Album Review: Spiritualized

Spiritualized -‘Songs in A&E’ (Sanctuary)

I have to confess, this has been one of those albums on my ‘hmm, must get round to hearing’ rather like Primal Scream and Metallica, on the ‘I like the stuff I’ve heard by them over the last decade and more, cannot afford to buy it just yet’ list. And now I’m kicking myself at having, frankly, denied myself the pleasure.

Because, quite frankly, as The Wire had pointed out, this is their most compelling set for a decade. That album was the genre-busting psychedelic masterpiece Ladies And Gentlemen We Are Floating In Space. Rather like many other records of the time, it was a

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fantastic record that did well, critically and commercially, and was not dissimilar in vein to records that followed by Mercury Rev (Deserter’s Songs an

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d All Is Dream; Grandaddy’s The Sophtware Slump; and of course Flaming Lips’ The Soft Bulletin and Yoshimi Battles the Pink Robots.

And rather like the follow-up albums from many of these artists, Spiritualized’s next two studio albums Let It Come Down and Amazing Grace were good albums, but just not as amazing as we’d hoped they’d be. But this album is frankly, amazing. A gorgeous mixture of all that we have loved Spiritualized before. This confirms that Jason Pierce (or J. Spaceman, as he is credited on pretty much every Spiritualized album) is a genius. Genuinely a Brian Wilson for our times, who is trying to get the angelic music out of his head and down in the recording studio.

And from start to finish, the album does not let up. It never drags nor dips, and makes you want to go back and listen to it from start to finish again. Like many multi-layered albums it’s a headphone work that beenfits from being listened to closely as it yields more and more of its’ charms.

J. Spaceman is once again firing on all cylinders. Be sure to enter and be wowed.

****1/2

Spiritualized’s official website/www.myspace.com/spiritualized

The videos cannot be embedded as the code been disabled by request (why?!) but here are the links to go and watch ‘You Lie You Cheat‘ and ‘So

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ul On Fire‘

The tracks can also

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be streamed at myspace above.

A contender for Christmas no.1?

Last night I was listening attentively to the Tom Robinson show on 6Music, partly because the man himself had emailed to say that he would be playing the first release on 17 Seconds Records the single ‘Claire’ by Aberfeldy. (let this be known: to his eternal credit, Mr. Robinson said he would actually buy the single off iTunes. Now that is the sort of support that restores your faith in human nature).

Whilst waiting patiently, he played a version of ‘Hallelujah’ the song written by Leonard Cohen that first appeared on Cohen’s Various Positions in 1984. It has been subsequently covered by many artists including most famously, Jeff Buckley on Grace, but also Rufus Wainwright, Bob Dylan and John Cale. The version played last night was by Cale’s fellow Welshmen Brigyn. It’s called ‘Haleliwia.’ Yes folks, it’s sung in Welsh. Obviously, it’s not the first band to sing in Welsh, thinking of Catatonia, Gorky’s Zygotic Mynci and of course, Super Furry Aniamls, who made fantastic album called Mwng, sung entirely in

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Welsh back in 2000.

Now, what Tom Robinson is proposing is that a campaign be started for it to be the Christmas no.1. Is it possible? It w

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ould be great. they previously recorded a version of this a little while ago, but as I understand from the programme last night, apparently it’s taken a while for Leonard Cohen to give his OK to releasing this.

Well, I’d obviously love Aberfeldy’s ‘Claire’ to be the Christmas no.1 single, but if not, this would be pretty cool. And besides, sticking the boot into the likes of the likes of Simon Cowell’s latest monstrosity, on principle, is surely necessary.

The single isn’t due to be out until the end of November, I’m not even sure who’s putting it out but hear it here. Pop along and make friends, and spread the word.

Brigyn’s website/mySpace

VENCEREMOS!

Hallowe’en type post

There are lots of things that scare me. The thought of John McCain and Sarah Palin winning the American Election. Things happening to the people I care about. Disaffected kids that I teach failing their exams in my subject. Carrie, The Shining and the original version of The Ring (the Japanese versi

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on, not the flaming remake).The existence of scary Californian copyright law (which has seen me lose another post; this time after I was sent the mp3 from their UK company, and the US company freaked out before checking with the UK. Talk about Cultural Fascism).

This song is gothic not just in sound, but in lyrics, with its’ talk of forests, mandrakes and one of my favourite lyrics ever ‘Your epitaph will ever say/your sun went down while it’s still day.’ Not planning on dying before I hit forty (I’m not a teenager anymore *tongue in check for any readers too stupid to understand irony*) but who are the Screaming Marionettes. I spent years trying to track this down; eventually found it (surprise, surprise) at Kensington Market in London, then London’s premier goth hangout. I can find next to nothing about this band on the web, any info gratefully received etc..

