Dammit, it might well be!
Out on March 5, with this simple but very effective video, Miss Anita Bley, AKA Cocknbullkid, I salute you!
Dammit, it might well be!
Out on March 5, with this simple but very effective video, Miss Anita Bley, AKA Cocknbullkid, I salute you!

Rodeo Massacre -‘If You Can’t Smoke ‘Em, Sell ‘Em.’ (Smoky Carrot)
There are some really good moments on this, the debut album from Swedish-French band Rodeo Massacre. Album opener ‘Desert man’ has a gorgeous trumpet part, remi
niscent of of Calexico. With the gorgeous guitar hints of surf (think D
day in the USA
ick Dale, rather than the Beach Boys), it’s worth hearing this album for alone.
Rodeo Massacre have a gutsy frontwoman in Izzy, the Swedish lass who met up with the guys in Paris before the decamped to the UK. There isn’t much particularly original on offer here, but what is evident is the sound of a taleneted bunch of folks wh
o are clearly having a lot of fun. There’s a lot of love of rootsy American music on display here – be it country, blues, R&B, rock ‘n’roll, and the band are having a lot of fun playing around with this. Sometimes it doesn’t work (the flutes on both ‘Zombies Of Life’ and ‘I’m Eighteen’ are unnecessary), but often it
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Much of what is on display here suggests that Rodeo Massacre have the potential to develop themselves a lot further. It’s a competent debut -and I hope to see them find their own place on subsequent releases.
***
If You Can’t Smoke ‘Em, Sell ‘Em is out on Smoky Carrot on January 31.

Shona Foster -‘The Moon & You’ (Republic of Music/Univers
al)
Looking at my notes for reviewing this album, I see that the first thing I have written down is, simply ‘gorgeous!’
It is. There’s something quite special about this album. Towards the end of last year, I reached the
point where the phrase ‘singer-songw
riter’ was becoming severely troubling. So all credit to Shona Foster. The Scots-born, Yorkshire-based singer is genuinely unique, and this is an exciting album. It would be impressive by anyone’s standards -but all the more so, considering it is a debut album. And it draws you in, right from album opener ‘No.34.’
There’s a creativity at work here, in conjunction with a gorgeous voice, that manages to remember the importance of the song. Shona Foster understands decent music and thinks outside the (musical) box. The reference points here are not yet more anodyne singers a la Dido, but the likes of PJ Har
vey, Joanna Newsom and Bjork, and even the mighty Kate Bush. It’s as much cabaret and torch singer as it is pop and rock; in fact, probably more so. There’s a touch of Feist, too (‘Bad Intentions’ is reminiscent of ‘My Moon My Man’ – in a good way.)
It’s haunting, without being histrionic.
Passionate and not pathetic. It’s immaterial whether or not you think this record belongs in 2011; because it’s strong enough and deserving enough to exist in any time.
****1/
2
The Moon & You is released on Republic of Music/Universal on February 7.

(photo credit: Nic Stevenson)
Breakfast With Wolves are three young men (well, they look younger than me, so I’ll give them the benefit of the doubt!) who have just released their debut single ‘Hello My name Is Not Important.’ They hail from Shoreditch in East London…come back! They’re not a bunch of trendies but instead making a name for themselves by going against the grain of the cooler-than-thou set in East London.
Sure, they’ve a lot of indie and post-punk influence but also I hear the same urban paranoia and dread that I hear in Burial and Massive Attack. There’s an awkwardness here – a wariness -and that’s what sets them apart from their peers.
The single is made up of two tracks ’88mph’ (not sure if this referencing the speed of the Delorean in Back to the Future or not) and ‘Adam West For President.’
Rough Trade are stocking the single; you can also buy it off iTunes. Go without your takeaway coffee tomorrow morning.
For more Breakfast With Wolves tracks, check here

The legendary Sam Cooke, who was shot dead in 1964, would have been eighty today.
Pretty much the pio
neer of soul music, trying to list who he influenced would take up several blogs, but is pretty far reaching. The entirety of soul, but also into the R&B that the Beatles and the Stones loved, copied and then sold back to America, Hip-Hop…even Rod Stewart revealed that he spent his teens trying to copy Cooke’s vocal stylings*. Though chart positions indicate he was more popular in the US than in the UK, he made an impact that lives on. Rolling Stone magazine considered him to be judged him the fourth greatest singer of all time in 2008, and n
o.16 on their 100 greatest artists of all time.
He was shot dead in December 1964; at the time it was ruled as ‘justifiable homicide’ though conspiracy theories have run ever since. Etta James said in her a
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no prescription pharmacyutobiography -having seen the body in the funeral home – that he had been so badly beaten that his head was nearly separated from his shoulders, his hands were br
oken and crushed, and his nose mangled.
I’m not an authority on his life or his work, but these are two songs everyone ought to here. I’m not posting mp3s -go and buy the records/CDs/mp3s!
Sam Cooke ‘A Change Is Gonna Come.’
(if you don’t have a tear in your eye after that, I worry for your soul)
Sam Cooke
*17 Seconds would like to make very clear that it is in no way holding Sam Cooke responsible for ‘Do ya Think I’m Sexy’ or ‘Sailin’ which were visited on the record buying public.
Often there’s so much music coming into my inbox that I really struggle to write about it all, even when it’s stuff i want to cover.
So I’m g
oing to kill three cliches, sorry, birds with one stone and write about three things I’m enjoying right now.
First up, Anna Calvi’s self-titled debut album has been getting folks in a lather. While I haven’t heard it yet, on the basis of this very fibe track, I’m pretty anxious to. And nick cave and Jarvis Cocler are fans…what more could you possibly need?
Anna Calvi -‘Suzanne and I.’ mp3
Charles Bradley may be sixty-two, but he’s just about to release
his debut album, entitled No Time For Dreaming. This is the first track from it, entitled ‘the World(Is Going Up In Flames)’ and it’s awesome. A classic bit of soul.
Charles Bradley -‘The World (Is Going Up In Flames).’ mp3
I’m pretty excited about Mogwai’s new album Hardcore Will Never Die, But You Will, and I posted ‘Rano Pano’ from it before Christmas. Another track, entitled ‘San Pedro’ has been posted to download, from the album which is out on February 14 (15 in the US):
The video for Rano Pano can be seen here
Finally, PJ Harvey’s ‘The Word That Maketh Murder’ single is out now to download, from the forthcoming Let England Shake

