Guilty pleasures

guns_n_roses

A few months ago, I posted ‘Summer Of ’69’ by Bryan Adams, one guilty pleasure from the eighties.

This is another.

Guns ‘n’ Roses t-shirts can now be bought in Next, I see. This is yet another example of band tees being sold to folks who have very little clue about who the band actually are…or is it? I’ve ground my teeth seeing people walking around in those Ramones T-shirt

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s who I suspect have no clue who they are. But G’n’R were always a bit more mainstream.

Their debut Appetite For Des

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truction came out in 1987. They took forever to follow it up, well four years with Lose the Plot one and 2, sorry Use Your Illusion I and II (Exhibit A for the Prosecution: why releasi

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ng Albums on CD became a bad idea, Exhibit B Oasis’ Be Here Now). Last year they released their album Chinese Democracy which was first being slated for release when I was still at school…I’m now 32. Somehow, I didn’t even put it on my Christmas list. Must have had my mind on other things.

But all those things aside…this is a class tune. And if this doesn’t make you want to headbang and play air guitar…well, i guess you were never an adolescent boy,

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were you…?

Guns ‘n’ Roses -‘Sweet Child O’ Mine.’ mp3

Rifling through my 7″s #6

glasgow

There are few thin

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gs more ‘indie’ (in the old sense of the word) than the split 7″. By split 7″, what I mean is that one band has a song on one side of a record and another band has a song on the other side of the 7″. Hell, I dream of being able to do this with some of the acts on 17 Seconds Records…

Anyway, I digress. This was a double 7″ featuring four acts from Glasgow -Mogwai, El Hombre Trajeado, The Yummy Fur and The Karelia. It was released in 1998 on the London indie label Pastic Cowbly, in association with Glasgow label Guided Missile.

Of the four acts, Mogwai are the best well known, still recording to this day and having released their most recent studio album The Hawk Is Howling last year.

El Hombre Trajeado split in 2006 – if you click on the link, they have made it possible for you to download all their stuff from their own website.

The Yummy Fur split in 1999, singer John McKeown has gone on to form the 1990s, and towards the end of their life the band also included Alex Kapranos and Paul Thompson who would go on to be half of Franz Ferdinand.

The Karelia also included Alex Kapranos (then known as Alex Huntley). They only released a handful of recordings, which were at one stage changing hands for huge sums.

Download

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the ‘Glasgow’ EP

As ever, if you want to get your hands on physical copies of records by these artists, try Avalanche Records.

Riffling through my 7″s #5

coldcut-mytelephone

Whatever you might have got the impression from, over the last two weeks particularly, my record collection is not made up solely of things from the £1 bins of Avalanche Records, Cockburn St, Edinburgh (though they are lovely people). The thing is, I have got some absolute goldmines out of there, including records I have read about and wanted to hear and just haven’t for whatever reason. Well, if you can a) own the thing rather than just copying it b) support an excellent record shop and c) not have too pay much for it, why not?

Coldcut were/are two male producers Matt Black and Jonathan Moore, who are responsible for violently cool label Ninja Tune, which is still running to this day. Coldcut’s My Telephone 7″ is interesting for it’s place in the gran scheme of things and how music, both ‘indie’ and ‘dance/’electronica’ got shaped over the course of the last twenty years or so – not that these are separate ghettos, obviously. Coldcut had made the cover of the NME in 1987 talking about sampling with a record called ‘Let Us Play’. Then they made it onto Top Of the Pops in a fairly short space of time -twice -when they launched the quite successful for a time careers of both Yazz and Lisa Stansfield.

Lisa Stansfield can just about be heard on ‘My Telep

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hone’ which only made it to no.52, but is much better than the big hit with Stansfield ‘People Hold on.’ The following year it was reworked with Mark E. Smith to become The Fall’s first single of the Nineties ‘Telephone Thing.’ That made no. 58 in the charts and no.35 in John Peel’s Festive Fifty, which is generally a much better barometer of taste than the ‘proper’ charts, anyway.

So, for your listening pleasure, let us present:

Coldcut -‘My Telephone.’ mp3

Coldcut -‘Theme From Evil Eddy.’ mp3

This piece on Coldcut and The Fall might need enlarging to be read safely but it makes for interesting reading, from the NME i

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n 1990.

Does there have to be a reason?

pixies

…why the h

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ell would anyone not love this track?

Sure, there are always those

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macy

who claim the Pixies went downhill

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after S

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urfer Rosa, but Doolittle remains the peak of the Pixies’ career for me.

Twenty years

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la

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ter, ‘Debaser’ is an absolute classic of an album opener.

…and one day, I guess I’ll watch the Dali film Un Chien Andalou and smile. Or something…

Pixies -‘Debaser.’ mp3

More vinyl goodies…

big-dish-miss-america-108874

This is another vinyl transfer, a little crackly, but one which does not seem to be available on iTunes.

