really a band, so much as “an open-door club where anyone with a talent for s

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omething I like the sound of is welcome.” There’s no line-up in any traditional sense and members will come and go according to their availability, but for this a

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lbum, the band includes Stevie Jones (Isobel Campbell & Mark Lanegan’s band) and Alun Woodward (ex-Delgados / Lord Cut-Glass). How To Get

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ays Aidan, “the Best-Ofs one needed longer on the hob.”

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Oh, and the video is here:

As always, let me know what you think!

Aidan Moffat website

The return of the 1990s

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Two years back, the 1990s delighted with their debut Cookies. A fiery, fabulous confection of an album, tunes like ‘You Made Me Like It’ and ‘You’re Supposed To Be My Friend’ might have been outsold by the Fratellis, but those who heard them knew this was a band to get excited about. the fact that they had links with the glitterati of Scotland’s indie scene inevitable made them cooler.

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Interview: The Pains Of Being Pure At Heart

I fell in love with a band on Monday, emailed them on Tuesday and they emailed me on Wednesday. Hell yes!

Interview with The Pains Of Being Pure At Heart

the-pains-of-being-pure-at-heart1

17 Seconds: You’ve earned comparisons to the likes of My Bloody Valentine and
the Pastels. Do you consider yourself part of a c86/twee/indiepop
scene at all? Is there one in New York?

Kip: Well, we certainly like those bands a lot– The Pastels are one
of my favorite bands of all time, and early My Bloody Valentine is
also super good (and underrated). And maybe it was just Kurt Cobain
telling me so, but The Vaselines have always seemed like the coolest
band ever. But I think it would be inauthentic for any band in 2009 to
pretend they understood that world or why people made the music that they did two decades ago.

Focusing on mid-80s British bands sort of misses the fact that we’re
from America and grew up with totally different music– Teenage
Fanclub was obscure here. I mean, Sonic Youth and Nirvana, K Records and Yo La Tengo– even a lot of punk and hardcore bands gave us an idea of what it meant to be indie and what DIY was really about. And even now, we’re huge fans of the contemporary New York/Brooklyn scene— bands like Crystal Stilts, caUSE co-Motion, Vivian Girls, Knight School, My Teenage Stride– or A Sunny Day in Glasgow (Philadelphia), Pants Yell! (Boston) and Ringo Deathstarr (Austin).

As for the bands in New York, i feel like they have a lot of similarities in their inspiration, if not their sound. If you went
over to their house, you’d find a lot of the same records (The Clean, TVP’s, Teenage Fanclub, The Ramones, Black Tambourine, etc.). But
what’s so interesting is that they all take the sound in different directions– there’s no two bands that sound all that similar. Knight
School is different than caUSE co-MOTION is different than Crystal Stilts is different than Vivian Girls. They all have their own
distinct style, which i think keeps the community really vibrant and interesting– plus no one feels all that jealous…

Alex: Yeah, I think in terms of New York, or a scene, it’s a pretty natural thing. It’s not like people got together and decided ahead of
time “now we’re gonna start a scenel!” All those bands Kip named are just genuinely making music they liked based on inspirations from
bands they genuinely like made with people they genuinely like… so  naturally everyone got pretty excited to see others doing the same.
It’s a fun place to be right now.

Peggy: Everyone knows each other because there aren’t that many people out there who listen to this kind of music. We all see each other at the same shows, and all the bands have played together at least once. I never had friends who liked the same music when I was growing up, so it’s pretty thrilling to finally know people with similar tastes. It’s nice to not feel alienated for once.

17 Seconds: Looking at many of your influences, do you consider Glasgow a
musical spiritual home?

Alex: It’s definitely incredible how perfectly once city has nailed a sound (and still managed to spawn so many ORIGINAL bands). Hanging out there felt like being part of the cool kids club, for sure. It’s not often you go to a city and the hot-spot club is playing Belle &
Sebastian side-by-side with Madonna.

Kip: Definitely– i feel like Glasgow is probably the coolest city in the world. The Pastels, Vaselines, Teenage Fanclub, Camera Obscura,
Belle and Sebastian, Orange Juice, Aztec Camera, Strawberry Switchblade– If we moved to Glasgow, we’d be like the 27th best band
there… and that would be pretty good.

Peggy: Yeah, I immediately took to glasgow. It has a big scene for a city that is small and tangible. It was rainy and dreamy while we were
there. I kept telling everyone that I wanted to move there throughout the rest of the tour. I think Kip got annoyed.

17 Seconds: Who are those two girls on the front of your album?

kip: they are best friends! our label, fortuna pop, said it looked a little like a strawberry switchblade album cover, which isn’t a bad
thing…

Peggy: yeah i wish we could meet those two girls.

