Great Scottish-set films

Finally saw Hallam Foe yesterday, an excellent film set in Edinburgh.

It’s quite fun, sitting down watching films and recognising your (adopted) home town in places recognising many of the sights. And as usual, a story that is very different from your own life. Dark in places, but very funny in others. Very much worth checking out. And if you didn’t want to see it, just because the last time you saw Jamie Bell he was in Bil

be

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ly Elliott, then shame on you!

An excellent soundtrack, not all scottish indie, but three fantastic tracks that I thi

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nk everyone should hear:

Orange Juice – ‘Blue Boy.’ mp3

Franz Ferdinand -‘Hallam Foe Dandelion Blow.’ mp3

Sons & Daughters -‘Broken Bo

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nes.’ mp3

Other great scottish set films would include: Restless Nati

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ves, Sweet Sixteen, Local Hero, Gregory’s Girl, Shallow Grave, Trainspotting…oh and I’ve never seen Brigadoon or Greyfriar’s Bobby.

Hope you’r

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e enjoying your weekend…

A sort of book review

OK, that’s a bit of a lie. But I am currently reading Mark E. Smith’s Renegade, and it’s an excellent autobiography. He takes no prisoners, makes no apologies and the book’s the better for it.

So why not some Mark E. Smith related music?

One of the things that clearly rankles with him is the accusation that Brix Smith, the Fall’s onetime guitarist and one time Mrs. Smith made The Fall poppier and more accessible. (I notice that the Fall essentials on iTunes still has a picture of Mrs and Mrs M.E. Smith. Wonder what he has to say about that?!) This track is from 1995, when Brix was back in the band again.

The Fall -‘Don’t Call Me Darling.’ mp3

One of my favourite Fall tracks, which is saying something, from 1985’s This Nation

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‘s Saving Grace, probably still my favourite Fall album.

The Fall -‘Spoilt Victorian Child.’ mp3

Of course, he has collaborated with other folks. This was the track that finally saw him on Top Of The Pops in 1994, with the Inspiral Carpets:

Inspiral Carpets -‘I Want You (featuring Mark E.Smith).’ mp3

This track was originally credited to Mouse On Mars featuring Mark E. Smith and called ‘Wipe That Sound’ in 2005 (I know this true, I have the 12″). Then last year, they col

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laborated for an album together under the name Von Sudenfed on the album Tromatic Reflexxions, which called it ‘That Sound Wiped.’

Von Sudenfed -‘That Sound Wiped.’ mp3

Anyone else read it?

Presenting…It Hugs Back

Another new release bag through the door…somehow, al

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ready I cannot stop playing it!

Signed to 4ad, out on tour soon, and with this track already downloadable from iTunes and out on 7″ on Monday…what are you waiting for? Like Arcade Fire, Br

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uce Springsteen and Sonic Youth discovering that they’ve got common ground…b-side take apart’ is also pretty ace and goes further

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down the Sonic Youth route.

It Hugs Back official site/It Hugs Back myspace

Album Review: The Residents

Album review: The Residents -‘Bunny Boy.’ (Mute)

Some things you just can’t make up…

“Not long ago, an unsolicited DVD arrived at The Residents’ studio. Since the location of the group’

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s private inner sanctum is a closely-guarded secret, the appearance of the disc was definitely regard

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ed as a little strange. Other than the occasional piece of junk mail, nothing ever arrived at The Residents’ intimate work space without an invitation. But the envelope containing the disc bore a familiar return address, so, after first ignoring it for a few weeks, The Residents finally opened the package and put the disc, crudely-labelled ”

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Postcards From Patmos,” into a DVD player.

Fascinated, the group watched as a most curious document unfolded before their eyes. It seems that a former colleague, known to everyone as “Bunny”, had become convinced that his brother had disappeared on the Greek island of Patmos. After weeks of vainly attempting to get assistance in lo

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cating his lost sibling, the man detailed his plight in a series of videos. Technically inept, The Residents’ former friend was reaching out to them for

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assistance. It seems the man had heard of YouTube and other internet video websites, but he had no idea how to upload his pathetically primitive cry

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for help.

Uncertain as to whether they were watching evidence of a real problem, ignored by friends and aut

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horities, or the gradual breakdown of a once-stable personality, The Residents were nevertheless moved by their friend’s dilemma and immediately decided to offer their help. Using their colleague’s return address and

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last-known phone number as starting points, they attempted to reach him but got no response. Determined, they cont

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t no one had seen him for months. It was as if he had disappeared.

The group then thought the best solution was to upload their friend’s video exa

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ctly as it was given to them, but after watching the DVD several times, they came to the conclusion that it was simply too crude – even for YouTube. The lighting, sound quality and camera work were so substandard that their friend’s cry for help would never be seen. While posting the videos might be a labour of love, the group’s energy and affection was obviously misplaced. But what could they do?