The Big Dish were formed in Airdrie in 1983, one member of the band su

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pporting Steven Lindsay was Craig Armstrong, who would go onto work with Massive Attack and Madonna, and write the scores for Romeo and Juliet and Love, Actually, amongst many o

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thers. The band supported Lloyd Cole and Big Country on tour in the

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ve something in com

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hese acts, though perhaps the act they are most comparable to is The Blue Nile. Certainly, they were more in the spirit of the sohisticated pop that was doing the rounds of the scottish scene at the time, think Love and Money, Hipsway, Hue and Cry, Deacon Blue than, say, The Pastels or The Shop Assistants.

I remember hearing this on the Radio in early 1991 when it came out, reaching no.37, and serving as their only UK Top 40 hit. The band split shortly afterwards…shame, because I think on this vidence they deserved to do much better.

The Big Dish -‘Miss America.’ mp3

The Big Dish on wikipedia

Riffling through my 12″s #1

kingmaker-two-headed-ep

Britpop gave a leg-up to many ‘indie’ bands who might not have had a crack at the big-time or who had been around for a while. Amongst those who got invited to the party were The Charlatans, Lush, and the Manic Street Preachers, and even, arguably the Levellers.

However, Britpop seemed to put paid to certain bands – the three leading lights of the Stourbridge scene, The Wonder Stuff, Ned’s Atomic Dustbin and Pop Will Eat Itself all split around 1994-5, at least for the first time. Another band, who went from being critical darlings to butt of everyone’s jokes were Kingmaker.

Kingmaker formed in 1990 in Hull. They were Loz Hardy (vocals, guitar), Miles Howell (bass) and John Andrew (drums). They had several entries in the charts, including five top forty hits, and two top thirty albums. They were even supported on tour by Radiohead in 1992. Loz was a very sharp lyric writer and the band had a way with a tune – I remember sitting on a trip going to London on a coach listening to ‘Ten Years Asleep’ playing not on a walkman but on Daytime Radio 1. This was followed a few weeks later by a Top Of the Pops performance. It seemed that they were about to break through into the mainstream. But about the time of their third album In The Best Possible Taste the band fell apart, and split.

Even ‘where are they now’ entries seem to be ten years old, though Loz Hardy became Justine Frischmann’s flatmate and co-songwriter of a couple of tracks on Elastica’s 1999 EP. Their three studio albums – Eat Yourself Whole, Sleepwalking and In The Best Possible Taste plus a couple of compilations are available on iTunes.

In memory of Kingmaker then, their August 1991 ‘Two Headed’ EP. These are ripped from a 12″ single I picked up in Avalanche Records today for a mere £1…

Kingmaker -‘Two Headed, Yellow Bellied Hole Digger.’ mp3

Kingmaker -‘This Time, This Town, This Sea.’ mp3

Kingmaker -‘Wonderful garden.’ mp3

Kingmaker -‘Pockets Of St. Malachi (live).’ mp3

An unofficial Kingmaker website, well worth checking out.

Kingmaker site on Wikipedia.

Kingmaker myspace (run by a fan)

Album Review: Oskar

oskar_lp2_2Oskar -LP:2′ (Incarnation)

A bit of a weird one, this. Oskar are based around Nick Powell(once of Strangelove) and Jonny Dawe (once of Collapsed Lung). Over a decade on from their previous heydays, and five years since their last album, they have come together with ‘notional third member’ Sarah Wilson (who has previously collaborated with Belle and Sebastian and Tindersticks).

So, nineties indie pedigrees sorted, what’s the album like? Well, the iTunes player says ‘Unclassifiable’ and it’s absolutely right. Because some tracks are gorgeous and lush, while others sound like the soundtrack t

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o a nightmare, or possibly a nervous breakdown. ‘Richenbach Falls’ particularly is a somewhat disturbing listen. Then again, there’s tracks like ‘Sanatorio’ the closing song on the album. This came to be because Nick Powell was in Spain working on a production of the Marat Sade, the play within a play about the Marquis de Sade trying to stage a play in an insane asylum. This lead to the inhabitants of a psychiatric hospital in Madrid, where he did a workshop, singing and communicating with each other, which must have been quite some experience. I

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t’s also great to see Astrid Williamson (once of Goya Dress, and now a fine solo singer in her own right) croppping up on ‘Printer Tzara.’

So, a strange journey then, one perhaps best taken in bits than as a whole, but with some pretty impressive scenery.

***

LP:2 is released on Incarnation Records on June 22.

Oskar’s website/Oska’s myspace

Riffling through my 7″s #4

hey-elastica

God bless The Vinyl Villain, say I. Not only is he a very nice bloke, and an inspiring blogger, but he keeps me intrigued by writing about Scottish bands that I might have missed.

One such band he has written about are Hey! Elastica. (And no, nothing to do with Justine Frischmann’s old band.) Hey! Elastica hailed from Edinburgh, in around the early 1980s. They do not have a Wikipedia page, and are not mentioned in the Great Indie Discography. Anyone who can point me to a fan site, myspace page etc.. would be much appreciated.

