Presenting…Veronica Falls

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Veronica Falls are a Glasgow-formed, London-based band, reportedly formed out of the ashes of the much-missed The Royal We. They are Roxanne (vocals, guitar), Marion (bass), Patrick (drums), and James (guitar). They have released two singles so far ‘Found Love In A Graveyard’ and ‘Beachy Head.’

Much has been made of the fact that they owe a lot to the legendary c86 movement -so much so that Roxanne apparently once worked at Monorail, the record shop cum coffee shop where Stephen McRobbie of the Pastels works to this day (True: I have been served by no less than the great man himself when trying to get him to stock 7″s by acts on my own label. To his credit – he has!).

There’s also a gothic underlying to proceedings. Just as the Jesus and Mary Chain appealed to both goths and the shambling crowd in ’86; so too did the Velvet Underground at the same time -though their lineage can be traced back nearly a decade befor

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d ‘Beachy Head’ both have a gorgeous air of the gothic about them. Beachy Head is, after all, a notorious suicide spot (which is also referenced in the Cure’s video for ‘Just Like Heaven’ and the cover of Throbbing Gristle’s 20 Jazz Funk Greats).

Check out these two videos for the singles -then go and buy them. I was so chuffed when I heard ‘Beachy Head’ on Vic galloway’s s

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how last night that I went and bought whatever I could find to legally download.

…and pop along and

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Interview – Kid Canaveral

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When I go to meet Kid Canaveral, all we have agreed is a time and a place, a pub in Edinburgh’s Stockbridge district. They’re going to grab tea before heading off to a rehearsal and in the intervening time we’ve arranged a chat. I needn’t have worried, though; you couldn’t possible miss them: they are the only group of people in the pub who could possibly be in a band. Kid Canaveral do what the best bands do: the exude an air of being a gang. It always bodes well.

Kid Canaveral in 2010 are David MacGregor, Kate Lazda, Rose McConnachie and Scott McMaster. One of Scotland’s finest bands, they have steadily released a stream of excellent singles over the past few years, and July will see the release of their long-awaited debut release, entitled Shouting at Wildlife.

The first thing the band would like to clear up is that -despite popular conception – they aren’t actually from Fife. They formed at St. Andrew’s University in 2004 and in 2007 they got serious, with the release of their debut single ‘Smash Hits.’ Putting their releases out on their own, excellently titled label Straight To Video label, they are proudly independent, in the best sense of the word. They’re all quick to give thanks to Rose’s sister who they name as the ‘very talented and quite affordable Eve McConnachie.’ Amongst those bands they are matey with are Come On Gang!, Cancel the Astronauts and The Pictish Trail’s Johnny Lynch. Their connections have helped them to produce a record that’s shaped how they want with assistance from creative friends. Kenny Anderson AKA King Creosote has done an excellent remix of the ‘You Only Went Out To Get Drunk Last Night’ single.

Sessions for the album started in May 2009, and it was recorded

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over thirty days. Say

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s David about the album. ‘It sounds how we want it.’ He clarifies that the money going into the record is their own and no label racking up debts. At the beginning of this year a track from the sessions entitled

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‘Good Morning’ started circulating, and it was clear that things had stepped up a gear. I wrote a piece on the band and they were good enough to refer to me as their new best friend.

David’s the principal songwriter in the band. When asked about the forthcoming album he states that ‘most of the stuff on the album I wrotemost of the stuff on the album I wrote’ and adds ‘But Kate wrote 3

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ing more than ever before.’Kate says that they’re definitely part of the DIY ethic. Things have evolved and they are very much a band. Rose comments that ’What we start off with is often not what we end up with.’ ‘You Only Went Out To get Drunk Last Night’ started out as a vocal riff, for example.

