About Ed

Music fan by instinct

Album re-issue

megaphonic-thrift

Megaphonic Thrift -‘’Decay Decoy.’ (Club AC30)

There’s been a bit of a shift of late. Well, there frequently is in m

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usic, I suppose, but while people seem to be moaning the fact that rock and indie isn’t selling very well in Britain (all cyclical, believe me, I’ve seen it come and go and come again my 25 years of buying music), there is talk of a nineties revival being afoot. At the moment, rather than this meaning Britpop, Triphop, speed/uk garage, trance or -God forbid – happy hardcore – what is (currently) being revived is the ‘Alternative’ era of American rock. The debut by these Norweigian rockers was actually released in Norway a few years ago, first issued here a year ago, but this year is now having a wider release. They share a label with Ringo Deathstarr, which makes perfect sense.

There’s a feel of Pavement (circa Slanted and Enchanted) and Sonic Youth (Circa Daydream Nation) about this album. There’s also a hint of what I can only describe as gothic psychedelia (no, not like the Damned or Strawberry Switchblade, more like…And You Will Know Us By The Trail Of Dead), particuarly on tracks like ‘Sister Joan.’

It’s music to lose yourself in, in the best possible way. There’s tracks like ‘Candy Sin’ with its’ walls of feedback, interspersed with more reflective guitar work. Ultimately -irrespective of whether there’s a nineties revival or an about-turn of interest in guitar music in the UK, what matters is whether this album is actually any good or not.

..and this is still an excellent album.

****

Decay Decoy is re-released on 6th February on Club AC30.

Megaphonic Thrift -‘Sister Joan.’ mp3

Megaphonic Thrift -‘Candy Sin.’ mp3

Album Review – Lana Del Rey

lana-del-rey-born-to-die-608x608

Lana Del Rey -‘Born To Die’ (Polydor/Interscope)

..so here it comes. The most antici

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pated debut of 2012, from an act who was barely known six months ago. There probably is a school of thought that argues that given how well this record is likely to do, there’s no point in reviewing it. And some people will be sharpening the knives for the inevitable backlash. Hell, that w

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as starting to happen before the unfortunate TV appearance a week or two ago.

Thing is, for whatever reason (probably to do with only having got 6Music at the start of the year, only reading NME periodically migh

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t well be factors)

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, I first heard ‘Video Games’ on the radio. It didn’t blow me away at first – but now it has worked its’ charms on me.

Is it an innovative album that rewrites the rulebook? No – but nor is it an exercise in shameless nostalgia. Taken

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simply at face value, it is an album of hauntingly beautiful songs. And yes, she’s worked with collaborators on songs- so have most artists since the dawn of time.

The title track you probably know by now, as well as ‘Video Games’. There are other tracks worth seeking out here – after all in this day and age of downloads, there will be many who simply buy the songs they have heard rather than bothering with the entire album (a shame, but this may well be a generational thing). For my money, ‘National Anthem’ and ‘Blue Jeans’ are worth your time too.

Is she a persona as Lana Del Rey, rather than as Lizzie Grant? Perhaps. I’ve not watched the videos – and the more I hear other peop

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le talk about and dissect them, I feel like I want to just stick with the music. The album cover reminds me more of Desperate Housewives than anything else, and I don’t feel the urge to do more than just enjoy the sounds, rather than subject the record to huge amount

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s of over-analysis.

…and on the evidence here, that’

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s quite enough for me.

***1/2

Born To Die is released on Polydor/Interscope on January 30.

Mark Stewart vs. Primal Scream

mark_stewart_bobby_gillespie_lo_res_12

Some collaboratio

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ns just look so god damn cool on paper (or in an email) that your interest is piqued before you have heard a note of the music, or a second of the video. And so it is here.

Mark Stewart – once of The Pop Group (creators of one of the most astonishing albums ever in Y) has collaborated with Primal Scream for a track ‘Autonomia.’ Written about the death of Carlo Giuliani, who was killed at the G8 demonstr

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ations in Genoa in 2008, the song is the first single to be taken from Stewart’s forthcoming album The Politics Of Envy, due out at the end of March.

