Presenting…Echo Bloom

Echo Bloom is the project of Kyle Evans. iTunes lists this as folk, but I think the description that arrives on the press release is, for once, actually fairly accurate.

‘From the ashes of a 1920’s German photo documentarian, the genius of Washington DC jazz veterans, and the sweat of a frenetic three-day recording session emerges Echo Bloom’s ‘Jamboree,’ a series of character studies that explore and celebrate American identity in the 21st century. From Presidents to Performers, Prostitutes to Preachers, ‘Jamboree’ runs the stylistic gamut, weaving its tales from equal parts swamp funk, in

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die pop, alt-country and metal.’ Maybe conce

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pt albums are ok after all…

The debut album Jamboree is a gorgeous confection of a variety of influences. On ‘The Trucker,’ the stand-out track for me on this album, he

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even manages to mix both country and reggae. (I never thought i’d hear that either).

Check this album out, for me it gets ****

Echo Bloom -‘The Businessman.’ mp3

Echo Bloom -‘The Trucker.’ mp3

There is a blog about the making of the album here

It’s Friday night and all I wanna do…

… is sleep.

Well, here’s three fantastic tracks. It must be thirty-somethingness, that I want to play these on a Friday night rather than going mad to someting er…faster and heavier.

(I’m not that middle-aged, though, I’d rather read The Wire than many of the other music magazines more obsessed with celebrity and/or the past).

Joanna Newsom -‘The Book Of Right-On.’ mp3

Kristin Hersh -‘Your Ghost.’ mp3

The Men They Couldn’t Hang -‘Green Fields Of France.’ mp3 (Found the 12″ single of this in a record shop in Edinburgh the other week, I was ecstatic).

There will b

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e more to come this weekend, there’s a lot to review still…

Album Review: Blow Monkeys

Blow Monkeys -‘Devil’s Tavern’ (Blow Monkey Music)

Eighteen years after they last played together, this year sees the return of The Blow Monkeys. The four members, Neville Henry, Mick Anker, Toney Kiley and their charismatic singer the legendary Dr. Robert are back together and…it’s fantastic.

With reformation albums (and you can probably ask the Verve about this), there are going to be difficulties, surely? Well, no, not here. Because whatever those flies on th

o

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e wall witnessed, the end result is fantastic. The band are certainly not retreading old ground, but producing fantatsic songs that genuinely can add to their canon. There are no re-writes of ‘Digging Your Scene’ ‘Choice?’ or ‘It Doesn’t Have To Be This Way’ but rather, songs that came together without the machines taking over, as Dr. Robert himself acknowledge

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s happened in the eighties. He says that songs like the gorgeous ‘A Momentary Fall’ and the fabulous single ‘Bullet Train’ take them into areas they’ve never been before. To listen to a song like ‘Wait’ now reminds yo

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u of how they investigated new ground, but also that they were machine driven at the time, and they sure as heck are not now.

So is there still a ‘glam jazz swing’ element to their music? Well, it’s there, in part, but it feels fresh because they are making something new, rather than treading new ground. And that’s the best you wo

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uld want from any band, especially eighteen years since their last album. They always mixed up a huge variety of infl

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uences, and that continues.

Good to have you back, guys. Don’t leav

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e it eighteen years next time.

****

Devil’s Tavern is released on September 8

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on Blow Monkey music.

The Blow Monkeys’ official website/

The Blow Monkeys -‘The Bullet Train (edit).’ mp3

For the positively final time

I received another email today saying that links weren’t working, which was fine…except like a lot of bloggers I remove links after two weeks because I don’t actually own the rights to the music I post here (I wish).

Anyway, the tracks in question were from the debut Bang Bang Machine 12″ single, The Geek EP so…here we go.

Bang Bang Machine -‘Geek Love.’ mp3

Bang Bang Machine -‘Flower Horse.’ mp3

Bang Bang Machine -‘The Fuck Machine.’ mp3

THESE WILL BE UP HERE FOR TWO WEEKS. IF THIS IS AFTER SEPTEMBER 3RD, TOO BAD, YOU MISSED IT.

It is now September 3rd and the links have therefore been re

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moved.