90’s College rock heroes Buffalo Tom are set to return with their latest album Skins on March 7 (March 8 in the US). It’s their eighth album, and features guest Tanya Donelly, also a college rock hero, who was a member of contemporaries like Throwing Muses, The Breeders and Belly, before she went solo. The band are still the original trio as well, namely Bill Janovitz (guitars and vocals), Chris Colbourn (bass and v
ay in the USA
ocals) and Tom Maginnis (dr
ums).
Two tracks from the album are doing the rounds; ‘Arise, Watch’ has (apparently) been doing th rounds since the end of last year, while ‘Guilty Girls’ has just been released via Spin.com
Buffalo Tom -‘Arise, Watch.’ mp3
To download the also rather fine ‘Guilty Girls at Spin go here
The tracklisting for Skins is as follows:
Arise, Watch
She’s
Not Your Th
ing
Down
Don’t Forget Me
Guilty Girls
Miss Barren Brooks
Paper Knife
Here I Come
Lost Weekend
The Hawks & The Sparrows
The Big Light
The Kids Just Sleep
Out of The Dark
-and for old times’ sake:
om -‘Tailights Fade.’ mp3

Wire -‘Red Barked Tree’ (Pin
k Flag)
So, not only are Gang Of Four back with a new album, so are Wire!
…except, while Content is Gang Of Four’s first album in sixteen years,
Wire may have gone on hiatus over the years, b
ut they have been back together since the mid-eighties in some form or another. And sure, Wire are probably best remembered for their opening salvo, the trilogy of albums that was Pink Flag, Chairs Missing and 154, they have continued to produce great singles and albums. If at the very least you haven’t heard songs like ‘Kidney Bingos’ and ‘Ear drum buzz’ then shame on you, frankly.
Album opener ‘Please Take’ is deceptive, sounding slight at first u
ntil you realise that -like say, Scritti Politti’s ‘The Word Girl’- it is a hugely angry song. ‘Please take your knife out of my back/and when you do, please don’t twist it.’ There is definitely a je ne sais quoi Wire sound, and even if this album lacks the oddness associated with their earlier work, the ‘Wire sound’ is here in spades. Pinpointing what it is is the trouble -yet whether it’s the dreamy guitars of ‘Adapt’ or the lyrical matter of factness of ‘Please Take’ or the controlled feedback of ‘Two Minutes’ -it’s definitely a Wire album. And that’s a very good thing.
Sure this album doesn’t explore weird terrain in the way that their early work did, and I’m not entirely sure how m
any new fans it will wi
n them. But as someone who loves their work, it’s a fine album, and good to have it.
***1/2
Red Barked Tree is out now on Pink Flag

…cos this track still sounds thrilling to me.
I don’t think I understood why this was such an improtant record as a ten year old in 1987, I just liked it at face value. I didn’t grasp about the significance of sampling techniques or anything like that…but it was great.
And eventually I owned it on 12″.
It was infinitely better watching the
video (my brother and I discussi
maddictiontorecovery.com/Swede
n/png/zydena.html
no prescription pharmacyng
how much it must have cost -an
d me explaining that they probably didn’t rent the space suits) than the sight of two men hunched over their turntables on The Roxy and Top Of The Pops.
Actually, dance culture frequently suffered on Top Of the Pops. not that it wasn’t featured – just that regulations meant that certain samples couldn’t be used and what have you.
M/A/R/R/S -‘Pump Up the Volume.’ mp3
You did read that righ
t.
It might sound odd on paper (or on screen) but in 1993, New Model Army di
d indeed team up with Tom Jones to record the Rolling Stones’ ‘Gimme Shelter’ for the charity Shelter.
…and here’s the proof!
When I interviewed NMA’s Justin Sullivan in 2009 he said that Tom Jones had been grea
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with the lowest prices today in the USAt to work with.
Musty write that interview up properly sometime.
Oh, and one of the other cover versions was…Samantha Fox and Hawkwind…
if anyone has an mp3 of this I would be eternally grateful.