Everybody needs a 303

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The latest issue of The Wire arrived today. Maybe it was the appearance of Julian Cope on the front – but my brain su

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ddenly started obsessing about the Roland 303, that legendary squelchy synth, responsible for some of the best bass ever that wasn’t played on a, well, bass.

The Wire does some wonderful primers that have led to me seeking out all manner of wonderful stuff I haven’t really heard before whether it’s been digital reggae or psychedelic folk. So…in honour of one of the most legendary bits of kit ever, and based on some records I tracked down, ladies and gentlemen: fifteen classic cuts featuring the 303:

From the days when

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it was starting to make its’ presence felt; if only in the background…

Blancmange -‘Living On The ceiling.’ mp3

Paul Haig -‘Justice.’ mp3

Orange Juice -‘Rip It Up.’ mp3

It starts to come to the forefront…

Alexander Robotnik -‘Problemes d’Amour.’ mp3

Heaven 17 -‘Let Me Go.’ mp3

Shannon -‘Let The Music Play.’ mp3

It could’ve been a contender in the Hip-Hop s

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cene, it just seems that (largely) it wasn’t…except for these tracks…

Ice-T -‘Squeeze The Trigger.’ mp3

Mantronix -‘Bassline.’ mp3

However, it really shapes early acid house…including these three tracks, generally recognised as being the first three tracks from that scene in the US…

Sleazy D- ‘ I’ve Lost control.’ mp3

Phuture -‘Acid Trax.’ mp3

Armand

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o -‘Land Of Confusion.’ mp3

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and acid house comes to the UK, becomes the biggest counter-cultural movement since punk and frightens the moral majority.

Baby Ford -‘Oochy Koochy.’ mp3

Humanoid -‘Stakker Humanoid 12″.’ mp3

Into the nineties, the dance scene pulls in hundreds of different directions, and most people struggle to keep up with what’s what. Especially those of us who got distracted by grunge and britpop. But some classic stuff takes the 303 into the decade.

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..

Hardfloor -‘Acperience.’ mp3

…and the dance music of the Britpop era…big beat!

Fatboy Slim -‘Everybody Needs a 303.’ mp3

Album Review – Fuck Buttons

fuck-buttons-tarot-sport

Fuck Buttons -‘Tarot Sport (ATP Recordings)

Ok, yes, they have an expletive in their name. How cool/ shocking/contrived. Moving past that…this is the sophomore album by the Bristolian duo of Benjamin John Power and Andrew Hung who have built upon the promise of their debut a

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lbum, Street Horrsing, released only last yea

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r.

The review of this album in

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The Wire magazine grumbled that when the album is

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on, you can’t think about anything else and when it’s finished, yo

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u’ve completely forgotten it. Well, when it’s on I love to ficus on it – and even before the album’s finished I can’t wait to play it again.

As championed by the Wi

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re and other sources, there have been a number of acts of the last decade who have taken ideas of distortion and noise and gone places with them – see Battles, Yellow Swans, Liars, and Deerhunter for example. If you’ve never understood the beauty of the drone – I pity you – but here the drone

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goes down the rave-up. No, it’s not a startlingly original album (unless you’ve never ventured outside of top 40 radio), but this album represents the meeting point of the electronic drones of Neu!, the subversive experimentalism of the Aphex Twin and the sheer fun of classic rave.

And with tracks like the ‘The Lisbon Maru’, where ideas come i

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n and gradually develo

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p, this is great stuff. Not po-faced but fun. This year has seen the Animal Collective deservedly lauded for where they hav

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e gone with their Merriweather Post Pavilian album. And whilst this is never going to confront you in the way that the likes of, say the Hair Police, Wolf Eyes or Merzbow might, this is one of the best releases so far this year.

*****

Tarot Sport is out now.

Fuck Buttons – ‘Surf Solar.’ (official video)

Fuck Buttons -‘The Lison Maru.’ (unofficial video)

Gig review: Mudhoney/The Vaselines

Mudhoney/The Vaselines – HMV Picturehouse, Edinburgh (October 9, 2009)

(First things, first – apologies to St. Deluxe; really wante

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d to see you, made it to the venue at 7:45 but too late. Bought two of the 7″s by you on sale, so hope you feel supported).

It is a truth universally acknowledged, to misquote Ja

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ne Austen, that much of the success of The Vaselines is down to the fact th

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at Kurt Cobain was a huge fan and Nirvana covered several of their songs. However, for a band whose original lifespan was a couple of years and produced one album and a couple of singles (and seems to have been repackaged at least three times), this seems unfair. Because what they produced was absolutely great.

