Album Review: The Wooden Sky

wooden-sky

The Wooden Sky -‘Every Child A Daughter, Every Moon A Sun.’ (Loose Music)

Over several years of writing reviews, the amount of hyperbole that arrives with many releases that spends ages building up to what end

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s up being a desperately sub-average release is really quite staggering. So, I got off to a goo

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start with this album with a small sticker than simply announced ‘Beautiful, introspective folk from Toronto, Canada quintet.’

And in a sense, that’s exactly what you get. Now, I don’t know enough about music to

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say how this music might differ if it came from, say, Saskatoon, Montreal or Vancouver. But this is beautiful, heartfelt stuff that grows and grows with successive plays. No, it doesn’t blow your speakers or dazzle you with wordplay, but it does produce something rather lovely.

If it dips, about two thirds of the way in, well, that’s no more than ple

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nty of albums do. But with tracks like ‘Take Me Out,’ ‘Angelina’ and ‘Child of The Valley’ you have a collection of songs that’s heartfelt and yet straightforward.

Just what it said on the tin, er, label…

***1/2

Every Child A Daughter, Every Moon A Sun is out now on Loose Music.

Full album stream via this site

EP Review: Miniature Dinosaurs

miniature-dinsoaurs-ep

Miniature Dinosaurs -‘Turn It On EP’ (Integrity)

Over the course of nearly four years now, Stirling’s Miniature Dinosaurs have released a steady stream of singles and EPs. This latest shows the band demonstrating -once again- their own rather fine take on quirky indie-pop, which they have done since th

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eir first release back in 2009 ‘(I Want to watch) Top Gear.’

Like the pre-digital days, here is a band who understand that on an EP, the idea is that -in theory, at least -all four tracks should be of the same high standard. And they are all great, though

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for my money (well, I got sent a promo copy, but you get the idea) the two

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standout tracks are opener ‘Lemonade’ and penultimate ‘Next Of Kin’ the latter being one of the rockiest things they’ve done.

Will they ever release an album? Who knows. These are four more fine tracks which add to their catalogue -so why not compile your own?

****

Turn It On EP is released on Integrity on October 22.

The band are touring at the moment. Forthcoming dates include:

31 Oct Edinburgh Electric Circus
01 Nov Glasgow Stereo EP LAUNCH GIG
(Over 14’s night Support from Brown Bear and the Bandits, and Alter-Natives.
Tickets £6 in advance / £7 on the door NOTE: this has changed from dates originally published!)
3 Nov Dunfermline Jam Jar
23 Nov Dartington Dartington Hall
24 Nov Exmouth Exmouth Football Club

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25 Nov Aberdeen Tunnels

Crystal Fighters vs. Benga

benga-2

Although I haven’t featured Crystal Fighters before here, I am aware of their stuff. I have, however, featured Benga before, giving a five star review to his debut album Diary Of An Afro Warrior four years ago, which also was no.3 in my top 75 albums of the year in 200

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8. He was

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part of the dubstep movement, but is now, as far as I can see online, keen to distance himself from it.

Either way, I’m pretty sure I heard this on 6Music yesterday, it’s Benga’s remix of the Crystal Fighters’ track ‘Follow’

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which I think is rather awesome:

You can download it free here (follow the link)

Taffy tour the UK

taffy

I reviewed Tokyo four-piece’s fine debut album, Caramel Sunset, back on these pages earlier this year. Although they have been described as owing a debt to Britpop, I personally think they owe far more t

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o the c-86 movement.

Either way, the band are now coming to England and Scotland in support of the album, and are giving away ‘=3’ away as a free download in support of the tour and album. Download and turn it up very loud (I would, if the wee man wasn’t fast asleep next door).

Those tour dates are as follows:

24th October – The Windmill, London
25th October

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– Start The Bus, Bristol
26th October – The Ruby Lounge, Manchester
27th October – Broadcast, Glasgow
29th October – Lock 42, Leicester
30th October – Madame JoJo’s, London (White Heat)
1st November – The Compass, Chester
2nd November – Chameleon Cafe Bar, Nottingham
3rd November – Wilmington Arms, London (Club AC30)

Palma Violets- give them a chance!

palma-violets-008

Being labelled the next big thing can be a complete curse.

Sure, over the years, the likes of Suede, Oasis, Libertines and Arctic Monkeys have taken that ball and run with it. But then again, how quickly it was over (at this point in time, anyway) for the likes of Campag Velocet, the Young Offenders, Menswe@r, The Black Kids, Viva Brother …and bands I can’t even remember.

Palma Violets were on the front cover of NME last week, hailed as the next great guitar band. Now, aside from the gripe that I could make about ‘do we always have to be looking for four boys with guitars?’ (there’s plenty of great music that involves neither) there is a sense, aged thirty five, that ‘here we go again.’ Thing is, cynicism aside, their debut single ‘Best Of Friends’ is really rather great. I’d switched on 6Music this morning, and it came on, and it sounded great. Did it sound like the future of rock’n’roll? No -it just sounded like a great tune.

What it highlights -not for the first time – is not only the ‘build them up to knock them down’ mentality of a lot of people (and I think that bloggers have their own responsibility for this, too, not just print media), but problems that impact on so many areas of art. Obsession with what the midweek chart position is, what the opening weekend at the cinemas did, how ma

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to come to fruition. And how much of a quantum leap were sophomore albums by the likes of Blur, Radiohead or Foals?