The band are clear that they didn’t

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want the album to be largely made up of songs that had appeared across the earlier singles releases. ‘We’d be ripping off people who’d bought them before,’ says Dave, firmly. So although their excellent call to arms ‘SmasH hits’ does make an appearance, songs like ‘I Don’t have The Heart For This’ and ‘Second Time Around’ -the latter also appearing on the Limbo Live compilation, which compiled bands who’d appeared at the legendary Edinburgh Indie night -are not there. So while you’re waiting for the album -and I’ve heard it, and it’s awesome! -make sure you gets your hands on the singles which are still available digitally. One of the best songs of theirs that’s been relegated to a b-side is ‘Teenage Fanclub Song’ the b-side to the ‘Couldn’t Dance’ single. ’What You Do To Me’ from 1991’s Bandwagonesque had a big impact on Dave. They are also keen to state the importance of The Fire Engines.

Speaking of singles, the band would love to be involved in putting out singles on that most maligned of formats, the cassette single. ‘We like tactile releases,’ announces Rose. ‘The artwork doesn’t work in electronic formats.’

Having played the album several time since it arrived subsequent to our meeting, it deserves to be a breakthrough for them. They’ve been supported by the likes of Vic Galloway and this record deserves to break them through to a wider audience. They’re all still doing day jobs. They’re oddly shy about revealing their day jobs -until I point out that I’ve been a door to door salesman, an RE teacher and a call centre worker. David’s a Geologist, Rose works as an engineeri

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up the day jobs soon.

‘You Only Went Out To Get Drunk Last Night’ is out now. Shouting At Wildlife will be released on July 5. Both releases on Straight To Video.

To celebrate the release of the album, there will be a special night in Edinburgh at the Roxy Art House on Saturday 3rd of July 2010. This will feature live performances from Kid Canaveral, fellow power pop, Come On Gang! and The Scottish Enl

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ightenment with DJ sets from Cancel The Astronauts and Award Winning Blogger, Peenko.

Kid Canaveral -‘Good Morning.’ mp3

Song By Toad Rules!

song

I have enjoyed Song, By Toad the blog and latterly the record label for several years now.

The latest podcast features great music (as ever); this time including from the Arcade Fire, an earlier project of King Creosote and the new single from the Last Battle, which Matthew says some very nice things about.

So please point your browsers here:

Song, By Toad

Oh, and Jim Gellatly’s going to play it on the radio

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tonight, too. I feel like a little kid…

Presenting…Penguins Kill Polar Bears

penguins-kill-polar-bears

Bizarre fact: There is enough Iron in a Polar Bear’s liver to kill a human.

Crap joke: Why don’t Polar Bears eat penguins?
Cos they can’t get the wrappers off!

…look, it’s early Saturday morning, and I’m still waiting for the caffeine to hit my bloodtsream and make me resemble some sorta human. But I have dragged myself outta bed, because I want to tell you about an excellent new Scottish band, by the name of Penguins Kill Polar Bears. Hailing from Linlithgow (just west of Edinburgh, and not far from grangemouth which is where the Cocteau twins were originally from), Penguins Kill Polar Bears are four lads by the names of Benjamin Proudlock, Gavin Cormack, Kieran McGuckian and John Irvine. They specialise in an excellent sort of glacial rock and they deserve to go far.

They have just released their debut EP, entitled Dawn. This five track EP kicks off their career in style and I believe is step one to what should be an impressive career. I met them and their manager briefly last night at Avalanche Records i

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n Edinburgh (the only thing more important to me than seeing them was picking Mrs. 17 Seconds up from work on time) and they seem like lovely folks in addition to being a great band.

They are touring Scotland to promote the EP: They play Sneaky Pete’s in Edinburgh tonig

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ht; followed by Westport Bar, Dundee, June 23; Cafe Drummonds, Aberdeen, June 24; Cape, Stirling, June 25; King Tut’s Wah Wah Hut, Glasgow, J

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une 26; and Harley’s, Bathgate, June 27. They then head to London for three dates: The Watershed w/ The Bookhouse Boys, July 16;
Nice Haircut! @ The Enterprise, July 17; Wimbledon Calling w/ The Xcerts, July 18 before heading back to God’s own country for a Glasgow date at King Tut’s again on July 23, w/Lightguides & Make Sparks Single launch.

