Covers in honour of Glastonbury

beyonce

OK folks…

this is not all Glasto-related, but unless you’ve been under a rock for the last six months, you will know that Beyonce is headlining Sunday night at Glastonbury this year.

There are people who think a pop act has no place at Glastonbury -they’re wrong. And three years ago, Mr. Beyonce, Jay-Z proved that he could blow the minds of the people at Glastonbury. I haven’t been in over a decade, but I enjoyed acts as diverse as Asian Dub Foundation, David Bowie, The Pet Shop Boys, Spearhead, Pulp, The Cure and Radiohead, to name but seven.

And if I was going this weekend, I’d be looking forward to Beyonce as much as Morrissey.

I hadn’t heard of Heike Has the Giggles until this morning, when their cover of Beyonce’s ‘Crazy In Love’ appeared in my inbox:

Heike Has The Giggles – Crazy In Love (BeyoncĂ© cover) by Foolica Records

Download it here

Biffy Clyro -‘Umbrella (Rihanna cover).’ mp3

Manic Street Preachers -‘Umbrella (Rihanna cover).’ mp3

(Seriously, Glastonbury should get Rihanna one year)

The Streets -‘Your Song (Elton John cover).’ mp3

Carter USM -‘Rent (Pet Shop Boys cover).’ mp3

Sons & Daughters -‘Killer (Adamski/Seal cover).’ mp3

James -‘China Girl (David Bowie/Iggy Pop Cover).’ mp3

Kaiser Chiefs-‘Golden Skans (Klaxons cover).’ mp3

Katzenjammers -‘Cars (Gary Numan cover).’ mp3

Death Cab For Cutie -‘World Shut Your Mouth (Julian Cope cover).’ mp3

Susanna -‘Lay All Your Love On Me (Abba cover).’ mp3

Moving up on second base, behind Nicholas van Whastisface

carter-usm-sherriff-fatman

Have caught up with a couple of friends from school days this evening, and yet again the subject of Carter USM came up.

Only saw them once -at the Smash Hits Poll Winners Party in 1991 when they decked Philip Schofield, and was proud to say I was there (seeing them do it, as opposed to being at the Smash Hits Poll Winners Party).

Is this nostalgia?

Yeah, probably, but this is still a fantastic tune, no matter how you look at it…and I still love tunes by the likes of Ned’s Atomic Dustbin, the Wonderstuff and Pop Will Eat Itself. In fact, when it comes to nineties revivalism, give me these guys over Reef or Ocean Colour Scene any day! And Carter did actually get a fair bit of mainstream coverage for a time, what with appearances in Smash Hits and on Top Of the Pops.

Carter USM -‘Sheriff Fatman.’ mp3

See the video here

…and for those who would like to see Philip Schofield getting lamped:

Some covers for Friday – The return!

crunchie

Haven’t done this in ages…so why not?

No theme, just some good cover versions!

Lightspeed Champion -‘Back To Black (Amy Winehouse cover).’ mp3

Cat Power -‘Wonderwall (Oasis cover).’ mp3

CSS -‘One Way Or Another (Blondie cover).’ mp3

Carter USM -‘Rent (Pet Shop Boys cover).’ mp3

Wedding Present -‘Back For Good (Take That cover).’ mp3

X-Lion Tamer -‘Tugboat (Galaxie 500 cover).’ mp3

This Mortal Coil -‘I Am the Cosmos (Chris Bell cover).’ mp3

Bauhaus -‘Ziggy Stardust (David Bowie cover).’ mp3

BMX Bandits -‘Love ‘n’ Mercy (Live) (Brian Wilson cover).’ mp3

Swimmer One -‘Cloudbusting (Kate Bush cover).’ mp3

Enjoy, folks! xx

Ten for the nineties…1991*

Ah…1991. School was rubbish, the UK got involved in a war in Iraq (plus ca change la meme chose etc..) and the UK recession bit. How times change. Bryan Adams was no.1 for sixteen weeks with the theme for a film about Robin Hood that showed Kevin Costner doing an appalling English accent -‘Robin Hood: Prince Of Thieves.’ Music, yet again, would save us. Depending on what got through, of course. Bizarrely, songs not played during the time of the Gulf War were ‘Saturday Night’s Alright For Fighting’ by Elton John, the Bangles ‘Walk Like An Egyptian’ and Lulu’s ‘Boom-bang-a-bang.’ The Cure’s ‘Killing An Arab’ didn’t make the blacklist though. In the middle of all this, there was the incongruous sight of the Clash getting a no.1 with the re-issued ‘Should I Stay or Should I Go?’

I have to admit, this track didn’t do much for me in 1991, but over the course of the decade, it and parent album Blue Lines grew on me. It was actually credited to Massive, rather than Massive Attack, being as the name was considered inappropriate at the time of the Gulf War. This track is without a doubt my favourite track of the last twenty years.