UPDATE 2/11/08: I have found this web address for info about the band, who went on to become the Marionettes (not the indie band from Aberdeen). This is a fan’s myspace site.

Screaming Marionettes -‘Like Christobel.’ mp3

And this is perhaps one of the scariest tracks ever, it attacks the listener, which is pretty cool.

Wolf Eyes -‘Stabbed In The Face.’ mp3

And ‘cos it’s Hallowe’en, the best horror pop song/short film of all time:

Mic

hael Jackson’s Thriller Video

(yes, 80s Goth, Noise and Michael Jackson in the same post. That’ll teach ya to pigeonhole)

Hooray – finally getting the recognition they deserve

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ifteen years, The Cure are back on the

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cover of NME! And they’re going to get the Godlike Geniuses Award from the NME next year. It seems like a far cry from the days whe

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n the NME was either slagging them for being h

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asbeens or not writing about them at all…hopefully Echo and the Bunnymen will get their

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due next (perhaps to coincide with the 25th anniversary of Ocean Rain)

Their new album 4:13 Dream is fantastic, definitely a four an a half star album, IMHO.

And assuming this works, this will enable you to check out some of the tracks off the new

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album.

Enjoy, folks…

Guilty Pleasures from the closet

Everyone has them, the songs we’re not meant to like, the songs that Kurt Cobain, Sid Vicious et al died so that we wouldn’t have to listen to.

And quite often they may be made by people whose work we cannot otherwise stand.

This track is a case in point. I am very happy never to have to hear ‘Everything I do, I Do It For You’ by Bryan Adams ever again.

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d despise beyond all measure, almost as muchas anything by his compatriots Celine Dion and Nickleback * involuntary shudder* is g

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reat?

Bryan Adams -‘Summer Of ’69.’ mp3

(I know, other bloggers have laid down all manner of defences of me, and I repay them by posting this.)

Thank the Lord

(Bet Che wouldn’t have taken any crap from people purporting to represent artists and exploiting folk!)

A couple of days ago, I was deeply concerend when Steve at Teenage Kicks was going to pull the plug on his excellent John Peel-inspired blog.

To my intense relief, he

has announced he will continue.

So in honour of Steve, and his immaculately researched blog, this is the Undert

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ones’ Teenage Kicks, (yes, John Peel’s favour

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ite ever song, I think we all know that now!)

This is not a long post f

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rom me, I’ve spent an hour and a half marking…

Undertones – ‘Teenage Kicks.’ mp3

By the way, this has appeared at Condemned to rock roll

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which makes for great reading.

The Fightback Begins

As I wrote a couple of days ago, I had a post removed a few days ago.

This was not just of a hand

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ful of mp3s but of the entire interview of Glasvegas, a band I have given a lot of positive coverage to, not just when they were a small band, but as they signed to a major. I have tried, also, to be very tactful when writing about Glasvegas not to criticise them, and my tact has been commented upon.

To say I have been angry and frustrated would be an understatement. As I have made clear right from the very beginning, the point about this blog was the promotion of music and certinaly not deprive musicians of their earnings. To be made to feel like a criminal by an organisation that has the moral highground of nothing is pretty sickening.

I’m certainly not the only one who’s been affected. Coxon Le Woof at To Die By Your Side had a similar thing happen to him earlier in the month, and Steve at Teenage Kicks had the same thing the day after me, as did Chad at Everybody Cares, Everybody Understands.

There h

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ave been supportive posts at The Vinyl Villain, and Song By Toad as well as a lot of supportive comments, from readers, musicans and people who do run record companies. It’s been discussed on websites -and I’ve had more comments about this than any other. To my horror, Steve is talking about jacking it in. It will be a sad loss to the blogging world if he does.

I have certainly considered it, but I have decided that I can either let these bullies win, or I can stand up to them, in the hope that they leave us alone.

So, if you’re up for helping fight it, then that would be great. Because, frankly, to take down posts without warning is bordering on extremely dangerous behaviour. The law should be there to protect everyone. The law is not there simply as a tool of the rich and powerful.

Some artists have been very supportive of the stuff I have written about them.

This guy is one of them.

Dom De Luca -‘It’s A Sad, Sad Day.’ mp3

Come on, Care!

As I may have mentioned a few times (this is MY blog, after all) 17 Seconds Records’ first signing (there will hopef

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ually now asking who the next signing will be) are Aberfeldy.

Now, this version is NOT the version that can be downloaded and bought

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, but it is the version that was gievn away for free through the South By Southwest website earlier this year.

I am still not receiving the communiques I had asked for when I tried to do something similar months ago for another BAND whose management have so far failed to get in touch AND whose record company’s rottweilers are being immoral.

