Love Vigilantes Part 2 and Such Great heights

This post is due thanks to one of my readers Adam, who had promised to send me some covers in response to the one I had put up of ‘Love Vigilantes’ being done by Laura Cantrell. So…

first up, Voxtrot and Hungry Lucy’s very different takes on ‘the aforementioned ‘Love Vigilan

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tes’:

Voxtrot -‘Love Vigilantes.’ mp3

Hungry Lucy -‘Love Vigilantes.’ mp3

He also sent me Jenny Lewis doing a live version of the Postal Service’s ‘Such Great Heights’, so I will post that, and just in case no-one has hea

on

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rd it, Iron and Win

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e’s take on the same song:

Jenny Lewis -‘Such Great Heights.’ mp3

Iron and Win

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e -‘Such Great Heights.’ mp3

Hope everyone’s having a good weekend. Went to see Future Of the Left in Glasgo

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w at the Captain’s Rest on Friday night, which was very good, so a review will be

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here shortly.

Detective work completed!

A few weeks ago, I wrote about how I was trying

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to track down something that a) Peel had played in 1995 and b) Peel had read out my request on air to see if anyone could identify it.

It had the chorus ‘Wembley, Wembley, he’s the famous Michael Nyman and he’s going to Wembley.’

It transpires it was Cathal Coughlan of Microdisney and Fatima Mansions and comic Sean Hughes. Thanks to eyevocal and everyone else who helped me locate this.

The track was this:

Bubonique -‘The Pianna.’ mp3

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from the long-deleted Trance Arse Volume 3.

There is a piece about their other album here and Cathal Coughlan’s official site is here

The Breeders’ one and only Peel session

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ctually my 600th post, and I thought I would post this, the one and only Peel session by The Breeders.

The Breeders have been described as one of the most promising and frustrating bands to emerge in the last twenty years. They have prodcued some e

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xcellent stuff, but for what started as a ‘Supergroup’ (in the seventies sense of the word, where a band was formed out of a lot of people who were already in bands as a side project, see Crosby Stiils Nash &

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Young etc..) they soon started to become the main concern. However, in the time they have been around, they have produced four LPs.

When Kim Deal, then the bassist in the Pixies, got together with Tanya Donnelly, then in Throwing Muses, both must have been feeling that they were playing second fiddle in their own bands and that they also had a lot to offer the world.They did. The first album, Pod, was made in Edinburgh at Palladium Studios, and engineered by Steve Albini. This may be heresy in the blogger

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world (but I’ve already faced excommunication by some for

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not putting the Arcade Fire as my favourite band of all time, so what the hell), but Pod is actually my favourite of the four albums. This is the time that produced the only session they would record for John Peel, though the only song that ma

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de the Festive fifty, perhaps predictably, was ‘Cannonball.’

They recorded one Peel session for John Peel, in January 1990, which was broadcast the following month. All four tracks were written by Kim

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Deal

Breeders -‘Fortunately Gone (Peel session).’ mp3

Breeders -‘Hellbound (Peel session).’ mp3

Breeders -‘Iris (Peel session).’ mp3

Breeders -‘When I Was A Painter (Peel session).’ mp3

This lineup would change over time, Tan

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ya Donnelly would leave both Throwing Muses and The Breeders, first two produce two albums as

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frontwoman of Belly, and then go solo; Kim Deal was joined by her sister Kelley later on, though they had other projects as well, including The Amps, The Kelley Deal 6000…a whole heap o

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f other stories.

Maybe you should try here…
The Breeders’ website/The Breeders’ MySpace/An unofficial but utterly brilliant Breeders’ page

Album Review: Cave Singers

The Cave Singers – ‘Invitation Songs’ (Matador)

OK, so it was released last year in the US, came out here earlier this year in Britain, but of the 100+ albums I have heard this year* the Cave Singers’ debut is an astounding record that is in the top ten this year.

The band is Pete Quirk on vocals, guitar, melodica and harmonica; Derek Fudesco on guitar and bass

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pedals and Marty Lund on drums and guitar. In previous musical lives, Quirk was in Seattle post-punk group Hint Hint, Lund was in Cobra High, and Fudesco was the bass player for Pretty Girls Make Graves and legendary Murder City Devils. All these previous bands would suggest a sortof ‘alt-rock/punk’ sort of record, so why is that folk seems to be the thing here?

That’s not a bad thing, in fact it’s their approach to this music that makes this album such a refreshing and exciting record and one that I keep playing. Even as a blogger, I now get sent a fair amount of music and t

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here’s a lot that perhaps only gets played once** but this album has been played frequently and belongs permanently on my iPod. The reference points here might be American roots music, be it proper country or blues, and the folk that comes from that part of the world. At times the music is almost hypnotic and mantra-like, at other times the sort of ininhibited dance music that, like the early work of Michelle Shocked is roots music that makes you want to dance.

