About Ed

Music fan by instinct

Album Review: Micachu and the Shapes

micachu-and-the-shapes-never-260x260

Micachu and the Shapes: ‘Never’ (Rough Trade)

Following on from last year’s collaborative effort, Choppped and Screwed, Mica Levi and friends return with their second studio album. Ms Levi is continuing to forge her own path.

And it’s telling that this album is more acc

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essible tha

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n that -but still delightfully skewed pop, on its’ wonderful terms. THe first time I listened to this

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album, I realised I had to focus on it, rather than it just playing in the background. It’s actually quite easy to get into, if you give it the benefit of the doubt. Songs like ‘Slick’ and ‘Waste’ are pop songs, they’re just pop songs delivered by-and I mean this as a compliment -an artist with a unique, vi

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sionary approach to music. After all, how many artists do you know who make their own instruments?

Yes, it will freak some folk out. Good.

Because this is proof that experimental does not have to equal unlistenable, that experimental is not mutually exclusive from pop, that experimental is not shorthand for self-indulgent.

…are you up for the challenge?

****

Never is out now on Rough Trade.


Stream the album via The Guardian website

Presenting…Crushing Blows

crushing-blows

So much music in my inbox. It’s really hard to get through it all, and introductions that tell you where they have played with shite Band A, shite Band B and Shi

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te Band C are not guaranteed to get my interest up. Oddly.

Yet sometimes, you just have to take a chance.

Like with Crushing Blows. Without wishing to get all seventies on you: listen to this on headphones. The Derbyshire duo of Andrew Foster (Drums, Vocals and Keyboard) and Chris Jo

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nes (Guitar and V

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ocals) have something distinctive about them. Not just another run of the mill indie band (THANK GOD) if this evidence -a track from their forthcoming EP is anything to go

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by:

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They put out this track last year. It’s rather fine. An Indiepop band with the feel of Battles? Don’t knock it.

Finally, this double A-side (or whatever we call them in the digital age) came out this year. Different once again:

Darren Hayman…he’s still working at a fantastic rate!

darren-hayman

It seems that – six months at the most- I am frequently writing about yet another new release from Darren Haym

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an.

I certainly don’t begrudge it -he’s a genius and he’s prolific as anything, with an amazingly high standard of quality control. And some very quirky ideas for projects.

His latest album is entitled Lido (also the debut album by the criminally underrated Clearlake, all those years ago) is all about open air Swimming Pools. Many of these have now closed in the UK, but retain more than a slight air of beauty about them, particularly from people who love the art deco style. Oh, and the album’s completely instrumental.

This is the tracklisting for the album:

1. London Fields
2. Black Rock Baths
3. Brockwell Park
4. Parliament Hill
5. Saltdean
6. The Knap
7. Super Swimming Stadium
8. Brentwood
9. Tinside
10.Stonehaven
11.Kings Meadow
12.The Jubilee Pool
13.Purley Way
14.Tooting Bec

This is ‘Jubilee Pool’

This is the video:

…and there is also another video, this time for ‘Super Swimming Stadium’

Super Swimming Stadium by Darren Hayman from Darren Hayman on Vimeo.

Also, if you are in the London area in September, Darren has an exhibition of all the artwork from the album from 3rd – 16th S

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eptember at Rough Trade East Record shop. This can be found at: Dray Walk,

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Old Truman Brewery, 91 Brick Lane, London E1 6QL

The album can be pre-ordered from the bandcamp for the vinyl version.

Finally, this Saturday (Augus

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t 4) Darren is one of the guests at Withered Hand’s show at the Queen’s Hall, Edinburgh.

Presenting…David Byrne & St. Vincent

lovethisgiantjpg

David Byrne and St. Vincent will release their collaborative album Love This Gia

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nt on September 10.

