Album Review: A Psychedelic Guide To Monsterism Island

a-psychedelic-guide-to-monsterism-island

Variou

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s Artists -‘A Psychedelic Guide To Monsterism Island’ (Lo Recordings)

A Psychedelic Guide To Monsterism Island has been assembled by one Pete Fowler, who has bought together a collection of some very cool and hip names from the underground (but also chart-botherers as well) to ‘make your trip to Monsterism Island an unforgettable one.’

One of the best known contributors here is Super Furry Animals; Gruff Rhys who has indeed been making wonderful out-there pop songs for well over a decade now. Other contributors include Jonny Trunk (no stranger to compilation godlike status himself), Amorphous Androgynouos (an alter-ego of members of Future Sound Of London), Luke Vibert, Richard Norris (of the Grid)…I could go on. The thing is, as impressive as the list of names is, the album doesn’t quite hit the spot.

It isn’t a weak album, it’s nice in th

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e background, without ever becoming aural wallpaper, and nor is it offensive by its’ very inoffensiveness. It’s worth hearing…but I think the Je Ne Sais Quoi… that it l

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acks comes down to the fact that as irish website State pointed out, “the names that appear on the compilation however as they are about

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as incidental as the songs. It would be hard to tell Gruff Rhys’ contribution from Dammers’.”

***

A Psychedelic Guide To Monsterism Island is out now.

To stream click here

www.monsterism.net

Baby, I can’t wait!

17-seconds-records

Okay folks get ready for May!

The weekend of May 8-10 in Edinburgh will see all three 17 S

econds Records acts playing at Cabaret Voltaire, and I am very happy and excited about this. This is part of Tigerfest, and both us here at 17 Seconds and Matthew at Song, By Toad are ‘curating’ a night. Matthew’s night is on May 7 at the Bowery

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, and features Meursault, Inspector Tapehead and The Japanese War Effort.

Friday May 8 sees Aberfeldy, with support from Ex Lion Tamer, at Cabaret Voltaire. Tickets are now on sale from Tickets Scotland, Ripping Records and Ticketweb priced at £10.

Sunday May 10 sees The Gillyflowers play with Le Reno Amps and The Stantons at Duty Free at Cabaret Voltaire. Yup, Duty Free is FREE to ge

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t into!

Doors open at 7PM for both shows.

Aberfeldy -‘Love Is An Ar

row.’ mp3

Ex Lion Tame

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r -‘Life Support Machine.’ mp3

The Gillyflowers -‘Country Boy.’ mp3

See you there : )

The return of Nine Black Alps

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Another one from the NME…and this one is helping me to clear ou

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t the nasty cobwebs left by the monstrosity that was The Boy Least Likely to album.

Back in 2005, in the final days of working in a record shop befor

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e I went off to teach, I was blown away by the sheer raw power of the Nine Black Alps debut album, Everything Is. For whatever reason, I didn’t get around to buying the follow-up Love/Hate, but I will be in line for their third album, which is due out in the summer. It’s as yet untitled, but it is produced by dave Eringa who has worked with the Manic Stre

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others.

This will tear several people new orifices…IMHO, as good as ‘Not Evryone’ from the first album.

See what you think…then if you like it, support the band, and either way, please leave feedback!

Nine Black Alps -‘Buy Nothing.’ mp3

Nine Black Alps -‘Buy Nothing.’

Nine Black Alps website/Nine Black Alps myspace

Presenting…Graffiti Island

graffiti-island

Poor old NME, eh? They featured Graffiti Island as their free download of the day, and the majority of readers asbolutely (heh heh) hated this.

I think it

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we’re doing it sortaway, that evoles both Beat Happening and The Vaselines. Which is a good thing.

Howvere, if you think that ‘Human’ by the Killers is the most amazing song, or you think that Nickleback, are like, rilly, rilly great, then this will terrify the life out of you. Daddy,

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what does ‘no-fi’ mean?

Graffiti Island -‘Wolfguy.