Sure, people can get carried away. I can’t tell what the Palma Violets debut album will sound like, and like pretty much any act, I really would like it not to be twelve pho

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t the hypers and the knives out brigade just take a deep breath and let the rest of us enjoy it for what it is.

Stream their recent session and interview with Steve Lamacq here:

Presenting…Asfandyar Khan

asfandyar-khan

This evening, there were so many submissions in my inbox, it was wearying going through stuff. Yet the record I’ve been meaning to write about for the last ten days is the work of Islamabad, Pakistan’s Asfandyar Khan.

Citing his influences as Matthew Robert Cooper, Stars of the Lid, Tim Hecker and perhaps most of all, Brian Eno, he has just released his second album Elsewhere.This is guitar based ambient music, with hints of post-rock that is really beautiful and deserving of as wide an audience as possible. And to these ears, it’s not overstepping the mark to say that Elsewhere compares favourably to the likes of Music For Airports.

Asfandyar’s album can be downloaded for free below. If you like what you hear, though, why not make a contribution? Once you’ve heard the opening two tracks, you will want to hear the whole thing.

Presenting…VASA

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Glasgow Post-rockers VASA are Blaine Thompson (Guitar), Scott Coupar (Guitar), John Niblock (Bass) and Alex Gordon (Drums). They tak

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gling and surfing the net to confirm Swedish Naval History).

This is their debut single ‘Cynthia’ which is taken from their forthcoming EP Never Have Dreams, released on December 14. And yes, people will draw comparisons with Mogwai, because they’re post-rock and instrumental, but comparisons might also be drawn with tortose because it’

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s quite Math-rock too, but it never outstays its’ welcome.

Listen this way, it’s a mighty fine way to start your career, this:

The continued rise of Spook School

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the end of last year.

It’s great to report that they have linked up with US label Cloudberry to put out a 7″ single, entitled ‘Here

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We Go/Cameraman.’ It’s really rather fab.

Stream it here:

You can buy the 7″ at Cloudberry’s online store and you can watch the video

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Album Review: Ty Segall

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Ty Segall -‘Twins’ (Drag City).

Twins is actually the third album that Segall has put out this year, following on from records with his band Slaughterhouse and a collaboration with White Fence. Now, at the time of writing I haven’t actually heard those records, but this album is strong enough to make me want to investigate his whole damn back catalogue.

‘The Hill’ was the first track to do the rounds from Twins. The good news is that it’s typical of the spirit of the album, but that the other eleven tracks aren’t rapidly degrading sonic carbon copies. See, Segall has a love of music that incoporates not an ‘everything but the kitchen sink’ approach but an understanding of what makes people like The

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Byrds, Barrett-era Pink Floyd, Black Sabbath and The Stooges so special. And he mixes it up, with the end result that it’s a record that’s a delight from its first hearing, and is still revealing sur

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prises several listens down the line.

‘Thank God for sinners’ is the title of the opener, which gets the album off to a cracking start, but really, thank God for Ty Segall. Too good to simply be a cult secret. Please spread the word.

****

Twins is out now on Drag City

Interview: Shy & DRS

shy-and-drs

For every city with a thriving, envied music scene, pretty much anywhere in the world I’d be willing to bet, there are heaps of other towns and cities where the music scene is not so much underground as virtually non-existent. ‘There’s nothing happening in Aberdeen,’ sighs Shy from Shy & DRS down the ‘phone one Friday night. ‘Even on the rock scene, there’s nothing happening.’

After all those years when UK Hip-Hop seemed to be a cult thing, the last few years have seen it blossom, thrive and explode. Here in Scotland, there was suspicion about the idea of Scottish Hip-Hop, until people realised that a) it was actually happening right under people’s noses and b) it’s actually pretty good.

Shy recalls that when he and his brother DRS (possibly not what their Mum calls them, I suspect) people simply thought they were trying to be Eminem. Now Mr. Marshall Mathers’ band D-12 will feature on their debut album, due out next year at the end of January.

It’s not their only collaboration. One of the songs on their forthcoming album features Dan McCafferty of of Scottish rockers Nazareth. ‘It ws a totally random collaboration!’ Shy tells me. ‘We were sampling lot of stuff, but it was costing a lot [in terms of clearance]. One of our lawyers suggested getting Dan.’ The resulting track was recorded in Germany -‘a good, weird experience’ and will be released as a single next year.

In the end, the only sample they ended up keeping for the album is from Marillion’s 1985 single ‘Kayleigh’ which features on their debut single out this week ‘The Love Is Gone.’ This features vocals from Sandi Thom, still best known for the no.1 single ‘I Wish I Was A Punk Rocker.’ ‘ We recorded it back in 2009 -that’s how old it is -with Sandi. It was the opener, it sparked the rest of it [their recorded output].’ We knew Sandi, she was signed with Sony at the time. She liked the idea of Scottish rappers. We were goin

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g to put it out ourselves, then we got new management -and finally it’s out!’

It may have taken for now for the Scottish Hip-Hop scene to flower -something Shy puts down to the changing attitude of people ‘now that the English Hip-Hop scene is blowing up’-and things are starting to get busy for them. There’s plans for a Scottish tour next yearas well as that debut album. For now there’s only a few gigs lined up -but they are playing a mini-tour with Sandi Thom. They have yet to actually meet the likes of Young Fathers and Stanley Odd, but it is surely only a matter of time…

Oh, and performing in front of Royalty, too, it would seem. ‘We’re going to be playing in front of Prince Edward at a Community Centre in Aberdeen!’ exclaims Shy.

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The only way is up.

‘The Love Is Gone’ is out now on Guardian Angels Records.