Presenting…Esben and the Witch

esben-and-the-witch

Even as I head into my mid-thirties, I’m still of the belief that music has a duty to disturb as well as to delight, to intrigue, and perplex. This track was waiting for me in my inbox when I got home, and four plays in the last half hour alone, I’m still trying to get my head around this track by Esben and the Witch, entitled ‘Warpath.’

Esben and the Witch hail from Brighton and they are Daniel, Thomas and Rachel. Signed to the still achingly cool indie Matador, t

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hey are set to release their debut album Violet Cries. The press release jokes about them ‘petitioning retailers to add an “Uneasy Listening” bin card to their sales floor.’ Actually I like that idea. Their stuff is beyond ethereal. Their myspace is spook

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and not in a shlock-horror way either. And it is -somehow-delicious. The only band in the world I can think to compare them to is Siouxsie and the banshees circa Juju.

This is not a track to fall asleep to, or to dance to. It is a track to give your complete and undivided attention to.

Esben and the Witch -‘Warpath.’ mp3

So far they have released the 33 EP and the limited-edition 7″ and 12″s ‘Lucia, at the Precipice’ and ‘Marching Song.’

The video for ‘Marching Song’ is very simple, very disturbing and very good:

And this video for ‘Lucia, at the precipice’ -probably wrongly -reminds me of Whistle and I’ll Come to You

Keepingitpeel day, part 2

breeders-original-lineup

I know I’ve posted this before, but I thought I’d post this again in honour of Mr. Peel

Breeders -‘Hellbound (Peel session).’ mp3

Breed

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ers -‘When I

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Was A Painter (Peel session).’ mp3

Breeders -‘Iris (Peel session).’ mp3

Breeders -‘Fortunately Gone (Peel session).’ mp3

For more info on the session, please see

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here. And if anyone knows who played bass or drums, I’d still like to know.

BONUS:

Two cover versions from The Breeders.

First up, this was taken from the Breeders first album Pod, which was recorded in E

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urgh (and is actually my favourite of their four albums):

Breeders -‘Happiness Is A Warm Gun (Breeders).’ mp3

…and this is from their Safari EP, which came out in 1992:

Bree

ders -‘So Sad About Us (Who cover).’ mp3

Keepingitpeel day

2homeandfriends

John Peel and his wife, Sheila, affectionately known as ‘the Pig.’

OK folks, a veritable pot-pourri for you today, in honour of the great John Peel:

First up, Wire’s 2002 session for the programme

Wire -‘Spent (Peel session).’ mp3

Wire -‘I Don’t Understand (Peel session).’ mp3

Wire -‘First Fast (Peel session).’ mp3

Wire -‘99.9 (Peel session).’ mp3

…and one or two other bits and pieces that turned up in the programme.

Like Six By Seven covering Bowie’s ‘Heroes’ – in German, obviously.

Six By Seven -‘Heldon (Peel session).’ mp3

And the Shop Assistants covering Motorhead:

Shop Assistants -‘Ace Of Spades (Peel session).’ mp3

While Blur and Pulp recorded sessions for Peel, and he championed the Bluetones too, and even Suede got an entry (‘The Drowners,’ natch) the biggest stars of Britpop -Oasis, duh -only scored an entry in the hallowed Festive fifty courtesy of Cat Power:

Cat Power -‘Wonderwall (Peel session).’ mp3

Finally, two very long session tracks that I’ve posted before but I think are worth posting again:

Godspeed You Black Emperor -‘Hungover As The Queen in Maida Vale (Peel session).’ mp3

Orb -‘Loving You (Peel session).’ mp3

I would also recommend that you read my friend Steve’s blog, Teenage Kicks, which covers the Festive Fifty in awesome detail, and as well as Football and music who started this ball rolling (thank you!), my friend Jim over at The Vinyl Villain has also been flying the flag for today for some weeks past. Including posting another, earlier Wire session that they recorded for Mr. Peel.

Keeping it Peel

john-peel-2

Tomorrow marks six years since John Peel died.

Keepingitpeel is being organised by Webbie, the guy behind the Football and Music blog, to mark six years since the legendary DJ’s untimely death.

My own radio show will be starting again soon on

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Fresh Air, and while it’s nowhere nea

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r as good as peelie’s were, I try and pay respect to him above all other DJs when I’m presenting it. The sessions people recorded for his show became legendary, and indeed many bands formed sole

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ly so that they could get a session -and then called it quits once they had achieved his aim.

As well as recording songs to promote the latest single or album, there were also some wonderful curios thrown up over the years, like this cover

Sisters Of Mercy -‘Emma (Peel session).’ mp3

Yes, it really IS Andrew Eldritch and co. covering the Hot Chocolate hit.

I’ll be posting something different for

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tomorrow…

The debut album of the year? Discuss

warpaint-press2010-608x4021

Warpaint’s debut album The Fool is getting quite a few publications frothing excitedly. such as The Gua

rdian, The Fly, the NME and across the blogs too.

It

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has of course been a year for some awesome debuts –

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Scotland alone has produced Kid Canaveral, Mitchell Museum, the Unwinding Hours,Sparrow and the Workshop and the forthcoming Scottish Enlightenment album, and there have also been strong releases from The Drums and the Soft pack, and that’s just what I can think of off the top of my head (also the last

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Battle’s debut, which I can’t add to the list as I put it out!)

See what you think…

I know I’ve posted this before but what the heck!

Finally, this track is not on the album, but is a beautiful cover of an awesome s

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ong, David Bowie’s ‘Ashes To Ashes.

Warpaint -‘Ashes To Ashe

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s.’ mp3

And as ever, I would love to know what you think!