After brief consideration, the answer became obvious and the original “Postcards From Patmos” DVD became the inspiration for The Residents’ latest project. Changing the name to The Bunny Boy in honour of their missing friend, the group recorded an album of pop songs based on the contents of the original DVD. Then, continuing to feel pathos and inspiration for their colleague’s situation, they re-created the original “Patmos” videos.”

So what does it sound like? Weird, oddly listenable, and one you keep coming back to.

***1/2

The Residents blog/The Residents’ MySpace

The big news is…

…17 Seconds Records have made their first signing!

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nd out and make friends!

Is it really thirty years since these tracks?

It’s been a wonderful weekend, I’ve had a great time, and feeling quite ‘up’ for a Sunday evening.

Kinda taken aback to suddenly realise that it is now thirty years since these debut tracks were released. My world’s still shaking from the implications of these…

Is there a rule

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for debut singles? I kinda think they should be like a manifesto. After all, it may be the only shot you ever get, so sing it loud and sing it proud…

The Fall -‘Bingo Master’s Breakout!’ mp3

Steel Pulse -‘Ku Klux Klan.’ mp3

Scritti Politti -‘Skank Bloc Bologna.’ mp3

Gang Of Four -‘Damaged Goods.’ mp3

Adam and the Ants -‘Young Parisians.’ mp3

Magazine -‘Shot By Both Sides.’ mp3

This is a cheat, but it was the b-side and just as good as the a-side…

The Cur

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e -’10:15 Saturday Night.’mp3

I could also have posted Siouxsie and the Banshees, Kate Bush, P.I.L…

the big question is: will we realise who all the good debut singles of 2008 were by at the end of this year, or in thirty years’ time? Answer below please…

Whose Sonic Youth is it anyway?

I have written on these pages before about my love of both Sonic Youth and The Wire magazine. But I have to be honest, I found myself bristling when I got Issue #295. No less than three Sonic Youth books were being reviewer, and they were all slated by the reviewed David Keenan, a writer I normally have a lot of respect for. Keenan’s attitude is best summed up here: ‘Who are all of these people who go to sellout Sonic Youth shows and yet never pick up a record on Thurston Moore’s Ecstatic Peace label or even know any Sonic Youth albums pre-Daydream Nation?

Actually, I have investigated and bought Sonic Youth albums pre-Daydream Nation, and I do have stuff released on Ecstatic Peace. But I’m not happy with the idea of people being looked down on because they don’t.

To be fair to David Keenan, he obviously really knows his Sonic Youth inside

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out. And that includes all the side projects, the releases they have done on the SYR records, the solo albums and the collaborations, be they with Lydia Lunch, Jim O’Rourke or Merzbow. This needs documenting, and I’m still learning. But is it really fair to turn your nose up at the people who came to Sonic Youth via seeing them on Lollapolooza, MTV’s 120 Min

utes or Alternative Nation, or hearing them in Juno? Whilst it’s one thing to feel that a book isn’t properly researched, it’s quite another to be snobby about it. Courtney Love once commented that the problem with Alte

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rnative Rock was that it was riddled with middle-class snobbery and she is absolutely right. And this extends, most definitely to notions of the avant-garde.

I first heard Sonic Youth in late 1990, when a friend played me Goo. This did lead to me investigating their back catalogue. I have to put my hand up and say that I have only seen them live once. Sometimes geography can be a real barrier, as can money and oh yes, a day job. But if someone hones in on Sonic Youth because of hearing their cover version of the Carpenters’ ‘Superstar’ why is that less worthy? There will be people whose epiphany moments will come as a result of those moments in High Fidelity, Garden State or Juno. Does this make them less adequate fans?

The

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re have been lots of side projects, and I cannot write about them all here because I do not consider myself qualified to do so. As Ciccone Youth they recorded cover versions of Madonna’s Burning Up and Into The Groove(y) (sic), and Robert Palmer’s ‘Addicted To Love’ working with Dinosaur Jr’s J Mascis and the Minutemen’s Mike Watt. I treasure my Sonic Youth/Mudhoney split single where they cover each other’s songs. But I don’t think the less of someone who still thinks that Dirty is a better album than Bad Moon Rising.

Some of the side projects can be disorientating. The collaboration beween Thurston Moore, Evan Parker and Walter Prati, The Promise, can seem like a bewildering listen. I know many felt completely freaked out by the Goodbye 20th Century SYR release. I like the ‘J’accuse Ted Hughes’ release from earlier this year, but this isn’t for everyone. Other projects, like Thurston Moore’s solo album from last year Trees Outside The Academy or Kim Gordon’s ongoing side-project Free Kitten are more, dare I say it, accessible. That doesn’t mean that they’re boring or lack experimentation, it’s just that they’re easier to listen to and get into.

