The continued rise of Chvrches

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I can’t take any credit for discovering Chvrches, but I’m glad th

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at since they were shortlisted for the BBC SOund of 2013 poll, they still seem to be making waves. I’ve written about them before, and if they continue to produce excellent music like they have been doing, I see no reason why I won’t continue to be blogging about them in the future.

This is their new song, entitled ‘Recover.’ I have no idea when this is out – but it has been doing the rounds since yesterday, and logging up a lot of listens. Hopefully this will turn into a lot of sales very soon.

You can buy ‘th

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e Mother We Share’ single online at iTunes, eMusic etc..

Presenting…The Android Angel

android-angel

The Android Angel is one of the two musical projects of multi-instrumentalist Paul Coltofeanu from Reigate, Surrey, in England. (The other project, by the way, is Free Swim).

His new track is the Spiritualized/Air ‘Her Shoulders.’ This is simply breathtakingly beautiful.

It’s taken from his forthcoming album Lie Back And Think Of England which is due out later in 2013.

Also featured on said album is the rather different (but suggesting that this may be a multi-faceted album) ‘Chicago John.’ This one’s got a little bit more of a garage rock influence…

There seems to be increasingly more blog love for this act. As ever, I would like to know what you think…

Forthcoming at Dalkeith Arts Centre

cancel-the-astronauts

Just one of the bands coming to Dalkeith over the next few months…

As part of the day job working for Library Services, I am involved in putting on some gigs at Dalkeith Arts Centre, just south of Edinburgh.

In the last three months of 2012 we had King Creosote, Bwani Ju

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nction and The Last Battle, and looking ahead to the next five months we have the following:

March 20: Cancel the Astronauts + Carter Damm + Testing the Water

May 1

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5: Sophie Bancroft and Tom Lyne Duo & Kevin Ma

ckenzie

May 17: Midas Fall + Tom Morris (Her Name is Calla) + Glassbooks

May 29: Blueflint (playing two sets)

June 26: eagleowl & Wounded Knee

Tickets are all £7 (£5 concessions). I’ve support

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ed many of these acts on these pages before (I even used to work alongside members of eagleowl and

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Blueflint and indeed Wounded Knee himself!)


Cancel The Astronauts Bandcamp

Carter Damm bandcamp

Sophie Bancroft soundcloud

Midas Fall soundcloud

Glassbooks bandcamp

B

lueflint soundcloud

eagleowl bandcamp

Wounded Knee bandcamp

The return of Ardentjohn

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he Wire album, released in 2010, Ardentjohn will release th

eir new album Waiting For The Season next week.

From the album, you can download ‘In The Morning’ for free.

It’s folky, with nice use of brass, and anyone who seeks to

compare it to other bands is just being bloody lazy!

For the fu

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Gig review: Fat Goth/Vasquez/Hagana

Fat Goth + Vasquez + Hagana, Edinburgh Electric Circus, February 1

Tonight’s show is the launch for Fat Goth’s sophomore album, and it not only does what it says on the tin, but a packed-out show at the Electric Circus will prove a mighty sonic assault on everyone’s eardrums with not one, not two but three er, three-piece bands.

I vaguely recall getting sent something about Hagana a few years back. Though they might not have hugely impressed me on record (assuming it’s the same band), live they pack a

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mighty punch with their grunge-flavoured rock. A mere two songs in, my ears are starting to ring, but it’s worth it. Even for the first support band, the audience are appreciative and up for it. By the final number (sorry, couldn’t catch any of the song titles), I find I’m planing to see them again.

Vasquez hail from Edinburgh and are shortly to release a new EP, their third. They’re purely instrumental, and they’re more in a Maths rock vein. Think Battles collaborating with Shellac. Just as awesome as that sounds. Whilst it’s hard with instrumentals to google the lyrics once you get back home, they are loud and entertaining and you can see the crow

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d wanting to dance. For

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a place that can be as reserved at gigs as Edinburgh -and I’ve lived here for many years – that is no mean feat.

Hugely impressed by Vasquez, any doubts about whether Fat Goth are going to be able to live up to their supports are blown awa

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y pretty quickly. As are my eardrums. This may partly be my fault for getting right down the front -and with Fat Goth that’s like the really loud bit in ‘Like Herod’ but all through the set. They’re clearly enjoying themselves, as are the audience.

Fat Goth kick off their set with ‘I Am Leg end’ (sic) and tear through their set, almost never pausing for breath. Except to make it clear that ‘Bang Tidy’ is not

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Keith Lemon. It’s not always clear where one song ends and another begins (that may be my eardrums reeling), but my heart is wowed.

We stumble out, blown away by their noise, energy and sheer greatness. 3×3=a bloody great night.

Something special and Cure related

You may be aware that not only has Avalanche Records in Edinburgh avoided closing, but that they are putting on gigs. A couple of weeks ago I went there to see Randolph’s Leap and Admiral Fallow, and very good it was too.

On Friday night, Olympic Swimmers and Admiral Fallow played. I wasn’t there – I was at Fat Goth’s album launch, review to come -but friends were, and I was directed to this from the gig. It’s the bands covering ‘Lovesong’ by The Cure, originally on Disintegration, their best album, and my favourite album of the last twenty-five years.

Enjoy!

Album Review: Julian Cope (re-issue)

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Julian Cope -‘St. Julian.’ (Island/Universal)

Julian Cope’s third solo album from 1987 stands as one of the best things he’s ever done. Certainly, it’s an album I fell in love with when I first heard it (admittedly, a decade after its initial release), but I’m encouraged to say that twenty-five years plus after its release, this is an album that has dated extremely well.

