Rick Wright remembered (1943-2008)

17 Seconds would like to extend its’ heartfelt sympathy to Rick Wright’s family. The Pink Floyd keyboardist passed away yesterday at the age of 65.

Though much of the coverage of Pink Floyd over the years has focused on founder member Syd Barrett (whose solo albums Wright contributed to), and the power struggle between bassist Roger Waters and guitarist David Gilmour, the contributio

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ns made by Rick Wright (and drummer Nick Mason) to the band cannot

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be underestimated. Floyd’s albums have (mostly) dated extremely well, and it should be remembered that rick Wright has been an important factor in that.

Though he tended to focus more on performing keyboards, he also contributed to songwriting in the band, one of his earliest contributions being ‘Paint Box’ the b-side to third single ‘Apples and Oranges.’ ‘The Great Gig In the Sky’ and ‘Us and Them’ from The Dark Side Of The Moon. The only Floyd album to which he didn’t contribute was 1983 The Final Cut, having been effectively kicked out of the band by Waters in 1979.

We salute you sir, here are two Pink Floyd related tracks, the aforementioned ‘paint Box’ and the opening track from their 1967 debut The Piper At The Gates Of Dawn, ‘Astronomy Domine.’ Although this wasn;t credited to him, Rick Wright actually sang lead vocals on this track.

Pink Floyd -‘Paint Box.’ mp3

Pink Floyd -‘Astronomy Domine.’ mp3

Rick Wright at Wikipedia

Album Review: Hanggai

Hanggai – ‘Introducing Hanggai’ (World Music Network)

Hanggai are a Beijing-based group. They specialise in adaptations of songs from the inner grasslands of Inner Mongolia. This is their debut album, and stands as one of the most astoundingly beautiful albums I have heard this year.

This album has already picked up some excellent reviews, and deserevdly so. Whilst I don’t knowingly understand a word of what they are singing, at least until I read through the lyrics on the web, at the risk of descending into cliche, there are times when the music-making and the singing itself transcend the need for this. Over the course of ten so

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ngs in forty minutes, it is a charming

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listen that stretches across continents. I’m not an authority on ‘folk/world’ music (and I’m starting to have issues with the concept of ‘World’ music; The Wire’s ‘label’ of ‘Global’ is a slight improvement) but the feeling of listening to this album is how it has something in common with music that comes from very different places. Comparisons have already been made with the Velvet Underground, due to the use of drones, but there are also hints of The Incredible String band. Penultimate song ‘Drinking Song’ could have men from anywhere joining in highfiving each other.

The album involves techniques like throat-singing, and traditional instruments like the two-stringed lute and the horse-hair fiddle. The album was produced by Robin Haller and Matteo Scumaci. As with much

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‘East meets West’ music, there will no doubt be those who feel that things are being ‘westernized’ in order for sales;* and anyone who’s listened to the Bhundu Boys might feel that concern (see the different recordings available of ‘Waerera’), the feeling at the end of the forty minute

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s is that this is just a beautiful album on any terms. Do yourself a favour and check this out now.

*****
Hanggai -‘Yekul Song.’ mp3

Hanggai -‘Five Heroes.’ mp3

Hanggai – ‘Haar Hu.’ mp3

Hanggai’s official website/Hanggai’s Myspace

* In The Wire 295, Julian Cowley’s review comments that: ‘revivalists perform a balancing act that’s tricky enough to accomplish without such pressure from a thumb on the scales.’

Autumn…

It’s here. My favourite time of year. A time when everything seems to be changing.

It’s bee

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eekend. Long, in the sense of ‘I’ve had mroe than just Saturday and Sunday off.’ Long in so many ways…

There’s a huge pile of CDs to b

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e reviewed, Glasvegas’ debut didn’t get to no.1 and I’m frazzled. But hey…

Ash, one of Mrs. 17 Seconds’ favourite bands, released this track ten years ago on their Nu-Clear Sounds LP. To me, it sounds like autumn. It was never a single, at least in the UK, but hearing it again reminds me of how much has changed in that time, and how much is, thankfully, still the same.