17 Seconds: How long have the band been together and how did you meet?

Kip: we formed two years ago in March to play at Peggy’s birthday party in a big warehouse in brooklyn. The Manhattan Love Suicides were coming to america and i think we tricked them into playing at Peggy’s party (along with Titus Andronicus) and we were like, “well, we’re throwing the party so if we learn some songs we can play too.” so we played 5 songs (two of which were “this love is fucking right” and “doing all the things that wouldn’t make your parents proud”).

All i remember from that night is that Titus Andronicus blew up the bass amp while covering “bulls on parade” which seemed really awesome at the time… then i realized it was my bass amp, but whatever– it was a fun party and definitely the perfect beginning.

peggy: it feels sooooo long ago! it’s crazy to think of everything that’s happened in the past year and a half. i wish i’d kept a
scrapbook.

17 Seconds: Do you think the word ‘indie’ still has any currency in 2009?

Yes, absolutely. Regardless if you’re playing hardcore or rainbow pop, the idea that the artist controls their music is 100% important. I
feel like, sure, the term has been bandied about to describe an aesthetic or fashion sense– but at it’s core, it’s about economics and the bands being in control.

Alex: I think it’s tricky, because “indie” has become such a loaded term. Largely, I think, people now associate it with kinda shaggy dudes playing not-too-shiny guitar rock — “mainstream indie” like Death Cab, etc. It’s not about “independence” so much. Which is fine. But as an ethos, I totally agree with Kip — it’s more present and more valuable than ever. It’s totally possible to get lots and lots of people to hear and love your music through new and untraditional channels and to do it yourself. It’s very exciting.

17 Seconds: CD or vinyl?
Vinyl w/ digital download, pleez.

Alex: Vinyl and digital for me too! CD has quickly become just a
space-sucking middle man. R.I.P.

Peggy: I only listen to music on my computer these days. That sounds
lame, but I just don’t have space for records and whatnot. I like
walking around and spacing out with my ipod on. Maybe ideally I would
say that I prefer cassette tapes because you can make them and record
them yourself.

17 Seconds: What are your favourite books/albums/films?

Books: Anything by Jane Austen lol… I also like Babar a lot and The Little Prince.

Albums: This question is nearly impossible…
Red House Painters “Red House Painters” (the one with the Roller
Coaster on the cover)
Teenage Fanclub “Bandwagonesque”
Suede “Dog Man Star”
Belle and Sebastian “If You’re Feeling Sinister”/”The Boy With the
Arab Strap”/”The EP’s/Tigermilk”
David Bowie – Ziggy Stardust/Hunky Dory/Diamond Dogs… ok, basically
everything through Scary Monsters.
Yo La Tengo – Painful
Serge Gainsbourg – Histoire de Melody Nelson
Leonard Cohen – Either of the first couple records…
Sonic Youth – Dirty
Helium – Pirate Prude
Pavement – Wowee Zowee
… this is too hard a question– i have to move on!!!!!!!!

Films:
Bill + Ted’s Excellent Adventure
Clueless
I just saw this movie “Teenwitch” that i really liked.
I basically can’t deal with horror, except maybe vampire movies.

Alex: Always a tough one.

Books:
“White Noise” Delillo
“Lolita” Nabovok
“Where I’m Calling From” Raymond Carver
“The Relief of Unbearable Urges” Nathan Englander
“Please Kill Me” Legs McNeil
Any George Saunders
“The Long Goodbye” Raymond Chandler
“Big Bad Love” Larry Brown
Any Lester Bangs

And right now I’m reading a collection by Richard Brautigan which I am SUPER loving.

Albums:
The Exploding Hearts, “Guitar Romantic”
T. Rex, “Electric Warrior”
Nas “Illmatic”
The Figgs “Sucking in Stereo”
Jesus & Mary Chain “Psychocandy”
The Buzzcocks “Singles Going Steady”

Films:
Wild at Heart
The Seventh Seal
The Sandlot
I Am Trying to Break Your Heart
Fargo
Wayne’s World (I & II)

Peggy: I love “Holiday” by the Magnetic Fields, “Blind” by the Sundays, “Incesticide” by Nirvana, “Candy Girl” by New Edition, “it’s
a Shame about Ray” by the Lemonheads, “Realistes” by Comet Gain, “Multiple Orgasm” by the Pooh Sticks, and The Rosehips self-titled
album. As for books, I’ve lately been into Penguin classics by British authors from the 60s, which sounds pretentious, but they seem to all be written in this ideal style (dry and witty) and about topics like teen angst and love. Murakami and Nabokov are favorites as well. As
for films, my favorite movie of all time is “Clueless.” Other favorites are Harold and Maude, Dig!, Drive Me Crazy, Chungking Express. I like romcoms if they can make me believe Love Is Real (a rare feat) and any movies about young girls. Although Sisterhood of the Traveling Pants was kind of disappointing. I actually don’t really like movies and prefer addictive television.