After the split of the Teardrop Explodes, his first two solo albums World Shut Your Mouth and Fried gave the impression of someone who was heading down the Nick Drake or Roky Erikkson route. Now our hero embraced his inner rock God -far enough removed from the post-punk scene of Liverpool in the late 1970s to be able to do so -and got on with creating an album that consisted of brilliant anthems.

‘World Shut Your Mouth’ (the song, and nothing to do with the earlier album) saw him back on Top Of The Pops and writing a hit that would continue to be played decades later, and may well be his best- known song. But other songs -not just the singles ‘Trampoline’ and ‘Eve’s Volcano’ -like ‘Spacehopper’ and ‘Screaming Secrets’ showed someone who was becoming more comfortable in his own skin.

And yet he hadn’t forgotten we he had come from. The second disc includes b-sides and covers of ‘Non- alignment Pact’ and ‘I’ve Got Levitation’ and the evidence that he could still experiment. Like the recent Marianne Faithfull re-issue of Broken English, this is an album from Island’s back catalogue where not only is the main album great, but the second disc is illuminating into the making of the album.

Twenty-five years since this album, Cope continues to write, record and perform, not just as Julian Cope, but also waking up the world to Japanese Rock Music, reinvigorating an interest in krautrock at a time when Britpop was the norm, and an intense scholarly approach to stone circles. A true original, this is a welcome place to into the world of the self-styled Saint Julian.

****1/2

Saint Julian is re-issued by Island/Universal on February 4.

The album’s big hit on Top Of The Pops in 1986, with THAT curious mike stand…

Presenting…Frank’s Daughter

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Sometimes I wonder how much of these press releases are really true or not.

‘Frank’s Daughter are Frank (vocals, guitar, keys) and Arthur (guitar, bass, programming), two British musicians who found themselves working in New York in the late noughties.’ (OK, this I can understand).

The idea for Frank’s Daughter was born in a Brooklyn bar over several bottles of red wine and many, many whiskies. (Like thinking you have a daughter? Riiight.) The duo returned to London, but finding the urban environment uninspiring, they relocated to an out of season alpine hotel, taking a van full of recording equipment. There,

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they spent two

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months in total isolation, returning with a stack of songs that were finished in their Deptford studio. (So…The Shining meets Straw Dogs. Possibly inspiring, but bloody terrifying). These desolately exquisite songs form ‘The Sound Of A Heart Unravelling’, Frank’s Daughter’s debut album [The Sound Of A Heart Unravelling] to be released in May. (I hope this bit is true, the track is great):

(suggestions that it references Talk Talk, Kate Bus

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h and Aphex Twin are very accurate)

This is NOT the official video, but a viral one they have done. Liking this…

Presenting…Trwbador

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Trwbador (I am guessing it’s pronounced Troubador) are a boy/girl duo from Carmarthenshire in South Wales featuring half Welsh, half Dutch singer and producer Angharad Van Rijswijk alongside the ‘intricate guitar playing and hip hop s

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ctions of all Welsh’ Owain Gwilym.

Their new single is entitled ‘Safe’ and although it’s not out until February 25, I thought it would be really nice to share this with you. Actually their stuff is really rather great, full stop.

They’ve collaborated quite a bit with Cornershop, supp

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orted Laura J Martin (who I wrote about on this blog last year) and they have announced the following live dates (just England and Wales):

SATURDAY 23/02/2013 CARMARTHEN, THE PARROT
TUESDAY 26/02/2013 CARDIFF, BUFFALO BAR
WEDNESDAY 27/02/2013 LONDON, SLAUGHTERED LAMB
FRIDAY 01/03/2013 LEICESTER, COOKIE JAR
SATURDAY 02/03/2013 LIVERPOOL, MELLO MELLO
SUNDAY 03/03/2013 THE COMPASS, CHESTER

They have also announced that their debut album will be released on March 25 (according to the press release) or April 1 (according to their website), and that there is another tour to follow, with ‘dates in London, Liverpool, Manchester, Leicester, Glas

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gow and Edinburgh.’ So it looks like those of us north of the border should get to see them soon.

This, by the way, is the very first song they ever did, and you can download it:

I don’t know anything about this song, except it’s really rather lovely, twee in the best possible sense, and also free to download:

Presenting…Glassbooks

glassbooks

It’s the honesty of some emails that gets you, and makes you want to write about some bands (it worked in this case because the music’s rather good, too). ‘My band Glassbooks are fairly new to the Scottish music scene and would

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appreciate any exposure you could give us.

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We only ever seem to play to our friends because no-one else knows we exist, so if you could help bring our music to the public sphere, we’d be very grateful’ wrote guitarist Adam Carrington.

Adam hails from Paisley, but the Edinburgh-ba

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sed band are from all over – David Escudero King (singer/rhythm guitar) is Spanish-Canadian; Darren Wilkie (drums

on

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) is Glaswegian, while bassist Stuart Fraser is from Aberdeen. Citing their influences as Radiohead, Bloc Party, Interpol, Nirvana ‘any guitar band with a sense of purpose and urgency’ there’s something brewing in their sound, most impressively for a band who h

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evision’ and ‘Glassbooks;’ for my money, ‘Glassbooks’ is the stronger of the two tracks but see what you think…

Meanwhile, you can get along to see them at dates in Glasgow and Edinburgh over the next month or so; check their bandcamp.