Kate Bush -’50 Words For Snow’ (Fish People)

It was such a long wait between The Red Shoes and Aerial – twelve years – that I cannot have been the only Kate Bush fan who wasn’t quite able to believe it when it was announced that there would be a new album six months after the release
of The Director’s Cut. But here it is.

In the Northern Hemisphere at least, snow is often used interchangeably with Christmas. This is not a Christmas album -though if Lionheart was like Spring, The Dreaming like a particularly barmy summer, The Sensual World an A

utumn album, then this is a wintry album. She may have done a Chr

istmas-type number over thirty years ago –‘December Will be Magic Again’ but this is nothing remotely like it.

La Bush has always known how to use the studio to her

advantage. This is perhaps the most minimal-sounding -and I mean that as a compliment -album of her career. There’s always been a pastoral quality to her work, but think closer to later Talk Talk or David Sylvian here. Her choice of collaborators is perhaps likely to raise some eyebrows -her son Bertie, Elton John and Stephen Fry -until you hear the album. Bertie has a haunting treble voice and takes the l

ead on the opening track ‘Snowflakes.’ Stephen Fry thought-showers (we aren’t mean to say brain storm any more, do keep up!) different words for snow on the title track whilst she eggs him on: ‘Come on you’ve only got forty-four to go!’

On the second half of The Hounds Of Love album, the second part entitled The Ninth Wave was a concept album at a time when the music business, still reeling from punk considered such things with horror. This is another concept album, unconventional yet somehow heading for the masses in a way that only she can. There has been much amazing music released this year, and Kate Bush shows herself to still be on her own terms and still utterly captivating and different into her fourth decade. This is a truly phenomenal special album, up there with her best work, and mesmerizing.

*****

50 Words For Snow is released on Fish People on November 21.

Stream

the album here

So, you wait years

for a Kate Bush album, and then two arrive in the space of a year? It’s like 1978 all over a

gain!*

November 21 will see a new Kate Bush album, entitl

ed 50 Words For Snow. Her first studio album since 2005’s Aerial (The Director’s Cut released this year was

comprised of previously released material yet in a radically altered way so it pretty much was a new album in it

‘s own right).

According to her website

the album is 65 minutes long and seven songs ‘set aga

inst the backdrop of falling snow’:

Snowflake
Lake Tahoe
Misty
Wild Man
Snowed In At Wheeler Street
50 Words For Snow
Among Angels

In terms of special guests who appear on the album, Andy Fairweather Low appears on ‘Wild Ma

n’, Elton John appears on

‘Snowed In At Wheeler Street,’ and Stephen Fry appears on the song ’50 Words For Snow.’

‘Wild Man’ has been released as a single

– the version below is the radio

edit; however the single also includes the full seven min

ute long version.

*Yes, because she released both The Kick Inside and Lionheart that year. QED…

Kate Bush -‘The Director’s Cut’ (Fish People)

The notion of the ‘Director’s Cut’ is usually associated with film. But Kate Bush is a visionary artist, and in her case, it is sound rather than vision which she has sought to re-do. Having made just eight studio albums in a career that now stretches over thirty years, her quality control has always been pretty high. By and large, 1985’s The Hounds Of Love is reckoned to be her crowning achievement so far, though I’ve long held earlier albums like Lionheart and Never For Ever in high regard, too.The two albums which provide the source material for this album, 1

989’s The Sensual World and The Red Shoes from 1993 are certainly not weak albums. But she has elected to re-work songs from both albums.

In the case of ‘The Sensual World’ (the song), it is about following her original intention. This had been to use Molly Bloom’s Soliloquy from Joyce’s Ulysses, but the Joyce estate had not granted her permission. This has now been granted, the song is re-presented here with changed lyrics and re-titled ‘Song Of the Mountain.’ It’s rather lovely.

It doesn’t always work as well as it should. The vocoder effect on ‘A Deeper Understanding’ detracts from what is otherwise an excellent and effective re-working; several listens in, I’m still not sure this was the right thing to do (the video is awesome, mind). As for the re-working of ‘This Woman’s Work’ it’s not quite as affecting as the o

riginal.

Bush has always been a master of the recording studio, and the album sounds fantastic. Thus the re-working of ‘The Red Shoes’ with didgeridoo gives it the feel of a workout in the Australain outback. ‘Rubberband Girl’, meanwhile, sees our heroine imagine what it would have been like to front the Rolling Stones circa Sticky Fingers. ‘Lily’ and ‘Song Of Solomon’ come alive for me far more than they did on the original version of The Red Shoes.

Doubtless discussions will run and run about which versions are better and which are worse than the originals (hell, there’s probably people still debating the (de)merits of the new vocal of ‘Wuthering Heights’ that appeared on The Whole Story). It is clear that, given the input and approach, this is certainly not just a cash-in exercise. Rumours are circulating of another studio album, and her first tour since 1979. Given how long it can be between albums for her, in the politest way possible, I’m not holding my breath.

