The return of PJ Harvey

pj-harvey-2010

2010 isn’t even over, I haven’t really got to grips with my end of year lists, but I’m already looking forward to what 2011 will bring musically.

And one of those things is the eighth studio album from PJ Harvey.*

It’s entitled Let England Shake and wil

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l be released on February 14 on Island. It’s been produced by PJ with Mick Harvey, Flood and John Parish. There’s been a handful of dates been released -and a return to the festival stage is also mooted.

If you have

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n’t seen her live before – i know I posted this clip last year, but it was a fantastic performance to witness (I was there! Still so proud…):

More details as and when I have it but here’s something from the 1993 session she did for John Peel:

PJ Harvey -‘Naked Cousin (Peel session).’ mp3

*the PR folk are obviously not including the two collaborations with John Parrish, 4 track demos or the Peel Sessions LP. That’s fair enough, I guess.

Album Review -‘Cold in Berlin.’

Cold In Berlin -‘Give me Walls.’ (2076)

This CD turned up with a pretty small press release. Not a big loss (particularly when so many of them are worth nothing more than a snide laugh before hitting the recycling bin). It meant that i listened with

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out prejudice and at face value -and my jaw hit the floor pretty quickly.

In the course of 32 minutes and ten tracks, Cold In berlin reveal themselves to be a kick ass rock’n’ roll band. I have no idea what this band are like live (yet) but this album is little short of incendiary. Forget all the usual cliches that seem to apply to female fronted bands (at best due to awe that stops people thinking straight; at worst down to hideous misogyny)…quite frankly, it doesn’t matter who the singer sounds like.

What you need to know is that this is a powerful album that takes no prisoners right from the opening ‘God I Love You.’ My new heroine kicks off the album spittin

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g ‘I had a girl and she

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was perfect/so I decided I’d fuck her. And even though she had a boyfriend/oh god I knew I had to have her.’ the swearing will doubtless offend some, but the ‘fuck you’ attitude of the whole band that runs right through the album, particularly on tracks like ‘White Horse’ and ‘Break My Bones’ will prove irresistibile to many.

This is punk as it ought to be, fresh as anything and totally INYOURFACE. I may be too old to need a soundtrack to youthful rebellion but I will know I have truly hit my midlife crisis when I no longer want to listent to m

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usic as exciting and frankly, sexy, as this is.

I’ve long held that a debut single should sound li

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ke a manifesto, a call to arms. This debutu album has the power to spark a revolution.

****1/2

Give Me Walls

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is released by 2076 thorugh Cargo on November 29.

No mp3s cleared to post at present, alas, but here’s three videos that will give you a taste…

Cold in Berlin – ‘Total Fear’

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Cold In berlin -‘White Horse’

Cold

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In berlin -‘If You Take Me Apart.’

The Sandy Denny boxset

sandydennybox3d

Tomorrow will see one of the few box sets to rival Orange Juice’s Coals To Newcastle – Sandy Denny’s Sandy Denny.

Viewed as an inspiration by artists as diverse as Marc Almond and Thurston Moore, she was probably the most important British female singer in the British

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folk scene. Her awesome song ‘Who Knows Where the Times Goes’ was astonishingly, one of the earliest songs she ever wrote. If it (rightly) amazes you that Kate Bush wrote ‘the Man With the Child In his Eyes’ at the age of twelve, then marvel at the fact that this song could be written by someone younger then fifty. If this song does not move you, you are without a soul. As with many artists who died young, it is, as ever, pointless wondering if this was a premonition of her own untimely death, of a brain haemorrhage, in 1978. She was aged just 31.

19 CDs in total (yes you DID read that right, 19!) this boxset contains all the studio stuff that she did over her eleven year career, with the Strawbs, solo, with Fotheringay and of course, with Fairport Convention on three of the greatest albums ever – What We Did On Our Holidays, Unhalfbricking and, of course, Liege and Lief.

