‘Scuse me pal, can ye spare some change?

I’ve written about my sheer admiration of the wonderful Richard Thompson before. Today’s post is only partly about him, but mainly a reflection of worry about a worsening of the economy, and how it affects so many people. For some, it’s a worry about how to pay the mortgage. For some, a worry about how to survive into next week. And still some people think politics is nothing to do with them.

Richard Thompson’s song ‘Last Shift’ is reflection on the closure of the Grimethorpe colliery in 1993. The number of mines in the UK has fallen drastically over the last twenty five years, as Conservative governments shafted the working people. Some folks’ somewhat disturbing attitude is that if it’s not making a profit, we close it down, and sod the infrastructure, the successive generations of unemployment. It would have been nice if when quoting the prayer (not St. Francis of Assisi, though it was attributed to him) on Downing St in 1979 if God had struck Margaret Thatcher down. Failing that, Norman Tebbit for his ‘My Father did not riot. My father gor on his bike and looked for work.’

It impacts in so many ways. I’ve torn strips off kids for making anti-Polish remarks as they are currently the whiping boys of society for unemployment. There’s a Citizenship day coming up at school, probably time for me to explain how casual racism leads to global disaster.

That Richard Thompson song, anyway, before I get this blog withdrawn for being too political.

‘ Stow your gear and charge your lamp
Say goodbye to dark and damp
DSS will pay your stamp
Last shift, close her down

Leave your manhood, leave your pride
Back there on the mucky side
Take the cage for one more ride
Last shift, close her down

Put the business in the black
And they’ve stabbed us in the back
With old school ties and little white lies
They left our town for scrap

Golden handshake, sling our hooks
Now we’re nursemaids, now we’re cooks
Now our kids steal pension books
Last shift, close her down

Now the scrapper boys infest
And the wrecking balls caress
Like vermin round a burial ground
They catch the smell of death

Old Grimey’s lost its soul
Fifty million tons of coal
And we’re beggars on the dole
Last shift, close her down
Last shift, close her down’

Richard Thompson & Danny Thompson -‘Last Shift.’ mp3

It got me thinking about this song, by The Men they Couldn’t Hang.

Oh this is an old story that’s rarely ever told
the raping of the country, of the valley
the men who came to reap with a musket and a bible
they wanted to take the valley
the valley! the valley!
they wanted to take the valley
and oh the ironmasters, they always get their way

and so far a pittance all the people worked the land
all the men and the women and the children
and on sundays it was down to the chapel in the town
the preacher said give generously!
give generously! give generously!
the people they gave generously
and oh the ironmasters, they always get their way

the union met in secret on the dark side of the hill
by the light of a thousand candles
their pay had been cut, all the people come on out
and by scores they were joining Rebecca
Rebecca! Rebecca!
the people were joining Rebecca
and oh the ironmasters, they always get their way

ironmaster, call the army
call the hungry from the irish sea
ironmaster, call the parliament
it’s no sin to fight to be free!

from the smokey stacks of merthyr
to the hills of Ebbw vale
from Swansea docks to Merseyside and Liverpool
with the union leaders crushed
and the union quickly smashed
they blackend the face of the country
the country! the country!
they blackend the face of the country
and oh the ironmasters, they always get their way

now on a hill in Brecon is Crawshay’s ruined house
and it blackens out the green of the valley
and on the battered grave is the epitaph they gave
it stands there, god forgive him!
forgive him! forgive him!
and all who rot in hell with him
and oh the ironmasters, they always get their way

ironmaster, call the army
call the hungry from the irish sea
ironmaster, call the parliament
it’s no sin to fight to be free!

and oh the ironmasters, they always get their way
and oh the ironmasters, they still get their way!

The Men They Couldn’t Hang -‘Ironmasters.’ mp3

Hallelujah!

Have tomorrow and Monday off, as one of Scotland’s strange but welcome middle-of-nowhere holidays.

So, I’m tired but happy and feel like celebrating. Play air guitar and dance around like a mad thing.

And whatever the mythical Chinese Democracy album might sound like, I still love this track.