Check this out from the EP. Go and buy it, preferably from Avalanche Records, if you live in Edinburgh…

<a href="http://penguinskillpolarbears.bandcamp.com/album/dawn">Homebound by Penguins Kill Polar Bears</a>

Album Review -Delorean

delorean-subiza

Delorean -‘Subiza’ (True Panther Sounds/Matador)

Oh. WOW.

This is one of the most amazing records I have heard so far this year. From the second this album opens with ‘Stay Close’ to when it finishes with ‘It’s All Ours’ you know that you are listening to something very special indeed. Over the course of forty-

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year so far lists if you are a total music geek, and prick up your ears even if you are one of those people who only buys a handful of albums each year.

Hperbole? Let’s just say that a few songs in, I found myself wanting to listen to the album all over again -and I did, though I waited until it had finished before I listened to it pretty much right away. The press release for the Spanish band’s third album talks about looking at thirty years of dance music with fresh eyes. I could add – or listening to it with fresh ears. Becauseso much of what makes great dance music is here: it’s music to lose yourself in and find yourself. Pure balaeric bliss, Ibizan ecstasy… Music to dance to and drift away to, often at the same time. Classic aspects of dance vocals, beats, rhythms -and a reappearance of that gorgoeus Italo-house piano that sounds as fresh and exciting as it did when you heard it on ‘Ride On time’ -which is over twenty years ago now. I’ve never been on a trip to spend a summer holiday clubbing on an Mediterranean island (the nearest I got was spending a week chilling out in the Sinai), but this album makes me feel like I woul

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I listened to this album stone cold sober -and yet it sounds positively euphoric. It is genuinely so uplifting and life-affirming that it should be prescri

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and -most sincerely folks- the best album of this year so far.

*****

Subiza is out now on True Panther Sounds/Matador.

Delorean -‘Stay Close.’ mp3

Jesus H. Foxx – taster for forthcoming album revealed

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xx are working towards completing their first album, which should be out in October, on Song, By Toad Records. I’ve seen Jesus H. Foxx live no less than three times over the last six months, sharing the stage with the likes of Broken Records, We Were Promised Jetpacks, Withered Hand and White Heath. They totally rule. And this new song shows them developing even further. You should have already bought the ‘Tightt Ideas’ (sic) single and the Matter EP -and if you haven’t; what the bloody hell is wrong with you?

This is shaping up to be another excellent album from Song, By Toad Records. Bring it on…

Jesus H. Foxx -‘J & J.’ mp3

Jesus H. Foxx’s myspace

Mitchell Museum – the big time approaches

mitchell-museum

Having previously excited my interest quite considerably with last year’s ‘In the Bloodwind’ single and the ‘We lost first prize’ EP, Mitchell Museum are preparing to release their first album on July 12, entitled The Peters Port Memorial Service.

First up is the release of an excellent single entitled ‘Warning Bells,’ which was released yesterday. The band have had remixes done for this by the likes of We Were Promised Jetpacks, amongst five others and you can download all six remixes for free from their bandcamp page here. And you can even download the We Lost First Prize EP for free there, too.

And here’s the video…

Go and buy the single, and support a very deserving act.

Album Review – The Drums

the-drums-album-artwork

The Drums -‘The Drums (Moshi Moshi/Island-Universal)

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Having g

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ar here. And whatever the indie-hipsters may say or not say, I think this album may well end up soundtracking my sum

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mer and quite a few other people’s. Much like the debut album releases earlier this year from the Dum Dum girls and the Soft Pack, this is an album by a North American band who may not win many points for originality, but win more than enough points by producing an album that’s fresh, fun and so goddamn tuneful. In the Drums’ world, the spirit of The Cure’s The He

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ad On The Door, New Order’s Lowlife and the seminal c86 tape aren’t copied but proudly worn.