According to the record company: “This superb limited edition box set includes 19 CDs, 11 of which feature Sandy’s complete studio recordings with Alex Campbell, Johnny Silvo, Fotheringay, Strawbs, Fairport Convention and solo with additional content – outtakes, demos and live recordings. There are 8 CDs of bonus material – unreleased songs, demos, unreleased BBC recordings, alternate takes, live recordings, acoustic versions, and rare radio interviews. This set includes the legendarily ‘long lost’ Lord Bateman.

Lavishly packed, this unique collection features all new artwork. It comes with a 72 page 11″ square hardback book containing over 100 rare and mostly unseen photographs, Sandy’s handwritten lyrics (many of which are unrecorded songs) and fascinating memorabilia. Each CD is housed in an individual gatefold digipack sleeve. The box also contains reproductions of a beautiful original Island press pack, an exceptionally rare A3 promo colour poster for Northstar Grassman And The Ravens, a set of Postcards, the receipt for the purchase of her first piano and one of Sandy’s handwritten notebooks.”

Granted, at a limited edition of 1,000 and a RRP of about £150 you’ll have to be pretty into Sandy Denny (and pretty well-off) but that shouldn’t take away from how well this has been put together, musically. I was sent a digital download of all 19 CDs. You can read the tracklisting here. It doesn’t contain ‘The Battle Of Evermore’, which she deutted on with Led Zeppelin; as for the last 39 years, you can find this on Led Zeppelin IV.

This song was ranked No.1 in Radio 2’s list of the all-time greatest folk songs. No wonder…

Fairport Convention -‘Who Knows Where the Time Goes?’

This song is also known as ‘Little Musgrave’ and has been recorded by James Yorkston, amongst many others.

Fairport convention -‘Matty groves’

If you can’t afford it (though it may be worth asking your library to buy it), then do yourself a favour and get at least Fairport Convention’s Liege and Lief, Unhalfbricking, and What We Did On Our Holidays; Fotheringay’s Fotheringay and her ow

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n North Star Grassman and the Ravens.

Where’s our ‘Ghost Town’?

the-specials-ghost-town

So there we were, a week or so ago, out on a Sat

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urday night for a curry, Me and Mrs. 17 Seconds, and quite a few friends, including members of Abe

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rfeldy and the Last Battle.

At one point during the meal – in relation to discussions about the Tory HQ in London being stormed at tuition fees, someone said ‘Where’s our Ghost Town?’

To which someone else replied ‘Give the bands a chance [the Colation]’s only been in for a few months!

I think if you’ve read this blog before, you probably know how I feel about the present government. It’s not to say that having a right-wing government in power automatically leads to a counter-culture of music, books and film, and as Mike Leigh pointed out on TV one night, not something that should be taken as being a good thing either.

But just watching this video nearly

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thirty years after the song came out…it’s never been more timely, sadly:

The Specials -‘Ghost Town.’ mp3

This was the Specials’ last single before they split; though the Special AKA worked with Rhoda Dakar to produce a record that remains truly frightening, about date rape, entitled ‘The Boiler’ and then to score a major hit with ‘Free Nelson Mandela.’ Two very dif

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ferent and awesome tracks.

Rhoda with the Special AKA -‘The Boiler.’ mp3 (*WARNING* – this track will freak you out. You have been warned)

The Special AKA -‘Free Nelson Mandela.’

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mp3

Of course, there were other British folks* writing political music in the eighties, writing about

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what was happening in Britain and further afield. Elvis Costello wrote ‘Shipbuilding’

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about the Falklands War, which was also performed by Robert Wyatt; and also two other classics in ‘Pills and Soap’ and ‘Tramp the Dirt Down.’ Morrissey’s solo debut Viva Hate finished with ‘Margaret On the Guillotine.’ The Jam did ‘Walls Come Tumbling Down…’ and then there was pretty much the whole career of Billy Bragg, New Model Army…yet the last twenty years have seen little to compare with these. Sure there have been a few songs; Apache Indian’s ‘Movin’ On (Special)’ about the election of the first BNP councillor in 1993; early stuff from the Levellers (Check out ‘Battle

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Of the beanfield’ and Gene’s 1999 single ‘As Good As It Gets’ about New Labour.

