Georgia on his mind

cee-lo-green-gettin-grown

From English road songs, to the US of A.

Ameirca has so many songs about various places there. I’m not sure how Sufjan Stevens campaign to do an album for

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each of the states is going (Has he got beyond doing Illinois and Michigan?), but there’s Michelle Shocked’s ‘Anchorage’; the Beach Boys’ ‘California Girls’; ‘New York New York’ by Ryan Adams. In contrast, not really sure what the UK has outside of songs about London. ‘The Lincolnshire poacher’ anyone?

Just me, then.

‘Eton Rifles’ by the Jam? Stretching it -but it rules.

Anyway, Ray Charles’ ‘Georgia On My Mind’

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is an absolute classic -and another ace song doing the rounds of the blogs at the moment is ‘Georgia’ by Cee-Lo Green. Of course you recognise the voice -he sang on the Gnarl

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s B

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arkley record, duh! And ‘Crazy’ was so obviously one of the songs of the last decade.

Anyway…I think this is ace:

Cee-Lo -‘Georgia.’ mp3

A fine song for the road

richard-thompson

…why is it there aren’t many British road songs?

Or is it simply that because of the size of the Countries that make up the UK, there isn’t much uncharted territory?

Either way, Richard Thompson aimed for this t

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o be an English road song, and researched it, and still has the requisite amount of love, tragedy and adventure. He is an utter legend, and if you haven’t heard this song before, you are in for a treat…

The title of the song refer

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s to a very rare English motorbike, or so I’m told.

Richard Thomspon -‘1952 Vincent Black Lightning.’ mp3

A rather ace football song

sergeant-major

There’s lots of ace things about living in Scotland, not least the music scene.

In fact, one of the only rubbish things is the way people are so dismissive of the England football team. It’s as bad as the way the English are so rude about the Germans, especially seeing as if England didn’t

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qualify and Scotland did, the vast majority of English football fans would be routing for Scotland.

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Still, we didn’t qualify for this world cup, the English did – and here’s a link to a rather excellent football song, and no sign of Baddiel or Skinner either…

Whoever this is, it’s rather good…

However, don’t miss the opport

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ggle at the worst sort of fottball fan -and thanks to Ken Hare for this link

An excellent site…and some more of what’s coming up here

midas-fall

Midas Fall…one of several interviewees who should be appearing here so

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on. Honest!

As well as writing 17 Seconds (which will celebrate its’ fourth anniversary next month) I also contribute to an online Scots magazine called Is this Music?

I started to contribute not

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long after I started the blog, and whilst some of my reviews and interviews appear in both places there are those that don’t. So do check it out. It’s overseen by one Stuart McHugh, who has also been involved in running Tigerfest in Scotland since 2004, as well as being behind podcasts and gig promotion. Do check it out, and if you want to read more

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of my writing on there, you can.

There

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are, as ever, plenty of albums I want to write about, interviews that need to be written up (Midas Fall is written up, eagleowl, Sparrow and the workshop and Kid Canaveral still to be done!) and new bands that I want to cover. there is only one of me, a day job and other commitments so…please bear with me!

Keep it tuned -for now check out Silver Columns who are a collaboration between Adem and Johnny of the Pictish Trail. I first heard them on Vic Galloway a few weeks back; they have just released a great album combining their talents called Yes and Dance, which sounds great.

Silver Columns -‘Heart Murmurs.’ mp3

Album Review – Kelis

kelis-fleshtone-cover

Kelis -‘Flesh Tone.’ (Will.I.Am/Interscope)

Ten years after she appeared, out of nowhere onto daytime radio yelling ‘I Hate You So Much Right Now!’ on her first hit ‘Caught Out there’ Kelis Rogers has been a force

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to be reckoned with. Her profile has been up and down over ensuing the decade (her second album wasn’t even released in the U.S. and it performed poorly here) but she’s been responsible for some great tracks -‘Milkshake’ ‘Good Stuff’ ‘Bossy’ and her collaboration with Ol’ Dirty Bastard on ‘Got Your Money.’ As well as O.D.B. she’s worked with a huge collection of the Great (N.E.R.D, Andre 3000) the good (Moby) and a few ‘what the

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hell…? (Enrique Iglesias).