‘Let’s Go Surfing’ enters the lexicon of great pop songs featuring Whistling (see also ‘I Love Your Smile’ and ‘Young Folks.

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‘ From start ‘Best Friend’ to close ‘The Future’ this is the sound of four young guys having fun, listening to their favour

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ite tunes, and sounding like they’ve made an album for the sheer joy of it (this may be very clever production but I’ll give them the benefit of the doubt). The nineties revival may be around t

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Brilliant stuff, folks, this is an album to enjoy from start to finish and not just cherry-picked on the iPod.

****

The Drums is out now on Moshi Moshi.

Get free and legal music by the Drums here

Album Review – Ariel Pink’s Haunted Graffiti

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Ariel Pink’s Haunted Graffiti -‘Before Today.’ (4AD)

Last year, an article in The Wire magazine examined the concept of Hypnagogic pop. This has grown out of the US underground and is where 80’s AOR (think Hall & Oates, Michael McDonald, (both whom whom have cropped up in The Wire’s Invisible Jukebox feature) or Don Henley) meets a post-noise, shoegazing/dreampop aesthetic. Being DIY, the gloss of the 80s productio

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n is chipped, but the scene/movement/journalsits trying to come up with something on a wet afternoon has thrown up some excellent work from the likes of The Emeralds, Neon Indian and Ariel Pink.

Having produced a number of his own records on lo(wer-than-thou-)fi equipment, by his standards this release on long-established independent 4AD marks a coming of age for Ariel Pink. It is, howevere, absolutely flaming fantastic. Despite a bizarre press release that talked of vomiting on marble floors and a promo shot of humans snogging animals that I’d rather live without, quite frankly, this twelve track album is a fantastic listen from start to finish. The Americans coined the term ‘dream-op’ to describe what us Brits described as shoegazing, and it’s particularly accurate on a record l

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Over the course of forty-five minutes this reveals itself as a record filled with gorgeous pop songs, lo-fi not in the sense of’ deliberately recorded to sound as unpolished a s possible’ but as if remember

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ed ‘as a dream -or a dream of a dream.’ (With apologies to C.S. Lewis). This is an album to lose yourself in and find yourself, and if it sounds painfully seventies to talk of something being a headphone album, there is so much to appreciate and wonder at here, that several listens in, I’ve fallen in love with part of it, and wonder what else I have to discover within.

It’s ironic to think that just over ten years ago we thought there would be nothig to excavate from the eighties, or that it would all be conducted in a painful stream of ‘This is what you listened to because we say so.’ This is no eighties revivalism, but rather an excavation and development as important as the likes of DJ Shadow’

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s entroducing was to 1996.

****

Before Today is out now on 4AD.

17 Seconds Records update

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Busy times at 17 Seconds Records, with plenty of live dates and releases coming your way very soon.

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Chris Bradley released his second solo alb

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um At The Outpost in March, becoming the first full album release on 17 Seconds Records. Chris is playing at the Leith Festival tomorrow (June 13), as well as at the Outsider festival on June 19, Jock Stock on June 26 and the Wickerman Festival on July 24, having already appeared appeared at Knockengorroch.

The Last Battle will release their debut single ‘Ruins’ on July 5 on download and CD-R. They will be having a launch night at th

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e Wee Red Bar in Edinburgh (at the Art College) with support from Neil Pennycook of Meursault who will be doing a solo set and Neil Common. Oh, and me DJing. The album Heart Of the Land, Soul Of the Sea will be released at the end of September, the album launch will take place at Edinburgh’s Roxy Art House on September 18, as well as playing the Woodworks festival in England. It’s all jolly exciting!!

This is the artwork for the single. It’s great (and I can say that, ‘cos I had nowt to do with it)!

ruinscover2

The Last Battle -‘Black Waterfall.’ mp3