Of course, songs do need to be good and get out there. ‘Ghost Town’ was a number one. Billy Bragg’s ‘Take Down The Union Jack’ may have had admirable sentiments but the song was piss-poor, frankly.

What we need is a song that is a HIT that unites the people. Ain’t there one damn song that can make me break down and cry?

Elvis Costello -‘Shipbuilding.’ mp3

Robert Wyatt -‘Shipbuilding.’ mp3

Gene -‘As Good As It Gets.’ mp3

Billy Bragg -‘Waiting For The Great Leap Forwards.’ mp3

* I’m not meaning to undermine how important Hip-Ho

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p was here – Public Enemy alone deserve several posts devoted to them.

Another LEGEND returns in time for Christmas

viv_albertine_main

Well, it’s getting to that time

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again: I am starting to get to work on my end of year lists for the annual Secenteen Seconds Festive Fifty and the Top 75 albums list, which should appear here soon. Any suggestiosn for anything you thi

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nk I should make sure I hear before the end of the year gratefully received.

I will also be doing my annual posting of Christmas related songs. Having posted Poly Styrene’s awesome ‘Blac

k Christmas’ last week, this track is from the Slits’ Viv Albertine, who I had the pleasure of interviewing earlier this year.

Following on from last April’s Flesh EP, Viv Albertine will be releasing this as a download-only Christmas track, entitled ‘Home Sweet Home (…at Christmas).’

…and sorry it’s been so quiet around here the last few days. Feeling a bit grotty…

Update:

An mp3 cleared to post ar

rived in another email:

Viv Albertine -‘Home Sweet Hom

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e (…At

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Christmas).’ mp3

Not only that but Viv will be releasing her own solo album next year. AND Early 2011 will see Viv releasing the last ever original Slits song never previously released; ‘Shoulda Coulda Woulda’. Recorded in Compton LA in 1980, remixed by Dennis Bovell, who produced Cut and mixed ‘Home Sweet Home.’

Ringo Death Starr: the build-up continues…

ringo-deathstarr-2010

Having supported Ringo Death Starr on these pages since 2007, it’s great to be able to reveal the tracklisting of their debut album, Colour Trip, out on February:

1. Imagine Hearts

2. Do It Every Time

3. So Hi

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gh

4. Two Girls

5. Kaleidoscope

6. Day Dreamy

7. Tambourine Girl

8. Chloe

9. Never Drive

10. You Don’t Listen

11. Other Things

This is the video for the forthcoming single ‘So High’ which will preceede the album’s release on January 31:

Before Christmas, the band will be playing the UK, supporting the Wedding Present, including at both Edinburgh and Aberde

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en…

An excellent Robert Smith-related track

Robert Smith - the cure

Even four years into doing the blog (and the attendant label and occasional radio show), i am still asked where the name 17 Seconds came from.

And then as now, I explain, quite simply that it’s The Cure’s second album. They definitely remain my favourite band of all time – and next year will mark twenty years since they became a massive part of my life. I suppose I could have picked another Cure album to name the website after – but given that these include Faith, Pornography and Wish…well, you don’t want someone to have to google those.

This track came to my attention last week, featuring The Cure’s Robert Smith. It’s taken from the Crystal castle’s sophomore effort; and while I’ve not ben terribly taken with what I have heard of theirs in the past, Mr. Smith’s vocals definitely work very well here.

Crystal Castles featuring Robert Smith -‘Not In Love.’ mp3

…and you know, Mr. Smith, a tour north of the border and another album wouldn’t go amiss, either…

Live on Fresh Air!

st-thomas

tune in here for my show on Fresh Air…

1. Sexual Objects ‘Full Penetration.’
2. Album of the month : Scottish Enlightenment St. Thomas. Scottish Enlightenment ‘Earth Angel -with sticks in Crypt.’
3. Gone but

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not f

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orgotten: The Primitives ‘Crash.’
4. Randan Discotheque ‘Heather the weather.’