‘ mp3

Ma

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Album Review: The Boy Least Likely To

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The Boy Least Likely To -‘The Tour Of the Playground’ (Too Young To Die)

Rolling Stone magazine reportedly commented that “If all your childhood stuffed animals got together and started a band, it might sound like the boy least likely to.” Now, call me cynical, but a) this is (probably, I’m guessing after all) very accurate and b) NOT.A.GOOD.THING.

Now, don’t get me wrong. I love a lot of twee-pop, c86, old-school indie…call it what you will. I think a lot of the music produced then and now that comes under this banner is great. I love the Pains Of Being Pure At Heart and I can’t wait for the n

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ew Camera Obscura album. But this album is horrific. It is so sweet that it makes the recorded output of Kelly Clarkson and Britney Spears’ early stuff sound like Sunn o ))) or Earth. It’s the audio equivalent of force-feeding a diabetic insulin and chocolate. It starts to be unkind. I listened to this album once a week ago…and put it to one side to try again. My view remains the same.

Set in the playground (for goodness sake!), thirteen songs about life in the primary school playground. What kind of warped mind thinks this is a good idea and then inflicts this on listeners? I’d heard stuff before by this band and liked them. Now I never want to hear them again. It’s one thing to be anti-machismo and it’s a stance I’m not unsympathetic to. But by the same token, please grow a bloody spine.

There is no way on earth that these guys are the spiritual heir

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s to Belle and Sebastian, who could be quite acerbic in their lyrics (go and listen to The Boy With The Arab Strap). Hopefully this will actually wake Stuart Murdoch and co. up from writing a musical or whatever the hell it is they are doing, and come back and kick these guys’ lily-white butts.

I’m off to play Slayer. V

ery, very loudly.

*1/2 (and that’s being generous).

Check these links to make up your own mind if you think I’m being unfair.

The Boy Least Likely To website/myspa

ce

Presenting… Cheval Sombre

cheval-sombre

For fans of gorgeous blissed of, drone meets shoegazing, love Galaxie 500/Luna/Spaceman 3 etc.. imagine if such a project could involve members of both bands…an impossible, have your cake and eat it dream, right?

Umm, wrong, as it happens.

One-man band Cheval Sombre emerged in the early 2000s, writing and recording songs in an apartment studio on the Hudson River, NY. After sending his initial demos to Sonic Boom of Spacemen 3 and Spectrum fame, recording sessions with Sonic took place in March 2006, in Jersey City, New Jersey. Further sessions followed over the next two years, both in Rugby, England and in New York City, with guest musicians Br

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itta Phillips and Dean Wareham (of Galaxie 500 and Luna) , both of whom operate the Double Feature label. The record was produced by Sonic Boom, who contributes drones and effects.

I have responded to the email that this arrived with saying that, yes please, I would of course like one of the remaining review copies. Th

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sed so far: “It’s a

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Shame”/”Little Bit of Heaven”, “I Found It Not So”/”Where Did Our Love Go?” and “I Sleep.”

Cheval Sombre -‘Little Bit Of Heaven.’ mp3

Cheval Sombre myspace

And, as ever, let me know what you think…

Seriouscontenderforsingleoftheyear!

It’s always been the nature of the music business that releases are almost never sim

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ultaneous worldwide, but as the music business increasingly gets digital, I don’t know how much longer thatwill remain the case.

Today the Yeah Yeah Yeahs release their third album It’s Blitz! in the UK, it’s already out in Australia and will be out in the US on April 14. This is the lead single ‘Zero’ and I have already played it about ten times this morning and not got bored of i

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e impact of a song like Blondie’s ‘Heart Of Glass’ – cool enough for the indie snobs, but immediate and catchy enough for the pop kids. In the video Karen O comes

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on like a cross between Chrissie Hynde and Siouxsie Sioux. She looks like she’s having fun, even if Nick Zinner is

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looking worried at points in this video!