From the opener ‘Seeds Of Night’ and including single ‘Dancing On Our Graves’, right up to album closer ‘Called’ this album continues to surprise and delight. Once heard, I bet it will haunt your brain forever.

Even if you think you don’t listen to ‘this sort of music’ I have to issue this challenge: if you’ve glossed over certain types of music I’ve written about on here, give this a listen. You will be surprised, pleasantly taken aback, and hopefully you might even go and buy it. With this, Jaguar Love and Shearwater, Matador Records are setting the standard for 2008.

*****

Invitation Songs is out now on Matador

Cave Singers -‘Seeds Of Night.’ mp3

* I get sent a lot of these. Do you honestly think I could afford to buy that many new albums in one year?!

** There is one of me. This is not a full-time job, I do it for love in my free time.

Isaac Hayes: A Tribute

17 Seconds is deeply sorry to hear of the death of Isaac Hayes at 65. He was famous as a musician, actor and humanitarian. He laid much of the pioneering groundwork for music, and his influence can be felt on Soul, Funk, Disco, Hip-Hop and House.

Born on August 20, 1942 in Covington, Tennessee, he was raised by his grandparents after the early death of his parents. In the sixties he worked for Stax Records as a as a session player and songwriter. Amongst the songs he wrote included ‘Soul Man’ and ‘Hold On I’m Coming’ for Sam and Dave.

In the late 1960s he became a solo artist in his own right, and his second album Hot Buttered Soul is rightly considered a landmark soul album. Maybe it should just be considered a landmark album full stop. It’s only four tracks long, and yet over the course of forty five minutes sets the bar for music impossibly high. It contains two covers of well-known songs ‘Walk On By’ and ‘By The Time I Get To Phoenix’ transported from three minute pop songs into soul work outs. ‘Walk On By’ is over nine minutes long; ‘By The Time I Get To Phoenix’ just under nineteen and starts with a eight minute monologue. Much sampled and lauded, this album is up there with other soul land mark albums; think Stevie Wonder’s Music Of My Mind, Talking Book and Innevrvisions and Marvin Gaye’s What’s Going On and Let’s Get It On.

In 1971, Hayes released his best known work, Shaft, the theme music to the Blaxploitation film of the same name. The title track was a US no.1 and a no.4 single in Britain. He won an Oscar for Best Original Song for the “Theme from Shaft,” and was he was also nominated for Best Original Dramatic Score for the film’s score.

It wasn’t all plain sailing; both Stax and Hayes would have financial problems in te mid-seventies, with hayes filing for bankruptacy in 1976. He was a survivor though, and continued to release music, as well as acting in both film and TV. Having appeared as a barman in the film of Shaft, he would appear in The A-Team and Miami Vice, and numerous films including Robin Hood: Men In Tights and Johnny Mnemonic.

In the last decade, he gained a new generation of fans by voicing Chef in the controversail but funny series South Park. Chef’s song ‘Chocolate Salty Balls (P.S. I Love You’) was a no.1 hit in the UK and Ireland. Chef was a love machine par excellence and one of the few level headed people on the show. His surname was McElroy, and according to the Wikipedia entry, his parents live in Edinburgh, Scotland, home of 17 Seconds. However, hayes quit the show, feeling that it had crossed the line from satire into bigotry in an episode entitled Trapped In the Closet which mocked scientology, his adopted religion.

In 2006, he suffered a stroke. Yesterday Police said that he had died at his home in Memphis, Tennessee. Police were called to his home after his wife found him unconscious. He was taken to hospital where he was pro

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nounced dead at 1408 (1908 GMT). He leaves behind a wife and twelve ch

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ildren.

Isaac Hayes -‘Theme From Shaft.’ mp3

Isaac Hayes -‘Soulville.’ mp3

Links you may wish to investigate:

Isaac Hayes’ official website

Isaac Hayes’ entry at the Internet Movie Database

Isaac Hayes on Wikipedia (this has been updated in the last twenty-four hours)

BBC obituary

NME Obituary

More Alex Taylor (and related)

Tonight’s post is courtesy of not one but two 17 Seconds readers. Bernd, thank you for supplying the picture above of Alex Taylor and the cover of motorcycle Boy doing the Velvet underground’s Run Run Run’ and the Shop Assistants doing ‘Respectable’ and yet again, Tom, for supplying the two tracks by One Note Jam. Unless anyone has any info to the contrary, this was the very final record she made, in early 1991, as One Note Jam, who Motorcycle Boy became, split after this, in 1992. I would love to knwo what she’s up to know. In fact, if Motorcycle Boy and/or The Shop Assistants were to reform, I would be one very happy person…

One Note Jam -‘Warp Eight In Electroglide (Only You).’ mp3

One Note Jam -‘Warp Nine In Electroglide (Only You).’ mp3

Motorcycle Boy -‘Run Run Run.’ mp3 (Velvet Underground cover).’ mp3

As a bonus, the very final Shop Assistants track, recorded long after Alex Taylor left, their cover from 1990 of the Rolling Stones’ ‘Respectable.’