Massive -‘ Unfinished Sympathy.’

A few weeks ago, a twelve year old started trying to tell me abuot when Nirvana first appeared on Top of the Pops. ‘You don’t have to tell me,’ I explained ‘I was watching it, I know!’ But that’s the thing: for my generation he was the one who pushed open the door for alternative music into the mainstream; for another generation after us, he’s an icon of doomed youth. Perhaps it’s how people in their fourties feel when i ask them about their experiences of the punk days. Ah well…

Nirvana -‘Smells Like Teen Spirit.’

Hello to shoegazing (part 1). Curve were one of those names I would gaze it in the indie chart each week, wondering how I could even get to hear their music -the likelihood of hearing it on daytime Radio 1 was slim, and I had no access to MTV, and filesharing meant something different in 1991. Eventually I heard them – bought a cassette single of ‘Coast Is Clear’ and was not disappointed. This was the debut single though, featuring the man who held the record for many years for being the world’s fastest rapper – ‘JC 001.’

Curve -‘Ten Little Girls’

In which the world of shoegazing meets goth (see also the Cocteau Twins). By 1991, Siouxsie and the Banshees were pretty much the elder statesmenandwoman of the ‘indie-alternative’ spectrum, but I still carried a torch for them that I had done since I saw ‘Candyman’ as a nineyear old on Top of the Pops. This song was prime Banshees, even if parent album Superstition wasn’t. As shoegazing and baggy battled it out (well, sorta), the instrumental break seemed to bear more than a passing resemblance to Chapterhouse’s single of the same time ‘Pearl.’

Siouxsie and the Banshees -‘Kiss Them For Me.’

It’s a truth not generally acknowledged that there was a successful pre-Britpop indie scene, that dind’t involve Shoegazing necessarily, but did make it onto Top Of The Pops, Smash Hits and quite often daytime Radio 1. The Wonderstuff were one of those bands, along with Pop Will Eat Itself, Ned’s Atomic Dustbin, Jesus Jones, Carter the Unstoppable Sex Machine who often did rather well. This was their biggest hit as band (not involving covers and Vic Reeves).

Wonderstuff -‘Size Of A Cow.’

This song got me from the off: ‘Says she won;t be forced against her will/says she don’t do drugs but she does the pill.’ sufficiently parent-baiting, I hoped. I still have a spot for the Fanclub but I kinda preferred them when they were mashing up Big Star and Dinsoaur Jr, rather than the Neil Young of the scottish west coast which started setting in about 1997.

Teenage Fanclub -‘The Concept.’

It has been said about many of the pre-britpop bands that they made more money selling T-shirts than records, but they did have hits too. This song got Carter onto the Smash Hits Poll Winners Party in October 1991. The show might have passed off without incident had host Philip Schofield then muttred an insensitive gag about thier haircuts…see “>here. heh heh…My little brother and I were there, having won tickets, and we sorta saw it, but it was only completely clear when we got home and wathced the video afterwards…

Carter The Unstoppable Sex Machine -‘After The watershed (Early Learning The Hard Way).

*Would be here also: REM -‘Losing My Religion’; Billy Bragg ‘Sexuality.’ Problems with what is available on YouTube at the moment.

Some Covers For Saturday Part VI

Just as it says on the tin…

Was never into boy bands of the nineties, just represented everything I couldn’t stand then or now…so what was it about this tune?

Wedding Present – Back For Good.’ mp3 (Take That cover, obviously)

The Breeders cover of The Who’s So Sad About Us may well have been a dig at the fact that the Pixies (this was 1992) were about to call it a day for a decade, as it were.

The Breeders -‘So Sad About Us.’ mp3 (The Who cover)

I’m not sure where I picked up this mp3, but it’s a Pavement song done by Cat Power. Hooray!

Cat Power -‘We Dance.’ mp3(Pavement cover)

The Pet Shop Boys are geniuses. Carter USM knew this too:

Carter USM -‘Rent.’ mp3 (Pet Shop Boys cover)

Is the original artist or the cover the guiltier pleasure here? Discuss…Oh, and if anyone can send me the cover of Hot Chocolate’s Emma done by The Sisters Of Mercy (yes, you DID read that correctly), the address is on the top right hand side of this blog).

Cud -‘You Sexy Thing.’ mp3 (Hot Chocolate cover)

And finally, something completely different…

Grace Jones -‘La Vie En Rose.’ mp3 (Edith Piaf cover) (and yes, that’s Grace Jones at the top)

See you tomorrow…

UPDATE: thanks to all the readers who sent me the Sisters of Mercy’s cover of Emma, especially Craig who sent it to be three times. Here it is:

Sisters Of Mercy -‘Emma.’ mp3(Hot Chocolate cover)

…and in the unlikely event that anyone can help with sourcing a copy of the Sisters of Mercy playing ‘He’s Got the Whole World In His Hands’ (someone I knew had this years ago on a cassette, supposedly from the 1987 Glastonbury festival but I could have misunderstood that) please let me know.