I somehow doubt that Sonic Youth sit there worrying, anyway. Over the course of more than half a century, they’ve ploughed their own furrow. this year, they have released a best-of through Starbucks music, and then announced that they’re signing to Matador. Perverse buggers.

From Goo, still my favourite Sonic Youth LP

Sonic Youth -‘Kool Thing.’ mp3

and just to prove that I do know something of Sonic Youth away from their more mainstream stuff, Mr. Keenan…

From 1987’s Sister LP

Sonic Youth -‘Schizophrenia.’ mp3

From Free Kitten’s release Inherit

Free Kitten -‘Erected Girl.’ mp3

From last year’s Trees Outside The Academy

Thurston Moore -‘Fri/End.’ mp3

[Oh, these last two tracks are from the Ecstatic Peace label. There now, we can all share!]

From th

e aforementioned Thurston Moore, Evan Parker and Walter Prati release The Promise

>Thurston Moore, Evan Parker and Walter Prati -‘Ou

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r Future.’ mp3

Sonic Youth’s official site/Sonic Youth’s mySpace

Ecstatic Peace website/myspace

Album Review: Mogwai

Mogwai – ‘The Hawk Is Howling.’ (Wall Of Sound/PIA

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S)

It’s been a pretty good year for Mogwai and their fans. Earlier this year, Chemikal Underground re-issued their seminal debut Young Team, their latest EP Batcat has debuted at no.1 in the indie charts, and now they release their sixth studio album.

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also still capable of surprising us. This is exactly what makes them such a rewarding listen, and why I still get excited about each new Mogwai release. For the last couple of months, the mp3 of ‘The Su

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n Is Too Loud’ has been doing the rounds. John Peel used to say about The Fall that they were ‘always the same; always different.’ And that sums up Mogwai particularly well too. ‘The Sun…’ features more of an electronic take on their sound than we’ve ever had from Mogwai, and it makes sense listening to it that on their forthcoming tour they will be supported by Fuck Buttons.

This release has been described as being more cinematic than previous releases, and I would agree with that. Whilst there’s no repetition of that moment on their debut’s ‘Like herod’ track when it explodes, making you jump like the final scene in Carrie, there’s still gorgeous echoes of ‘Mogwai fear Satan.’ ‘King’s Meadow’ particularly is a gorgeous slow number.

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k, but Mrs. 17 Seconds commented that they sound scottish; not because they use the bagpipes, but because of the way the guitars and drums sound. Mogwai are a mass of beuatiful contradictions that always seem to balance perfectly. A decade in, and each album still sets its’ own stall out differently. No collaborations with Aidan Moffat or Gruff Rhys here;

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these have been done before.

Is there a gameplan? Who knows, but on the strength of this latest release, Mogwai seem incapable of letting us down, but always surprising and delighting us. Long may they run.

****1/2

The Hawk Is Howling is released on Monday on Wall Of Sound/PIAS

Mogwai -‘The Sun Smells Too Loud.’ mp3

The video for current single ‘Batcat.’ If ‘

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Xmas Steps’ seemed to evoke David Lynch, this evokes The Wicker Man and It.

Six of the records that shaped dance music, 1977-1989

A friend came to stay the other week who I’ve known for twenty years. As is the case, we spent a fair amount of time discussing music. He’s been more of a dance fan than ‘indie’ over the last decade, though those two genres are not mutually exclusive. he’s been excavating the old dance stuff, and with my love of music from 1977-198

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2, it’s clear that this era stamped its’ mark on dance just as much as indie.

Having picked up an Arthur Russell compilation (on whom more to come!), I thought I would post three dance classics:

First up a classic. I wrote about Chic’s Good Times back in March, so here it is again.

Chic -‘Good Times.’ mp3

I mentioned Arthur Russell earlier; I will do a No Wave post one of these days…

James Chance -‘Contort Yourself.’ mp3

This record featured an American vocalist, but it’s a very European-sounding record.

Donna Summer -‘I Feel Love (12″ version).’ mp3

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These guys came out of the same Bristol scene that spawned Massive Attack, Nellee Hooper, and Tricky, amongst many others.

Pigbag -‘Papa’s Got A Brand New Pigbag.’ mp3

And the first sample strewn record to top the charts in the UK:

M/A/R/R/S -‘Pump Up The Volume.’ mp3

Of course, by the end of the eighties, it wasn’t just New York and Chicago doing house, but Italy was doing ‘Italia House.’ And this was probably its’ best known hit:

Black Box -‘Ride On Time.’ mp3

Of course, there are many more out there…watch this space…