My favourite song of the year so far. Please go and buy it.

Paul Haig – Vinyl Villain Solidarity day

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Yes folks, it is April 6 and today is tell the world about Paul Haig and

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support JC at the Vinyl Villain day.

For more about this story, scroll down the page and find out what it’s all about.

Paul Haig is happy for the blogs to host

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or his old band, Josef K.

Paul Haig -‘Reason.’ mp3

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careers.

Ten for the nineties…1992

Some years in music are pivotal and utterly steeped in meaning and resonance.

1992 was not one of them.

It was summed up by the sheer awfulness of Undercover’s ‘Baker Street’ cover, a hideous dance version of Bryan Adams’ ‘Run To You’ by a band called Rage and the fact that Madonna unleashed a stinker of an album called Erotica, and very possibly showed that you could be over-exposed when she released the infamous Sex book around the same time. It was topped off when Whitney Houston topped the charts with ‘I Will Always Love You’ at Christmas.

The Americans decided that they’d had enough of twelve years of Republicans and elected Bill Clinton to the White House. The Brits were convinced that the Conservatives could not possibly win, and then proceeded to hand them a mandate to rule Britain for the next five years. The big film of the year was Wayne’s World, which led to everyone making statements and then going …NOT! at the end of it. I buried myself deeper in NME, Melody Maker and tippexing my school folders with band names instead of doing as much school work as I should have been. Ah well…

This track was no.1 in John Peel’s Festive Fifty that year. It has to be one of the most requested tracks ever on 17 Seconds. It’s sublime – now watch the video and if you want the mp3 look elsewhere!

Bang Bang Machine -‘Geek Love.’

Some bands are derided for ever. Ned’s Atomic Dustbin’s time must surely come. Part of the Stourbridge scene (along with Pop Will Eat Itself and the Wonderstuff), this was probably their biggest hit. This was also part of their music compilation Lunatic Magnets which was linked by various clips as the band attempted to do their own version of Reservoir Dogs which was the cult film of the year.

Ned’s Atomic Dustbin -‘Not Sleeping Around.’

…and boom! The word ‘Britpop’ had yet to enter the lexicon of the cultural landscape and the so-called ‘scene that celebrates itself’ wasn’t ever going to be a household name kind of thing, but Suede suddenly arrived, looking pretty damn perfet. The music press loved them. Morrissey covered one of their b-sides ‘My Insatiable One.’ Smash Hits claimed David Bowie had invited them to his wedding. Lead singer Brett Anderson claimed he was ‘a bisexual who had never had a homosexual experience’ and was soon being spoken of in the same sentence as both Bowie and Morrissey. In the face of grunge coming in from the US, Suede looked likely to lead the next British assault. In another galaxy their story would have ended far more happily.

Suede -‘The Drowners.’

They say history is written by the victors. ‘They’ may have a point. In the 20/20 perspective that is hindsight, this was Blur’s best single to date. It has been perhaps a little forgotten that at this point Blur were in the doldrums -far more than they would be after The Great Escape three years later seemed to show that they had been overtaken by Oasis. This single limped to no.32, their second album was about to be rejectedby their record company, but Blur knew something we didn’t…

Blur – ‘Popscene.’

…a weird sense of deja vu: at the tail end of 2007, the Black Kids were being hailed by many (including yours truly, less we forget) as being the next big thing. When their debut album was released, the press seemed to turn on them. So it was with Curve, whose first three EPs were far more feted than their eventual debut LP Doppelganger was when it arrived in 1992. A shame, because they were still firing on all cylinders as far as I was concerned…

Curve -‘Fait Accompli.’

I have kicked myself for missing out on a lot of nineties dance culture -too busy listening to Morrissey at the time, as w

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ell as going through a ‘I hate everything’ phase, for which I have no-one to blame but myself. However, this DID filter through to me. I only recently realised that Future Sound Of London had been connected with Humanoid, whose classic acid house track ‘Stakker Humanoid’ had made it onto Top Of The Pops four years previously…

Future Sound Of London -‘Papua New Guinea.’