They open with ‘Son Of A Gun’ and it makes me want to jump around with unashamed joy – even though i’m in a queue for water at the bar. Much of the crowd banter is led by Frances McKee, who wants to get our opinion on the whole thong issue. She’s a vest and pants girl, she tells us. Umm, glad we’ve got that straight…

Yes, they play the songs that Nirvana covered – ‘Jesus Wants Me For A Sunbeam’ and ‘Molly’s Lips’ – but they also play other great tracks from their back catalogue like ‘Oliver Twisted,’ ‘Rory Ride me Raw’ and ‘Monster Pussy.’ The latter, Eugene tells us, got them ceonsored on the BBC – not twenty years ago, but a matter of days earlier when they weren’t able to play it on Vic Galloway’s Radio Scotland show. Frances who is in full flow tells us that it is not about vaginas (so glad we sorted that out) – but proceeds to dedicate it to the cat that they shoved up Eugene’s arse twenty years ago. Their cover of Divine’s ‘You Think You’re a man (But You’re Only A Boy)’ is as great as it is on record and reminds you that many of the bands out of the c86 movement were pretty anti-machismo. The live band also includes Belle and Sebastian’s Stevie Jackson on guitar (good to see you, not so sure about the curly mop though), and the 1990s drummer. Tonight was the first time they’ve played live in Edinburgh in twenty years – but boy was it good to see them.

It’s fair to say that a fair number of the people at the Picture House were there to see The Vaselines. I almost feel like Lord Voldemort -‘Mudhoney…I’d almost forgotten you were going to play.’ But play Mudhoney do. Very, very well…and very very loudly. watching the crowd from above, as my ears start to ring reminds me of the crowd behaving as they haven’t done at gigs in years. Not only moshing – but crowd-surfing – and if there hadn’t been a barrier, I’m pretty sure they would have stage-dived too. Security are looking mightily cheesed off. They thought all this had been clamped down on at gigs.

Mudhoney have now been with us for two decades and a bit, and their Stooges punk meets Sabbath sludge has not diminished with age. Unlike many of their peers from the late eighties era, they’re still alive, have never split to necessitate a reformation, nor have they been making ghastly solo albums (I’m looking at you, Mr. Corgan). Whilst it was Nirvana who ultima

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tely captured the hearts of the wider public with an anthem about deodorant, when they tear into ‘Touch Me I’m Sick’ I’m convinced the roof might collapse. It’s still a great song – up there with ‘Freakscene’ and ‘Teen Age Riot’ of songs that still simultaneously evoke a particularly place and time and have not dated.

Mudhoney’s early release Superfuzz Bigmuff actually referenced two effects pedals passed over in the early eighties when bands seemed to be going for clean guitar sounds. And looking at the crowd as they pass out tonight, you wonder if the person who passed these pedals onto Mudhoney wasn’t as important as Kathleen Hanna spraying ‘Kurt Smells Like Teen Spirit’ on a wall in Seattle.

Tonight we truly partied like it was 1989.

St Deluxe -‘New Wave Star.’ mp3

The Vaselines -‘Rory Rides Me Raw.’ mp3

Mudhoney -‘Touch Me I’m Sick.’ mp3

Happy Birthday PJ Harvey

pj-harvey

Amazingly, it is PJ Harvey’s 40th birthday today.

The woman is a goddess, has made too many brilliant albums to count, though my favourite is probably To Bring You My Love…and it was her endorsement of Captain Beefheart that led to me really getting into him, along with John Peel (obviously).

I’m posting this – I was there -and it was bloody awesome. I’d heard this on Peel (natch)

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a few months previously – but this was a moment.

From Glastonbury 1995…

…as well as the awesome de

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but single:

PJ Harvey -‘Dress.’ mp3

…and the word spreads!

17-seconds-records-2009

Many thanks to John for this post on X-Lion Tamer over at Your Moment Of Zen and also for this write-up from Jim at Aye Tunes. It goes without saying but

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please, please, please visit these pages. They deserve it!

Also, many

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thanks to Vic Galloway for playin

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g X-Lion Tamer on his show on Radio Scotland last Monday. See the t

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racklisting here and listen to the show!

And, as always, check us out on myspace and Last FM. Hopefully as soon as we can sort it out, there will be a Spotify page as well…

Here is the news…

despair

Utterly depressed by the news this eveni

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do we really need this?

And what about British Airways?

Billy, we need you more than ever.

Billy Bragg -‘There Is Power In A Union.’ mp3

And just in case people need a reminder of how bad things

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got…

The Men They Couldn’t Hang -‘Ironmasters.’ mp3

Elvis Cosetllo -‘Tramp The Dirt Down.’ mp3

Album Review: Twilight Sad

the-twilight-sad-forget-the-night-ahead

Twilight Sad -‘Forget the Night Ahead.’ (Fat Cat)

In 2007, when the Twilight Sad released their debut album Fourteen Autumns & Fifteen Winters, they were the talk of Scotland. Here was an epic sounding band, whose marriage of the epic sadness of Mogwai and Arab Strap were wowing us all. They became a cool name to drop – deservedly -and the night I saw them on the same bill, sandwiched between the then unsigned Broken Records and headliners Idlewild just made perfect sense. A couple of EPs cum compilations later (The Twilight Sad Killed My Parents And Hit The Road and Here It never Snowed, Afterwards It Did) they unleash their sophomore release.

sigh. See, thing is, it is a really good album. It’s got some great songs on it – the opening brace of ‘Reflection Of the Television’ and first single ‘I Became A Prostitute’ is really impressive. It’s just…no matter how many times I’ve played this album, half a dozen plus listens later, I’m forced to a

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dmit the uncomfortable truth to myself: It is a good album, just not a great one.