Ash – Folk Song.’ mp3

Album Review: David Grubbs

David Grubbs -‘An Optimist Notes The Dust.’ (Drag City)

This album has been described by its’ creator as ‘A step into the void.’ It’s fitting that it’s out on Drag City, a label visionary enough to release music such as this. It’s more surprising to read in the accompanying sleevenotes that it was mostly recorded in Brooklyn, bteween November and March. A surprise, as the sound and feeling David Grubbs evokes are hot, hazey, dusty summer days. The ones that are inland, that make you tired and yet, are somehow really beautiful.*

Then, looking further at the sleevenotes, it transpires that additional recording was made by Paul Oldham in Kentucky in July 2007 ‘on a day that hit

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a record 105 degrees before thunderstorms came, turned the sky green and thrashed the cornfields.’

While something as unique as this record is hard to compare to many other artists (hence the

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s, in true British style, to the weather), think Slint circa Spiderland, Bonnie ‘Prince’ Billy circa Master and Everyone. Third track ‘Holy Fool Music’ is perhaps the most different sounding track on the album, my notes reading that it evokes Pavement and prime-era Sonic Youth, with a hint of Led Zeppelin circa Physical Graf

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fitti.

David Grubbs’ music is something other, something special. C

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heck this album out to hear it. I think I’ve exhausted my thesaurus.

****

Da

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vid Grubbs -‘An Optimist Declines (edit).’ mp3 [taken from the Drag City page]

An Optimist Notes The Dust is released on September 29, 2008

David Grubbs’ mySpace

* Mind you, Transformer was recorded in London.

It’s David vs. Goliath…

…oh no, hang on, it’s not. A mere nine months after 17 Seconds bigged them up and interviewed them, Glasvegas are going head to head with Metallica in the album charts.

Is it about sales? Well, no, but it’s a sign of how far a band can come…watch this video from the UK’s ITN news.

Glasvegas v Metallica in the battle of the bands
Glasvegas v Metallica in the battl

e of the bands

Amusing, no? Although the idea that

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for running a race you get chocolate and fizzy drinks (note to non-scots: in scotland ‘juice’ is the name given to fizzy drinks, not necessarily something that comes from fruit), perhaps speaks volumes about Scotland’s health issues…

Anyway, 17 Seconds is firmly routing for Glasvegas in this battle.

Album Review: Martina Topley-Bird

Martina Topley-Bird -‘The Blue God’ (Independiente)

Five years since her solo

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debut, Quixotic, Martina Topley-Bird releases the follow-up The Blue God. This is an album I’ve been really enjoying over the last few weeks, and it’s about time that I sat down and wrote the review.

The first thing to say is that like her former collaborator, Tricky, it

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is time to consider this album without expecting it to sound like Maxinequaye. While there is no denying that it was and is an astounding album, we need to consider his and her works on their own terms.

So, no, this is not trip-hop. Rather like Santogold’s album from this year, this is an album which is pop, in the intelligent sense of the word, rather than the co

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nnotations with manufactured acts that have sullied it, and dumbed it down. It’s probably appropriate that it’s produced by Danger Mouse, who has firmly established himself as one of this decade’s key producers. Those vocals are still there, gently nagging at you and pulling you in. There’s a hint of blues, a fair bit of soul, a lot of sheer gorgeousness. In fact, this album has far more in common with, say, prime-era Cardigans than trip-hop.

Highlights of the album would include the single ‘Carnies’ and ‘Poison’ but what impresses is just how each time I play this album, another track puts itself as a contender for the album’s strongest cut. It’s time that Ms. Topley-Bird is acknowledged as one of Britain’s great singers and viewed on her own terms.

****

The Blue God is ou

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t now on Independiente

Martina Topley-Bird -‘Carnies’

Martina Topley-Bird -‘Poison’ on Jools Holland


Martina Topley-Bird’s webpage

‘Scuse me pal, can ye spare some change?

I’ve written about my sheer admiration of the wonderful Richard Thompson before. Today’s post is only partly about him, but mainly a reflection of worry abo

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ut a worsening of the economy, and how it affects so many people. For some, it’s a worry about how to pay the mortgage. For some, a worry about how to survive into next week. And still some people think politics is nothing to do with them.

Richard Thompson’s song ‘Last Shift’ is reflection on the closure of the Grimethorpe colliery in 1993. The number of mines in the UK has fallen drastically over the last twenty five years, as Conse

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rvative governments shafted the working people. Some folks’ somewhat disturbing attitude is that if it’s not making a profit, we close it down, and sod the infrastructure, the successive generations of unemployment. It would have been nice if when quoting the prayer (not St. Francis of Assisi, though it was attributed to him) on Downing St in 1979 if God had struck Margaret Thatcher down. Failing that, Norman Tebbit for his ‘My Father did not riot. My father gor on his bike and looked for work.’