The video was directed by none other than Douglas Hart, who not only is a former member of the Jesus and Mary Chain – but he was the bass player in the band for their debut album Psycho

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candy when the drummer in the scream was none other than Bobby Gillespie of Primal Scream (just in case you have been under a rock for the past quarter-century).

Autonomia from Future Noise Music on Vimeo.

The Politics Of Envy has a guest list to make the most reserved post-punk fan salivate with excitement: Kenneth Anger, Richard Hell, Keith Levene (Clash/PiL), Lee ‘Scratch’ Perry, Gina Birch (Raincoats), Tessa Pollitt (Slits), Douglas Hart,
Factory Floor, Youth, Daddy G (Massive Attack), and all of Primal Scream. Just a little bit cool then…

The tracklisting is as follows:

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1. Vanity Kills
2. Autonomia
3. Gang War
4. Codex
5. Want
6. Gustav Says
7 .Baby Bourgeois
8. Method to the Madness
9. Apocalyp

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se Hotel
10. Letter to Hermione (yes, the David Bowie song from the Space Oddity LP)
11. Stereotype

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Competition Time!

field-music-gig

OK folks.

The HMV Picture House in Edinburgh is running a series of shows for the Next Big Thing Festival across the UK.

According to the press

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releas

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e: ‘The first show on Monday 6th February sees Field Music showcase their indie rock sound to Edinburgh coinciding with the release of their eagerly awaited fourth album, Plumb. Recently added to the bill is Glasgow electro pop favorites The Dykeenies. Having released their first album in 2005 and landing a spot of the NME Rock and Roll Riot Tour, the band have went from strength to strength. Joining the

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m is fellow Glaswegians, Laki Mera, whose debut EP drew comparisons from artists such as Concteau Twins and Portishead and finally Edinburgh’s very own Bwani Junction. Frightened Rabbit headline a sold out second HMV Next Big Thing show and are supported by We Are Augustines and Fatherson on Friday 10th February.’

…and being lovely people they have given me a pair of tickets to the Field Music gig at the Edinburgh HMV Pict

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ure House on February 6.

To be in with a chance of winning, simply answer this question:

Q: What is the name of Field Music’s new album, to be released in February 2012?

Email answers to seventeensecondsblog@hotmail.co.uk by Friday February 3.

Field Music – A New Town by memphisindustries

The return of Midas Fall

photo-midas-fall-3

Having bigged up Midas Fall a couple of years ago
and rated their debut album Eleven, Return and Revert, it’s great to report that Midas Fall are to release a new EP.

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Due out on February 6, the EP As Our Blood Separates features five songs; three new songs ‘BPD’ ‘As Our Blood Separates’ and ‘Carnival Song’ as well as a cover of Nine Inch Nails’ Hurt (very different from the original an

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d the justly loved cover by Johnny Cash) and closes with a new remix of their song ‘Moviescreens’ which gained a cult following after bein

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g used in the soundtrack to the TV Series Lip Service. Elizabeth Heaton’s

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vocals still send a shiver down my spine…

Back in 2010 I described them as haunting and heartbreaking -and I continue t

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o stand by that.

Midas Fall ‘BPD’ by Monotreme Records

Listen to their

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cover of Nine Inch Nails’ Hurt here:

Stream the entire E

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P here

Does there have to be a reason?

minutes13

Utterly

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exhausted.

But…I thought I’d share this with you.

It’s the lat

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est single from Irish band The Minutes, it’s called ‘Heartbreaker’

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it’s barely more than 2 mi

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nutes long and I think it’s rather good. It’s taken from their album Marcata.

Turn it up loud.

I’ll see y

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ou soon…

Presenting…And The Giraffe

and-the-giraffe

One of the things about being a blogger is that you do get sent a hell of a l

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ot of stuff, and sometimes there’s stuff that slips through the net.* Apparently American duo And The Giraffe did send me an mail a few months ago, which I didn’t remember getting. However, they got in touch again, and the video they have had made for the open

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ing track on their EP Something For Everyone entitled ‘Underground Love’ is great. And apparently was shot for $0, in their own words ‘apart from the cost of paying for food and parking when we traveled to different locations. It was shot with the help of a very good friend of ours, Harrison Sanborn over the course of about 2 or 3 days.’