Some Covers For Friday

Now that I have finally got the hang of how to get stuff from CD converted into mp3 (like everything; easy WHEN you know how!), I thought I would delve through my CD singles (I couldn’t bring myself to get rid of any more, even though I don’t play them very often) and post some covers. In the world of the mp3 blogs it seems that people often stick covers up on the weekend. Well, no time like the present.

Please note: all the singles I refer to here are the UK releases. If iTunes cannot help you, try ebay

This track was originally on the ‘Carnival’ single in 1995. Whilst some of their later releases could be rockier, does anyone else think The Cardigans sounded quite ‘twee’ circa the Life album? Check that name for starters. Though not many twee indiepop bands tended to cover Ozzy Osbourne. As far as I know.

Cardigans – ‘Mr. Crowley (Ozzy Osbourne cover).’ mp3

This track was originally recorded for the Leonard Cohen tribute album I’m Your Fan (ouch!), and also turned up on the CD single to ‘Drive’ in 1992.

REM -‘First We Take Manhattan (Leonard Cohen cover).’ mp3

This track was on the ‘Kowalski’ single in 1997, a cover of the track from the Clash’s Combat Rock album.

Primal Scream -‘Know Your Rights (Clash cover).’ mp3

I cannot say I was ever a huge Robert Palmer fan, and the album this song originally was on, Clues, did little to alter that. This track, though, is a classic and was used for numerous years to advertise Vauxhall cars in the UK (Opel to any any European readers). Placebo’s cover appeared on one of the CD singles of ‘Taste In Men.’

Placebo -‘Johnny And Mary (Robert Palmer cover).’ mp3

John Lennon’s anti-war activities unnerved Richard Nixon. Rather like upsetting the Daily Mail (a UK newspaper that is just poison on paper and reminds you of the downsides of free speech) this is probably A GOOD THING. This cover, by Mercury Rev, appeared on the re-issue of ‘Goddess on A Hiway’ in 1999.

Mercury Rev-‘I Don’t Want To Be A Soldier (John Lennon cover).’ mp3

I was really tempted to post Johnny Cash’s version of ‘Hurt,’ because it is so good, but then it occured to me that the song has been posted a hell of a lot. So, why not post his cover of Glen Campbell’s ‘Wichita Lineman,’ which was recorded for American IV: The Man Comes Around, but is only on the vinyl version of the album and the ‘Hurt/Personal Jesus’ CD single.

Johnny Cash -‘Wichita Lineman (Glen Campbell cover).’ mp3

Gang Of Four’s Entertainment! has really come back into vogue with all those bands showing ‘post-punk’ influences. Apparently not a single, but this was covered by Idlewild on their ‘Live In A Hiding Place’ single.

Idlewild -‘I Found That Essence Rare (Gang Of Four cover).’ mp3

Michael Jackson, whatever the problems he has had (and I really can’t be bothered to go into it all here), has been responsible for some fantastic music. Ian Brown is a man who knows this, and told us via his ‘Dolphins Were Monkeys’ single.

Ian Brown -‘Dolphins Were Monkeys (Michael Jackson cover).’ mp3

One of my claims to fame is that in 1991, I was in the audience at the Smash Hits Poll Winners Party when Philip Schofield took the mick out of Carter the Unstoppable Sex Machine for their name – and guitarist Fruitbat decked him. On Live Television. Considering what a ‘family-orientated’ show it was (Salt ‘n’ Pepa couldn’t perform
‘ Let’s Talk About Sex’ because it mentioned sex, and performed a far inferior tune instead), Carter were performing ‘After The Watershed,’ which dealt with the issue of child abuse. The single contained their cover of the Inspiral Carpets ‘This Is How It Feels’, and my brother and I have always felt it superior. My brother recently got the chance to meet Jim Bob, the other Carter guy, who is by all accounts, a thoroughly decent bloke.

Carter USM -‘This Is How It Feels (Inspiral Carpets cover).’ mp3

Teenage Fanclub. A legendary Scottish band who covered a Bevis Frond song and according to Nick Salmond of the Frond, earned him more money than anything else. BMX Bandits. A legendary Scottish band who covered a Teenage Fanclub song which featured a Kylie lookalike in the video. Singer Duglas T. Stewart once (*allegedly) tried to copy the K Foundation by burning all the profits from his career on the radio. Predictably, the 50p piece failed to catch alight.

BMX Bandits -‘Kylie’s Got A Crush On Us (Teenage Fanclub cover).’ mp3

OK, you should know the drill by now. These covers will be up here for one week only. If you like them, support the artists involved, and with covers, make sure you also investigate the original if you haven’t already.

Have a good one, Ed x