Inspired by what I had heard, i picked up the 7″ the other day in Avalanche, and present this vinyl rip for your pleasure.

Hey! Elastica -‘Suck A Little Honey.’ mp3

Hey! Elastica -‘Suck A Little More.’ mp3

And some bonuses, originally put up by the Vinyl Villain:

Hey! Elastica -‘Suck A Little Honey (extended).’ mp3

Hey! Elastica -‘Eat Your Heart Out.’ mp3

You can buy their stuff on iTunes, in the UK at least…Virgin still appear to own the copyright.

You can also listen to them on Deezer here

Album Review: Future Of The Left

futureof-the-left-travels-with-myself

Future Of The Left -‘Travels With Myself And Another.’ (4AD)

The follow-up up to their debut Curses, this sophomore release from the welsh three-piece seems almost effortless. It grabs you by the proverbials and quite a few other places from the word go and doesn’t let go.

It’s as loud as hell, and enjoyably so, too. It’s got a sense of humour, clever without being pseudo-intellectual (no mean feat) and angry as well. It’s uncompromising too – thank God they’re on a true independent like 4AD, otherwis

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e somebody somewhere would be trying to encourage them to make it a radio-firendly unit shifter. I have the sneaking suspicion that if anyone tried it with these three Welsh lads, they’d be told where to go, in no uncertain terms, but having a good laugh as they did so.

It’s a twelve track albu

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m that clocks on at just under thirty three minutes. This is a good move, as there is no flab on here, this is rock as mean and lean as it gets. Opener ‘Arming Eritrea’ sets the scene: heavy bass, distorted guitar and taking absolutely no prisoners. First single ‘The Hope That house Built’ is the closest they might come to writing an anthem, but on their terms, not in a ‘sod it, let’s sound like Coldplay.’ ‘You Needs Satan More Than He Needs You’ meanwhile, not only has one of the greatest titles ever, but is (reportedly) about the modern Satanist who ‘still has to worry about babysitting and getting the goat home after a blood ritual on a windswept moor. Riiight. The final track sees the singer confusing Jacob’s Ladder with the Shawshank Redemption and revealing Rupert Murdoch as Satan Incarnate. (If anyone wants to sacrifice him on a windswept moor, I think there might well be lots of volunteers).

If there’s anyone who genuinely means it, man, and genuinely refuses to sell out, it’s these three lads. Respect.

****

Future

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Of The Left Website/Future Of The Left Myspace

Travels With Myself And An

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other is out on June 22 on 4AD.

The video for The Hope That House Built:

Album Review: Groom

groom

Groom -‘At The Natural History Museum.’ (Tight Ship)

In London, at the Natural History Museum, the thing that strikes you when you walk through the door, is a massive skeleton of a Tyrannasaurus Rex. It’s now less awe-inspiring when you’re a thirty-something than when you’re a toddler. It’s a thing of natural wonder.

This album from Groom is simil

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arly awe-inspiring. Over the course of six songs in just thirty-two minutes, Michael Stevens and his band from Dublin have produced something pretty awe-inspiring themselves. is this a natural or man-made wonder? Well, let’s just say mankind’s had to evolve a pretty long way to come up with some of the couplets that Mr. Stevens has come up with. Take ‘Mythical Creatures’ for example:

‘Smugglers with guns and sailors with bludgeons hide in the harbour and draw out their knives
On minor poets with major grudges who drink too much booze and are sleep-deprived.
In a wind-swept cottage with narrow windows, who knows what sadness awaits for us?
The tear-drenched face of a lonely widow or a three-thousand-year-old Egyptian curse.’

on ‘Death Of A Songwriter’ there’s a delicious sort of black humour:

‘I worked in immunology abd nearly injected myself with HIV.
I worked in the kitchens of an American aircraft carrier but couldn’t get over the language barrier.’

A casual glance at some of the song titles ‘Let’s Die Together’ or ‘Worst Of Times, Worst Of Places’ might suggest that this album would make for a depressing listen. Yet in its’ examination of the human condition, even if its’ conclusions may appear bleak, or at best self-effacing, somehow it’s a life-affirming listen.

Their myspace describes Groom as ‘Indiepop minus everything Indiepop should be.’ Well, I think this is Indiepop as it damn well should be! And that’s not indie as in ‘Oh, it’s got guitars and it’s actually horrendousy msucially conservative’ that’s indie as in a force for good. Listening to this again (and for the second time this morning, I have

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to confess), it reminds me in a good way of both Belle and Sebastian and The Shins. And not a hint of twee anywhere in sight.

When the album finishes with ‘Moving West ‘it’s almost heart-breaking. And that’s quite a journey in thirty-two minutes.

****1/2

Groom -‘Let’s Die Together.’ mp3

At The Natural History Museum is out now on Tight Ship.

Groom’s Myspace

The album is on eMusic and iTunes, priced only £4.74. Do yourself a favour – go and buy it!