Anyway, enjoy this song, then go and get the great single off iTunes, leave feedback and help 17 Seconds and Aberfeldy on the way to ruling the world.

Aberfeldy – Come On, Claire (free download version).’ mp3

Presenting…Ex Lion Tamer

Ex Lion Tamer is the one man band from Edinburgh consisting of the enigmatic Tony T who works…well, I won’t reveal where he works, but he does make some damn fine pop music.

Yes, cooler-than-thou people I said POP. Tony T describes his influences as being ‘Whitney Houston, Cyndi Lauper, Madonna, Yazoo, Erasure, Rob Hubbard – things that sound clean’ and says that Ex Lion Tamer sounds like the ending credits of low budget 80s teen movies – played on your mate’s Amiga. With a gift for sarcasm that would put P.E. teachers to shame, he may be making one or two of those up. Though not the bit about the Amiga.

The name does indeed come from the song by Wire -some of you were just itching to point that out, weren

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‘t you? – but this is no three girl rhumba. Instead, check out the myspace and see how good it really is:

Ex Lion Tamer’s myspace

Grrr…stand up to bullies

Extremely displeased by bully boy tactics.

I checked my email this morning to find an email from Blogger saying that links had been removed ‘Blogger has been notified, according to the terms of the Digital Millennium Copyright Act (DMCA), that certain content in your blog infringes upon the copyrights of others.’

Now, I cannot actually check the article concerned, which was an interview with James Allan of Glasvegas, because it was removed. Yes, not just the mp3 (which I had believed that I had removed, given that I allowed my account to lapse with the file hoster concerned, as I felt that they had seriously let me down a few months back) but the whole interview, which frankly speaking, I consider to be MY intellectual property.

I would like to say that I do not blame Glasvegas for this. They’re a great band, James Allan was a charming interviewee and his sister and manager Denise remembered that he had promised me a place on the guest list when they played Edinburgh last month. However, I do feel that removing mp3s of demos that the band had made available for free on their website is somewhat unjust. Yes, I posted them, they were free. Added to which, james Allan had commented that before many of the songs were out, fans seemed to have learned the lyrics to the songs from blogs.

Until a few months ago, the first three singles from the band (recorded prior to their signing with big record company, I won’t name it here,) were available to download from a well-known online retailer. You now cannot buy them from said retailer. Now, if the band chose to do that, that is their choice. BUT: if you have previously enabled things to be either downloaded for free or to be downloaded, then withdraw that, people will distribute them ILLEGALLY, and if they were once available to buy -guess what, the band won’t make the money that it might have done!

Back when I interviewed the band in January, James Allan was very modest, and even with the signing frenzy that was happening, didn’t seem to have let it go to his head. From what I saw onstage last month in Edinburgh, he still hasn’t. As well as coverage in the NME (three covers this

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year, I think), what has helped them was the coverage in blogs like this. Oh, and bizarrely, people like me who played them to their students in aesthetics, and the students went and bought the album and singles.

There are those who see all copying and distribution of music as being the same as walking into the shop and stealing multiple copies. I beg to differ. Whilst I have had to cut down on music buying of late (there’s, y’know, bills to pay, and there is a recession coming -sorry, but the Emperor isn’t wearing any clothes, this is not scarem

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ongering), I have bought pretty much everything by Glasvegas I could lay my hands on. Including buying a copy on vinyl even though I’d been sent a promo CD and buying a copy of the LP for brother Seconds’ birthday. I might also add that when I reviewed the album in September I stipulated at the end of the review ‘Don’t copy this, go and buy it.’ Short of going and buying thousands of copies of the album and giving it to strangers in the streets, I don’t think I could have done more to promote the band.

So why the hell am I being made to feel like a common criminal?

Like I say, this is not a rant at Glasvegas, but at people who feel that they can use bully-boy tactics and scaremongering. As I’ve mentioned before, I co-run what is Scotland’s newest and smallest record label. I hereby declare that I will never, EVER hound people who promote the bands whose records we release. And may I be struck down if I do.

Glasvegas’ album is out now. It’s brilliant, go and buy it. And go and buy the Aberfeldy single, it’s brilliant too.

If you are the sort of person who is trying to concentrate on internet crime; here’s a tip: deal with the real criminals: people who exploit others. Not bloggers who do this out of love of writing and music. The web police are no more than manifestations of George Orwell and William Gibson’s worst nightmares come to life.

After that rant, there’s only one thing I could possibly post:

Crass -‘Do They Owe Us A Living?’ mp3

I had been going to post ‘Police and Thieves’ by the Clash, until I remembered that it is on a label with big scary lawyers (well, very likely).

Oh, and I will post the review of the Mogwai/F*ck Buttons/Errors gig tomorrow, it was brilliant).