I’ve always had a soft spot for Michael Franti, and as frontman of Spearhead, he was the first Hip-Hop act I ever saw live. It could have been this or ‘Television, The Drug Of The Nation’ but thistale of how a homophobe gets his comeuppance is pretty groundbreaking. And as at this time rap was becoming ever more confrontational (which was fine) but also displaying aspects of prejudice (which is not fine), it was good to see an act showng it wasn’t all about the benjamins.

Disposable Heroes of Hiphoprisy -‘The Language of Violence.’

As has been well-documented, in 1992, The Wedding Present issued a new 7″ every month, the a-side being an original song and the b-side being a cover. This saw them make Top Of The Pops several times, have seven entries in that year’s Festive Fifty, rack up twelve top thirty hits…and then get dropped by their record company.

Wedding Present -‘Sticky.’

I wasn’t much into R&B in the nineties, much of it came under the heading of New Jack Swing, a genre that left me cold, mostly. But this track wasn’t lik

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e that, and like En Vogue, gave a glimpse of just how big the genre would be in the decade to come…

Shanice -‘I Love Your Smile.’

This wasn’t supposed to happen…or maybe it was. This is actually the track that first brought Bjork into the Top Forty in the UK, being a sizeable hit, even with the mad shoutyness going on, as ever. But by the end of the year the band hd called it a day, with Bjork going off to make a solo album…and actually put the avant garde on Top Of The Pops.

The Sugarcubes -‘Hit.’

Should also be featured here: Ride -‘Leave Them All Behind.’ Jesus and Mary Chain -‘Reverence.’ Primal Scream -‘Movin’ On Up.’ The Cure -‘Friday I’m In Love.’ The Orb -‘Blue Room.’ Faith No More -‘Midlife Crisis. En Vogue -‘My Lovin.’ Boo Radleys -‘Lazarus.’ (Actually, there were good tracks it just felt horrible…)

Getting ready for Paul Haig day on the blogs

paul-haig

I have maintained many times before that for most people the internet is how people find out about bands and that just because people might download a track for free it doesn not mean they won’t support the artist.

Now there have been some people who have been idiotic about this but fortunately most people see sense. However, my friend JC who writes one of my favourite blogs, The Vinyl Villain, got targeted by an ISP even though Paul Haig and his manager were happy for JC to host the track.

So Monday April 6 is Paul Haig day across the blogs.

PRESS RELEASE:

Basic premise: Blogs being targetted randomly by ISP’s to take down music where artists are happy about receiving the extra coverage. Paul Haig gave a free track ‘Reason’ to the vinyl villain to give away in support of the bloggers network and to test his theory abut random notices being served.

In thanks the bloggers have agreed to make April 6 Paul Haig Day. As many bloggers will make ‘Reason’ available on their blogs as possible.

Blogs are essential promo tools for all artists as music comes recommended.

Most artists express the view that as many people should be able to hear their music as possible by whatever means. The fan will then go to a concert or buy back catalogue get the vinyl or even the new cd. The Internet is just like radio was 20 years ago…kind of!

If you have a great track the best method of getting it heard is over the net – where word is spread by the real music fans – Hearing new music is based on recommendation not by mass advertising budgets….unless you are U2, blogs or free music on the net is got to be the future…

Evan Label Manager ROLinc

JC (who is a personal friend) writes:

“If you go stumbling around music blogs on the Internet on Monday 6th April, there’s a reasonable chance you’ll find someone saying good things about Paul Haig, arguably the greatest pop star to ever have come out of Edinburgh.

So far, some 25 bloggers have decided that next Monday should be designated ‘Paul Haig Day’ and will be featuring posts about the musician whose career goes back almost 30 years to the days when Postcard Records were The Sound of Young Scotland.

This sudden upsurge of interest in the former Josef K lead singer is no accident, and is the result of a number of music fans, not all of whom know much about Paul Haig, wanting to thank him for taking a stand and encouraging bloggers to keep on doing what they do.

