Album Review – Shearwater

shearwater-the-golden-archipelago

Shearwater – ‘The Golden Archipelago’ (Matador)

The Golden Archipelago is the third in a series that began with Palo Santo and continued with the excellent Rook in 2008, looking at themes of the environment and humans’ impact on nature. Songwriter Jonathan Meiburg – he of a voice that

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holds its’ own with the likes of Jeff Buckley – has camped in many places as a researcher, and this impacts on not just lyrical themes but also on the album’s sound. Opening track ‘Meridian’ starts of with the strain of the Bikini Atoll anthem, sung by Bikinians in exile after nuclear tests left their island uninhabitable.

As always, there are those who will find the idea of such things being used on a rock record contemptible, pretentious and that this makes Meiburg another one of the Bono/Chris Martin ‘wear your heart on your sleeve’ school.That’s their loss. Like its’ predecessor, this is an album that begs for repeated playing. It’s quite sad in tone -definitely more an autumn/winter record than a summer one, but none the less for that. It’s also quite a pastoral record, think John Foxx’s The Garden, Pink Floyd circa Ummagumma/Atom Heart Mother/Meddle, or even Virginia Astley’s From Gardens Where We Feel Secure.

While it’s perhaps not as immediate as Rook, it certainly holds its’ own up against its’ successor, particularly when heading into the second play of the day alone (as I am). Also, in this day and age of cherry-picking, whilst there are certain standout tracks -‘Black Eyes’ ‘Castaways’ and ‘An Insular Life’ it isn’t an album that you will want just a few tracks by; it’s almost iPod proof, you will want to hear and listen to this album in its’ entirety.

One of the best albums so far this year.

****

Shearwater -‘Castaways.’ mp3

Shearwater -‘Black Eyes.’ mp3

And because it is so good, Rooks from Rook:

Shearwater -‘Rooks.’ mp3

Shearwater’s website/Shearwater’s my

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space

The Golden Archipelago is released on February 15 on Matador.

Time for a Bryan Ferry resurgence? Discuss

bryanferry_ps

Although

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d the Orson Welles of popular music (due to his having peaked with his awesome debut, Rattlesnakes, in 1984), that title could just as easily apply to Bryan Ferry. As part of Roxy Music, their first two albums, Roxy Music and For Your Pleasure in 1972 and 1973 still sound phenomenal (I gave the second album another listen last night, and it’s still startling). However, after that – just like Welles after Citizen Kane and The Magnificent Ambersons there were moments of brilliance (Roxy’s ‘Love Is The Drug’ a counterpart to Welles’ performance in Carol Reed’s adaptation of The Third Man?) but a feelin

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g of trading on past glories. Heck, the only person who seems to be doing more albums of covers than Ferry is Rod Stewart. When Roxy came back from their four year hiatus at the end of the 1970s, someone really should have pointed out that their covers of ‘Eight Miles High’ and ‘In the Midnight Hour’ really were not necessary. It seemed that the man once christened Byron Ferrari by the NME (ha! see what they did there?) would never quite hit the heights of coolness again.

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…Until the last year or so, that is. Last year, German maestro DJ Hell’s album Teufelswerk kicks off with a phenomenal track featuring Ferry on vocals called ‘U Can Dance.’ Not only that, but Groove Armada’s forthcoming sixth album Black Light features Ferry’s vocals on an excellent track called ‘Shameless.’ And you can’t help thinking, could a man who played in a band with Bryan Eno, ferchrissakes, not realised long ago that making music that was uplifting and fresh was preferable to a lifetime of Bob Dylan covers?

DJ Hell -featuring Bryan Ferry -‘U Can Dance (Peter Kruder edit).’ mp3

Groove Armada -‘Shameless (featuring Bryan Ferry).’ mp3

DJ Hell featuring Bryan Ferry -‘U Can Dance.’ video

In the absence of a proper compilation…

I would love to put together a compilation of what I c

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new msuic coming out of Scotland. In the absence of this, though, I created a 50-track imix and put it up on iTunes. Seven tracks didn’t make it through, for whatever reason, but the ‘new music out of scotland’ playlist highlights stuff from Song, By Toad Records, Armellodie, Chemikal Underground and 17 Seconds Records.

Doubtless I will be left kicking myself about some of those I missed but hope someone out there likes it:

Follow this link to buy it

Oh, and I did

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make sure that it wasn’t just indie acts or bands from the central belt, too…here’s a visual taster!

Frightened Rabbit…an almost weekly update…and Twilight Sad!

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I know, I know…it’s been at least, what, a week at least since I mentioned Frightened Rabbit on here?

However, with Fat Cat sending me both the Twilight Sad’s remix of an Errors’ track (the remix of the opening track from Err

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ors’ forthcoming album out on February 15, Come Down With Me), and the video for the new Frightened Rabbit single both arriving in my inbox today…how could I

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not?

To these ears, the Twilight Sad remix evokes Fuck Buttons (which is interesting, sorta, as the Errors played with Fuck Buttons in Scotland when they were both supporting Mogwai, whose label, incidentally, Rock Action, the Errors are signed to!)

Errors -‘Bridge Or Cloud? (Twilight Sad remix).’ mp3

Meanwhile, this is the video for the new Frightened Rabbit single ‘Nothing Like You’ out on February 22. I am fervently hoping that there is not going to be a backlash against Frightened Rabbit now they are getting the attention they so richly deserve.


Frightened Rabbit on MUZU

(Sorry

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I confused Frightened Rabbit with Twilight Sad earlier – a depressingly early senior moment at the age of thirty three)

Factory Kids’ debut release on 17 Seconds Records

factory-kids

Yup, a mere week after the release of our last release, 17SEC14 hits the streets! Well, the internet, anyway.