But it is wonderful to have Kate Bush in any way, shape or form. They truly broke the mould after her.

****

The Director’s Cut is out now on Fish People.

Over breakfast this morning, with Mrs. 17 Seconds, brother 17 Seconds and sister-in-law 17 Seconds, sister-in-law 17 Seconds confessed to liking what little she had heard of Kate Bush -including ‘Wuthering Heights’ but not knowing much of her stuff.

Personally speaking, I’ve been smitten with the music of Kate Bush since I was eleven, and the Chart Show showed the videos of ‘Babooshka’ ‘Running Up That Hill’ and ‘The Big Sky.’ Ther

e are -apparently -some people out there who don’t rate her, but they’re probably Tory voters who drink Stella at Wetherspoons pubs, and they’re idiots anyway.

I don’t need much to persuade me to post about Kate Bush, so here are some of her frankly awesome videos and some cover versions of her songs. Mrs. 17 Seconds and I bonded over he

r when we first met, all those years ago…

First up, ‘Cloudbusting’ from 1985’s The Hounds Of Love.

This Donald Sutherland-starring video has to be my favourite video o

f all time. Honest to blog.

This duet with Peter Gabriel from 1986 (she’d already contributed backing vox to his song ‘Games Without Frontiers’) is simple and yet very effective:

This song ‘Hammer Horror’ was a single in 1978, the first to be taken from the Lionheart album. It’s still one of my all-time favourite songs, period.

And some awesome cover versions, too…
Swimmer One -‘Cloudbusting.’ mp3

China Drum -‘Wuthering Heights.’ mp3

Futureheads -‘The Hounds Of Love.’ mp3

Placebo -‘Running Up That Hill.’ mp3

Kate Bush -‘Never For Ever’ (EMI, 1980)

I’ve written before on this blog about my love for Kate Bush. Certainly, when I decided I was going to do this series (so much for my finishing with my favourite on my birthday; we’ve gone past that but I’m still 33, so I guess it’s not too late), I knew she’d feature. Question was: which album? My favourite Kate Bush album has changed over time, which might say as much about the quality of her music as my indecisiveness. She’s been one of my favourite singers since I was eleven – and when Mrs. 17 Seconds and I started dating nearly five years ago, she and Mylo were pretty much part of the soundtrack.

But ultimately, I’ve plumped for this album. Never For Ever was Kate Bush’s third album, released in 1980, and included three hits ‘Babooshka’ ‘Breathing’ and ‘Army Dreamers.’ It was her first album to reach no.1 in the UK and came not long after her one and only tour. I first heard Kate Bush when she dueted with Peter Gabriel on ‘Don’t Give Up’ in 1986; and then a couple of years later came one of those moments. The Chart Show was music show that ran on ITV for about a decade and one of the features was to play three videos by one artist. So one day in mid-1988, Kate Bush’s turn came to be and they played ‘Babooshka’ (the one with the double bass), ‘Running Up That Hill’ and ‘The Big Sky.’ A few months later I borrowed The Whole Story from the video shop, and then a year or so later, offered an album by my dad, I chose this.

It wasn’t off my walkman much. I loved the songs -even the weird a capella ‘Night Scented Stock’ and the imagery that went along with the songs. The haunting ‘Egypt’ with its’ african meets arabian b

acking, The demented ‘Violin’ with some of the most amazing vocal pyrotechnics committed

to tape. As with much stuff, some of it went over my head – I didn’t know that ‘Infant Kiss’ wasn’t about loving a baby as the story of the governess in The Innocents (the filmed version of The Turn Of The Screw) from her perspective. the fact that i saw that film eighteen months later – and was scared witless – was unconnected.

I was also becoming aware, as a boy on the cusp of adolescence, about my feelings about the world. I wasn’t vegetarian yet, but I was starting to feel uncomfortable about things like Nuclear Weapons and Nuclear Power. It’s possible that my love of ‘Army Dreamers’ and the astonishing ‘Breathing’ fed into this. My school friends sniggered about the ‘in…out…in…out’ chorus of ‘Breathing,’ just as the words about ‘cutting lines’ on The Hounds Of Love’s ‘Under Ice’ were taken at face value.

Kate Bush herself has been dismissive of some of her early albums, including this and its’ predecessor Lionheart, which I fell for in a big way at the age of sixteen. Given the topics that she writes about, it would be erronoeus and possibly patronising to say that these albums have a naive or innocent charm, but there is a genuine sweetness or sense of wonder therein.

Sure, there have been copyists, but Bush is a true original. And this is the album where her story began for me.

Kate Bush -‘Infant Kiss.’ mp3

Kate Bush -‘Breathing.’ mp3