This is album number five and I find myself making the strange comparison with Teenage Fanclub. Whilst it might be argued that the only thing she and TFC have in common is making some great music, that’s the point of it. Both acts have produced some utterly brilliant stuff over the years, that has been classic and proved the soundtrack to myself and other people’s lives. Yet both have also produced strong stuff of their own

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-and yet at times seem to be losing momentum when they ape other people too much. In the case of TFC they lost momentum when they started to ape Neil Young too much over Dinosaur Jr. In Kelis’ case, it’s wondering why she’s trying to copy the poppier sounds of the last year (Lady Gaga, la Roux).

That’s not to say there’s anything wrong with this album. There isn’t -and there’s some really cool, fun tunes on here – single ‘Acapella’ you’ve probably heard by now, and I don’t doubt that both ‘Home’ and ‘4th of July (Fireworks)’ will follow it into the charts too. Who she works with his decision, and if she decided that she wasn’t going to work with the Neptunes, but instead the likes of Benny Benassi, Will.I.Am and David Guetta that’s her business.

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This is much more dancey and poppy than the Hip-Hop/Urban slant of her earlier work, and maybe that’s why I feel a bit miffed. She’s perfectly at liberty not to remake Tasty and Kaleidoscope.

But I just feel that there’s not an awful lot of Kelis in here.

*** (***1/2 if it was anyone else).

Flesh Tone is out now.

Kelis -‘Acapella (Friends Electirc remix).’ mp3

Album review – Teenage Fanclub

teenage-fanclub_shadows

Teenage Fanclub -‘Shadows’ (Pema)

This year marks twenty years since the release of Teenage Fanclub’s seminal debut

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single ‘Everything Flows.’ At the time they were seen as being the bright young things; and famous fans included none other than Kurt Cobain. They’ve tasted chart success and critical adulation -but how are things as we find them on their latest LP?

Well

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, Teenage Fanclub started off as a marriage of Dinosuar Jr. and Big Star, but from 19

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rds, they substituted Dinosaur Jr for Neil Young. The days of the band rocking out or producing a song as insane as ‘Satan’ (f

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rom 1991’s awesome Bandwagonesque) seem to be long behind them. That’s not to say that their best days are behind them; they still pack a mighty punch live and I’d be willing to bet that the aforementioned Kurt Cobain would not be rewriting ‘Teen Spirit’ nineteen years later, were he still with us today (sigh).

By now you’ve probably (or at least hopefully) heard ‘Baby Lee’ which has been doing the rounds for a few months across the blogs. It’s classic Fanclub and another worthy addition to their cannon, and there’s certainly quite a few more great songs on here, like opener ‘Sometimes I Don’t Need To believe In Anything.’ But the feeling persists that whilst this is certainly a fine collection of songs, and they do deserve their status in not only the scottish music scene and beyond…that this isn’t quite worthy of the heights they have scaled in the past.

Is it worth hearing? Most definitely. Is it worth owning? If you’re a Fanclub fan, sure. It is perhaps unlikely to win them legions of new fans.

***1/2

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Shadows is out now on PeMa.

Teenage Fanclub -‘Baby Lee.’ mp3

Album Review -Sean Jackson

sean-jackson-slots-sleeve

Sean Jackson -‘Slots’ (Poppydisc)

Sean Jackson was the frontma

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n of 18 Wheeler, who seemed to be sadly destined to be perceived as also-rans in 1990s’ indie pop. They were headlining the night their support band Oasis got signed at King Tut’s in 1993; they were introduced by Tony Blair (unfortunately as ‘Wheeler 18)’ and that breakthrough hit always eluded them. (I always thought it was going to come

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with a song called ‘Crabs’ sadly, it didn’t). They were big in Japan and Sean Jackson has been described by Alan McGee as the most underrated songwriter of his generation.

Post-split and a spell teaching in Russia, Sean is back with his first album in thirteen years. The results are a mixed bag. Whilst overall this gets the thumbs up, the problem is that while it’s a nice, pleasant album, there’s very little here that isn’t being done elsewhere. Opener ‘I Wanna Fuk (It Up)’ is loud and good, and ‘Song For The Dead’ is Teenage-Fanclub like in a good way. The final track ‘Run, Hans Holbein, Run’ sounds like latter-day Cast, and that’s never been a good thing.