Two years in the making, they don’t appear to be touring it in the UK just yet (just the US and Canada). The tracklisting for the album i

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s as follows:

1. “Who”
2. “Weekend in the Dust”
3. ”

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Dinner For Two”
4. “Ice Age”
5. “I Am An Ape”
6. “The Forest Awakes”
7. “I Should Watch TV”
8. “Lazarus”
9.

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“Optimist”
10. “Lightning”
1

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1. “The One Who Broke Your Heart” (ft. The Dap-Kings and Antibalas)
12. “Outside of Space & Time”

You can download the album’s opening track ‘Why’ below:

To stream ‘Weekend In The Dust’ follow this link

Presenting…Jesus, baby!

jesus-baby

August is nearl

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y upon us. In Edinburgh that means the Festival and the way bigger than the Festival insanity that is the Fringe. Which I spend most of the year looking forward to, and most of it getting fed

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up at the inability to move anywhere.

This las

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t Sunday saw me with Mrs. 17 Seconds and baby 17 Seconds, and Father and Mother 17 Seconds wandering around town before things get stupid. Sitting in the Fruitmarket Gallery, I picked up a copy of The Leither magazine.

It is hailing a track called ‘Caterpillar Ta

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ngo’ by Jesus, Baby! as the song of the year so far.

Read the a

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rticle in question here. If you want names to drop, well, it’s

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sung by Davey Henderson (that’ as in (deep breath:) Fire Engines, Win, Nectarine No.9 and the Sexual Objects Davey Henderson), as well as Bill Ryder Jones (ex-The Coral) and others involved.

Strea

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m the track below, it really is bloody awesome:

They had three launches for this – try Avalanche in Edinburgh as your first port of call for the 7″.

The Return of Bat For Lashes

bfl-the-haunted-man-artwork

Natasha Khan, better known as Bat For Lashes, is shortly to release her third album, The Haunted Man on October 15.

Though not the first single from the album-which will apparently be premiered in late August -‘Laura’ is the first track to be released to the world from the album. Stream it below…

…and watch the video here.

The tracklisting for the album is as follows:
“Lilies”
“All Your Gold”
“Horses of the Sun”
“Oh Yeah”
“Laura”
“Winter Fields”
“The Haunted Man”
“Marilyn”
“A Wall”
“Rest Your Head”
“Deep Sea Diver”

She will also be playing live on the following dates:

Sun 2 Sep Electric Picnic

Sun 9 Sep Bestival

Thu 18 Oct Inverness Ironworks

Fri 19 Oct Edinburgh Picture House

Sun 21 Oct Glasgow O2 ABC

Mon 22 Oct Manchester Cathedral

Thu 25 Oct Leeds Metropolitan University

Fri 26 Oct Norwich University of East Anglia

Sun 28 Oct Leicester O2 Academy

Mon 29 Oct London Forum

Thu 1 Nov Birmingham HMV Institute

Fri 2 Nov Bristol Anson Rooms

Sat 3 Nov Portsmouth Pyramids

Sun 4 Nov Brighton Dome Concert Hall

Album Review: Tom McShane

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Tom McShane -‘The Ural Winter.’ (self-released)

Another singer-songwriter? Hell, no.

I first came across Tom McShane when he released a split single with another Northern Irish act, Escape Act, back in 2008. The song was called ‘Fighter.’ Whilst Escape Act put out a couple of singles through us here at 17 Seconds Records and have released two albums so far, Tom had much more of a battle.

In correspondence with me, he’s spoken about a battle with depression (something I can relate to all too well – by the way, he said he was happy

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for me to mention this in the review, so this is not me divulging personal and private stuff). He experienced an abortive attempt at making an album four years ago, that lead to him withdrawing from music. He went on a personal pilgrimage to the US and played some solo shows there, rekindling his love for music. In the end, this album was recorded live in one day, in f

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ront of an audience, in Belfast in 2010. As he notes on his bandcamp page ‘This wasn’t a live album per se as the audience where there to bring the special atmosphere that can only be generated by performing to a crowd. The tension was raised further by the banning of over-dubs and attempts for each song being restricted to one per session, of which there were two. ‘

And it’s brilliant. Songs like ‘Love Is Hard’ and the title are not just haunting songs, but the way they have been recorded and performed leaves you with a feeling of something very special and different. Produced by Tom with Rocky O’Reilly, the effect is that of a lo-fi Phil Spector. It’s an intimate wall of sound -and comparisons may very reasonably drawn with the likes of eagleowl and Low. And as songs like ‘One Man Band’ demonstrate, many many moments of loveliness lie within.