Shop Assistants -‘Respectable.’ mp3

A crazy idea…and another thing

Well, finally I have done a 17

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Seconds MySpace.

If you want to be my friend on it, the link is right here.

And it also explains a crazy idea I’ve had to

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day, and am developing with my friend Laurent.

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Only time will tell…

…But you won’t have a clue what I’m on about, unless you investigate, will you?

The Fall -‘Edinburgh Man.’ mp3

Great scottish bands #4: Motorcycle Boy

For the second post in a row, I am completely indebted to Tom over at Indie mp3 for providing me with the mp3s to make this post.

Motorcycle Boy came together of members of Meat Whiplash and Alex Taylor, lead singer of The Shop Assistants, a band I have banged on about repeatedly on here. The line-up of Motorcycle Boy was:

Alex Taylor (vocals), Michael Kerr (guitar), Eddy Connoly (bass) Paul McDermott (drums) and David ‘Scottie’ Scott (guitar). Their first single was released by Rough Trade, then they signed to Chrysalis. They recorded one John Peel session and that year their debut single ‘Big rock Candy Mountain’ reached no.22 in the annual Festive Fifty conducted by listeners to John Peel’s show. None of their singles charted in the UK, and were not released in the US. Their only album was shelved…but I remain convinced that Motorcycle Boy are one of the great scottish bands, and a proper re-issue programme should be set in place.

The singles were as follows:

‘Big Rock Candy Mountain’ 12″ single

1.’Big Rock Candy Mountain (Velocity Dance Mix).’ mp3
2.’Room At The Top.’ mp3
3.’His Latest Flame.’ mp3
4.’Big Rock Candy Mountain (7″ mix).’ mp3

‘Trying To Be Kind’ 12″ single

1. ‘Trying To Be Kind (extended mix).’ mp3
2. ‘World Falls Into Place.’ mp3
3. ‘Will You Love Me Tomorrow.’ mp3
4. ‘Trying To Be Kind (1000cc version).’ mp3

‘You And Me Against The World.’ 12″ single
1. ‘You And Me Against the World.’ mp3
2. ‘Under The Bridge.’ mp3
3. ‘Some

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Girls.’ mp3
4. ‘You And Me Against the World. (extended mix).’ mp3

(Note: the last two singles were due to be on the band’s album, Scarlet, which never appeared.)

‘The Road Goes On Forever.’ 12″ single

1. ‘Starlight.’ mp3
2. ‘Starlight (Paradise a go-go mix).’ mp3
3. ‘The Road Goes On Forever (Overdrive Karma mix).’ mp3
4. ‘Salvation.’ mp3
5. ‘The Road Goes On Forever.’ mp3

‘Here She Comes’ 12″ single

1. ‘Here She Comes.’ mp3
2. ‘Everything I See.’ mp3
3. ‘The Road Goes On Forever (live).’ mp3

After this, the band adde

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d ‘Fitzpatrick’ became One Note Jam, who issued a further 12″ single and then the band split. Alex became a real shop assistant, working for the Virgin Megastore in London.

BONUS: Taken from the cd86 compilation (well-worth your hard-earned cash, IMHO) , this is Meat Whiplash’s single ‘Don’t Slip Up.’

Meat Whiplash -‘Don’t Slip Up.’ mp3

If you want more info on scottish bands, Jocknroll is THE place to start.

Finally, if anyone has the Shop Assistants or Motorcycle Boy Peel sessions, could they get in touch, please?

More Shop Assistants

The Shop Assistants do seem to generate a lot of interest when I post them here, as indeed they should.

I took a friend round Edinburgh today for record shopping, and he bought both the Shop Assistants 12″ singles I posted at the end of last week (see! Blogs help people buy music, not prevent it). Then I got home to discover that Tom who writes this fantastic Shop Assistants page that is essential if you’re at all i

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nto the band had sent me both tracks from the flexi disc that came with the Box Set of the ‘Here It Comes’ single.

Despite my best efforts, I ha

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ve yet to get my hands on this (that’s a heavy hint to those nice people at a certain record shop in Edinburgh) but I post it here courtesy of Tom. Thank you, kind sir.

Shop Assistants -‘You Trip Me Up.’ mp3 (yes, the Jesus and Mary Chain track)

Shop Assistants -‘The Other One (live).’ mp3 (Not aware of this in any other form).

Oh, does anyone have the song ‘Respectable’ the stones song that they covered? Please?!

Love Vigilantes

John Peel with Laura Cantrell, one of his favourite people

Sometimes, there are some cov

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er versions that completely revisit the original to such an extent it completely rewrites the song almost.

One of those is ‘Love Vigilantes’ by New Order, originally on their Lowlife album, and covered this year by Laura Cantrell on her latest al

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goes new country? Don’t knock it ’til you’ve heard it…

New Order -‘Love Vigilantes.’ mp3

Laura Cantrell -‘L

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ove Vigilantes.’ mp3

…and don’t forget to let me know what you think.