17 Seconds: How optimistic are you about Obama as President of the US?

Kip: I hope people realize that he’s just a person. I’m sure he’ll do all he can to make things better, but it’s so hard to accompish that
much change– his power is limited by the congress, the courts and the generally conservative nature of most americans. Still, we’re all
obviously so thrilled by his election and hope for the best.

Alex: He’s got a tough road. Mostly I’m just optimistic that he’ll bring some transparency, thoughtfulness and dignity as the face of the
nation. I have no delusions that he’ll step in and solve world hunger or anything, but I am confident in his character. As confident as one
can be when assessing someone wholly through television, haha.

Peggy: I just love that he is a cool person and seems really down-to-earth. The fact that we elected him makes me love America more. It’s not really about whether he’s going to fix everything, but more about the representation of our country, and also the general air of contentment that is abound.

17 Seconds: What are your plans for 2009?

We have some tour dates in February and March up to SXSW after the release of our album. We also have a new single coming out in March– “Young Adult Friction”

Alex: Have as much fun as possible with my friends.

Peggy: Yeah, before I get too old. I think I rediscovered fun this past year though. Hopefully there’s more of that to come.

17 Seconds: What’s the weirdest gig you’ve ever played?

I think playing at Titus Andronicus’ practice space (“The Hate Shack” – a pool shed behind Ian’s parents’ house) in Glenn Rock, NJ at a High School party. It was super weird, but also 100% awesome. i can’t think of a more wonderfully weird show we’ve gotten to play– people were so enthusiastic. And Titus Andronicus (and VCR) was amazing (as always).

Alex: Yeah, Hate Shack was pretty amazing. We also played in what was basically a metal shed in the parking lot NEXT to a venue in
Tallahassee in 100+ degree heat. Weird would quite be the word I use for it, but it was certainly… something.

Peggy: The Hate Shack, that ruled. I can’t believe I didn’t break a limb in that mosh pit.

Kip: Yeah, we were old enough to buy beer so i think they really loved us…

17 Seconds: What’s the coolest record shop you’ve ever been to?

Monorail Music – i mean, STEPHEN PASTEL works there. is there anything possibly cooler than that? Plus i bought all these teenage fanclub 7″‘s that you could never find back in america.

Peggy: I second Kip’s answer.

Alex: Ameoba Records! California is so spoiled.

17 Seconds: If you could collaborate with one artist, who would it be?

Peggy: I’d be into collaborating with that Swedish duo that did that Kelly Clarkson song, “Since U Been Gone.”

Kip: I’ll stick with swedes and say – “Nixon”. I really love the Cloetta Paris album he did, and i’m a big OMD fan, so… it’d be fun
to work together on something like that.

The Pains Of Being Pure At Heart -‘Everything With You.’ mp3

Album Review: The Phantom Band

the-phantom-band

The Phantom Band -‘Checkmate Savage’ (Chemikal Underground)

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asis of what I had heard so far. On the evdience of this stunning debut, that was an understatement.

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letely new, taking cues from the long-lamented Beta Band, with their ‘everything including the kitchen sink’ ethos, to produce an album that yields new secrets on each listen. ‘Folksong Oblivion’ a teaser for the album gave us some idea of what to expect, but nothing as good as

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heard.

The title can be assumer to be a reference to the fact that the album was recorded at Chem 19, the Delgados’ legendary studio, and features Paul Savage from Scotland’s Greatest Ever Band in the role of producer, engineer, and guiding force. It was also recorded at Franz Ferdinand’s studio in Govan. Hear it now!

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****1/2

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Phantom Band website/Phantom Band MySpace

Presenting…The Pains Of Being Pure At Heart

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Oh Lord, I think I have fallen in love, head over heels with a pop band.

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weeks I’ve been increasingly scathing on this site about what I perceive as an increasing amount of indie-by-numbers bands. So along to save the day on that front are the wonderful The Pains Of Being Pure At Heart.

Think c86 with balls and attitude. My Bloody Valentine sounding like both their early stuff and circa Loveless. Think a band you could fall head over heels for after hearing just a few of their songs.

It’s not some yet, yell, it’s not even got to the severest of winter here in Scotland. But The Pains Of Being Pure At Heart break through my cynicism and bitterness to restore my faith in hum

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ng ‘We Will never die…we will never die’ they mean it. This is music that feels fresh and exciting.

Alex (bass), Kip ( guitar, vocals), Kurt (drums) and Peggy (keys + vocals)  have released a handful of singles and an EP over the last two years. Their self-titled debut will be out next month. I can’t wait. No really,

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I can’t. They’re about to tour the US and I hope come over here sometime.

The Pains Of Being Pure At Heart -‘Everything With You.’ mp3

The Pains Of Being Pure At Heart -‘Come Saturday.’ mp3

The Pains Of Being Pure At Heart website/The Pains Of Being Pure At Heart myspace