Ari Up remembered

point_ari_up

It’s already been a bad year for losing musicians -and I’m absolutely gutted to learn today that Ari Up, lead singer of The Slits has died, at the age of cancer at the age of just 48.

If punk was supposed to have a scorched earth policy, there were certain acts who sh

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owed just how conservative peole might be, underneath it all. One act that might apply to was Suicide, but another was the Slits. At just fourteen Ari (born Ar

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iane Daniele Forster) was the singer of the Slits, and they were touring and terrifying the life out of people. I was privileged to interview guitarist Viv Albertine earlier this year. She talked of it being a difficult time being in The Slits were people were incredibly anatgonistic, and where John Peel was the only person prepared to support them.

But Island Records released their debut album Cut, which plays as I type th

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is. Not only did the cover unnerve people – the Rough Trade allegedly had a meeting about whether they should be stocking it, but this take on punk and reggae was something new and very raw.

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Yet like many records of that year – The Pop Group’s Y and PIL’s Metal Box being two other examples – shows just how ahead

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of the game they were. After a second album in 1981, Return Of The Giant Slits, the band split. But not without influencing a huge number of female artists – most notably Madonna. Ari also contributed vocals to one of my favourite cover versions ever the New Age Steppers’ ‘ take on Junior Byles’ ‘Fade Away.’

Having spent much of her time travelling and raising her sons, as well as being ivolved in the Dancehall scene, Ari reactivated the Slits in the last decade, releasing the Revenge of

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the Killer Slits EP and the Trapped Animal album.

A true original, responsible for music that was both ground-breaking and gere-bender, the press may be commenting on whose step-daughter she was, but first and foremost, she was the leader of one of the most wonderful bands Britain ever produced.

My favourite Slits song…

The Slits -‘Typical Girls.’ mp3

Two awesome covers…

The Slits -‘I Heard It Through The Grapevine.’ mp3

New Age Steppers -‘Fade Away.’ mp3

Album review – Super Adventure Club

super-adventure-club-chalk-horror

Super Adventure Club -‘Chalk Horror’ (Armellodie)

Much to my

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chagrin, I have yet to see Super Adventure Club live. Not because I think I need to see them live to r

eally ‘get’ them -on the contrary, I ‘get’ SAC just fine, both this re-issue of their debut, and this year’s sophomore release Avoid Zombies. It’s because their gloriously raucous, unmanicured

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noise just sounds like so much god damned FUN.

Unrelenting, unpretentious, and undeniably quirky, this is like a sppedball of the Cramps’ shlock horror rockabilly meeting Sonic Youth in a Glasgow indie disco on Hallowe’en all the year round In a little of thirty minutes and eight tracks this album gives you plenty to enjoy, including ‘Tommy Sheridan’ and the album’s two bookends ‘In the wee Wee Hours’ and ‘Show People.’

If you didn’t pick up on this album the first time round, go and get it. And then go and get Avoid Zombies. With Armellodie’s roster also including Kill the Captains, Cuddly Shark, Le Reno Amps and the Scottish Enlightenment (whose forthcoming debut album is nothing short of astonishing) these are bands and a label to notice.

****

Chalk Horror is out now on Armellodie.

Stream it

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here

Download the mp3 for ‘Tommy Sheridan here at their bandcamp…

…and watch the video right here.

Presenting… Yusuf Azak

yusuf-azak

Song, By Toad Records continues to flourish in a way that makes many green with envy. Me? Well, I’m pleased to see a friend doing well -and I mean that most sincerely, folks ((c) Hughie Green).

On November 15 (my birthday, though I’m sure that is coincidental

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), Yusuf Azak will rel

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ease his debut album on the label, entitled Turn On The Young Wire.

This

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song ‘Eastern Sun’ is being released as a free download. Considering how I have been inundated with samey singer-songwriter submissions of late, it is great to hear the Aberdonian anti-folk artist releasing something so good, and turning the genre on its’ head.

I’ve heard his two awesome EPs, Gazelle and Light Procession and I

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can’t wait to hear the album in full. For now enjoy this, which I have played four times already this evening…comparisons to Nick Drake are, for once, entirely deserved. And go and download those two EPS here

Yusuf Azak – Eastern Sun by Song, by Toad

Oh God.

dead-kennedys

The severe economic cuts that we were expecting in the UK were revealed today.

It makes for a seriously depressing time right here, as does the fact that there are other ways of raising the funds, and not to exploit the most vulnerable people in society.

I have posted this track before, but it just seemed so pertinent to today:

Dead Kennedys -‘Kill the Poor.’ mp3

‘the

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sun beams down on a brand new

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day/ no more welfare tax to pay’ indeed…and as Mike Leigh pointed out on TV last night, it’s dangerous to assu

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t this will make for good art.

Whatever Paul Weller does…nothing can tarnish this

the-jam-strange-town

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JC over at the Vinyl Villain has mounted a challenge today over Paul Weller’s solo career.

There’s bits I have liked – but the thing is that as frontman of The Jam (who were ripped off by so many of the bands of the last decade -particularly The Arctic Monkeys and The Libertines) he was respo

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r some of the greatest music of the last forty years.

Not of course, that the Jam’s early career was perfect. ‘In the City’ is an awesome debut -like all the best debut singles, it

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sounds like a manifesto -and yet the album of the same name was patchy. The follow up This Is The Modern World wasn’t very good either -and Weller knew it. But from the era of All

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Mod Cons onwards to their split in 1982, they were one of the greatest bands in the world.

And I still reckon that this is t

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heir finest track:

The Jam -‘Strange Town.’ mp3

…closely followed by this:

The Jam -‘Going Underground.’ mp3