Gig review: Future Of the Left/Fighting With Fire/Black Alley Screens

Future Of the Left/Fighting With Fire/Black Alley Screens

Captain’s Rest, Glasgow, August 15

A night of three three pieces. First on the bill are Black Alley Screens who sound as loud as…and grab me pretty damn quickly. I’ve always thought three pieces seemed to

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have something, and these guys, who look almost young enough to be in my classroom, are fantastic. With songs like ‘Goodbye Youth Hello Proof’ I have decided by the third song that I’d sign them if I could. They are partly in the Arctic Monkeys/Libertines mould, but on their own terms.They exude the sort of cool that is effortless (either that, or they have been practising bloody hard to look that way). Considering I have never heard a note of their music before tonight I am utterly won over.

Which is more than I can say for the follow-up band, Fighting With Wire. Hailing from Derry, they have clearly been listening to At the Drive In, and trying to copy Dave Grohl’s vocal style. The previous night they played with Reverend and the Makers in Belfast, who they go to great lengths to criticise. They dedicate ‘Everyone Needs A Nemesis’ to them. As I write the review I find I can remember precious little about the music.

There’s a long wait for our headliners to come on. They will later claim that this is because drummer Jack William Egglestone was trimming his beard. This is quite believable. This Welsh three-piece, formed from the ashes of Jarcrew and McLusky released their debut album Curses last year. I can only admit to having heard it recently, but I’m glad I did. They manage the feat of cramming in loads of ideas, and yet making it fun and listenable, rather than worthy and unpalatable. It’s a hot and sweaty night (yes, we do occasionally have these in Scotland), and they know how to work a crowd. There’s a great sense of humour here too. When a heckler asks them to play ‘Wonderwall’, without missing a beat they ask for subtitles.

Whilst the slightly quirky nature of the songs means that you cannot even identify the lyrics from the booklet when you get back home, there’s no denying just how exciting and just sheer fun this is. Songs like ‘Fuck the Countryside Alliance’* and ‘The Lord Hates A Coward’ manage to be both angular and singalong. By the end of the gig, bassist Kelson has ended up in the crowd and prompted the best stage invasion I have seen since the fifteen minutes of The Others three and a hlaf years ago.

But these guys deserve to last and do so much better than Dominic masters’ almost forgotten crew. There’s something special brewing here. I’ve been playing the album loads since the gig. And even though I didn’t fall into bed until well after midnight, it was worth it.

Future Of The Left

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are currently on tour in the UK and will tour the US this autumn. Check their webpage and their MySpace for more details.

*Too right.

That aforementioned Shins track…and another great cover…

Thanks to good ol’ Gav nudging me, I thought I’d post that cover of The Postal Service’s ‘We Will Become Silhouettes’ done by The Shins.

Th

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e Shins -‘We Will Become Silhouettes.’ mp3

It’s a bit busy here, what with so many reviews to get up here, the record company making progress, the day job

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starting again this week.

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…but be patient, all will be rewarded.

…so why not Bonnie ‘Prince’ Billy doing ‘Puff The Magic Dragon?’

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Bonnie ‘Prince’ Billy -‘Puff The Magic Dragon.’ mp3

Love Vigilantes Part 2 and Such Great heights

This post is due thanks to one of my readers Adam, who had promised to send me some covers in response to the one I had put up of ‘Love Vigilantes’ being done by Laura Cantrell. So…

first up, Voxtrot and Hungry Lucy’s very different takes on ‘the aforementioned ‘Love Vigilan

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tes’:

Voxtrot -‘Love Vigilantes.’ mp3

Hungry Lucy -‘Love Vigilantes.’ mp3

He also sent me Jenny Lewis doing a live version of the Postal Service’s ‘Such Great Heights’, so I will post that, and just in case no-one has hea

on

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rd it, Iron and Win

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e’s take on the same song:

Jenny Lewis -‘Such Great Heights.’ mp3

Iron and Win

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e -‘Such Great Heights.’ mp3

Hope everyone’s having a good weekend. Went to see Future Of the Left in Glasgo

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w at the Captain’s Rest on Friday night, which was very good, so a review will be

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here shortly.

Detective work completed!

A few weeks ago, I wrote about how I was trying

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to track down something that a) Peel had played in 1995 a

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nd b) Peel had read out my request on air to see if anyone could identify it.

It had the chorus ‘Wembley, Wembley, he’s the famous Michael Nyman and he’s going to Wembley.’