It impacts in so many ways. I’ve torn

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strips off kids for making anti-Polish remarks as they are currently the whiping boys of society for unemployment. There’s a Citizenship day coming up at school, probably time for me to explain how casual racism leads to global disaster.

That Richard Thompson song, anyway, before I get this blog withdrawn for being too political.

‘ Stow your gear and charge your lamp
Say goodbye to dark and damp
DSS will pay your stamp
Last shift, close her down

Leave your manhood, leave your pride
Back there on the mucky side
Take the cage for one more ride
Last shift, close her down

Put the business in the black
And they’ve stabbed us in the back
With old school ties and little white lies
They left our town for scrap

Golden handshake, sling our hooks
Now we’re nursemaids, now we’re cooks
Now our kids steal pension books
Last shift, close her down

Now the scrapper boys infest
And the wrecking balls caress
Like vermin round a burial ground
They catch the smell of death

Old Grimey’s lost its soul
Fifty million tons of coal
And we’re beggars on the dole
Last shift, close her down
Last shift, close her down’

Richard Thompson & Danny Thompson -‘Last Shift.’ mp3

It got me thinking about this song, by The Men they Couldn’t Hang.

Oh this is an old story that’s rarely ever told
the raping of the country, of the valley
the men who came to reap with a musket and a bible
they wanted to take the valley
the valley! the valley!
they wanted to take the valley
and oh the ironmasters, they always get their way

and so far a pittance all the people worked the land
all the men and the women and the children
and on sundays it was down to the chapel in the town
the preacher said give generously!
give generously! give generously!
the people they gave generously
and oh the ironmasters, they always get their way

the union met in secret on the dark side of the hill
by the light of a thousand candles
their pay had been cut, all the people come on out
and by scores they were joining Rebecca
Rebecca! Rebecca!
the people were

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joining Rebecca
and oh the ironmasters, they always get their way

ironmaster, call the army
call the hungry from the irish sea
ironmaster, call the parliament
it’s no sin to fight to be free!

from the smokey stacks of merthyr
to the hills of Ebbw

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vale
from Swansea docks to Merseyside and Liverpool
with the union leaders crushed
and the union quickly smashed
they blackend the face of the country
the country! the country!
they blackend the face of the country
and oh the ironmasters, they always get their way

now on a hill in Brecon is Crawshay’s ruined house
and it blackens out the green of the valley
and on the battered grave is the epitaph they gave
it stands there, god forgive him!
forgive him! forgive him!
and all who rot in hell with him
and oh the ironmasters, they always get their way

ironmaster, call the army
call the hungry from the irish sea
ironmaster, call the parliament
it’s no sin to fight to be free!

and oh the ironmasters, they always get their way
and oh the ironmasters, they still get their way!

The Men They Couldn’t Hang -‘Ironmasters.’ mp3

Hallelujah!

Have tomorrow and Monday off, as one of Scotland’s strange but welcome middle-of-nowhere holidays.

So, I’m tired but happy and feel like celebrating. Play air guitar and dance around like a mad thing.

And whatever the mythical Chinese Democracy album might soun

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d like, I still love this track.

Guns ‘n’ Roses -‘Sweet Child O’

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Mine.’ mp3

Motorcycle Boy – repost

I have received a couple of very polite requests in my inbox about posting Motorcycle Boy, so here is the first EP, Big Rock Candy Mountain:

Motorcycle Boy -‘Big Rock Candy Mountain (V

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elocity Dance Mix).’ mp3

Motorcycle Boy -‘Room At the Top.’ mp3

Motorcycle Boy -‘His Latest Flame.’ mp3

Motorcycl

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e Boy -‘Big Rock Candy

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Mountain (7″ mix).’ mp3

Thanks to Tom for supplying these mp3s in the first place.

Is the world going to end, then, Sir?

One of the things about teaching is that you are simultaneously supposed to know everything, and suspected of knowing nothing. You are also expected to be morally perfect…and tolerant of the students clearly not being.

When you teach what is this week dubbed ‘Religious Moral and Philosophical Studies’ (and believe me, I come from the

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philosophy spectrum), you are also expected to know about what God thinks.

Now that the world is apparently goi

ng to end tomorrow, I thought this cheery number from 1982, by a band called Defuser, might be appropriate.

Defuser -‘World Suicide.’ mp3

Do I think the world

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‘s going to end tomorrow? Well, if it doesn’t, and your homework’s not in

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Thursda

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y morning, then it might…