5. The Last Battle ‘Nature’s Glorious Rage.’
6. Cover version of the week the Slits ‘I Heard It through The Grapevine.’
7. Sugar Minott ‘Good Thing Going.’
8. Esben and the Witch ‘Marching Song.’
9. Fairport Convention ‘Who Knows Where The Time Goes?’
10. Roky Erickson ‘Devotional Number One.’
11. eagleowl ‘No Con

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junction.’
12. Gregory Isaacs ‘ Night Nurse.’
13. Savings and Loan ‘Pale Water.’
14. Mitchell Museum ‘Tiger Hea

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rtbeat.’
15. Yusuf Azak ‘Eastern Sun.’
16. Come o

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n Gang

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! ‘Fortune Favours The Brave.’
17. Le Reno Amps ‘Never Be Alone.’
18. The Last Battle ‘Ruins.’

Album review – The Scottish Enlightenment

st-thomas

The Scottish Enlightenment – ‘St. Thomas.’ (Armellodie)

Like the Guinness advertisements have long held, the best things come to those who wait.

In early 2007, The Scottish Enlightenment stunne

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d with their debut EP, Eyes. It got a lot of good coverage, but the band seemed to disappear for a while. And then towards the end of last year, the whispering started that there were gigs. They’d signed to the excellent scottish indie Arme

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llodie. Then this year, not one but TWO awesome EPs, entitled Pascal and Little Sleep, and people started to say that if the EPS were this good, and made up of stuff that hadn’t made the album, well…just how good was that debut album going to be once it arrived?

The answer is: very, very good indeed. Over the course of eleven tracks, the band release an album that not onnly features eleven amazing songs but hangs together extremely well as an album. It’s a brooding, majestic beautiful beast. It’s the perfect soundtrack to the Scottish autumn, which has well and truly arrived here, and is hinting that it’s about to get much, much nastier. From album opener ‘Gal Gal’ to the closing ‘Cogito’ the band just delievr an album that’s almost perfect, goddamit. The title tracks of those two aforementioned EPs are here, as we

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ll as one track ‘List Right’ which could be Stuart Staples fronting iLikeTrains. Yes. That Special.

I’ve played this album a lot over the last few weeks -and having born witness to them live, they’re pretty special in that field,

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too. This album will crop up in the end of year polls -and entirely on its’ own merits. With this release, Armellodie show themselves to be the equals of Chemikal Underground and The Scottish Enlightenment have both rewarded their listeners and delieverd on the promise they showed all those years ago.

*****

St. Thomas will be released on November 15 on Armellodie.

The First Will Be Last by The Scottish Enlightenment by Armellodie

Little Sleep by The Scottish Enlightenment by Armellodie

Necromancer by The Scottish Enlightenment by Armellodie

The return of Poly Styrene

poly-styrene-2010

Six months after we saw the very welcome return to the music business of the Slits’ Viv Albertine, former X-Ray Spex frontwoman Poly Styrene has announced that she too is to return.

I do enjoy Christmas despite my bah-humbugisms a lot of the time, and no doubt, will be posting more than a few Christmas mp3s when the time gets nearer. But as Ms. Styrene poins out, it can get a bit much at times.

This is her ace come back track, which w

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ill be released as a free single next month, entitled ‘Black Christmas.’ Featuring the sooon to be immortal line ‘A child is born on Christmas Day/But they crucified him anyway.’ The track was written by Poly and her daughter Celeste, who also sings on it, after they heard the news about a man dressed as Santa Claus killing people in LA. It has been described as a tongue-in-cheek anti-Christmas song.

This track is not a one-off either

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; her debut solo album is set to follow in March 2011. It’s entitled Generation Indigo and was produced by none other than Youth.

Poly Styre

ne -‘Black Christmas.’ mp3

BONUS: A wonderful track from 1977…

X-Ray Spex -‘Oh Bondage Up Yours!’

And listen to this track…sur

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e that the Gossip were listening!