Guns ‘n’ Roses -‘Sweet Child O’Mine.’ mp3

Motorcycle Boy – repost

I have received a couple of very polite requests in my inbox about posting Motorcycle Boy, so here is the first EP, Big Rock Candy Mountain:

Motorcycle Boy -‘Big Rock Candy Mountain (Velocity Dance Mix).’ mp3

Motorcycle Boy -‘Room At the Top.’ mp3

Motorcycle Boy -‘His Latest Flame.’ mp3

Motorcycle Boy -‘Big Rock Candy Mountain (7″ mix).’ mp3

Thanks to Tom for supplying these mp3s in the first place.

Is the world going to end, then, Sir?

One of the things about teaching is that you are simultaneously supposed to know everything, and suspected of knowing nothing. You are also expected to be morally perfect…and tolerant of the students clearly not being.

When you teach what is this week dubbed ‘Religious Moral and Philosophical Studies’ (and believe me, I come from the philosophy spectrum), you are also expected to know about what God thinks.

Now that the world is apparently going to end tomorrow, I thought this cheery number from 1982, by a band called Defuser, might be appropriate.

Defuser -‘World Suicide.’ mp3

Do I think the world’s going to end tomorrow? Well, if it doesn’t, and your homework’s not in Thursday morning, then it might…

Was this the funkiest ‘Goth’ track ever?

Part of my ‘alternative awakening’ at the age of fourteen was Bauhaus’ second album, Mask.

I was getting into ‘indie’ music, and the name and the image kind of intrigued me, so I bought the cassette. For many years, it was the album’s opening track ‘Hair Of the Dog’ with its’ lyrics that evoked a wander around an asylum, but a few years ago, this came on whilst waiting for Black Rebel Motorcycle Club, this came on. It fitted perfectly with the then prevailing new wave of post-punk, and sounded remarkably fresh.

And the cover art on the 12″ single looked cool as anything.

Bauhaus -‘Kick In the Eye(2).’ mp3

Gig review: Glasvegas


Glasvegas, Edinburgh Liquid Rooms, September 7 2008

…and still they rise. With just a matter of hours to go before their debut LP is released, Glasvegas headline Edinburgh’s Liquid Rooms. Their current UK tour has completely sold out, this date sold out within 24 hours, and tickets are changing hands for £50 on ebay. Right the way up the street, the touts are begging to buy tickets (about time they were clamped down on, once and for all).

So, can Glasvegas cut it live? You betcha. The sense of expectation once inside the Liquid Rooms is intense. Making our way up to the balcony, Mrs. 17 Seconds and I and our friends can barely see the stage, but we’re swept away by the atmosphere. With chants of ‘There’s only one James Allan’ and ‘Here we, Here We, Here We f****g go’ the sense of expectation is immense.

And from the minute they wallk on stage, until they walk off, Glasvegas deliver. And how. They come on stage, tear straight into ‘Flowers and Football Tops’ and it’s brilliant. They don’t pause for breath for the next forty minutes as they play songs from their self-titles debut. ‘Lonesome Swan,’ ‘It’s My Own Cheating Heart That Makes Me Cry,’ ‘S.A.D. Light,’ Polmont On My Mind,’ ‘Geraldine’ all go by in almost a blur. The band acknowledge the audience, but don’t milk it, preferring instead to make the music speak for itself. ‘Go Square Go’ gets a rapturous response. ‘Ice Cream Van’ reminds us of how sad and epic they can be. Finally they finish with ‘Daddy’s Gone’ the song that’s gone from a limited 7″ to a major anthem in the space of less than a year.

No longer the next big thing, Glasvegas are the sound of now. We walk out, on a wave of good feeling that lasts right into the next day. This is a band who matter.

[Thanks is due to James Allan, who when I interviewed him said they’d stick me on the guest list next time, and his sister/manager Denise who did. And not least to Ken for getting Mrs. 17 Seconds in as a +1).

Glasvegas’ debut LP Glasvegas is out now.

Glasvegas’ mySpace

Happy birthday brother Seconds!