Sean Jackson will be supporting Teenage Fanclub later on this year, and Norman Blake has been covering Sean jackson’s songs

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in his solo sets, apparently. It’s a pleasant enough album – but I’m not sure if it’s strong enough to win over people who aren’t fans already.

***

Slots is out now on Poppydisc

Sean Jackson -‘Song For The Dead.’ mp3

Album Review – Meursault

meursault-all-creatures-album

Meursault -‘All Creatures Will Make Merry’ (Song, By Toad Records)

Meursault’s debut album Kissing With Tongues/Pissing On Bonfires crept out quietly on the Song, By Toad label at the very end of 2008. With the Edinburgh music scene gathering considerable momentum in 2009 -in no small part thanks to Song, By Toad’s Matthew Young’s hard work, their sophomore arrives eighteen months later with a considerable weight of expectation. Yes, they’re now vying with Broken Records as one of the most important scottish acts of the last couple of years. Neil Pennycook has collaborated with many of the local scene to whom he is seen -whether he wants to be or not as one of the leading figures, and he has featured on albums by the likes of Withered Hand and The Last Battle. Scottish music magazine The Skinny can be incredibly harsh on local acts, but at the end of last year the debut made a top twenty scottish albums of the decade alongside a list also featuring the likes of Mogwai, Idlewild and Primal Scream. So no pressure then…

Meursault seem by some to have been labelled as ‘folktronica;’ not a label I’m personally all that comfortable with in their case. Not because I haven’t enjoyed some music that comes under that heading – but because it implies something slightly more ‘chill out’ than this album. Yes, ‘folk’ and ‘electronica’ make up part of the musical potion on aural display here, but there’s also an epicness and grandeur (and I mean that as a compliment) that has more in common with the likes of early albums by fellow scots Frightened Rabbit and The Twilight Sad. Though there’s far more inventiveness going on here than I find on those band’s albums, which is why I think in the long wrong Meursault will prove themselves to be such an important proposition. Second track ‘Crank Resolutions’ is heartbreaking yet somehow life-affirming in that there are bands making albums like this :’I broke down on new Year’s Day/I mixed my drinks and lost my way.’

Considered on their own, the lyric sheet to the album might give the impression that this is bleakness on

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a parallel with the world-weary life-view of Aidan Moffat. But there is a sense towards the end of the album that there is hope. It is an album

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that rewards repeated listens and is best listened to as a whole -‘One Day This’ll All be Fields’ or ‘Payday’ perhaps not making much sense outside the context of the album. But that’s

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not a bad thing; in an age where download services mean that people are cherry-picking what they take from an album, this adds to the cohesion of the whole.

Will this break Meursault through to a wider audience? I believ

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abandoned the ideas, exploration and experimentation that made them so vital to begin with. This may not charge up album charts around the world, but those who take the opportunity to listen and listen again will enjoy a highly accomplished and brilliant second album.

****1/2

All Creatures Will Make Merry is out now on Song, By Toad Records.

Meursault -‘Crank Resolutions.’ mp3

Meursault -‘Sleet.’ mp3

Elvis didn’t mean shit to Chuck D…

elvis-costello1

…but that

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was Mista Chuck talking about Presley, and Costello would hopefully not incur Chuck D’s wrath so much (apart from that stupid remark about Ray Charles, but if Charles forgave him, then so should the rest of us).

I guess at this point in history Costello’s always going to be best known for ‘Oliver’s Army’ though I reckon he’s done many better. So why not post a handful of great if lesser known Costello tracks?

This track was a minor hit in 1980, and whilst I’ve never really loved parent album Trust, this shows just how important Steve Nieve was to the Costello sound:

1982’s Imperial Bedroom is probably my favourite Costello album. This was another single that didn’t make the Top 40 (yes, it was a single, I have it on 12″!)

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and if there’s an official video I cannot find

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it on YouTube. But this rules -and one of my favourite Costello songs:

As with any artist who’s been going over thirty years, there are highs and lows – I reckon he’s made many great albums, though some like Goodbye Cruel World are poor. Mind you, I loved the Juliet Letters

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collaboration with the Brodsky Quartet in 1993, though I don’t tend to play the collaboration with Burt Bacharach Painted From Memory very much.

But one album that is chockablock full of great songs (in some other people’s hands it would be a greatest hits comp) is 1994’s Brutal Youth. Another song that should have been a bigger hit…