Now, even if the results had been just average, that’s pretty impressive. But to do it and actually produce a better video than some people make with a budget into six figures (that could be dollars, pounds or any currency, I suppose), is no mean feat. And the Giraffe is made up of two best friends, Nick R

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oberts and Josh Morris. ‘Together they make ambient dream-folk music and hope to continue doing so for as long as time allows.’

Check out the video – I think this is fantastic.

You can download their EP on a pay what you like basis – it’s a beautiful record. I’m typing this on a Sunday evening and it f

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its the mood perfectly.

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*Just by way of example, I was clearing out some emails one time and discoveerd that one of the bands who I hadn’t dealt with an email from were The Last Battle. As 17 Seconds Records ended up putting out their debut single and debut album, this is a sign that no response is not a sign that you will never get feat

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ured on 17 Seconds.

Album review – Laura J. Martin

laura-j-martin

Laura J. Martin -‘The Hangman Tree’ (Static Caravan)

Liverpudlian Laura finally releases her debut album, several singles down the line, including the rather fine title track. In that time she has collaborated with members of Teenage Fanclub and Gorky’s for last year’s album as Jonny, amongst other projects, not to mention being proficient at both the mandolin and flute, both of which she plays live.

Her vocal style is somewhere around the Kate Bush, Joanna Newsom and Bjork end of the spectrum. It’s a good sort of kooky, without being melodramatic or histrionic. Amongst her interests are Japanese folklore, but there’s also a sense in which this is a very English record – in the way that the pastoral sounds of Fairport Convention or Virginia Astley make for a very English sound. The psychedelic folk feel might gtet it labelled acid folk or some such bizarre type label, if labelling or pigeon-holing is your thing.

The album is very much as one piece, and there are no doubt those who will find the spirit impenetrable. But there will be those who fall in live with it, who embrace and relish its charms and unusual approach, up against so much run of the mill folk and pop music today. Set to become a cult classic, I think.

****

The Hangman Tree is released on Static Caravan on January 23.

Laura J Martin – The Hangman Tree – Salamander (Featuring Euros Child) (static caravan) by pdis_inpartmaint

Laura J Martin – The Hangman Tree – The Hangman Tree (static caravan) by pdis_inpartmaint

Some covers for Friday

crunchie

OK, just what it says on the tin.

Badly Drawn Boy -‘Thunder Road (Bruce Springsteen cover).’ mp3

Bruce Springsteen -‘Dream Baby Dream (Suicide cover).’ mp3

Lemonheads -‘Different Drum (Michael Nesmith cover).’ mp3

Franz Ferdinand -‘Womanizer (Britney Spears cover).’ mp3

Wedding Present -‘Back For Good (Take That c

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over).’ mp3

Pop Will Eat Itself -‘Love Missile F1-11 (Sigue Sigue Sputnik cover).’ mp3

Joy Zipper -‘Wave Of Mutilat

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ion (Pixies cover).’ mp3

Killers -‘Why Don’t You Find Out For Yourself? (Morrissey cover).’ mp3

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…and two covers by the Ukrainians of Smiths songs. but which ones…

Ukrainians-‘Batyar.’ mp3

Ukrainians -‘ Koroleva ne polerma.’ mp3

Presenting…Echotape

echotape

This popped into my inbox a couple of weeks ago,

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and to my shame, I told their patient PR person that I would cover them, and then didn’t!

So apologies to Jam

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es, and a

o

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pologies to Echotape. Because the track they sent me ‘Came Into My Blood’ is awesome. It takes their influences – who include the likes of M83, Mogwai, The Horrors a

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nd Echo & The Bunnymen (all faves around 17 Seconds Towers), and nods to Radiohead post OK Computer and the Errors, and run with it. A long, long way, in fact.

They have a four track EP on the way, for their debut album, they have worked with legendary producer Youth (he once of Killing Joke) who has worked with the likes of The Verve, The Orb and The Futureheads. They will support K

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illing Joke at London’s Roundhou

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se in March. I can’t find out who’s in the band – but just enjoy the music for what it is!

Came Into My Blood by Echotape

This track was posted on a US website:

Echotape -‘

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Riding For A Fall.’ mp3