The birthing process leading to this album may have been hellish, but for us, the listener, this is something very special indeed.

****1/2

Album Review: Can

can-the-lost-tapes

Can -‘The Lost Tapes’ (Mute)

Quite often, compilations of ‘lost’ music or demos can present an all too obvious and uncom

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fortable truth: that the music contained within is simply not good enough to have made it onto regular albums and is simply released for completists. It is, therefore, very much a relief to be able to say that these three CDs of material very much deserve to see the light of day, and have some utter gems contained within. They were recorded between 1968 and 1977 and were compiled by Can keyboardis

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t Irmin Schmidt and Mute head honcho Daniel Miller.

It’s not that there aren’t a few tracks that the world might not have missed. ‘Evening All Day’ and ‘Buble Rap’ (yes, ‘Buble’) have some wonderfully atmospheric parts while at other times descend into self-indulgent tosh. ‘Blind Mirror Surf’

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is particularly trying.

But there are so many wonderful songs on here. The opening ‘Millionspeil’ with its flutes and jazzy feel. Excellent live version of ‘Spoon’ and ‘Mushroom.’ The insanely named ‘Dead Pigeon Suite’ is beautiful for six and a half minutes and then suddenly gets even funkier than ‘I Want More’ and goes like a Germanic James Brown. Othe

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r highlights include ‘Oscura Primavera’ ‘Your Friendly Neighborhood’ and ‘Midnight Sky.’

Inevitably, it may not be the best place to start for those new to Can (may I suggest Future Days or Tago Mago?, but it is a fascinating document that definitely reveals so much of what this fantastic band produced.

****

The Lost Tapes is out now on Mute.

Album Review: The Cast Of Cheers

cast_of_cheers-2012_family_album_cover

The Cast Of Cheers -‘Family.’ (School Boy Error)

Nope, nothing to do with Ted Danson, Kelsey Grammer and a bar where everybody knows your name, but instead, a rather fine quartet from Ireland.

Next predictable question: no, nothing like U2.

They sound young, fresh and have produced a rather good debut album. There is more than a hint of Bloc Party at their

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finest about this band, who have suggestions of Celtic melodies buried just below the surface in the sound. What they have ably demonstrated here is that they understand both the idea of the 3 minute pop song and a hook. This is not an album the re-writes the rulebook, but it doesn

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‘t set out to.

But in an era when so much stuff pertaining to be indie is boring guitar rock by numbers, it’s a relief to hear something sounding vibrant and enjoyable.

A band to keep more than just an eye on…

Family is out now on School Boy Error

The continuing adventures of Thurston Moore

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Thurston Moore is 54 today. He is currently touring in support of his latest solo album, Demolished Thoughts, which is a very fine album indeed. And while many of us sit and wonder whether Sonic Youth will ever play together again, now that he and Kim Gordon have split up, he has formed a new band called Chelsea Light Moving. As well as our hero, the band consists of Keith Wood (guitar), Samara Lubelski (bass) and John Moloney (drums).

They have put out a new song today, w

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hich can be downloaded for free, entitled ‘Frank O’Hara Hit.’

Chelsea Light Moving -‘Frank O’Hara Hit.’ mp3

There’s a couple more free songs that they have made available for free download via the Matablog:

Chelsea Light Morning -‘Groovy and Linda.’ mp3

Chelsea Light Morning -‘Burroughs.’ mp3 (Of course it’s about the late William S, what did you expect?!)

More info over at the Matablog