‘They Used To Call Me Baby,’ the debut EP by the Factory Kids is available to download from iTunes and all good download services from today (except hmv.com, who seem to be redesigning their download bit, or something). It’s a five tra

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ck EP, and just in case you haven’t heard it already, you can download the opening, title track:

Factory Kids -‘They Used To Call Me Baby.’ mp3

In other 17 Seconds Records news, we have a facebook group for ‘Buy the dirty cuts single’ here, as

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well as one for 17 Seconds Records here. Do not attempt to spam us (we still know what you did last summer).

We have had to reschedule the planned 17 Seconds Records night at Mono on february 28, but more news when we have it.

What is exclusive news, though, is that 17 Seconds Records have a night with X-Lion Tamer and Chris Bradley at Limbo in Edinburgh, with yours truly DJing! That’s April 17, so get it in your diaries. (Unless you’r

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e already going to see the Dirty Cuts at Nice ‘n’ Sleazy’s, which is a fair enough excuse).

Forthcoming in two weeks’ time are the digital re-issues of The Wildhouse’s first two al

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bums. It’s getting busy.

Album Review: The Postmarks

postmarks-album

The Postmarks -‘Memoirs At The End Of The Wo

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It’s quite a surprise to discover that The Postmarks are from Florida. The band’s sound and look owes much to Europe

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and the sweet indie-pop influenced by the sixties.

This is the group’s second album, and it starts off strongly with the song ‘No One Said This Would Be Easy’ which is

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ough is that the record contnues in a similar vein, and by the time of the third or fourth track, attention is wandering to other things, instead of holding your attention. It picks up again with’For better…Or Worse?’ and, alas the same thing happens again. It picks up again towards the end of the record, but despite several plays I have found this album to be inconsistent throughout.

It’s a real shame because there are some great tracks here, but there’s way too much filler to keep your attention going over the course of the album. It feels like an album with some very strong singles where the rest of it is just filler…and in this day and age, if people buy their music electronically, they are going to be cherry-picking.

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y good, when it’s average…it’s just far too often.

***

Memoirs At The End Of The World is out now.

Hear tracks on myspace.

The Postmarks’ website/The Postmarks’ myspace

Alright…’fess up!

bengtsarvet

A mysterious email arrived in my inbox a couple of hours ago, purporting to be from a band called Bengtsarvet.

Thing is, even the email says ‘With a little bit of research you should be able to work out who we are.’

They are, apparently, Swedish and remind these ears of the likes of Mogwai, M83 and a little bit of Sigur Ros. They are instrumental and sound a little ‘prog’ but in a good way, rather than wanting to make me scream.

I have tried googling Bengtsarvet – with no result. They do not sound like any Swedish band I have ever heard.

Doubtless, this is a clever ploy to get us wondering (maybe I should try and do something similar to market 17 Seconds Records acts. Suggestions on a postc

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ard please). Or are they a new band wit

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h an interesting ploy to get written about?

Either way, it works. The sole track on their

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myspace ‘Slutet’ is great and you should go and listen to it.

Bengtsarvet’s myspace.

Oh, and if you’re so bloody clever, stop being so smug and share it with us.

Presenting…Louise McVey and Cracks In the Concrete

louise-mcvey

Towards the very end of last year, Louise McVey and Cracks In the Concrete released their debut four track, self-titled EP. It’s absolutely brilliant.

Hailing from Glasgow, and Stirling, and signed to Glasgow’s hip Optimo label, these guys have rightly been picking up some serious blog love in many places (see here, here and here) and quite rightly too. There’s a colly, cold gothic element to these four songs. Don’t think freezing your butt off at a Sisters or Nephilim gig, think the soundtrack to a David Lynch film, set in Glasgow. Think Tori Amos, without the histrionics, or the kind of goddess that Florence and the Machine can only dream of being. Think someone who has the potential to be as groundbreaking as PJ Harvey or Patti Smith.

You heard.

There’s a kind of audio vampire thing going on here, in that once heard, you’ll be bitten and forever smitten. I have been in touch with the lady herself, and she asked me extremely sweetly and politely not to post any mp3s but was fine with streaming.

So, check out the myspace and here on youtube and then go and buy the EP, from iTunes or eMusic and get the vinyl when it comes out.

She is also playing at Limbo tonight in Edinburgh, and it looks like there are upcoming performances in Glasgow and Aberdeen.

Go on…

Presenting…Dum Dum Girls

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Dee Dee, Jules, Frankie Rose and Bambi are the Dum Dum Girls.

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With a name that nods to both the Vaselines and Iggy Pop, what you get is ms

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uic that evokes both those artists, as well as fitting comfortably alongside the likes of the Vivian Girls, The Raincoats, Best

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Coast, Crystal Stilts and The Pains Of Being Pure At Heart. Indeed, Frankie Rose was previously a member of both The Vivian Girls and Crystal Stilts. Clearly, Indie-pop (as opposed to indie being dull, mainstream guitar rock) is back, and it means business.

Hailing from LA, and signed to legendary indie Sub Pop, their forthcoming album is entitled I Will Be. At the moment the only track of theirs commercially available in the UK is ‘Longhair’ on the recently released Rough Trade shops compilation, this surely cannot remain that way for very long.

Their music evokes the best parts of 60s girl groups and garage bands, s70s punk, 80s DIY, 90s riot grrl and timeless tunes. If these guys

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do not clear up this year…more fool the general public, frankly.

‘Jail La La’ is forthcoming as a single and is out on February 15, I will Be is out on March 29.

Dum Dum Girls -‘Yours Alone.’ mp3

Dum Dum Girls -‘Catholicked.’ mp3

Dum Dum Girls -‘Jail la La.’ mp3