Second albums are traditionally difficult things. And when your first album, almost always written before you’ve been signed, has bee

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n a kick up the backside to an industry that fifty years in, is still always in danger of getting smug and self-satisfied, that momentum needs to keep going. The problem is that bands frequently never get enough time to do their second album. It’s a good companion piece to their debut – and if I hadn’t heard their debut, I’d probably be blown away. But the reality is, music isn’t made in a vacuum, nor is it consumed in one.

So, good work guys, but the third album needs to be really, really special.

***1/2

Forget the Night Ahead is out now on Fat Cat.

The Twilight Sad website/The Twilight Sad myspace
Twilight sad -‘Reflection Of The Television.’ mp3

This week in the world of 17 Seconds Records

17-seconds-records-2009

Yup…as me

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ioned before, today sees the release of Chris Bradley‘s debut single for the label ‘Bored Little Rosie’/’The Man I Love.’ This is the fifth single we have put out as a label within a year. Why it to a while to arrive on

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iTunes UK yet is a mystery and annoyance; however it is also available on both eMusic and HMV.com, amongst others. It’s also great looking at a page like this or this and realising that 1

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7 Seconds Records is alive, we exist.

Chris will be p

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laying live in London this Thursday as support to Dr. Robert (yes, the frontman of

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Blow Monkeys fame) at Water Rats in King’s Cross. He will be on stage from 7-7:30 PM. If you’re in the London area, come along.

Meanwhile, X-Lion Tamer plays at the Bongo Club on Friday night at 23:00 (so yes, there is time to see both the Mudhoney/Vaselines gig and then head over to see him).

X-Lion Tamer -‘Life Support Machine.’ mp3

Chris Bradley -‘Golden Girl.’ mp3

Live review – Blueflint/Emily Scott

Blueflint/Emily Scott

The Voodoo Rooms, Edinburgh, September 30.

So…there I am. I’m driving through Edinburgh at night with my friends Jared and Ken, the latter the bass player from Aberfeldy. Unusually for us these days, Radio 1 is on. Even more unusually, David Bowie’s ‘Let’s Dance’ comes on. It sounds amazing. In a scene like something from Wayne’s World Ken insists we wind the windows down, cold as it is, crank the music up and sing at the top of our voices. ‘Tremble like a …FLOWERRRR!’ It’s the end to a rather fantastic night…

…rewind to a few hours earlier…

Emily Scott cuts an unusual figure on the stage. Armed with her double bass and accompanied by guit

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arist Damon Thompson she opens with ‘Watching Them’ the opening cut on her debut album, Longshore Drift. Currently promoting her new

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album abcdefg, she has a gorgeous voice that makes you want to investigate her music more. I’ve been enjoying her debut and will definitely be checking out her latest release.

Tonight is the official album launch for Blueflint’s album High Bright Morning, at the official scottish launch, as the morning after the gig they are heading down to London for the English launch, with Aberfeldy bassist Ken MacIntosh in tow. The album is simply stunning and will be sitting very near the top of my albums of the year list when December comes ar

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ound. The album contains a gorgeous mix of folk and bluegrass, with the banjo duo of Deborah Arnott and Clare-Louise Neilson demonstarting why their reputation has been growing so much in Scotland and further afield.

Live the songs work just as well, and they open with ‘Skittin’ Skattin’ ‘ This is quite an upbeat track from the album – which also contains the ‘High Bright morning’ story about being lowered into the

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grave and ‘What Lies beneath’ based on a William Faulkner tale. But whether it’s murder ballads or lovesongs (and are the two always separate?), there’s a real genuine warmth that comes from these songs played live. There’s also a fantastic song called ‘P.45’ not on the album which is about revenge.

The band are deservedly called on for an encore and it’s only fair to particularly singl

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e out the stunning fiddle playing of roddy neilson which punctuates the whole evening. But important contributions come from Hugh Kelly on double bass, Andy Pennycook on harmonica, Gavin Taylor on slide guitar. As we head out into the night, the warmth takes over even as the night draw in and even as a teetotaller, I’m drunk and high on the atmosphere.

The car, David Bowie and loud singing beckon.

Which is where we came in…

High Bright Morning is released on October 5.

These three tracks are given away free on their webpage.

Blueflint webpage/Blueflint myspace

Blueflint -‘Takes More Than a Little Time.’ mp3

Blueflint -‘High bright Morning.’ m

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Blueflint -‘Skippin’ Skattin.’ mp3

Blueflint’s website/Blueflint myspace

Emily Scott myspace

17SEC8!

17GIG_301009

Yup, absolutely nothing to do with me, but this amazing poster is the work of Matt Gillies, who is the bass player in The Dirty Cuts. With the release of Chris Bradley’s single on Monday, ”Bored little Rosie’/’The Man I Love’ which is 17SEC7, this is 17SEC8.

Lovin’ it!

And looking forward to

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the night in question…

The Dirty Cuts on myspace

Also, many thanks to Dirk for this wonder

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st over at Sexy Loser.