This post is to wish my little brother a happy birthday for September 8th.

Enjoy, our kid, here is some class, weird and wondeful electronic music…

BBC Radiophonic Workshop -‘Doctor Who (Original Theme).’ mp3

Human League -‘Being Boiled.’ mp3

The Normal -‘Warm Leatherette.’ mp3

Happy Birthday from a wet and cold scotland where Autumn is here. Hope it’s better with you…

Album Review: Underground Railroad

Underground Railroad -‘Sticks and Stones’ (One Little Indian)

This is an album that grows on repeated plays, gradually working it’s charm on you, pulling you in with it. Underground Railroad take a template that owes a lot to Evol-era Sonic Youth, later-period Pavement (Corners/Twilight) and dofs its’ cap to Madonna-era …And You Will Know Us By the Trail Of The Dead.

Perhaps I should’t be surprised that it was recorded in Seattle. But don’t let the influences allow you to assume that it’s derivative, because they have their own spin on it, which should be heard. Highlights include the title track and 25.

On a couple of occasions, there are some tracks which grate on repeated playing ‘NYC (Money Money Money) and ‘One More Hit’ but for people who enjoy their guitar music epic, noisy and in song-form this is a worthwhile investigation.

***1/2

Underground Railroad -‘New Variety.’ mp3

Underground Railroad’s mySpace

Can anyone out there help?!

Received an email from a regular reder today who asked me: ” Do you know anything about The Royal We/1990’s split single Sorry For Laughing/Poor Old Soul?”

Now, unfortunately I don;t but can anyone out there help? If it is not an urban myth then it’s not on emusic or itunes. If anyone can help, please get in touch…

Anyway, it gives me the opportunity to post a track a piece by these bands.

1990s -‘You Made Me Like It.’ mp3

The Royal We -‘Three is A Crowd.’ mp3

Album Review: Glasvegas

Glasvegas -‘Glasvegas.’ (Columbia/Sony)

…And so here it comes. Possibly the most anticipated debut of the year, and one of the most anticipated debuts from Scotland ever. Unknown and unsigned a year ago, the fever of anticipation surrounding Glasvegas is such that you can already sense some people sharpening the knives, ready to cut them down to size. Sometimes I feel there’s a sense of ‘indie snob’ mentality ingrained not just on the scottish psyche but Britain as a whole.

Which is a damn shame, frankly. Because, forget that they’re getting so much civerage, Glasvegas deserve it, frankly. Over the course of 10 songs in forty-one minutes, this is a debut that sets out its’ stall and lives up to the promise like we needed it to. Right from the gorgeously long intro of ‘Flowers & Football Tops’ (re-recorded from its’ place as the b-side to the original version of ‘Daddy’s Gone’) to the final notes of Ice Cream Van, this is a brilliant album from start to finish.

Comparisons have been made with the Jesus and Mary Chain, Phil Spector and sixties girl bands, but Glasvegas are ploughing their own furrow (one which will hopefully not be filled with A&R men looking for copyists). There’s a desperate sadness and yet uplifting euphoria often at the same time. Perhaps Glasvegas have mastered the art of taking songs that can be as sad, lonely and angry as Elvis Costello’s ‘I Want You’ with the euphoria of the singalong songs from Oasis’ first two LPs at the same time.

‘Daddy’s Gone’ will almost certainly inspire-mass singalongs at festivals, and if this doesn’t move you, God help you. The angry retort of a boy whose Father has left the family can bring a lump to my throat, no matter how many times I’ve heard it. (Excuse me, just something in my eye. *Cough*). ‘Stabbed’ on the other hand is a short and ultra-bleak almost-meditation that takes Beethoven’s Moonlight Sonata as the musical background for its’ tale. And best of all, it’s one of those albums that you have to play again the minute it stops; this is starting to cause discussions in 17 Seconds Towers already.

Do yourselves a favour: I’ve been bigging up this band, and so have many others, for months. Know what? They deserve every bit of praise that comes their way.

Don’t copy this, go and buy it.

****1/2

Glasvegas’ website/Glasvegas’ mySpace