It transpires it was Cathal Coughlan of Microdisney and Fatima Mansions and comic Sean Hughes. Thanks to eyevocal and everyone else who helped me locate this.

The track was this:

Bubonique -‘The Pianna.’ mp3

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from the long-deleted Trance Arse Volume 3.

There is a piece about their other album here and Cathal Coughlan’s official site is here

The Breeders’ one and only Peel session

This is a

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ctually my 600th post, and I thought I would post this, the one and only Peel session by The Breeders.

The Breeders have been described as one of the most promising and frustrating bands to emerge in the last twenty years. They have prodcued some e

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xcellent stuff, but for what started as a ‘Supergroup’ (in the seventies sense of the word, where a band was formed out of a lot of people who were already in bands as a side project, see Crosby Stiils Nash &

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Young etc..) they soon started to become the main concern. However, in the time they have been around, they have produced four LPs.

When Kim Deal, then the bassist in the Pixies, got together with Tanya Donnelly, then in Throwing Muses, both must have been feeling that they were playing second fiddle in their own bands and that they also had a lot to offer the world.They did. The first album, Pod, was made in Edinburgh at Palladium Studios, and engineered by Steve Albini. This may be heresy in the blogger

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not putting the Arcade Fire as my favourite band of all time, so what the hell), but Pod is actually my favourite of the four albums. This is the time that produced the only session they would record for John Peel, though the only song that ma

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de the Festive fifty, perhaps predictably, was ‘Cannonball.’

They recorded one Peel session for John Peel, in January 1990, which was broadcast the following month. All four tracks were written by Kim

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Deal

Breeders -‘Fortunately Gone (Peel session).’ mp3

Breeders -‘Hellbound (Peel session).’ mp3

Breeders -‘Iris (Peel session).’ mp3

Breeders -‘When I Was A Painter (Peel session).’ mp3

This lineup would change over time, Tan

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ya Donnelly would leave both Throwing Muses and The Breeders, first two produce two albums as

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frontwoman of Belly, and then go solo; Kim Deal was joined by her sister Kelley later on, though they had other projects as well, including The Amps, The Kelley Deal 6000…a whole heap o

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f other stories.

Maybe you should try here…
The Breeders’ website/The Breeders’ MySpace/An unofficial but utterly brilliant Breeders’ page

Album Review: Cave Singers

The Cave Singers – ‘Invitation Songs’ (Matador)

OK, so it was released last year in the US, came out here earlier this year in Britain, but of the 100+ albums I have heard this year* the Cave Singers’ debut is an astounding record that is in the top ten this year.

The band is Pete Quirk on vocals, guitar, melodica and harmonica; Derek Fudesco on guitar and bass

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pedals and Marty Lund on drums and guitar. In previous musical lives, Quirk was in Seattle post-punk group Hint Hint, Lund was in Cobra High, and Fudesco was the bass player for Pretty Girls Make Graves and legendary Murder City Devils. All these previous bands would suggest a sortof ‘alt-rock/punk’ sort of record, so why is that folk seems to be the thing here?

That’s not a bad thing, in fact it’s their approach to this music that makes this album such a refreshing and exciting record and one that I keep playing. Even as a blogger, I now get sent a fair amount of music and t

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here’s a lot that perhaps only gets played once** but this album has been played frequently and belongs permanently on my iPod. The reference points here might be American roots music, be it proper country or blues, and the folk that comes from that part of the world. At times the music is almost hypnotic and mantra-like, at other times the sort of ininhibited dance music that, like the early work of Michelle Shocked is roots music that makes you want to dance.

From the opener ‘Seeds Of Night’ and including single ‘Dancing On Our Graves’, right up to album closer ‘Called’ this album continues to surprise and delight. Once heard, I bet it will haunt your brain forever.

Even if you think you don’t listen to ‘this sort of music’ I have to issue this challenge: if you’ve glossed over certain types of music I’ve written about on here, give this a listen. You will be surprised, pleasantly taken aback, and hopefully you might even go and buy it. With this, Jaguar Love and Shearwater, Matador Records are setting the standard for 2008.

*****

Invitation Songs is out now on Matador

Cave Singers -‘Seeds Of Night.’ mp3

* I get sent a lot of these. Do you honestly think I could afford to buy that many new albums in one year?!

** There is one of me. This is not a full-time job, I do it for love in my free time.