Bloggers have come under increasing attack in recent times, thanks to many in the music industry using the draconian measures of the Digital Millenium Copyright Act (DMCA), an American piece of legislation signed by President Clinton in 1998 which insists that Internet Service Providers (ISPs) must remove material that appears to constitute copyright infringment.

So, if a music industry lawyer discovers a blogger has posted an mp3 of a song without permission, they can contact the ISP, claim they represent the individual or organisation with the copyright and demand the offending material be removed. Fair enough you might say…

But, the law is such that anyone can use DMCA to demand a takedown without having to prove that they have ownership of the copyright, and the ISP have no option but to comply – it has even been proven that where musicians have expressly given support for their song to be highlighted on a blog, an anoymous DMCA request has seen the mp3 removed.

Such was the case last month when ‘The Vinyl Villain’ blog, one that has been running since September 2006 and almost exclusively looks back to music of the 80s and 90s, featured ‘Blue For You’, one of the early solo singles by Paul Haig. The blogger had been in touch with the singer who didn’t object at all to featuring the song and was given a few words by Paul Haig to add to the story behind its recording in Edinburgh back in 1982.

Within 4

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8 hours of publication, the piece was removed by the ISP, although no-one associated with the copyright had made such a request.

In response, Paul Haig immediately decided to make his 2007 single ‘Reason’ available through ‘The Vinyl Villain’ blog on the basis that music fans who downloaded the song and decided that they liked it were more than likely to subsequently purchase a copy. So far, after just more than a week, no-one has asked the ISP to remove the mp3….

JC is the blogger who runs ‘The Vinyl Villain’, and he said:-

“I was shocked when the DMCA was served on ‘Blue For You’ and I did think about closing down ‘The Vinyl Villain’ altogether wondering if the hours spent working on it were worth it. But the quick respons

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e from Paul and his mangement and the offer of a further song made me realise that there are some musicians out there who value what I and many thousands of others do every day. Blogging isn’t about piracy or making music available for free – it’s more to do with writing about singers and band

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s we love in the hope that more people will become fans.

I get about 700 hits a day on the blog from all over the world, and quite a number of readers got in touch to say how much they appreciated the support given by Paul to The Vinyl Villain, and the idea of Paul Haig Day emerged from that. So, on 6th April, I’ll be putting up another posting about Paul Haig on the blog, and there’s at least another 25 or so fellow blogg

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ers going to do the same.

The thing I find most pleasing about it is that up until all this dmca nonsense, some of the bloggers knew next to nothing about Paul Haig and don’t have any of his records in their collections, but they’re still going to put some words together and post an mp3 on their blog. It’ll be interesting to see if any of us are served dmca notices.”

Bloggers in Australia, Canada, Germany and America, as well as from across the UK have agreed to take part in Paul Haig Day.

Details can be found at www.thevinylvillain.blogspot.com

ENDS

So let’s give as much support as we can. Because anyone who can hide behind the anonymity of a lawsuit is somebody that is motivated by malice, and the world doesn’t need people like that. As someone who runs a small record company I am flattered when people write about my artists. The DMCA takedown notices are misguided at best, downright sinister at worse. Anyone who seriously believes that mp3 blogs are damaging artists’ livelihoods needs their heads examining. Because they didn’t, they don’t and they won’t. FACT. What is far more damaging is a music industry overrun by lawyers and other shady folks who have no interest in the music or the artist but purely exploiting others to get rich. The internet is socialism in action, and long may it continue.

I think it’s time for a new copyright act to be put in place. Because chasing after bloggers is quite obscene and ridiculous. As mad as if radio pluggers were ordered not to support a band, press officers telling people not to write about them, and people threatened for listening to them.

FIGHT THE POWER!

and support JC, obviously…

Here’s a Josef K classic from 1981:

Josef K -‘Endless Soul.’ mp3